Under the Moon

They gather beneath the moonlight, where the silver shaded radiance meets the glowing edge of street lights and gaudy neon. They linger where the shadows settle in the cracks and alley bricks, where stagnant puddles shimmer from the lightly falling rain, and scattered refuse flutters in the wind.

Their claws scritch against the asphalt, a tiny sound against the submerged surface of the city, lost in darkness and the quiet hum of nightlife. They move and shift in scurry motions, shadow to shadow, slithering along the cracks and filth, unseen. Cars pass, doors slam, music drifts down the street. They take no heed, only finding the place they need to be.

Then they wait.

With each shallow breath, what passes for blood races through their veins, melding with the night. Their little tongues dart from their mouths, and shiny teeth knock together. The vibrations of the city hum against their bodies, disturbing the flow and rhythm.

And they wait. Until…

Footsteps echo on the sidewalk, tap, tap, down the pavement.

They hear the noise, and in eager anticipation their clicking claws keep rhythm, merging into a pulsing harmony, into a macabre sort of heartbeat. Thump, click, thump, click until the sounds are indistinguishable from one another.  

Until they are one tempo, one pattern, one in the flow of time…

Until the person who approaches is theirs, is lost to their need, to the swarm of their frenzy.

They are shadows at first, a darkening of light around his movement. Then they are sound; scritches and scratches and auditory fear. Lastly, they are pain; savage, sharp teeth, biting and gouging, devouring flesh. 

They exhale through his coursing blood, their life sliding into his, sucking, squelching, slurping pieces and bone, unmaking existence with screams and crimson splatters until every beat ceases. Until all that remains are red stains in a puddle.

Then they fade back to the cracks in the world, retreating to the lengthening darkness on scuttling claws.

And the hum of the city begins again, masking the faint clacking with the gloom of night. 

~ A. F. Stewart

© Copyright 2020 A. F. Stewart. All Rights Reserved.

Dead Air

The doorbell rang. Here we go again, I thought.

My sister answered. An elderly woman was welcomed in and led to the living room. We took our places around the table that stood in the centre of the room. The Clairvoyant sat with her back to the door; my sister, Clare took her place opposite her. I sat opposite my wife, Helen as the circus began.

“Before we start, if we can just get the payment of $100 out of the way,” the old crone said.

“Of course,” my wife replied.

She passed an envelope over. The woman swiftly took it and inspected the contents before stuffing it into her pocket.

“Let us begin. We are here to attempt to reach those loved ones that no longer dwell amongst us.”

So the pathetic ritual started. This crook went through the whole act; moaning, wailing, speaking in tongues. It was all I could do to contain myself and not burst out laughing. I kept silent though. My wife seemed to live off these pathetic pantomimes. What sort of husband would I be if I took this away from her?

I switched off as the hag asked the usual questions. My wife answered each in hushed tones.

After about half an hour of screeching and groaning, all fell silent.

“I’m sorry,” the old woman apologised. “The spirits don’t wish to let themselves be known to us on this occasion.”

What a bloody surprise. What a rip-off merchant; fleecing money off people left, right and centre.

She rose, packed away her trinkets and made her way to the hallway, closely followed by my wife and Clare. I remained seated at the table, biting my lip, trying to hold my anger in.

“So, Helen,” the lady enquired, “how long has it been since your husband passed?”

They continued talking as they entered the hallway and made their way towards the front door, leaving me sitting alone in the dark.

∼ Ian Sputnik

© Copyright Ian Sputnik. All Rights Reserved.

© Copyright Ian Sputnik. All Rights Reserved.

God of Dreams

A milk-pale rain fell from a blurred black sky. It tingled softly on my exposed arms. Behind me stood a lake of shimmer. My birthplace, perhaps. I could not remember how I’d gotten here.

I walked, not looking at the path my feet trod. Instead, I stared into the sky, which gradually cleared until I could see a myriad of stars, an entire alien milky way in the shape of a blunt-winged moth. In the aftermath of the rain, peacefulness steamed like humidity on my skin.

