Damned Words 43

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Fate
Nina D’Arcangela

Jabba-jaw, raking claw, with haste to the frenzy you did make.
The fray engaged, you are quick to slay any beast brought to slaughter.
Fierce clashing, teeth snapping, bones split beneath hammering rage.
Yet fleet of feet, it has you beat, as it fells your carcass to ground.
The battle fought, fury spent naught; your grin the jester’s call.
With placid lips and eager sips, it sups where you did fall.


The Bones of Her Earth
Charles Gramlich

Her name at ten was Melody. She lived amid the avocado green woods on Millstone Mountain in Arkansas, near a town called Liberty. Melody had hair like a thicket of weeds and eyes no one ever looked into. She had thoughts no one offered a copper penny for, and all her words she kept in her mouth so they couldn’t be slapped away by Mama.

Her name at twelve was Holly, after the necklace and wristlets of red berries she always wore. Most days, she spent in the woods, eating hickory nuts and wild cherries in season, eating other things no one ever thought to name. She caught tadpoles and carried them in her pockets until they dried hard and dark as rabbit turds. Then she buried them and made wishes over their graves. The wishes never came true.

At fourteen, her name was Harmony. She’d learned to sing the pain of her bruises through the heat of the summer like the cicadas. She would lie in the creek and place flat stones on her belly. The smooth weight comforted her scars. Sometimes she slept out under a roof of cedars and stars and dreamt of flying through the trees like dragonflies. She always awoke before she grew wings.

At sixteen, she threw away her names. That was the year she found the jawbones, white on the ground amid frost-killed leaves. She prayed to them as Gods. They answered. Carrying them in her fists, she returned to the house she’d never called home. The bones were no longer white when she was finished with Mama.


Wednesday
Marge Simon

Today is Wednesday, the day the Beast people come for the dying. The grown-up’s call them ghouls. Once, the Beast people lived deep in the earth and ate dead bodies. But now they came up to stay here. They wear long, hooded cloaks and their breaths rattle as they move. It’s like the sound his father made when he was so sick. Papa coughed all night, even in his sleep. On a Wednesday, the Beast people came and took his father away. Now Mama is very sick too.

When the sun passes to afternoon, he is worried about her. If he stays in the house, they’ll come in. They’ll hide in the shadows and wait for Mama to die. That’s what they did when his father got so sick. He’s sure they want her too. Two miles up the road is the cemetery. He decides he will lure them away from Mama.

When he sees them coming, he goes outside and runs as fast as he can all the way to the cemetery. He is out of breath, but first he walks around, searching the gravestones. One of them has to be his Papa’s, but he can’t remember where it is. He’d come with Mama to put flowers on it last week, but there are no graves with flowers and he can’t read. Exhausted, he sinks to the ground, bumping into a peculiar shape. The headstone creaks, the ground gives way and he falls in. When his eyes adjust to the dim light, he sees the cavern is filled with long skulls and old bones. The skulls have the Beast people’s faces.

Above, he hears the rattle of their breathing coming closer. This must be their secret burial place. There’s nowhere to hide. He starts to cry.


In the Forest
A.F. Stewart

Shall I tell you a story, little one?

No, no, wait, don’t back away. Stay here, with me, and listen. I’m sure you will find it fascinating. My tale is about this forest, you see.

They say this woodland is haunted, don’t they? Well, they’re correct. Spirits move past the trees, within the wind, and worse, the ravenous dead walk here, among the bones.

Can’t you hear their murmuring voices growing closer?

They’re hungry. Always hungry.

I think you understand now, why the villagers told you not to come, not to hunt here. This forest kills everything that enters, and nothing ever leaves.

They’re here now. Can you see them, those pitiful skeletons, gnashing their jaws? You can run if you like, but you’ll be dead soon whatever you do. The forest takes us all.

We all remain.

Until we are nothing but bones.

And cursed souls.


New Friend
Lydia Prime

As little Melanie burst through the back door, curtains flew and the screen-door slammed shut. Mommy yelled for her to stop, but she was going so fast in her slippery shoes that she skidded halfway across the room. She could see her mother eyeing the mud on her new lace dress. With hands on hips, and a scowl on her face, Mommy’s pinched lips said everything her mouth didn’t need to.

Melanie started to protest before Mommy could speak, but one quick snap of the towel she always wore over her shoulder was enough to silence the child. As mother’s hand reached out for what Melanie was hiding behind her back, a pot lid rattled on the stove. Mommy turned thinking it was boiling over, but it wasn’t. Melanie took a step backwards.

Focused on her daughter once again, mother reached out and gestured, but Melanie didn’t want to hand over her prize, it had told her not to.

As Mommy took a step forward, she heard something rattle in the ‘fridge. Melanie was slowly sliding backwards into the hallway as she watched her mother open the icebox. The eggs were tipped and fell to the floor with a smash! Mommy bent down to clean the mess, and when she did, the large, glass milk bottle began to jiggle.

Melanie quickly turned and brought her new friend up to her face, panic flashed in her eyes. The chuckle that ran through her sent a shiver down her spine.

Watch, the voice slithered through her mind.

Melanie turned as the heavy jug crashed into Mommy’s skull and split it in two. Now put me in the puddle to feed, the bones intoned. With little choice, Melanie did as she was told. She was, after all, a good girl.


Mask
RJ Meldrum

Cody heard the truck. Pop was back from hunting. He parked in front of the house. Pop had been successful. A buck. Pop climbed down.

“I want this dressed. Skull needs to be bleached, I want it in my trophy room.”

That was where he kept his skulls and stuffed heads.

“I was gonna go swimming.”

His father’s face went dark. He grabbed the scruff of Cody’s shirt.

“I didn’t raise no pansy, I raised a man, one who can see to his own meat.”

“Yes, pa.”

“Now, get working, while I grab a beer.”

Cody went to the back of the truck to see a bloodstained deer on the truck bed. He got to work.

It took hours. His hatred for his father grew. Every day he was forced to ‘man up’. Forced to play sports he hated, crushed by boys twice his size. Forced to shoot helpless animals. Forced to cut them open, cleave their flesh, rip out their bones for display. He hated it all and he hated his father.

He stared down at the skull, boiling in the huge pot on the outside gas burner. After a couple of hours, he removed it from the water and scraped all the meat off. Cody stared down at the eye sockets. What had this creature felt, just before it died?

He knew what he had to do. He had to avenge the deaths of all the slaughtered creatures. He had to avenge himself.

Later, after sunset, he stood on the threshold of his father’s bedroom. Cody had split the skull in half and reattached the two parts with leather straps. He was wearing it, his face obscured. He was no longer Cody, he was nature. He held Pop’s favorite hunting knife.

The moon emerged. It was time.


What Remains
Mercedes M. Yardley

“Hey. Hey. Marissa.”

