Ana had little, but enough. Her home was small upon the village hillside, but she had dreams enough to fill its cozy corners with worlds upon worlds, with wonderings that spilled out through the shuttered windows and down through the forest paths. Her clothes were plain and humble, yet ample enough to warm her in the cold of winter journeys, or to protect against the heat of summer sun. Her shoes were patched and resoled, but sturdy enough for her wistful wanderings, fleet enough for her tireless chase after wonder. She had little promise in marriage prospects, yet she had faith enough to believe in fairy tales—to believe in hope and courage and happily ever after.
Yet when her mother promised her to the butcher, she had tears enough to flood the village. Ana wept in earnest amid her mother’s empty words of comfort.
“You’ll never go hungry. You’ll want for nothing.”
Ana knew that her mother feared the empty cupboards more than anything, feared a life of nothingness for her daughter. It was true that the butcher’s home was the finest in the village. No carriage gleamed more brightly than his. No table held more food and drink and decadence. Still, when Ana thought of him—his hands bloody, his eyes cruel—her weeping turned to sobs.
Yet her tears were not enough to turn her mother’s heart. The day passed in weeping, and the evening came with heavy resignation. Despite herself, Ana packed her modest trousseau, gathered her meagre dowry. Her coins were few, but enough. When she counted them in the moonlight, they glowed with silver possibility.
The very young and the very old of the village had long whispered of a moonlit caravan, warned of its silver horses that trotted on moonbeams. The worldly and respectable scoffed, but still the whispers and wonders persisted. Ana had never had courage to test the tales. She had never left her cozy home after nightfall. She had never had reason to brave the darkness for a moonbeam or to worry about the lure of the otherworldly, the warnings against beings that traded unknown destinations for silver. But now the warnings returned to her. And in those warnings, hope.
All she owned was packed for a new beginning. Her mother had dreamed of finer things for her: of clothes and carriages and comfort. But Ana knew there was no love in her fear of him, no love in his hunger for her. She was not willing to lose herself to him, not for all the finery in the world. Ana did not fear empty cupboards, empty tables, empty stomachs as her mother did. She feared an empty life: a future without hope and courage and happily ever after.
Ana had so little, but perhaps enough. Hope enough to dry her eyes. Courage enough to find her way into the night. Silver enough to trade for safe passage on a moonbeam, into a happily ever after of her own choosing.
∼ Miriam H. Harrison
© Copyright Miriam H. Harrison. All Rights Reserved.