It begins, on a rainy Sunday two days after Olivia’s funeral, with her left ring finger.
Melanie wakes to a weird little pressure under her ribs and sits up and there it is: nestled into a fold of the sheet, its magenta acrylic nail lying discarded to one side. Melanie picks it up with bile hiking acidly up the back of her throat, sees the smoothness at the base, and can’t help noticing that the rings are still snug. The gap between her fingers is silky and flawless, the skin above the barren knuckle dimples and is only slightly paler than the rest.
She should worry. A part of her knows it. But Melanie is still too numb from Olivia’s sudden passing—you should be grateful, her aunt had said at the graveside, that the cancer worked so fast and she wasn’t in too much pain—to regard it as anything more than a bodily quirk, a curiosity, so she gets dressed and wraps the finger in black crepe and drives to the cemetery, and buries that part of herself in the shallow hole she’s able to dig in the loose earth with two hands.
On Monday it’s half her blonde hair, loose on the pillow; on Tuesday she brushes the rest and it all just tugs loose with a painless not-quite-pop. No obvious flaws, no stubble, no bloody roots; she sits on the bed and vacantly runs her fingers through the strands, the way Olivia had done. I love every part of you, Olivia had said so many times, even at the end; so the hair gets bundled into a neat rubber-banded braid and buried beside the finger.
On Wednesday Melanie wakes minus three bloodless teeth, and her lower lip—the one Olivia had liked to bite when they were in a certain mood—feels oddly loose, so this time she wraps the teeth in a square of paper towel and goes to her doctor.
She gets stared at. Prodded—with the end of a pen, not with fingers. There are scribblings and murmurs: are you eating? do you feel well? are you sure you haven’t hurt yourself?—to which Melanie just bows her bare head and holds out her gapped hand and says, “Do you see wounds? do you see scars?”
Stress, is the uncertain verdict, and a prescription changes hands. Melanie’s staring at it in the car when the rest of her teeth shed in a rattling cascade that bounces off her knees, scattering into the floorboard below.
It takes her half an hour to collect them all, to account for every one. By then, she almost thinks she knows what’s going on.
I love every part of you.
The soil mounded over Olivia’s grave is rain-damp and fragrant. Melanie scoops out a hollow and deposits the teeth and says, “You know, you didn’t have to be so literal.”
Then her lower lip drops, jelly-like, into the hole.
It’s okay; Melanie hasn’t felt like eating in days. She just shrugs and smoothes it over, and goes home to see what will happen next.
What happens is Thursday.
Her left arm and hand below the elbow. Four toes across both feet. Her left eye too, the one Olivia had sworn held so much more sparkle than the other. She just gropes a plastic bag from the container in the kitchen, never before so grateful to be right-handed, and clumsily scoops everything inside except her eyelashes, which are fine enough to get lost in the high pile of the carpet.
Melanie waits until after dark. She has to, for this. The eye had been just a little much.
You always were a drama queen, Liv.
This time digging a proper hole is out of the question, so Melanie attacks the side of the heaped, drying soil with hand and feet, unsteadily carving out a place for herself. By the time she’s made a space to burrow into, by the time she’s clawing her earthen blanket down, the sky is growing light again, and she’s left two more fingers and an ear in the dirt.
The loosened earth crumbles over her, but Melanie just huddles in the hollow she’s made, curled into the fetal position and breathing hard. She coughs out a sudden blockage in her mouth and realizes it’s her tongue.
Her skin parts and opens. One by one, her drawn limbs begin to loosen and disarticulate. Something detaches inside her chest. Melanie sighs with what’s left of her breath, sagging wearily into the damp and dark.
If she focuses, if she concentrates, she can almost feel Olivia reaching up for her, reaching for every beloved part.
~Scarlett R. Algee
© Copyright Scarlett R. Algee. All Rights Reserved.
6 thoughts on “I Love Every Part of You”
Very disturbing, a terrific story.
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There is a certain terrible dignity in this, and as well, Melanie’s humble acceptance.
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If vows were made, ’till death do us part’ takes on a whole new meaning in this piece! I wonder if officiants shouldn’t start saying ’til death do us parts’??? lol 😀
Love it – a very dark love story
Some good body horror!
Reblogged this on Lee Andrew Forman.