God of Dreams

A milk-pale rain fell from a blurred black sky. It tingled softly on my exposed arms. Behind me stood a lake of shimmer. My birthplace, perhaps. I could not remember how I’d gotten here.

I walked, not looking at the path my feet trod. Instead, I stared into the sky, which gradually cleared until I could see a myriad of stars, an entire alien milky way in the shape of a blunt-winged moth. In the aftermath of the rain, peacefulness steamed like humidity on my skin.

I came to an arch so old that plants grew from the soil accumulated in the cracks of the stone. I passed beneath it into an abandoned field grown wild. “I am disembodied,” I said. “I am dreaming.” And I knew what that meant; the rules of normal physics no longer applied to me.

Flight is a blessing for lucid dreamers. I lifted my arms—and though sometimes in such dreams I struggle to get off the ground—there was no struggle tonight. I soared with ease into the air, let myself spin slowly with my arms out and my fingers scratching trails of light from the darkness.

A forest of new growth surrounded me. I ducked and wove through the trees, dodging black branches that grasped for me. My laughter bubbled as I came out above the woods and saw the moon grown full and bright and red as a molten coin. Beneath the moon flitted dozens of dragonflies with white and black bodies and spiderweb wings. I joined them, and they were not afraid.

Now, Luna magnetized my gaze again. I spoke to myself: “I don’t have time to fly to the moon.” But something inside me wondered if I did. I reached my hands, prepared myself for the leap to space.

Flight faltered; I fell. I grabbed for a tree limb but it broke beneath my weight and I plummeted down, away from the light and toward the deep, still, forever night below. And yet, I smiled. For this was a dream and nothing could harm me.

Or so I thought until I landed: and flesh gave way, and bones shattered, and punctured lungs spasmed as blood painted an abstract scream across the darkness. And so I lay, while dragonflies came to hover, while they fitted their bodies together and became a deity with a thousand eyes and a thousand wings and limbs as numerous as the skulls of the dead.

With a tongue long and coiled black as a snake, the dragonfly god whispered in my bleeding ears: “I am the architect of dreams. And in time, all who sleep become my prey.”

∼ Charles Gramlich

© Copyright Charles Gramlich. All Rights Reserved.

Eel Soup

So, the time has come. He can’t stand watching her suffer any longer.

He prepares their last meal from scratch. He has procured the vegetables from the neighbor’s garden. The onions are still good, as well, the carrots and potatoes. A can of stewed tomatoes, peppercorns and salt, these are in the cabinet. The most important ingredient of all — the eels, he has obtained at the docks early this morning. He is careful to add them with their blood as the soup cools. They are finely chopped and raw, camouflaged with cabbage leaves. A modified and deadly vichyssoise served in her shining silver tureen.

He wheels her chair to the table. She’s so frail now, her skin almost transparent. The plague that sweeps the world hasn’t touched him as yet. Perhaps he is one of the few that are resistant. He frowns at the irony. His own life isn’t worth bothering with – but hers is another story. Such talents she has, so much to look forward to! Her paintings were selling well. She had begun composing music to accompany the presentations in galleries. She called it “bonding kinetic transitions.” But no more — this strain of the virus knows no prejudice.

He picks up a photograph of them when they were young, remembers the smell of her wool coat, the way her mouth chokes back a laugh in the photo. She’d loved his jokes – even the lame ones. Then came a time when laughter stopped. Like the sound of her voice, a bare whisper now.

Once she’d said his dreams were all smashed up inside. “Gray on gray. Form without substance,” she said. She was the artist. She had dreams for both of them. They are silent during dinner. He offers her another helping. To his surprise, she nods with a lopsided smile. She knows. He turns away to wipe his eyes. After dinner, he helps her out of the wheelchair, lays her gently on the bed. The muscle cramping will begin soon, ending the beating of her heart.

But instead of closing her eyes and lying back, she pushes herself up. “Hand me that novel you were reading to me last night, sweetheart. I am feeling so much better, I should like to find out how it ends myself.” He is stunned. This is the first time she’s said entire sentences in many days. And wanting to read?  How can this be — the eels have cured the virus? Her eyes are bright and her pulse steady. There’s a healthy flush to her cheeks that wasn’t there before dinner.

As he hands her the book, he feels a sharp pain in his stomach as the cramps begin. With a terrible chill, he remembers it was to be their last meal.

~ Marge Simon

© Copyright Marge Simon. All Rights Reserved.

Insemination

Nicolette rubbed her hands along her naked belly and knew her barren insides held no place for new souls. Her eyes peered into the mirror. Not to view her meager shell, but to converse with the only soul her body would hold: her own. There existed a question she must both ask and answer. Something dubious and unknown. Possibly dangerous. The doctor who gave her the news explained there was a way, though she may not like it.