I came to an arch so old that plants grew from the soil accumulated in the cracks of the stone. I passed beneath it into an abandoned field grown wild. “I am disembodied,” I said. “I am dreaming.” And I knew what that meant; the rules of normal physics no longer applied to me.

Flight is a blessing for lucid dreamers. I lifted my arms—and though sometimes in such dreams I struggle to get off the ground—there was no struggle tonight. I soared with ease into the air, let myself spin slowly with my arms out and my fingers scratching trails of light from the darkness.

A forest of new growth surrounded me. I ducked and wove through the trees, dodging black branches that grasped for me. My laughter bubbled as I came out above the woods and saw the moon grown full and bright and red as a molten coin. Beneath the moon flitted dozens of dragonflies with white and black bodies and spiderweb wings. I joined them, and they were not afraid.

Now, Luna magnetized my gaze again. I spoke to myself: “I don’t have time to fly to the moon.” But something inside me wondered if I did. I reached my hands, prepared myself for the leap to space.

Flight faltered; I fell. I grabbed for a tree limb but it broke beneath my weight and I plummeted down, away from the light and toward the deep, still, forever night below. And yet, I smiled. For this was a dream and nothing could harm me.

Or so I thought until I landed: and flesh gave way, and bones shattered, and punctured lungs spasmed as blood painted an abstract scream across the darkness. And so I lay, while dragonflies came to hover, while they fitted their bodies together and became a deity with a thousand eyes and a thousand wings and limbs as numerous as the skulls of the dead.

With a tongue long and coiled black as a snake, the dragonfly god whispered in my bleeding ears: “I am the architect of dreams. And in time, all who sleep become my prey.”

∼ Charles Gramlich

© Copyright Charles Gramlich. All Rights Reserved.

Eel Soup

So, the time has come. He can’t stand watching her suffer any longer.

He prepares their last meal from scratch. He has procured the vegetables from the neighbor’s garden. The onions are still good, as well, the carrots and potatoes. A can of stewed tomatoes, peppercorns and salt, these are in the cabinet. The most important ingredient of all — the eels, he has obtained at the docks early this morning. He is careful to add them with their blood as the soup cools. They are finely chopped and raw, camouflaged with cabbage leaves. A modified and deadly vichyssoise served in her shining silver tureen.

He wheels her chair to the table. She’s so frail now, her skin almost transparent. The plague that sweeps the world hasn’t touched him as yet. Perhaps he is one of the few that are resistant. He frowns at the irony. His own life isn’t worth bothering with – but hers is another story. Such talents she has, so much to look forward to! Her paintings were selling well. She had begun composing music to accompany the presentations in galleries. She called it “bonding kinetic transitions.” But no more — this strain of the virus knows no prejudice.

He picks up a photograph of them when they were young, remembers the smell of her wool coat, the way her mouth chokes back a laugh in the photo. She’d loved his jokes – even the lame ones. Then came a time when laughter stopped. Like the sound of her voice, a bare whisper now.

Once she’d said his dreams were all smashed up inside. “Gray on gray. Form without substance,” she said. She was the artist. She had dreams for both of them. They are silent during dinner. He offers her another helping. To his surprise, she nods with a lopsided smile. She knows. He turns away to wipe his eyes. After dinner, he helps her out of the wheelchair, lays her gently on the bed. The muscle cramping will begin soon, ending the beating of her heart.

But instead of closing her eyes and lying back, she pushes herself up. “Hand me that novel you were reading to me last night, sweetheart. I am feeling so much better, I should like to find out how it ends myself.” He is stunned. This is the first time she’s said entire sentences in many days. And wanting to read?  How can this be — the eels have cured the virus? Her eyes are bright and her pulse steady. There’s a healthy flush to her cheeks that wasn’t there before dinner.

As he hands her the book, he feels a sharp pain in his stomach as the cramps begin. With a terrible chill, he remembers it was to be their last meal.

~ Marge Simon

© Copyright Marge Simon. All Rights Reserved.

