The Transfer

Tater tots.

Tuesdays are always tater tots. Jax swore that if he ever developed dementia, he could always be confident of the day of the week due to the smells from the prison cafeteria.

Tater tots were also what put him in his current situation. At least, they placed him on the path. Snot nosed Bryson Russo had stolen Jax’s tots in the second grade. Bryson knew, as did everyone, that the warm school lunch was the only meal Jax tended to get and those tots were meant to sustain him as he tried to sleep while his dad wailed on his mother.

Jax hadn’t reacted while Bryson had smiled, tots tucked between teeth like a demented jack-o-lantern. Instead, he had waited until after school where he introduced Bryson’s teeth to a brick he had found at a neighboring construction site.

At Midian Penitentiary, no one messed with Jax’s tots.

No one messed with him at all.

Thus, Jax couldn’t believe his luck when, after looking at the same walls for years, he was told he was being transferred.

Transferred was a term that was whispered like a prayer within the confines of Midian. Midian specialized in ignoring basic human rights, and very few ever found themselves walking away from a sentence. Most died in their cells, even if they were to serve for a short amount of time. There were no investigations; there were no Netflix documentaries made about the plight of those serving time at Midian and the atrocities they faced while receiving correction.

As his behavior had been far from “good” while serving time, Jax was not sure why he was receiving this heavenly reprieve.

Perhaps his family had sent letters on his behalf. This seemed unlikely as no one had visited him in his decade and a half behind bars nor had they accepted his phone calls. His father had been long dead (and there had been no words of thanks given to Jax from his father’s victims) and his mother had tired of bailing him out of trouble, especially when very real bail was required.

When the day arrived, the guards ushered Jax to the holding area where he was strip searched, given a new uniform, and shackled to the point that he was more chains than man. He was placed in the back of a van; two guards were sent to watch him during the drive.

Hours passed and Jax had no idea where he was being sent. As he had no family or friends to notify of his whereabouts, he simply accepted the idea of the transfer. One cell was as good as another, as he suffered no delusions of ever living outside of a cell again.

Eventually the van stopped and Jax was ushered into a small building. There were adjustable chairs and arm rests and trays of tools, such as those found in a tattoo parlor. Jax had lots of ink so that was more intriguing than daunting.

The guards led him to a chair and placed him on his back. He had a good view of the ceiling that had traces of spatter. That was daunting.

A needle was inserted into Jax’s neck and he began to feel tired and dizzy.

“He’ll be under soon,” a voice said.

“Maybe give him another dose?” one of the guards suggested.

“You want to kill him?” the original voice asked.

“Absolutely not,” the other guard replied, “we need him very much alive. You know what you’re doing though. You’re the artist.”

Jax had no idea why an artist would be putting him to sleep.

As the artist began removing Jax’s chains and clothing, Jax realized he had not taken well to the anesthesia. He was too drugged to move or give any indication of his consciousness. And that was the problem, he retained consciousness.

He heard the guards talking to the artist, talking about him.

“We want him 5’8”, darker skin tone, and no visible tattoos.  

“Y’all come up with more and more challenges for me…” The artist sounded tired.

“We have no choice. The perp died, guard went too hard on him.” The guard sighed. “We had promised the boys. They said they would behave if they just had the chance to turn out the ped.”

“Aren’t you all a bunch of Santa’s delivering a present?” the artist snickered.

“We maintain compliance. Nothing more, nothing less. So, we’re giving them the ped. We need you to make the transfer.”

As the anesthesia finally took effect, Jax realized that he was being transferred in more ways than one.

∼ Elaine Pascale

© Copyright Elaine Pascale. All Rights Reserved.

Harlequin God

The wind uses the forest to voice its thoughts. It uses the pinions of owls. I hear the words, though I don’t know the language. The dragonflies understand. The geckos do, with their flanks working like bellows. Sitting on my deck, I listen to the clack of wooden wind chimes, the tink-tink of copper ones. Something caws in the distance. I think it’s a crow. Or something mimicking a crow. My ears keep me grounded but my eyes are lost in greenery.

Twenty yards from my chair, the woods rise. Pines. Oaks. Magnolias. Cyrilla. Spanish moss twists along their limbs like the beards of old men. Blackberry brambles fill the underbrush, gravid with unripened fruit. Things hide among the green. Shadows sweep across the world with wings. Perhaps there are birds high in the air casting them. But I don’t see them; I cannot swear they are there. And the shadows are large. Perhaps they are fossil shadows, leftovers from the time of pteranodons and pterodactyls.

But the living things that fill the woods are not fossils. A moment ago, a long silken blackness raced down the bare trunk of a pine, an animal shape three feet long with a sleek head and long tail. My mind told me I’d seen the shadow of one pine swaying past another in the wind. But I don’t believe it. I don’t believe it because of the god who conceals himself below that spot in the bushes. He is painted many shades of green and black, and blends so well with his surroundings that I cannot tell where he ends and the world begins. Sometimes I see only his eyes, like specks of sun reflected in tear drops. Sometimes I see his torn cloak and the ratty top hat he wears. I have never seen his mouth. I don’t know if he smiles. I wonder if he has teeth, and if they are long.

The god watches me, very quietly watches me. I suspect the silk-black animal is really one of his angels. I’m sure there are more. The hide from me, even as the god tries to hide. He has planted the forest on his back as camouflage. But the wind reveals him. The voices in the breeze are prayers coming in from worshippers all over the world.   

I wonder if the god would join me if I invited him for a drink. My mind is divided. My human part suggests that he will not leave the woods, that without the glory of his surroundings he would appear only shabby and small. He could not tolerate that. The animal part of me, though, says he’s already here, hunched over and dripping behind me.  