As time fell short she realized the debate was only an illusion. Only one choice existed. She’d do what her doctor suggested. Nicolette never believed in alternative medicine, but her want for motherhood not only sent her heart to dark places, but her body as well.

The crumpled address in her pocket led her to an old brick structure, what might have been a factory back when they were a thriving industry. Doubt sunk into heavy feet as she approached a steel door. Her body wanted to hesitate as she reached for the handle, but she knew she’d go through with it anyway.

Beyond sat a makeshift operating table in an otherwise dark open space. A few stand-up curtains lined the back side of it. A construction lamp lit the area. One man stood in the light, both hands at his sides, unmoving, waiting. Nicolette held her breath as she approached. The man motioned his hands toward the workspace without a word.

Her body supine on the metal table, she focused on the dark above. She projected herself into it, a void where there was no pain, no fear, no sorrow.

The procedure felt like nothing more than a moment; a strange dream shrouded in fogged sounds and colors. When she sat upright she watched the doctor remove his gloves. They were covered in inky, black fluid. He tossed them into a waste bin and took leave into the darkness of the old factory.

Nicolette did the only thing she could. She went home.

When she looked into the mirror by the light of the morning sun, her once empty place grew and writhed with life. Nicolette rubbed her hands along her naked belly and knew by the three fingered hand pressed against hers, that what lived there wasn’t human.

∼ Lee Andrew Forman

© Copyright Lee Andrew Forman. All Rights Reserved.

The Red Witch

Dalia Habershon sat in her favourite high back chair and surveyed the room. The lights were dimmed, with a few candles to lend the right ambiance. The fireplace roared and the butler had set out tea for the guest. The peeling wallpaper was barely visible, and the cracks in the plaster melded into the gloom.

We haven’t had a visitor in ages. This could be a good day.

She shifted position to ease the twinge in her back. The chair creaked, and the faded upholstery rippled, threatening to tear again. Dalia smoothed the skirt of her best dress, ignoring the old stains and the tattered edges of the fabric. She had done her best to look presentable, fixing her hair, even adding a touch of lipstick.

She cocked her head, listening to the whispers from the shadows. “Shush, he’ll be here soon. Be patient,” she replied. More whispers, Dalia strained to make out the words. “Yes, I’m certain. He’s not the type to miss an opportunity. He’s nothing but a muckraker trying to jumpstart a career, make a name for himself. He jumped at the chance to interview the infamous Red Witch.”

The double doors flung open, and two figures strode into the room. Dalia’s butler announced, “A Mr. Phillip Cobb to see you, ma’am,” before bowing and backing out of the room. He shut the doors behind him with a bang that made Phillip Cobb jump.

He laughed nervously. “This place sure plays up the spooky atmosphere.”

“It’s the way we like it. Come, have a seat on the sofa.” Dalia waved her hand at the ragged piece of furniture, hoping the springs were still holding.

Phillip sat down as instructed and took out his phone. “Do you mind if I record this?”

“Whatever you need.” Dalia beamed, playing the perfect host. “Would you like some tea?”

Phillip shook his head. “Maybe later. I’d Like to start the interview. How did you get this local reputation as the ‘Red Witch’? Rumours have it you make people disappear with your magic.” He smiled, a slight edge of mocking to his grin.

“Did they tell you how I cast spells and feed my hapless victims to my demonic pets? Or perhaps the one about how I collect souls.” Dalia snickered. “Truth is, I’m just an eccentric lady and people like to talk.” She shrugged. “It’s not my fault if people disappear. Probably should have minded their own business.”

“So you’re saying that you’re just a victim of gossip and harassment, that—” Phillip suddenly yelped, pointing at the shadows, “What the hell is that?”

Dalia sighed. Damn the ghosts. They’re so impatient. “Just can’t stay hidden, can you? Well, come out then, since he’s seen you.”

From behind the chair, several ethereal figures floated forward, crowding around the sofa. Eager moans issued from their throats as Phillip shrank away from their outstretched hands. He yelped again as something else slithered across the floor, adding a trail of slime to the layers of dust.

Still shrieking, Phillip leapt to his feet. With her foot, Dalia shoved the coffee table into his shins, upsetting his balance and rattling the tea set. As Phillip tumbled back onto the sofa, Dalia reached between the chair cushions, then vaulted over the table, brandishing a knife.

“You wanted to know if I had anything to do with the disappearances? The answer is yes,” she snarled. “The Red Witch is a killer.” She slit his throat with a laugh.

His blood sprayed against her dress, adding a touch of bright red to the faded crimson cloth. Dalia licked drops of Phillip’s blood from her lips as she watched his moaning spirit rise from his body.

“Come my pets, you have someone new to torture.”