Insemination

Nicolette rubbed her hands along her naked belly and knew her barren insides held no place for new souls. Her eyes peered into the mirror. Not to view her meager shell, but to converse with the only soul her body would hold: her own. There existed a question she must both ask and answer. Something dubious and unknown. Possibly dangerous. The doctor who gave her the news explained there was a way, though she may not like it.

As time fell short she realized the debate was only an illusion. Only one choice existed. She’d do what her doctor suggested. Nicolette never believed in alternative medicine, but her want for motherhood not only sent her heart to dark places, but her body as well.

The crumpled address in her pocket led her to an old brick structure, what might have been a factory back when they were a thriving industry. Doubt sunk into heavy feet as she approached a steel door. Her body wanted to hesitate as she reached for the handle, but she knew she’d go through with it anyway.

Beyond sat a makeshift operating table in an otherwise dark open space. A few stand-up curtains lined the back side of it. A construction lamp lit the area. One man stood in the light, both hands at his sides, unmoving, waiting. Nicolette held her breath as she approached. The man motioned his hands toward the workspace without a word.

Her body supine on the metal table, she focused on the dark above. She projected herself into it, a void where there was no pain, no fear, no sorrow.

The procedure felt like nothing more than a moment; a strange dream shrouded in fogged sounds and colors. When she sat upright she watched the doctor remove his gloves. They were covered in inky, black fluid. He tossed them into a waste bin and took leave into the darkness of the old factory.

Nicolette did the only thing she could. She went home.

When she looked into the mirror by the light of the morning sun, her once empty place grew and writhed with life. Nicolette rubbed her hands along her naked belly and knew by the three fingered hand pressed against hers, that what lived there wasn’t human.

∼ Lee Andrew Forman

© Copyright Lee Andrew Forman. All Rights Reserved.

The Red Witch

Dalia Habershon sat in her favourite high back chair and surveyed the room. The lights were dimmed, with a few candles to lend the right ambiance. The fireplace roared and the butler had set out tea for the guest. The peeling wallpaper was barely visible, and the cracks in the plaster melded into the gloom.

We haven’t had a visitor in ages. This could be a good day.

She shifted position to ease the twinge in her back. The chair creaked, and the faded upholstery rippled, threatening to tear again. Dalia smoothed the skirt of her best dress, ignoring the old stains and the tattered edges of the fabric. She had done her best to look presentable, fixing her hair, even adding a touch of lipstick.

She cocked her head, listening to the whispers from the shadows. “Shush, he’ll be here soon. Be patient,” she replied. More whispers, Dalia strained to make out the words. “Yes, I’m certain. He’s not the type to miss an opportunity. He’s nothing but a muckraker trying to jumpstart a career, make a name for himself. He jumped at the chance to interview the infamous Red Witch.”

The double doors flung open, and two figures strode into the room. Dalia’s butler announced, “A Mr. Phillip Cobb to see you, ma’am,” before bowing and backing out of the room. He shut the doors behind him with a bang that made Phillip Cobb jump.

He laughed nervously. “This place sure plays up the spooky atmosphere.”

“It’s the way we like it. Come, have a seat on the sofa.” Dalia waved her hand at the ragged piece of furniture, hoping the springs were still holding.

Phillip sat down as instructed and took out his phone. “Do you mind if I record this?”

“Whatever you need.” Dalia beamed, playing the perfect host. “Would you like some tea?”

Phillip shook his head. “Maybe later. I’d Like to start the interview. How did you get this local reputation as the ‘Red Witch’? Rumours have it you make people disappear with your magic.” He smiled, a slight edge of mocking to his grin.

“Did they tell you how I cast spells and feed my hapless victims to my demonic pets? Or perhaps the one about how I collect souls.” Dalia snickered. “Truth is, I’m just an eccentric lady and people like to talk.” She shrugged. “It’s not my fault if people disappear. Probably should have minded their own business.”

“So you’re saying that you’re just a victim of gossip and harassment, that—” Phillip suddenly yelped, pointing at the shadows, “What the hell is that?”

Dalia sighed. Damn the ghosts. They’re so impatient. “Just can’t stay hidden, can you? Well, come out then, since he’s seen you.”