She ignored it, ignored the way that it chattered and teased and always called her by the wrong name. She walked past it resolutely, a discarded piece of bone nipping at her heels as she strode by.

“Hey. Melanie. Just pick me up. Take me home. Let’s play together. There are so many different ways to play together.” The animal skull grinned at her. Funny how skulls are always forced to grin. She didn’t believe being dead was as much fun as the living were led to believe.

She pulled her laundry from the line and spun around quickly, avoiding the snapping of the skull’s jaws as it lurched at her feet. She hopped over it and headed home.

“Wait. Wait,” it called after her, and she closed her eyes as she heard it whimper and snarl. It buried itself under the leaves and debris, crafting a safe little home for itself until she passed by again in the morning.


Offering
Mark Steinwachs

The streak of sunlight across the bone makes the situation seem worse. The gods illuminating what I could plainly see. Not a scrap left. I crouch down and take the lower jaw, turning it over, hoping there would be some bit of flesh. Clean. My fingers trace the scratches left in the bone. I shudder and set it down. I lift the upper jaw, not wanting to turn it over. Like the piece before, its clean. The teeth marks in this one etched deeper in bone, its hunger not satiated. I stop myself before throwing the bone across the forest. What good would that do? I did the best I could, and my offering wasn’t good enough. I stand up, remove my shirt, and draw my knife. I slowly run the sharpened blade across my chest, blood oozing.

No animal makes a sound. The wind rustling dried leaves stills. I join nature in stillness, my last moments. Silence. A sharp, hissing breath from behind me followed by searing pain. My last vision is its unholy darkness and razor, white teeth.


Apotheosis
Scarlett R. Algee

Find me, the bones had whispered. Find me. Feed me. Let me protect you.

I’d discovered them by accident last night as I’d crunched through the snow blanketing my backyard: the two damaged halves of a jaw, lying in a cocoon of dead leaves atop the powder. What they were, I didn’t know, except that they were too white and too gleaming: scraped clean.

And that they were exactly what I needed.

Now I lay them, still reverently cradled in my gloves, on my laboratory table, apart from all the other pieces I’ve gathered in the past year. Ribs. Vertebrae. Limbs. Teeth. All of them had whispered to me, little indistinct murmurs, little urges of wanting to be again. None had spoken clear words until I’d found the jaws last night.

Find me. Feed me.

Some sort of intelligence resting in the bones. I shake out the rest of my tools: hammer and chisel and screws, lengths of wire and leather thongs. Enough to bind these shards into something whole, because the urge to be is strong.

Listen, the bleached jaws whisper, and I bend my ear to their words and begin to work. First the bones, then skin, then blood.

Listen, I hear again, and I know that whatever I’m creating this night, it will be enough.


Unburied
Lee Andrew Forman

Soaked in crimson, its feasts had been legendary. Limb from body, head from torso, sinew and organs consumed; yet its appetite never fully sated. Memories that live deep within the remains of a banished soul. Unwritten from scripture, cast from history, forgotten by time; these bare, arid bones wait for the caress of the unsuspecting. A taste of copper-tang that will bring about its awakening.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2020
Image © Copyright Lee Bachh Photography

Telling Stories

I’ve started dreading bedtime.

It’s Emily. Oh, it’s not her fault, for God’s sake, she’s only three, but lately every time I come to tuck her in she’s dragged out that book, and always with the same demand.

Story time.

I don’t know where she found it. I certainly didn’t buy it, and it wasn’t in the house when we moved in. Trying to ask the neighbors about it has only gotten me evil looks and muttered curses and a lot of disinvitations, and I can’t say I blame them—the damned thing just looks so odd, bound in patchwork leather with some kind of crude embroidery that I guess is meant to look like stitches. And the pictures are awful: all fangs and teeth and multiplicities of limbs, sometimes blurry and seeming to slide off the page, sometimes so detailed I wake up screaming.

But Emily always sleeps soundly, and I can never find the same picture twice.

The words, though. The words are worst. Some of the text is black and some is red, like an old Bible, but none of it is in English. I’m not even sure the words are actually words. They’re crooked, wriggling shapes, shifting and writhing on the page; the first time Emily asked me to read something, I decided to play along, make something up as I went, but the shapes turned to words as I struggled over them. Not in front of my eyes, but out of my mouth. English words. Suddenly I was telling my daughter monstrous stories, stories of slaughter and gore, of dead gods rising from the sea, rising to blot out the sun.

And Emily laughed and laughed.

I said the words were worst. No. That’s not true. The changes are worst. Tuesday morning when I mowed the yard, the grass twisted and bled. That night I walked out onto the porch for a smoke and the moon looked down at me, huge and red, pockmarked with yellow eyes. Last night while I was reading, something slammed into the bedroom window, something far too large to be any kind of bird, and Emily clapped and laughed while I shrieked.

This morning there was nothing on the window but a scorch mark that stretched down the wall.

I’ve tried throwing the book away. Tried giving it to the library. Every time, it was back on Emily’s bedroom shelf that night, and now the disapproving note I got from the librarian is a soot-edged bookmark.

And Emily knows something’s happening. She knows, and she’s changing too. Sometimes I catch her watching me like she’s sizing me up, waiting; sometimes her eyes seem a little yellow, and her mouth full of too many teeth.

I should burn the book. Tear out the pages. But it makes her so happy, I can never quite bring myself to tell her no when she says, Story time.

Still, just once, I wish she’d ask for Where the Wild Things Are.

~ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.
Where the Wild Things Are © copyright Maurice Sendak, 1963

 

 

Damned Words 42

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Awakening
R.J. Meldrum

The house had stood alone for years, shunned by the locals.  It was supposedly haunted, dangerous. They broke in, looking for something worth stealing. The first room was empty; the paint peeled away from damp walls, dust and cobwebs lay everywhere.

“There’s nothing here.”

“Let’s try another room.”

They opened the door to find a fully furnished drawing room. No dust or cobwebs. The furniture was polished.  A fire burned in the fireplace.

“What?”

They glanced back at the first room. It had transformed into a dining room, the table laden with sparkling crockery and glass.

“What’s happening?”

Piano music tinkled and they could hear the murmur of distant conversation. Above them, footsteps. Something was moving. After years of dormancy, the house had woken.


Forgotten
Nina D’Arcangela

Hell has laid claim to places on this earth, places that are lost, forgotten; for all intents and purposes, no longer exist. I woke in such a place.

For days I screamed for help, but none came. A failed attempt to reach the sill reminded me of shattered tibiae and why hope was a fool’s delight. Day would come, the glass above amplified the sun’s rays to the point of roasting me. My infected legs gleamed in the blinding light near filled with puss and putrefaction—they ached for the skin to crack, but no such salvation offered. An uttered prayer barely mumbled through cracked lips as ignored as the others; divinity’s attempt to further mock me.