The other ghosts rushed in, moaning eagerly, and hauled Phillip’s spirit away to the darkest shadows. Dalia listened to his phantom screams as her pets played with their newest toy. She chuckled.

It will only hurt for a little while, Phillip. Then you’ll become one of us.

More shadows shifted, and a reddish tentacle reached out towards the sofa. It wrapped around the corpse’s neck and squeezed. Bones snapped and flesh dissolved until the head popped off. The slimy appendage dragged the head into the shadows and they both disappeared into the dim murk of the room. Blood oozed and pooled on the sofa cushions.

Dalia nodded. “That’s it, feast, my pet, but save some meat for me. Winter’s coming and the freezer needs stocking.”

She scooped some blood from the stump of the neck into a cup and poured in some tea. Dalia settled back in her chair, sipping her drink and licking blood from her fingers. She gazed at the body on the sofa and listened to the sweet sounds of screams and crunching bones.

Dalia smiled. “Well, it was a very good day indeed.”

~ A. F. Stewart

© Copyright 2020 A. F. Stewart. All Rights Reserved.

I Love Every Part of You

It begins, on a rainy Sunday two days after Olivia’s  funeral, with her left ring finger.

Melanie wakes to a weird little pressure under her ribs and sits up and there it is: nestled into a fold of the sheet, its magenta acrylic nail lying discarded to one side. Melanie picks it up with bile hiking acidly up the back of her throat, sees the smoothness at the base, and can’t help noticing that the rings are still snug. The gap between her fingers is silky and flawless, the skin above the barren knuckle dimples and is only slightly paler than the rest.

She should worry. A part of her knows it. But Melanie is still too numb from Olivia’s sudden passing—you should be grateful, her aunt had said at the graveside, that the cancer worked so fast and she wasn’t in too much pain—to regard it as anything more than a bodily quirk, a curiosity, so she gets dressed and wraps the finger in black crepe and drives to the cemetery, and buries that part of herself in the shallow hole she’s able to dig in the loose earth with two hands.

On Monday it’s half her blonde hair, loose on the pillow; on Tuesday she brushes the rest and it all just tugs loose with a painless not-quite-pop. No obvious flaws, no stubble, no bloody roots; she sits on the bed and vacantly runs her fingers through the strands, the way Olivia had done. I love every part of you, Olivia had said so many times, even at the end; so the hair gets bundled into a neat rubber-banded braid and buried beside the finger.

On Wednesday Melanie wakes minus three bloodless teeth, and her lower lip—the one Olivia had liked to bite when they were in a certain mood—feels oddly loose, so this time she wraps the teeth in a square of paper towel and goes to her doctor.

She gets stared at. Prodded—with the end of a pen, not with fingers. There are scribblings and murmurs: are you eating? do you feel well? are you sure you haven’t hurt yourself?—to which Melanie just bows her bare head and holds out her gapped hand and says, “Do you see wounds? do you see scars?”

Stress, is the uncertain verdict, and a prescription changes hands. Melanie’s staring at it in the car when the rest of her teeth shed in a rattling cascade that bounces off her knees, scattering into the floorboard below.

It takes her half an hour to collect them all, to account for every one. By then, she almost thinks she knows what’s going on.

I love every part of you.

The soil mounded over Olivia’s grave is rain-damp and fragrant. Melanie scoops out a hollow and deposits the teeth and says, “You know, you didn’t have to be so literal.”

Then her lower lip drops, jelly-like, into the hole.

It’s okay; Melanie hasn’t felt like eating in days. She just shrugs and smoothes it over, and goes home to see what will happen next.

What happens is Thursday.

Her left arm and hand below the elbow. Four toes across both feet. Her left eye too, the one Olivia had sworn held so much more sparkle than the other. She just gropes a plastic bag from the container in the kitchen, never before so grateful to be right-handed, and clumsily scoops everything inside except her eyelashes, which are fine enough to get lost in the high pile of the carpet.

Melanie waits until after dark. She has to, for this. The eye had been just a little much.

You always were a drama queen, Liv.

This time digging a proper hole is out of the question, so Melanie attacks the side of the heaped, drying soil with hand and feet, unsteadily carving out a place for herself. By the time she’s made a space to burrow into, by the time she’s clawing her earthen blanket down, the sky is growing light again, and she’s left two more fingers and an ear in the dirt.

The loosened earth crumbles over her, but Melanie just huddles in the hollow she’s made, curled into the fetal position and breathing hard. She coughs out a sudden blockage in her mouth and realizes it’s her tongue.

Her skin parts and opens. One by one, her drawn limbs begin to loosen and disarticulate. Something detaches inside her chest. Melanie sighs with what’s left of her breath, sagging wearily into the damp and dark. 

If she focuses, if she concentrates, she can almost feel Olivia reaching up for her, reaching for every beloved part.

~Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.