From behind the chair, several ethereal figures floated forward, crowding around the sofa. Eager moans issued from their throats as Phillip shrank away from their outstretched hands. He yelped again as something else slithered across the floor, adding a trail of slime to the layers of dust.

Still shrieking, Phillip leapt to his feet. With her foot, Dalia shoved the coffee table into his shins, upsetting his balance and rattling the tea set. As Phillip tumbled back onto the sofa, Dalia reached between the chair cushions, then vaulted over the table, brandishing a knife.

“You wanted to know if I had anything to do with the disappearances? The answer is yes,” she snarled. “The Red Witch is a killer.” She slit his throat with a laugh.

His blood sprayed against her dress, adding a touch of bright red to the faded crimson cloth. Dalia licked drops of Phillip’s blood from her lips as she watched his moaning spirit rise from his body.

“Come my pets, you have someone new to torture.”

The other ghosts rushed in, moaning eagerly, and hauled Phillip’s spirit away to the darkest shadows. Dalia listened to his phantom screams as her pets played with their newest toy. She chuckled.

It will only hurt for a little while, Phillip. Then you’ll become one of us.

More shadows shifted, and a reddish tentacle reached out towards the sofa. It wrapped around the corpse’s neck and squeezed. Bones snapped and flesh dissolved until the head popped off. The slimy appendage dragged the head into the shadows and they both disappeared into the dim murk of the room. Blood oozed and pooled on the sofa cushions.

Dalia nodded. “That’s it, feast, my pet, but save some meat for me. Winter’s coming and the freezer needs stocking.”

She scooped some blood from the stump of the neck into a cup and poured in some tea. Dalia settled back in her chair, sipping her drink and licking blood from her fingers. She gazed at the body on the sofa and listened to the sweet sounds of screams and crunching bones.

Dalia smiled. “Well, it was a very good day indeed.”

~ A. F. Stewart

© Copyright 2020 A. F. Stewart. All Rights Reserved.

I Love Every Part of You

It begins, on a rainy Sunday two days after Olivia’s  funeral, with her left ring finger.

Melanie wakes to a weird little pressure under her ribs and sits up and there it is: nestled into a fold of the sheet, its magenta acrylic nail lying discarded to one side. Melanie picks it up with bile hiking acidly up the back of her throat, sees the smoothness at the base, and can’t help noticing that the rings are still snug. The gap between her fingers is silky and flawless, the skin above the barren knuckle dimples and is only slightly paler than the rest.

She should worry. A part of her knows it. But Melanie is still too numb from Olivia’s sudden passing—you should be grateful, her aunt had said at the graveside, that the cancer worked so fast and she wasn’t in too much pain—to regard it as anything more than a bodily quirk, a curiosity, so she gets dressed and wraps the finger in black crepe and drives to the cemetery, and buries that part of herself in the shallow hole she’s able to dig in the loose earth with two hands.

On Monday it’s half her blonde hair, loose on the pillow; on Tuesday she brushes the rest and it all just tugs loose with a painless not-quite-pop. No obvious flaws, no stubble, no bloody roots; she sits on the bed and vacantly runs her fingers through the strands, the way Olivia had done. I love every part of you, Olivia had said so many times, even at the end; so the hair gets bundled into a neat rubber-banded braid and buried beside the finger.

On Wednesday Melanie wakes minus three bloodless teeth, and her lower lip—the one Olivia had liked to bite when they were in a certain mood—feels oddly loose, so this time she wraps the teeth in a square of paper towel and goes to her doctor.

She gets stared at. Prodded—with the end of a pen, not with fingers. There are scribblings and murmurs: are you eating? do you feel well? are you sure you haven’t hurt yourself?—to which Melanie just bows her bare head and holds out her gapped hand and says, “Do you see wounds? do you see scars?”

Stress, is the uncertain verdict, and a prescription changes hands. Melanie’s staring at it in the car when the rest of her teeth shed in a rattling cascade that bounces off her knees, scattering into the floorboard below.