I’m left to devour with eager greed what crawls my tomb; to lick dry the weep from the peeling walls. Now I wait. Death will find me, it’s the only thing my diseased mind is sure of.


Weeping
Lee Andrew Forman

The room immured my weak sack of flesh. I dreamed of limits in waking agony, a threshold which mortality cannot pass. But as my knees throbbed where blood of descent stained the floor, I knew this place existed outside the place it was in.

Ever-searching was that boy. He found something. My feet carried a slack frame—with grief holding both eyes blind—to places our kind weren’t meant to see.

Like father, like son. Like son, like father.

They say Jesus wept. And so did I.


Still Life With Window
Charles Gramlich

My life is lived between two walls of peeling paint. Nothing exists behind me except howling shadows. I do not turn my head to see them. There is enough howling within to hold my thoughts. When I’m tired, I lie upon the floor and let chips of fallen paint cradle my face. The chips are sweet when I nibble them. I must be half paint by now, and half flesh.

Of course, there is the window. I do not speak of that.

True food is rare, but I have enough. Ants and roaches and inchworms come across my walls and floor. Sometimes a bee or a butterfly appears mysteriously. Perhaps it arrives through the aperture that I do not discuss. I catch them with my blackened tongue; I crunch them between my teeth, which are mostly functional though they rattle in my jaws.

Once a bird came to me—flitting out of painful light into softest darkness. I caught it and held it for a long time before I fed. Over and over I shred those precious memories, of a warm thing, a thing that throbbed with heartbeats between my fingers.

And sometimes my memories reach further. Even though I fight them. They reach out through the white hole between my walls, out to where lives a beast called the sun. Today, I heard from that place, beneath that light, some wild, free language—a voice other than the one in my head.

It spoke of love, but I don’t know what that means


Charred
A.F. Stewart

The smell clung to the scorched room, buried in the blistered paint. I knew it well in my line of work.

The smell of death.

Three people died here a month ago, in a fire, trapped with no way out. A tragedy, the papers called it. The police called it an accident. I knew better.
Because I had an advantage over them.

But the reasons behind the fire weren’t why I was here, no my extracurricular abilities to commune with the dead led me here. I came to find restless spirits.

I was not disappointed.

I felt their presence the minute I entered the room. The echoes of terrified screams filled the space and their memories of pain lingered in the air, all bouncing off the blackened walls. The people who died here remained, caught in the agony of their last moments.

I smiled.

Every one of them deserved their manner of death. They deserved their pain. The fact they would live in that moment for eternity made me want to sing. I had jumped at the chance when offered the contract and rejoiced when I struck the match that sent them to this hell.

Sometimes I loved my job.


The Larder
Marge Simon

Just at twilight, the old woman hustled to the kitchen. It was time to prepare her son’s special meal, a duty she took particular pleasure in. The larder was cold and damp, even when stocked to capacity. It had once served as her son’s nursery, with Disney characters on the walls. Even the window had darling curtains to match. Of course, it no longer opened to let in fresh air and sunshine, which would likely cause dissention among the chattel. The panes were painted black and covered with solid iron bars. Some of the livestock were crawling around, searching for crumbs and mistaking them for strips of wallpaper. Deftly, she grasped one by the neck. Before he could bite her, she knocked it senseless with a rolling pin and dragged it down to the kitchen.

She settled in a chair to slowly massage the deep groove at the base of the skull. As she worked, she smiled, for this particular male looked a lot like the President. At last, the trembling eased and the head fell forward into her lap. It gave no sign of feeling the knife press deep into its jugular. The cut was neat, and she directed the gusher into her best brass pot.

Vlad appeared yawning. “Smells good, Mom. But I told you my cholesterol was over the top, remember? Just a salad for me tonight.”


Home
Mark Steinwachs

No one used the word abandoned, but that’s what happened. My life didn’t matter in their eyes. I wasn’t alone either. Many of us were left behind. And then our home, no it was a prison, was no longer used. We needed them to live. We fed off their fear, their hate, their worry, and so much more. Our numbers dwindled but some of us kept fighting, we believed we could make them return. Those few of us left grew up as those we were born of did the same somewhere out  in the world. Fight and belief are not enough though, and the last few began to perish. There was one thing the rest didn’t have that I did.

Hate.

I refused to disappear and it will all pay off today. I felt him coming to me. My hatred for him has kept me alive and more importantly kept the most tenuous bond between us. He could never be rid of me fully. Now he is here. Walking down the hallway, his memories flooding back. He knows where I am, drawn to me, but has no idea I exist. He opens the door staring into the broken, barren room. He is back, a full-grown man for me. I coalesce from the darkened corner, a perfect replica of him only in the form of shadowed smoke. He screams as I shoot forward, slamming into him.

This is my home and now it is time to repay those that left me here.


View From an Upstairs Window
Scarlett R. Algee

I can hear my parents downstairs; my mother chatters as dishes clink and pots rattle, my father’s muffled replies and heavy footsteps. I can’t smell what she’s cooking, haven’t smelled anything for days, but it doesn’t matter – there’s no food for me, not now.

I don’t remember anything between the bite and waking. Only opening my dry, stinging eyes and finding myself on a bed in this moldy room, this place that hasn’t been used in decades. My father apologized through the door. “We have to be patient.” he tells me. Either I die again, a proper death, or…something will have to be done.

It’s been a week inside these walls and that something hangs heavy in the air.

I haven’t slept since waking. I pace, circle, throw myself against the door that won’t budge; gouge at the cracked walls. I howl invectives in a voice I don’t recognize; snarl from a mouth that can no longer form words.

I’m getting hungry. That’s the worst part. After feeling nothing for days, the sensation of hunger has come roaring back. I can hear them moving around downstairs, they sound so soft, so delicious.

Going to the window, I lean my face against the glass, leaving smears of black saliva behind. My stomach cramps with need and I scrabble at the sill. Putting my head through the opening, the air is damp against my eyes, dewy inside my gaping mouth. It’s such a long way down, but I’m so hungry. I lean further out, steadying myself.

Either I’ll die a proper death, or something will have to be done.


The Manor of Krystiahn Koryci
Lydia Prime

The twisted branches from the tree outside remind me of just how long I’ve been waiting here. Waiting in an empty home, no one to comfort me, no one to care. But still, I stay, and I watch as the outside world moves on. The day gives way to night just as the seasons flutter by.

I can almost see the faded memories as I stand inside my forgotten room. A smile, a giggle, a hug to be cherished – but no longer felt. The faces have left my mind, however, figures from the past still taunt me.

In another time this room’s decor was perky enough to make me gag. Now that the mauve and flowered wallpaper has almost completely flaked away, I sort of miss the sight. The floorboards creak with each step I take, I’m not sure if my dusty bones creak louder. Closing the flimsy door behind me, I shuffle across the room to the uncurtained window. I watch the sky; the white fluff quickly spinning – warping into a gray warning of sorts. The storm is coming.