Should I turn my head? Should I show him my own teeth? I don’t want to scare him off.  I’m very hungry, and it has been a long time since I’ve eaten a meal as fine as a god.

∼ Charles Gramlich

© Copyright Charles Gramlich. All Rights Reserved.

Bones and All

No one saw her the way I did. Her beauty inspired a reverence within me that not even the word of God could outshine. I gazed into hallowed eyes, ran my fingers up her long legs. I cradled her in an embrace that made our bodies one. She was my love in life, and so would be in death. She was the beginning, the middle, and the end of all things.

Despite her body ravaged by plague, I still found her beautiful. Nothing could stray my heart from seeing her soul, brilliant and pure—like the stars in the sky, spread vast and endless. I held her thin remnants, cold, pale, hard to the touch, and even after my vessel failed to move and fell to decay, I’d join her eternally on this Earth and beyond.

∼ Lee Andrew Forman

© Copyright Lee Andrew Forman. All Rights Reserved.

The Ash Riders

The first rider did not emerge from the dark so much as separate from it, the outline of horse and man moving undeniably slow as though the night itself was reluctant to release them. At a distance, there was nothing immediately unnatural about the shape. Just a mounted soldier moving at an unhurried pace. But the longer Elias, the night watchman, watched the more the details refused to settle on anything living. The horse’s gait was steady, too steady, each step placed with certainty and there was no sound of breath, no shift of muscle under the skin, no life in the movement beyond the function of moving.

When it passed into what light remained, the truth of it came forward all at once.

The horse was dead.

Not freshly fallen, not blood soaked or torn, but long gone to ruin. Its hide had dried and tightened over its frame, pulling back in places where the flesh had receded entirely, exposing bone along the ribs in pale, splintered ridges. Its eyes were gone, the sockets hollow and dark. They were packed with the same dry ash that covered the ground and with each step the ash lifted slightly, spilling in faint, silent drifts down the length of its face. Its lips had shrunk back from its teeth, leaving them exposed in a permanent stiffness that was not quite a snarl and not quite empty.

The rider sat in the saddle. Back straight.

His uniform had once been gray, though now it hung in strips and stiffened folds. The fabric was eaten through in places where time and fire had taken their toll. What remained clung to him as though it had fused there, not by heat but by years of stillness. Beneath it, there was no proper flesh left, only the suggestion of it. It was dried down against bone so tightly that the shape of his ribs pressed visibly through the remnants of cloth. His gloves were still on his hands, though the fingers inside them had long since withered, leaving the leather collapsed and empty in places yet still wrapped around the reins as if nothing would ever loosen his grip.

His head turned.

The movement was slow, deliberate. It was accompanied by a faint, brittle sound like wood flexing right before splintering. When his face came full into view, Elias felt cold settle into his chest.

There was almost nothing left of it. The skin had receded unevenly, drawn tight across parts and peeling away in others, leaving exposed bone with dark stains that at one time may have been blood. One eye remained, sunken deep into its socket, clouded and dry. It was fixed in a stare that did not quite land on anything but felt deliberate. The other side of his face had collapsed inward, the cheek gone. The teeth beneath it were bared in a silent, permanent grimace.

Ash clung to him.

Not resting on him, but caught in him. Packed into the hollows of his eyes, settled in places where flesh had eroded away and threaded through tatters of uniform. When he moved, it shifted slightly as though something inside of him had been reduced to the same fine dust that stirred with every motion.

He did not stop. He did not acknowledge Elias.

But as he passed the air changed, carrying with it a dry suffocating stench and Elias became aware of a new sound beneath the slow rhythm of hooves. A faint, intermitted rattle – bones.

More riders followed, each with the illusion of order stripped away. Some were little more than skeletons draped in the remains of a uniform. Their skulls were tilted at odd angles, jaws hanging slack as if whatever held them together had long forgotten the proper shape of a man. Others remained more of themselves, though not in any way that made them seem alive. Patches of blackened flesh clung stubbornly to bone, stretched thin and tight, splitting at the edges with each subtle movement. In places, it had pulled away altogether, leaving it too dry, curling into strips that brushed against the saddle or the horse’s flank they rode upon.

The horses were no better.

They came in a steady line. Elias did not step out of the doorway of the old saloon. He remained where he was, half shadowed in the doorway. The beam of his flashlight fixed outward as figures entered its reach, one by one. The light caught them gradually, intermittently, revealing fragments that settled into something whole only when passing him. A horse’s head, a slope of a shoulder beneath a gray uniform that no longer moved like fabric.

None of them looked at him.

None of them seemed aware of anything but the path in front of them. The street around them no longer matched the one from their lives, but it made no difference. They rode as if it existed in its original form, as though the buildings were lit and occupied. As though the night offered something other than loneliness.

Their line did not break and it stretched longer than it should have. They simply rode past him and continued down the street.

The last of them emerged more slowly than the others, the darkness behind him seemed to have taken longer to give him shape. Elias followed with his light, watching as they moved farther away. There was no clear point where they disappeared. Their forms faded gradually, losing definition with each step until they became little more than movement, then shadow, then nothing at all.

Elias stood there, still half in the doorway of the old saloon, slack jawed. His flashlight fixed on the darkness long after they had gone. The buildings around him, false fronts and carefully restored interiors, sat unchanged. By morning the streets would be filled with visitors walking the street, stepping in and out of the saloon, the general store, the chapel, treating it like a preserved piece of history.

A town left for people to look at. A version of the past, arranged and maintained, cleaned up and toured.

∼ Kathleen McCluskey

© Copyright Kathleen McCluskey. All Rights Reserved.