It takes her half an hour to collect them all, to account for every one. By then, she almost thinks she knows what’s going on.

I love every part of you.

The soil mounded over Olivia’s grave is rain-damp and fragrant. Melanie scoops out a hollow and deposits the teeth and says, “You know, you didn’t have to be so literal.”

Then her lower lip drops, jelly-like, into the hole.

It’s okay; Melanie hasn’t felt like eating in days. She just shrugs and smoothes it over, and goes home to see what will happen next.

What happens is Thursday.

Her left arm and hand below the elbow. Four toes across both feet. Her left eye too, the one Olivia had sworn held so much more sparkle than the other. She just gropes a plastic bag from the container in the kitchen, never before so grateful to be right-handed, and clumsily scoops everything inside except her eyelashes, which are fine enough to get lost in the high pile of the carpet.

Melanie waits until after dark. She has to, for this. The eye had been just a little much.

You always were a drama queen, Liv.

This time digging a proper hole is out of the question, so Melanie attacks the side of the heaped, drying soil with hand and feet, unsteadily carving out a place for herself. By the time she’s made a space to burrow into, by the time she’s clawing her earthen blanket down, the sky is growing light again, and she’s left two more fingers and an ear in the dirt.

The loosened earth crumbles over her, but Melanie just huddles in the hollow she’s made, curled into the fetal position and breathing hard. She coughs out a sudden blockage in her mouth and realizes it’s her tongue.

Her skin parts and opens. One by one, her drawn limbs begin to loosen and disarticulate. Something detaches inside her chest. Melanie sighs with what’s left of her breath, sagging wearily into the damp and dark. 

If she focuses, if she concentrates, she can almost feel Olivia reaching up for her, reaching for every beloved part.

~Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

World Without End

The wind blew fallen leaves along the street. Grey, leaden clouds lay low in the sky. Phil walked along the row of terraced houses in the same direction as the leaves, travelling just as aimlessly. It was two p.m., the dead time of the afternoon when people had finished lunch but before the kids arrived home from school. The street he walked on was completely empty.

He reached a junction with the main road and saw there was a park on the opposite side. He might as well waste time in there rather than wandering the empty, depressing roads. Phil could see the local Council had recently tried to make improvements in the park; the railings were all freshly painted, the small tea-shop was actually open, the grass was freshly cut, and the beds and pond well-kept. He felt cheered at the sight. It would have been easy to let the park fall into disrepair and ruin.

Because it was mid-week and off season, there were only a few people in the park; a couple walked a dog, an old lady listlessly threw bread at a bored looking duck, and a barista in the tea-shop leaned on the counter with no customers to serve. A man in overalls worked on a flower-bed, clearing out dead flowers. None of them paid him any mind. He noticed a greenhouse on the other side of the small lake, and headed round to have a look.

He peered through the cloudy glass on the door and saw a magical world of green inside. A notice on the glass said it was closed on Wednesdays. It was Wednesday.

He walked round the building, looking for something else to do. He ended up in a part of the park which hadn’t been as well restored as the other areas. Overhung trees and bushes sprawled untidily over cracked and broken paths. The railings, such as they were, were rusty and damaged. The whole area had an atmosphere of dereliction and decay. He saw an old sign attached to one of the trees. It read ‘Maze’ in antique script. Underneath the words, an arrow pointed him further away from the main park. Phil decided to go for a look.

The path led him through oppressive bushes and trees for a few hundred yards, then ended in a wide grassy area with the maze set in the middle. It wasn’t a particularly big maze, no more than a hundred feet square, but it was tall; about eight feet high. It didn’t look as if it was well maintained; the hedge itself was ragged and unkempt, as was the grass surrounding it.

Phil walked up to the maze, and looked around. There was a small booth at the entrance but it was in a poor state of repair suffering from dry rot and peeling paint. Phil checked his watch, then decided to have a go at the maze. There was no particular reason, it just felt the right thing to do. He walked past the booth and was about to enter when he heard a small voice.

“A penny please, sir.”