I watch the tree, its limbs stretch far and taught, forever reaching for nothing. Perhaps we have something in common. I lean against the wood pane and watch a truck drive up the hidden driveway to the front. A man steps out and smiles, staring up as if he can see me. His wife climbs out of the passenger’s side and joins him, he slinks an arm around her shoulders. She rubs her engorged belly and they grin, taking it all in.

How ridiculous, that these stupid people think they can take my house from me! They must be insane. I’ve been here for longer than I can remember, this is my house. With that final thought, the window shatters and I leave the decrepit room to learn about these trespassers.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2020
Image © Copyright Lee Andrew Forman

Countdown

Harry wakes to heat, and to silence.

He opens his eyes to a leak-stained ceiling, but everything feels too bright and he closes them again, trying to push past the cotton-wool thickness in his head to sort out exactly why the quiet is wrong. There’s a small stinging ache at the back of his neck and a sour iron taste in his throat, like he’s held a mouthful of old coins.

There’s no background noise.

That’s it. Harry opens his eyes another fraction. He’s lying on a bed in an unfamiliar room—in the Bonneheure Hotel, if the fleurs-du-lys stamped on the center ceiling tiles are any indication—but there’s no hotel ambiance, no voices or footsteps or air-conditioning hum. No air’s circulating at all: the room has a stifling musty smell that makes his nostrils burn. There’s just the rasp of his own breathing, and the corner of his smartphone digging into his hip inside his pocket.

And the weight of another body on the bed.

Harry turns his head, dizzy, frowning. The woman lying beside him, covered by a sheet pulled above her breasts, is bottle blonde, immaculately made up, her mouth a candyfloss shade of red and her eyelashes crisp with mascara.

Is she a hooker? He’s never seen her before.

Harry doesn’t remember coming here. Or bringing a woman, or anything that can tell him why he’s lying in his clothes on a bed in a silent hotel room with someone he doesn’t recognize; his last memory is of standing in front of his boss’ office door and feeling a sudden cold sting in his neck.

So that’s the pain above his collar; it’s starting to itch. He’s been…drugged? Kidnapped? But why—

This place closed last year, he thinks, and belated understanding brings him fully awake. Harry sits up and his right shoulder is jerked painfully: there’s a cable tie snugged around his wrist, attached to another, and another, a chain of cable ties that leads somewhere under the bed. He shifts on the mattress, heart picking up, sweat breaking out hot on his face; something shifts with him and rolls against his thigh.

The woman hasn’t stirred. Harry glances at her, then at the object, and pulls it into his lap with his left hand. It’s a roll of leather, and he fumbles it open to find a set of steak knives, gleaming blades of various widths, their serrated edges like broken sharks’ smiles.

“I don’t understand,” he says hoarsely. Harry looks back to the woman—his sitting up should have woken her, but she still hasn’t moved. Has she been drugged too? He reaches out with his free hand to shake her, clumsily.

She’s cold.

She’s not breathing.

His phone rings.

Harry shrieks, almost voiceless, and starts to his feet. His cable-tie tether jerks him down, and his knees bang painfully on the worn gray carpet, his head just missing the edge of the bedside table. He shuts his eyes again and exhales a ragged breath, heart stumbling against his ribs, sweat pouring beneath his shirt. The smartphone trills again, breaking a tiny sob from his parched lips, and with effort he wrests enough slack in his plastic restraint to pull the phone loose and thumb the screen. “H-hello.”

“Harry.” He knows the voice. It’s Conrad from work; Conrad, right hand of their boss, Kurtz, though Harry can never remember what the man actually does for the company. “I take it you found our present.”

“Conrad, God, Conrad, you have to help me—” Harry has almost no saliva, and when the words register, even that dries up. “…Present?”

“Do you like her, Harry?” Conrad is smiling, Harry can hear it in his voice. Can picture it, in fact: the perfect teeth, perfect tan, perfectly parted hair. “Lola. You wouldn’t have known her, she was down in HR,” Conrad purrs. “Shame, really, she’s a hell of a looker, but she was convenient.”

He sounds like a cat licking cream from its whiskers. Harry swallows, looking back over his shoulder at…Lola. “Conrad. What’s going on? Why’s this happening?”

“Oh, Harry, honey. You know.”

There’s a hint of laughter in Conrad’s voice, one that becomes more than a hint when Harry whimpers. “Look. Okay, look. If this is about the money, I—”

“Of course it’s about the money.” Conrad’s friendliness gives abrupt way to a hard edge. “You don’t skim off the top, Harry, not with Kurtz. You knew better. You may be swimming in the accounting pool, but you’re not one of the sharks yet.” The laugh comes out, a short sharp bark. “It’s the assumption that hurts, you know? Mr. Kurtz doesn’t appreciate people thinking he’s stupid.”

“I—” Harry’s heart is tapping painful double-time against his sternum. He’d assumed just that thing, had assumed his wide-bodied, pig-eyed boss was the idiot he resembled; it had been a correct assumption before, with some of the others. He works his jaws, trying to think fast as whatever he’d been doped with burns off. “So what happens now? The cops show up, they find me, they find…Lola”—he chokes on her name—”and they assume the worst?”

“That’s a neat convenient package,” Conrad muses. “And Mr. Kurtz wants to make an example of you. Only…not like that.” He sucks his teeth audibly. “Nobody’s going to look for you there, Harry. That hotel’s been closed fifteen months. It’s scheduled for demolition tomorrow.”

Harry’s chest constricts.

“And there’s Lola.” Conrad must be grinning. “Isn’t she a beauty? Kurtz got a clever idea. There’s a bomb in her.”

The blood drains from Harry’s face with a palpable loss of heat. “…What.”

“A bomb, Harry. Goes boom? One of the IT guys rigged it.” Conrad’s friendliness is back. “That’s why you have the knives, Harry. Nice knives. Japanese carbon steel. Got ’em at Sears. You cut her open and find it, you might have a chance. Kurtz believes in fairness, Harry, even if you don’t.”

The façade drops again. “You have five minutes. Goodbye, Harry.”

The call disconnects. Harry stares at his phone, aghast, but slowly gets to his feet, sits on the bed.

Stiffly, he pulls the sheet from Lola’s cold body.

She’s naked, flawless. Aside from a tiny blue pinprick wound on her throat, there’s not a mark on her. How many times had he passed this woman in the hallway and never picked her out from the others?

It’s a joke, right? It’s a sick joke, it has to be, he can’t—

Within the dead woman’s abdomen, something begins to beep.

∼ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

Too Close to the Ground

Cassie finds the remnants of the angel strewn across the sidewalk.

She’s too late. For a second she hugs her kit for gathering specimens to her chest; then  lets the strap sag through her fingers, the leather bag coming to rest gently on the spiderwebbed concrete. Someday, someday, she’ll get to one of these things fast enough.

There isn’t much left: a string of glassy vertebrae, and an elongated skull with no lower jaw and too many eye sockets, already translucent. No flesh—there’s never any flesh. No meat, no decay, not even the signs of scavenging insects. Just this fading, delicate wreckage that’ll be gone by noon. Cassie glances skyward briefly; the otherworldly corpses dissipate quickly under a high sun, and her stomach knots in protest at missing out once again.

Only one portion seems to have retained more substance than the rest: a single outstretched feathered wing, accordioned into the pavement. Jagged shards of glistening, porous bone protrude from amongst the plumage, and Cassie squats to pluck out a fragment with an attached pinion. But the feather flares up in her grasp like white phosphorus, and when she opens her hand, there’s nothing on her palm but an oily white smear.

“Third one this month, an’ it ain’t the fifteenth yet.”

Cassie whirls, kicking over her kit bag, internally swearing at the sound of vials jostling inside. The speaker’s an elderly man wearing a red baseball cap and overalls; he’s chewing a toothpick tucked in the corner of his mouth. He’s vaguely familiar, and she realizes she’s seen him in her apartment building: Stan, or Steve. Steve sounds right.

“You’ve seen the others?”

“Yep.” The toothpick hitches; Steve picks at the front of his plaid shirt, and there’s a certain preoccupied vacancy in his gaze. “People ate part o’ the first ‘un.”

Cassie pushes her glasses up and stares at him. “You just said people ate an angel.”

“Yep.” His boots scuff on the sidewalk. “People got curious, see, when they realized it wasn’t lastin’.” Before she can get in another question, he adds quickly, “It ain’t really meat. Nothin’ like that. Breaks off dry, like chalk.” The words are wet and soft. “It’s like nothin’. Flossy. Sweet. Like cotton candy, just melts in your mouth an’ don’t get to your gut, an’ you don’t remember how it tasted.”

“Unbelievable.” She rakes both hands through her hair and notices he’s drooling a little around the toothpick. A glance back tells her the angel is a film of greasy powder. “What happened?”

“I ain’t growed wings yet, if that’s what you’re askin’.” For a moment Steve’s gaze is hard and crystalline; then his whole face grows slack again. “Better question is, what’s happenin’ up there that they’re throwin’ themselves down?”

But when he looks up toward the sun, there’s a light shining from between his teeth. He squints, and the lines across his face suggest a multitude of eyes.

Cassie carefully reaches down and feels for her bag.

Maybe she won’t have to wait for another specimen after all.

∼ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

Patient Zero

The first thing you do when you wake up is peel your eyelids open with your fingers.

Your lashes are gummy, and almost stick together again when you squint against the too-bright light. Your tongue feels parched and furry, clinging to the roof of your mouth. When you work your jaws there’s the distinct sting of flesh parting. You taste something metallic, like blood, but thick and rancid. Sweat slicks your forehead, oily and cold.

Cold. You fumble the back of your hand across your forehead and yes, your skin is cool. Your fever must have broken.

Annalise had been sick at the office party last night, or at least she’d complained of feeling unwell. So had Brian and Tamsin, separately; Brian had said his kids had come home from school aching. Some sort of crud, you’d all agreed, something going around. They’d decided to go home early. You’d felt fine at the time, but talking to them had left a psychosomatic scratchiness in your throat.

Or at least you’d thought it was psychosomatic. By the time you’d pulled into your own driveway, you could feel the swell of your tonsils every time you swallowed, and your skin had felt like parchment paper left in an oven too long; brittle and scorched around the edges. You’d choked down water and ibuprofen in the kitchen, then stumbled out of your stilettos and staggered to the bedroom where, vision blurring and hands beginning to shake, you’d read your temperature on the digital thermometer as a hundred and four.

I’ll go to the ER, you’d told yourself dizzily. Right after I just lie here a few minutes.

But that had been last night, or so you think. You’re still in the cocktail dress you’d worn to the party, and as you struggle upright, limbs heavy and joints crackling in protest, you catch sight of the bruises in the creases of both your elbows, large and slate-blue. The skin around them is grey, and panic twists heavily in your chest as you scrabble the thermometer from the bedside table and shove it beneath your stiff tongue. In a few seconds the thermometer’s alarm shrills, and you pull it free, squinting harder; the skin of your forehead creases and splits with the effort.

Eighty-five degrees.

You can’t feel your heartbeat.

Something is very, very wrong.

Standing is difficult; your knees have locked almost completely, nearly pitching you straight forward onto the floor. But you catch yourself against the nightstand and totter into the bathroom, holding onto the fixtures, the furniture, the walls. You grip the edges of the sink and haul yourself in front of the mirror and scream, except you don’t. The noise that comes out as you stare at yourself is airless and soft.

The skin of your face is ash grey. Your eyes are sunken and semi-opaque, surrounded by deep purple lids. You pull back your lips and see blackened gums shriveling away from your teeth. Shuddering, you hug yourself and rub your icy forearms, and a flap of skin drops away from one limb like a discarded glove.

Whatever this is, you don’t think the ER can help you now.

~ Scarlett R. Algee

© Copyright 2019 Scarlett R. Algee. All Rights Reserved.

Damned Words 41

DW_40

Triton’s Curse
Marge Simon

Though banished and beheaded, a godling never dies. Now his face is frozen in a scream of rage. In his teeth, an iron bar barrister. Beside him, mouths drawn back as if still breathing flames, his dragon comrades of the seas. Visitors are struck with awe, so alive appears this sculpture on the rail.

Son of Poseidon, once his name was legion. He ruled the ocean winds. His conch could trumpet hurricanes or becalm merchant ships. It’s said that at the sound, goliaths fled in fear of dark leviathans, such was the power of his horn.

A woman was involved, as women are so often blamed for the folly of both gods and godlings. Some say she was a mermaid, gifted with a Siren’s voice for song. Others claim she was a silkie and half human. They say she walked on land to do her business, was no better than a whore. At any rate, she stole his heart.

Gods do not tolerate such alliances, though allowances were made among their own. Their children had no such right to privilege, and thus the punishment was swift and cruel.

He thinks her body lies within the bricked-in door behind him. He believes she died for love of him, believes he guards her crypt. Surely they would leave him that, but it’s not so. His scaly tail and torso lie within the wall. Her soul became the phosphorous light known only to the denizens of stygian depths.

In a place beyond the myth, she visits him in dreams.


They
Charles Grammlich

They are always watching you—the figures with hollow eyes and hungry teeth. Some look like faces, some like dragons, some like men and some like monsters. They hang on fences, stand in parks, squat on the roofs of cathedrals. They are very still. You never see one move. No human can pay attention long enough to do so. But what about when your head is turned, when your gaze is diverted? Think of that the next time you feel a touch that shouldn’t be there. Think of it when you hear the sounds of life but there is no life in the room but you.