Phil gave a visible start, he thought he was on his own. It took him a moment to source the voice and finally realized it had come from the booth. He looked toward it and saw there was a tiny old man sitting in the darkness of the wooden hut.

“A penny please, sir,” repeated the old man.

“Sorry, I didn’t see you there,” stammered Phil.

“That’s alright, sir. Don’t get many visitors down here. I was just taking a nap when I heard you passing me by.”

Phil smiled at what he thought was a joke.

“Don’t like people passing me by, sir. Ain’t right,” the old man said in a dour tone.

“Sorry.” Phil mumbled again. To ease the tension, Phil changed the subject, “I like the renovation they’ve done to the rest of the park.”

“Don’t know what you’re talking about. Nothing been done to this whole park nigh on twenty years, not since the Thirties. Alderman Smith did it, well leastways he organized it.”

The Thirties? Twenty years ago? More like eighty. But Phil didn’t bother to argue. The old guy had obviously lost his marbles. He reached inside his pocket and dug out a coin. A twenty pence piece, it was all he had. Phil handed it over.

“Keep the change.”

The old guy smiled. “Thank you, sir. Go right in.” he said motioning to the entrance of the maze.

Initially Phil enjoyed the sensation of getting lost. He tried to make the most of the experience, and intentionally wandered aimlessly. He twisted left and right without thinking, following the paths of the maze as he saw fit. After what he felt was about fifteen minutes he decided he was lost enough and would try to find his way out.

No matter which way he turned he was faced with the same scene; green hedges. The green was vibrant and almost dazzling; it struck a harsh contrast to the grey of the sky. He stopped and sighed, it had looked like a fairly mediocre effort from the outside, but he had to admit the maze had stumped him. Faced with no other choice, he started to walk once again.

The hedges were impenetrable; no light shone through them. He could see nothing but grey when he looked to the sky. To make matters worse it was beginning to get dark. Dark? It was only about three o’clock. He looked at his watch and realized with a jump it was half past five. How the hell did that happen? Time didn’t race when you were unemployed; it dragged. 

With no other choice, he kept up his pace, twisting and turning through the green walls that trapped him. Trapped? His subconscious had thrown the word into his mind; a word he would never have normally used. He didn’t feel trapped; it was only a bloody maze! Don’t you? a sly voice inside his head asked. He checked his watch. Seven o’clock. What? He shook his wrist, not believing his eyes. He looked up at the sky, saw only grey and the darkening of approaching night. He could still make out the hedges in front and beside him, and the ground was still visible, but he wondered how long that would last.

Something twitched at a locked door in his mind, something he tried to get rid of. Panic. He suddenly realized he was really lost, not like earlier when it had seemed merely a game. Why hadn’t the old man tried to find him before the park closed, had he forgotten or had he not cared?

Phil reached a junction – left or right? He went left. After what felt like only a few moments, he checked his watch again. It was nine-thirty. He was cold, hungry and tired. Surely there was a way out of the maze? He took a tissue from his pocket and shredded it into long, thin strips. He put all but one back in his pocket. He twisted the remaining piece round a small twig so its whiteness was visible in the night. He started to walk again, careful to count each step. When he reached fifty he tied another small twist of tissue into the hedge. Fifty steps; a twist. Fifty; twist. His plan was to eventually get back to the first twist so he would know he had covered that portion of the maze. Then, he would be able to find his way out. It was simply a matter of elimination.

He gave up on that idea when his watch read one a.m. and he still hadn’t come across any bits of tissue. He had run out of twists around eleven o’clock but had carried on in vain as he tried to find any sign of the twists he had lain. He couldn’t find one. Crumpling to the ground, he put his head in his hands and began to sob.

***

In a deserted and scruffy part of a forgotten park, in a small hut at the entrance of a neglected maze, an old man waits patiently for the next customer. While he does, he smiles because he is the only one who knows that sometimes, just sometimes, those who enter the maze never find their way back out.

∼ RJ Meldrum

© Copyright RJ Meldrum. All Rights Reserved.

Drop Off

Janice turned the wheel hard. Tires squealed over Freddy Mercury’s soaring vocals from the car stereo as the vehicle shuddered down a two-lane road leading into suburbia.