Perhaps you believe the figures are made of steel or stone. They are not. They are a strange flesh, the fruit of alien loins. And they multiply. There are more today than there were yesterday. Tomorrow that total will increase. How many will there be in a year, in ten years? When will they outnumber us? What will happen then?

I know. Don’t you? Don’t lie to yourself. You feel it the same as I do. You recognize the wrongness in them. You shrug it away. You laugh. You call the very thought of it silly. Yet still you shiver in the feral night.  Still you cry out after dreams you cannot ‘quite’ remember. Still you pull the sheets up tight beneath your chin. None of that will save you.

I know exactly how you feel. Do you wonder how? It’s because I’m watching too. Right now.


Sanctuary
A.F. Stewart

In this world, we still exist.

In the corners, in the shadows, in the icons and the ornamentation. The images the humans created have become our places of refuge. Where we fled when the world changed. When the humans took what was ours, killed our kind.

Once, we were dragons, shapeshifters, worshiped as powerful creatures. We flew amid the clouds, breathed fire and lightning, swam the seas, walked and loved among the humans, even taking their form.

We ruled as gods.

Until our hubris become our undoing.

Pandora seemed so docile, subservient, yet she let our secrets into the world and laughed as we fell from power. One small woman gave the humans the power to destroy us.

Now, though, after millennia, those secrets have been forgotten.

I am Zeus, watching the world from my wrought iron sanctuary. Each day I can feel my strength returning, hear the voices of my fellow dragons. We are angry, ready.

And I am tired of hiding.

It is time for the dragons to rise and reclaim what is ours.

It is time for the humans to bow to their gods once more.


Dark Boys for Dark Girls
Mercedes M. Yardley

If he had said,
Let me be the Donnie to your Marie or
the sprinkles to your sundae or
the warm sand under your feet
I would have walked away

But no
He said
Let me be the Hades to your trapped Persephone
the chains that draw your body to the floor of the sea
I’ll be the rope around your neck so when you swing
you won’t swing alone

He said
You don’t need trinkets and parties and balloons
You need somebody strong enough to climb into your casket
and close it over us both.


Mixture
Mark Steinwachs

I stand slightly behind the emissary my client sent me and the man leans in closer, drawn to the intense depth of darkness. It’s the only one in my showroom, which is set up as meticulous as the piece itself, the lighting and background designed to mimic a sunny day.

“How did you get the coloring like that? Will it be the same on all your pieces? It’s remarkable,” his voice quiets and his last sentence is almost said to himself even though it’s only the two of us in the room. He inspects the dragon closer.

“It took me years to get the mix correct. The sacrifices I made, but when I got there …well, I would say it’s worth it. And now that he sent you as the down payment I can begin.”

“He didn’t send me with any down payment,” he says and starts to turn.

I grab his head and slam it against the dragon’s ear, the slurp sound of bone and flesh splitting fills the room. I pull back and finish the job. I drag the lifeless body from the room to the basement where I can drain him for my next batch.


A Waited Burden
Lee Andrew Forman

Within the cage rests not a full being, not a complete form of limitless power, only the tip of infernal intent born for destruction. Both head and spine intact are encased in the solid prison. One wonders if thoughts of fire and death still linger within. A life so mighty cannot be so easily undone even in post-severed condition. The lives of all which surround it know nothing other than its ornate appearance. None but myself and few others remain to guard it. The world around it may have grown, but our coven retained its youth, its knowledge. Each day we question when time will wither its unnatural enclosure and free this Earth the burden of life.


The Sky, The Song
Scarlett R. Algee

It’s never not been raining, at least not in my lifetime.

We build up and up, brick and concrete and iron, and every year the city sinks and sinks, the sea gnawing at the land from below, the sky weeping it away from above.

Everyone knows the story, wrought as it is on almost every fence and railing: the scowling god, the snarling beasts. How the god our ancestors worshiped lost his two daughters to the wrath of a spurned siren, who sang them into dragon-like fiends that fled their father’s countenance. How he, mad with grief, gutted the sky with his trident and tore the siren’s voice from her throat.

How the spell-song remained unbroken, the sky did not mend, and the daughters did not return.

It sounds ridiculous, on its face: a legend, a fairy story. And I thought as much myself until the day the package arrived, jagged shards of unearthly metal that gleamed like spilled oil, that I pieced together on my dining table into the shape of a massive three-pronged spear.

Until I read the letter, and learned that sirens have daughters too.

Maybe, at bottom, it’s still just a story. Maybe it’s a stranger’s idea of a prank.

Or maybe the grief of a god can be mended, and skies made whole again, and sisters sung back home.


Drowned
R.J. Meldrum

They huddled together, watching the cracks spread as the waves splintered the wall sheltering them.  The levees had already been overwhelmed, now it was just the wall holding back the ocean.  This was it, the last piece of terra firma, the last piece of land not covered by the rising oceans.  The rich had taken to vast floating palaces, while the poor drowned.  John and the others had sought higher and higher ground until they were at the top of the world.  On top of the peak that people had died to reach, the small group sat, protected only by the wall…and now it was collapsing.  John stood.

“I’m going to die on my feet.”

The others joined him.

Just for an instant there was the sparkle of blue water at the top of the wall, then the mortar gave way and the water consumed them.


Caged
Nina D’Arcangela

Iron mask; unyielding carapace that stifles. Crown of thorns; the lock upon an opaque prison. Eyes blinded; no sight – ebon madness encroaches. Lips shrouded; no utterance escapes. Ears aware; the slush of bodily fluids draining. A hiss heard left then right:
Sissssss… …terrrrrrrr; the sound slithers.

 My guardians keep watch; vestigial, vile.


There’s Always Tomorrow
Lydia Prime

Cursed to an eternity with the most bothersome creatures imaginable, I try to stay my tongue, but their incessant complaining makes me pray for reprieve. Perhaps a building inspector will come to condemn the land we sit upon with bulldozers and wrecking balls that dance until I am finally set free from their infantile chatter.

Good lords, do they whine and mutter constantly. Someone leaned on me! Something just shit on me! Boo-fuckin-hoo, you little twits. Their disgust at these events immediately falls to my ears, “Can you believe the audacity!?” they croon, indignant to their pathetic little cores. Fools! If only they knew who they were speaking to.

I was a sorcerer once, one with great power known for aiding in the conquest of lands further than today’s world remembers. Now, well, what am I? Trapped, that’s what, in this accursed metal tomb by those I’d have considered friends... Friends, what a notion. I should have slaughtered them all and taken their breath as they have ensconced mine.

I wipe away my thoughts as the day draws close to its end. My knight in mismatched orange and blue polyester will soon be here to shelter behind me – his cart of belongings reeking as much as his body. A brief evening’s worth of reprieve from the vapid serpents, his babbling I understand; war, famine, the pang of thirst. I watch as the world winds down only to await the next morning in false death, seeing nothing more than darkness and concrete before me. I’d kill for a new view…

There’s always tomorrow.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2019

Flycatcher

Jolene can’t stop staring at Sissy’s scars.

At least, she assumes they’re scars: four pink half-circle indents in the middle of Sissy’s forehead, like the marks left by dug-in fingernails. And Jolene knows she’s being rude, that it’s horrible of her, but she can’t stop, no matter how bad she feels or how much she tells herself to look away.

When she’d come back to town yesterday, ten years after high school, Jolene had expected something different for her one-time friend. A little house with a neat yard and a white picket fence, maybe. A job as a teacher, or editor of the town paper; Sissy had always been smart that way. A husband somewhere at the very least, since Sissy had easily been the most reserved girl in school, the one who blushed brick-red at the dirty jokes told in the lunch line. But not this. Not a seat in a beat-up rocking chair in a saggy rusting trailer on the outskirts of town, with grimy windows and pressboard walls, sweltering under a lazy ceiling fan. Not Sissy herself, now thin and wan and blushless as if she’s been bled. And certainly not Sissy’s one-year-old son Jimmy, crab-creeping strangely across the dirty floor on all fours, who’s been the subject of Jolene’s gaze almost as much as his mother’s marred forehead.

And if Sissy notices the stare, she doesn’t let on. Just drones on about her ex Tyler, Jimmy’s daddy, whom Jolene barely remembers except as a skinny wispy-bearded boy who’d sucked at playing baseball. About Tyler’s meth habit and how she thinks it’s the cause of Jimmy’s condition, and how the doctors at Vanderbilt think so too, though Sissy’s granny always claims it’s from that brown recluse that bit Sissy in her second trimester, and really, Tyler could’ve been a good daddy if he hadn’t blown himself to hell shake-and-baking crank in his mama’s toolshed, and—

Jolene’s broken out of her daze by little limbs clamping around her neck; Jimmy is so light she hadn’t even noticed him clambering into her lap. But his laugh is gurgling and bright, and it makes Sissy stop talking and smile, the first real emotion that’s touched her bloodless face in an hour.

“How ‘bout that,” she says, pulling up out of her worn recliner and clapping her hands. “He’s awful shy of strangers, but I shoulda known he’d take to you, Jo. You just hold him an’ let me find my phone.”

Jimmy crows as Sissy leaves the room, and nuzzles wetly into Jolene’s neck. His little body is stiff and Jolene embraces him awkwardly, dragging her fingers over his thick blond hair. He smells of sour milk and rot, and Jolene finds herself wondering if this trailer had been Tyler’s meth lab. If he’d worn some kind of rings that would account for Sissy’s scars.

Then Jimmy sinks his teeth into her neck.

Jolene’s shout is strangled. The baby’s grip is strong, and she can feel her skin parting for his teeth, for the deep burn of the bite. Then the pain passes, and she realizes something’s leaking into her from his mouth, something that stings and leaves numbness behind. Spots waver in her vision, but she can’t blink them away. She can’t blink at all.

“That’s enough, now.” Sissy lifts Jimmy from Jolene’s lap and sets him back on the floor. Jolene tries to look up at her, tries to speak, but her eyes won’t move and words won’t come, not even when Sissy puts too many hands under her chin and jerks her head up hard enough to make her neck crack.

“I’m sorry it’s you, Jo.” The curved lines on Sissy’s forehead flare more deeply red and then blink open, staring back, one after the other. “But I am glad you came by. We ain’t had a visitor in a while, an’ Jimmy was gettin’ awful hungry.”

∼ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

Damned Words 40

DW_40

Sunrise
A.F. Stewart

Some said we would never see the sunrise, but there it shines in the morning sky. As we huddle within the church, I can hear people weeping, from a relief at being alive or in mourning for those dead, I cannot tell. I will shed no more tears. Mine already fell for those I lost in the carnage.

Voices murmur and I turn to glimpse the vicar passing food to those with appetites, and cups of water. At least we can be grateful for that. We will not have to worry about provisions for a while yet. The church has its own well, and donations from a food drive in storage.

It is silent outside, with the daylight hours, but we know it will not last. With night they will return. They will surround the church with their footsteps, with their growls. They will scratch at the ground and howl, fraying nerves, making it impossible to sleep. Memories will flood back, of blood, of teeth, of running while others died. And we will sit here among the pews knowing this holy place is the only thing that keeps them out. It will be the same tonight, as it was last night, and the night before that. Once again we will wonder if we will see the sunrise.

We are trapped here. Praying, surviving. Waiting for our inevitable end.


Ash Wednesday
Charles Gramlich

At midnight the police began to disperse the dense French Quarter crowd. The partiers didn’t want to stop the festivities but reluctantly gave way, breaking into twos and threes that gradually streamed off toward homes or other celebrations. Fat Tuesday was over. Lent had begun.

As the crowd split, a cold, hard gust of wind swept over the Quarter. It gathered other gusts to itself, swirled across the Faubourg Marigny and up Bourbon and Royal streets like a dust devil. It carried a mélange of beads and other Mardi Gras trash. It picked up the stench of sweat-soaked people, the stale odors of alcohol, urine, vomit. It gathered the thoughts and feelings of the revelers—their joys and rages, laughters and sobs, lusts and sins.

And when the wind had all that in its grasp, it struck the roof of the cathedral. The steeple shook; a dirty shadow enveloped it, then shrank, took darkling form. For a moment, a long-armed man squatted like a clot of evil on the roof. Then the figure leaped down and faded into the dispersing crowds as if it had never been.

The first deaths came within an hour.


The Order of Sanctification
Marge Simon

The church bells tolled for many hours after they caught the latest resistor and slit her throat. Pytr had been chosen to carry the infant cut from the womb. They marched through the streets, chanting in clipped unison. The newborn squalled, its limbs still slippery with blood. Pytr tucked it closer inside his furs to shield it against the cold. When they reached the Temple of Free Souls, he gave the infant to a waiting orderly. Shivering, they kept formation until the Grand Priest appeared.

“Who brings this babe?”

“We of the Righteous, Sector Five.”

“Who carries the babe?”

“I, Holy One.” Pytr stepped forward.

“And your name?”

“Pytr, zero five zero two. Sworn by birth to the genetic cycle evermore.” He was careful to keep his voice in a cadence. It would have been blasphemous to do otherwise.

“Ah, Pytr, I recognize you. You were,” the old man smiled, “one of my favorites. And not long out on your own, either. Very well, excellent.” He rubbed his hands together, his fingers stained with a garish orange dye. “And what say the rest of you?”

“We are the children of Sanctification. We copulate no more. We bow to the sperm bank and Ovum of White. Pure is the Ovum. Pure are the Righteous born.”