“I’m on Crescent. There’s a small horde behind me, but I should be safely back to you guys before they catch up,” Janice said.

Her voice, mixed with Queen, sounded in Tim’s earbuds. Tim stood on the balcony of their apartment with their fifteen-year-old son, Steven. Both of them scanned the area for zombies as the summer sun beat down, intensifying the stench of rotted flesh. “You’re clear all the way to the drop-off. Then we’ll cover you the rest of the way to us. Can you turn off that music? It’s not—”

“It’s the only time I get to listen to anything,” Janice interrupted her husband. “Do you really think it’s any more likely to draw out our friends than a car engine?” Janice pushed on the gas pedal and cranked up the volume, drowning out her husband.

The rev of the engine echoed in the air. Tim spared a glance at his son as he surveyed their surroundings. “Your mother can be dangerous sometimes. It’s unnecessary. That’s the sort of stuff that will get you killed.”

“Dad, give her a break. We’ve been doing this a while now and it’s fine. I’m heading down.” Steven set his rifle on the table and grabbed the pistol lying there.

“Be careful, Son.”

“Love you too, Dad.”

The door clicked shut after he slipped out.

“Steven’s standing by. You’re both clear.” They’d been doing this for over a year. The school parking lot a block away was littered with vehicles they had discarded. Survival of the fittest, that was what Tim had been telling his wife and son since the outbreak occurred.

Tim went on the first couple of supply runs but as a strong, able-bodied male, he was given a wide berth. Janice was petite and cute with eyes that sucked you in. People were drawn to help her. But the minute they got close, she would shoot them and put their bodies in the backseat of whatever car she had grabbed that day. Then take any supplies and head back. The fresh corpses left in the cars kept the zombies from sniffing the family out in their apartment. The fetid scent of death was like a drop of blood in water to a shark.

Janice had cried after her first time. Tim kept reminding her—and Steven—it was  survival of the fittest. It became his mantra. Kill or be killed. That was what their life would be from now on.

The white Azera Janice had acquired for this run crested the little hill on Crescent. It caught a split second of air before slamming back to the road. Janice gave a delighted whoop.

A commotion in the trees lining the road to the right of Crescent drew Tim’s gaze. Five zombies rushed from the wooded area and stopped in the middle of the lane. A couple looked left toward the noise of the engine. The other three looked straight at Tim and Steven. The smell. Damn it.

“Janice!”

“Shiiitttttt.”

Tires screeched. The Azera slammed into the first zombie, sending it into the windshield then up over the car. Janice gunned it and plowed through another one. This time the zombie managed to latch onto the vehicle; it snarled at Janice through the cracked windshield.

Janice pumped the brakes and turned the wheel left, trying to throw the zombie free. She started to lose control and turned back to the right, flooring the gas pedal. Another slurping thud resonated and rotted zombie organs sprayed up the passenger side of the car.

Thump thump thump thump. The front passenger tire exploded, jolting the zombie from the vehicle. Janice’s vision cleared just in time to see the drop-off at the side of the road past her turn to the apartment. Once more she slammed the brakes and jerked the wheel to the left, but she stood no chance. The car swung sideways and slid down a couple of feet before wedging itself against a tree. The impact rattled Janice’s insides and sent a shock of pain from her right ankle up her leg.

“Janice!” Tim said, bringing his rifle up.

Two of the five zombies remained standing. One bolted toward the apartment, but Steven was already on his way back up, or at least he was supposed to be. The second zombie started toward the car.

“I’m here, Tim,” Janice said over a Brian May guitar riff. “I think I’m okay.”

Tim lined up the shot and pulled the trigger. A single retort scattered the few birds perched on the roof. The zombie’s chest opened wide as the bullet hit home, knocking the creature to the ground.

“Go, Janice. You’re clear.”

Janice grabbed the pistol that had managed to stay in the seat next to her and opened the door, swinging out. She stood up and promptly crumpled to the ground, pain exploding in her right ankle. She pushed herself up and limp-ran two more steps before faceplanting in the middle of the road.