The presentation ended, Ptyr joined the others as they formed lines to march homeward. He smiled to himself. He’d done his part to ensure the purity of one small soul. Babies must be protected from sin. Future generations of the Righteous would be produced and raised in the Sanctified Laboratories, as the currently popular Supreme Holiness decreed.


The Good Book
R.J. Meldrum

The book was found in the hundredth year after the war. It was buried beneath the ruins of a pre-war building. The scouts were looking for tinned food, but because they’d never seen such a thing before they picked it up. The wise men, the ones who had been taught to read, recognised it for what it was, although none of them had seen a complete book before. They analysed and discussed the words. After due deliberation, they proclaimed the book a miracle and claimed it was the word of God, written by his prophet. By following the doctrine outlined in the book, they too would achieve immortality.

Sermons were held every week.  The priest intoned the holy words.

“The prophet requires a gift of blood for his Lord, to assure eternal life.”

“We shall obey,” intoned the faithful.

A girl was brought forward to the sacrificial altar.

“What are you called, my child?”

“Mina.”

The congregation murmured its approval of her name.

Compliant, she exposed her neck.  The priest, his canine teeth filed to sharp points, bent forward to collect the blood sacrifice that would satisfy their Lord.


Scarlet Milk
Lee Andrew Forman

Hooded faces lined up in the abbey to drink divine milk; they waited with reserve to wrap anxious lips around the papilla of the six-breasted obelisk. Its scarlet liquid dripped for ages, kept the cabal well-fed. Its sweet blessing held their souls within preserved bodies, entombed behind reverent, ever-young eyes. Sustenance from the fleshless bust of the ancient lord was their only indulgence. They observed all outside their congregation reach for the heavens; ages, generations—all seen, all judged. When the bosom of life dried up, they knew the lord’s decree was to be fulfilled.


Abandoned
Lydia Prime

As the sun slowly began to dip beneath the horizon, the colors danced across the pews and paint chipped walls, releasing something more insidious to the building. Footsteps echoed in the distance, slow at first but their pace quickened as a single set became several.

The stranger raced through the nave hoping to make it to the massive oak doors without incident. Voices swirled around the empty cavity though he couldn’t make out what they were saying. As he reached for the rusted latch he noticed the glass was no longer full of colorful images. He yanked on the latch as hard as he could, but couldn’t get it to budge. The other sets of footsteps caught up to the exploring man. They stood in the shadows and whispered unintelligible nothings to one another. His heart beating through his chest, he pounded on the wooden barrier before him and pleaded to see another day.

As the creatures drew closer an unearthly chill rattled through his bones. One of them moved into the light, it had no features of anything he’d ever seen, but its mouth bore rotten needle-sharp teeth; Its tentacle-like appendages edging near him. They made no noise as they leaned in and he screamed for his savior.


Perfection
Nina D’Arcangela

I’ve watched him fall before, The Morning Star. He’s been falling for millennia it seems, but then it always does. This world, these creatures, they lose fear, tell tales; forget fate is coming for them. I remember, I always remember for I am their reminder. I’ve watched it unfold myriad times. The clock resets, he is granted entrance, my reward—to be forsaken.

The rabble are born anew. Creation they hark as they build; or rebuild as it were. They know nothing of the former that perished among the rubble, their blood feeding a new world, their crushed bones the foundation this ground is laid upon. They eat the bread, drink the wine; expect absolution for debauchery’s lure. They seek a second coming while I walk quietly amongst them watching as the star falls yet again on perfection.


Light and Dark
Mark Steinwachs

My skin is the battle ground for the sun in the cloudless sky and the crisp fall air. Two steps and I will be out of its rays. Sun to shade. Light to dark. “I gave them light. I gave them everything,” I say, not looking back at the seven others. “And this is how they repay me; ornate structures with false prophets inside. They twisted my words and teachings, picking out whatever scriptures they needed at that moment. I love them and they cast me aside.”

A man in a tailored suit walks out the door, “It’s time to move along, gentlemen. We can’t have you loitering while service is going on.”

“Not even an invitation into my own home,” I say as I cross into the shade. “I can pick and choose scriptures too.”

The man’s eyes go wide as wings unfurl from the seven. Fear radiates in his soul where there should have been love. I snap my fingers and his neck twists at a grotesque angle before he crumples to the ground.

“Vengeance is mine, I will repay, says the lord.”


Sleeper
Scarlett R. Algee

She wakes to the darkness she expects, and the silence, and the gnaw of hunger deep in her belly, toothy and raw.

She strokes the rough inner surface of the sarcophagus’ lid, splintering her overgrown fingernails, before putting palms to stone. The lid moves a fraction—in the face of the hunger, her strength is always slow to stir when she wakes from the long sleep—but it moves; that’s enough to let in a peep of blue-tinged sunlight, not direct enough to harm but sufficient to keep her uncomfortably awake. No matter; in this place of sienna brick and cobalt-stained windows, she’s been deemed a saint. Of course someone will come.

The pain of the light dulls until she can almost doze again, but a noise catches her attention: low shuffling footsteps, brisk scrape of a broom on a stone floor, quivery low-pitched hum.

That human music makes her gut knot and her teeth ache, but she swallows her slaver and forces her hands to relax. The sweeping musician sounds old and slow, but the footsteps are dragging closer. The intruding sliver of sunlight is ebbing away.

She can be patient a little longer.


 

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2019

Say

Say something.

Say I’m dreaming. Say I’m hallucinating. Say this isn’t really happening.

Say it’s not really you splayed here on the kitchen floor, limbs curled loose like a broken spider’s, your hair powdered white from its pillow of flour spilling from the bag tipped half off the counter. You always make a mess in here, always such a goddamn mess. What were you thinking? Say it. Say what you were thinking.

Say the drop of blood on the linoleum didn’t leak from the crook of your elbow. Say the tourniquet’s not still on your arm, the needle’s not still in the vein. Say your skin isn’t ashen and your lips aren’t gaping blue beneath the foam. Say your eyes aren’t open, aren’t fixed, aren’t glazed.

Say you’ll wake up if I jostle your shoulder or tug my fingers through your hair just so, like always. Say you’ll wake up, or I will. Say it’s just another of my nightmares and you’re fine. We’re both fine. Warm. Pink. Breathing.

Say you’re breathing. Please say you’re breathing. Say the pulse I feel when I press my fingertips to your carotid isn’t just my own. Say, as I kiss your cheek and stroke your hair back and snag a few strands on your earring, that it’s me who’s feverish and not you who’s cold.

Say I don’t have to do what I know comes next. 911. Ambulance. Sirens. You, carried away. Me, left behind. Say my last sight of you won’t be with a shroud over your face.

Say it was a mistake. Say it was an accident. Say you didn’t choose this.

Say it wasn’t supposed to be like this. Say it’s nothing I did. Say it’s not my fault. Say that loudest of all.

But say something, damn you.

Say something.

Anything.

Please.

∼ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.