Tim watched his wife fall to the ground. “Fuck, fuck, fuck.” He looked down for the zombie that had made for the apartment but couldn’t find it. And where the hell was Steven? A pistol shot sounded below. Followed by another. And another.

Tim took aim at the zombie he’d shot in the chest. It was struggling to right itself. He fired one more round and got a clean head shot, dropping it.

The apartment door opened. “Dad, where’s Mom?” Steven kicked the door closed behind him then beelined for the balcony. “Oh, shit,” he said when he saw the chaos below.

Janice stood and got another few steps before she hit the pavement again. Gritting her teeth, she got to her hands and knees and started crawling in the direction of the apartment.

A half dozen zombies burst through the same trees as the others had, then came to a stop as their brains processed the information around them.

Tim fired and missed his target. “Run, Janice! Go!”

The shot snapped the zombies to attention. They ran toward both Janice and the two men on the balcony. Tim couldn’t tell which was heading where and he pulled the trigger again and again. One shot spun a zombie down but not out. Steven joined in and took three quick shots, two of them taking down one more of the six.

Blood dripped from various scrapes and cuts on Janice’s body and her ankle throbbed, but she ignored the pain and got herself up, running as fast as she could, crying out each time her right foot hit the ground.

Two more zombies emerged from across the street, followed by another three from the trees. A couple lunged at the car with the corpse in the backseat, but most were heading for Janice.

Tim fired as fast as he could, barely aiming now. “Janice, you can do it, honey. Keep going. You’re almost there.”

Steven took aim and pulled the trigger.

“Janice!” Tim screamed.

Her head snapped back. Her body dropped for the final time.

Tim dropped his rifle and wailed, “What did you do?” He wheeled on his son, grabbing him. “What did you do? Fuck, fuck. She was going to make it. What…”

More zombies crashed through the trees, a horde forming. “Dad, we have to g—” Steven didn’t finish the last word as Tim punched him in the jaw. The boy staggered to his knees. More punches rained down. “Dad! Stop! Please, we need to go.”

Tim missed a punch and instead hit the table on the balcony, knocking the pistol to the floor. Steven grabbed it and pulled the trigger. The bullet ripped through his dad’s thigh.

Tim yelped in pain and grabbed the balcony railing. The pain reset the synapses firing in his body. Sobbing, he said, “I’m so sorry. Fucking hell. We need to get out of here.”

Zombies littered the ground, most of them distracted by Janice’s body. The two men didn’t have long. The blood dripping from Tim’s leg would slip through the slots in the balcony floor and draw their attention.

“We need to go, Son. Right now. You’ll need to drive.”

Steven looked at his dad and the scene behind him. We’ll never make it, Steven thought. For a moment the world stopped except for Freddy singing about that “crazy little thing.” Steven swung his fist out as hard as he could and caught his dad in the temple. The butt of the pistol struck his dad first. Tim groaned and flopped over the railing. Out cold.

They were never going to make it, but Steven could. His dad taught him well. Survival of the fittest. He put the gun to the back of his father’s head and pulled the trigger, then shoved the corpse over the balcony.

That should give him enough time to get to the car and get away.

∼ Mark Steinwachs

© Copyright Mark Steinwachs. All Rights Reserved.

 

This Broken Love Story

She loves him in pieces, in separate parts.  A sliver of this, a morsel of that.  He is tasty and delicious and she savors him bit by bit by bit.  There could always be enough to go around, maybe.  If she is careful.  If she only sups a little at a time, just enough to whet her taste.  If she keeps her hunger sharp enough to appreciate, but never to devour whole.  She keeps a spare collarbone in her back pocket.  She warms her hands on it, nibbles it delicately with sharp teeth.  When the desire becomes too strong, she puts it away again.  Anything else would be untoward.  Anything else would be far too terrifying.

He doesn’t nibble, or take dainty sips, or deny himself.  Anything.  He takes mouthfuls of bone, of meat, of soul.  When you’re starving, it’s difficult to hold back. When the gas tank or stomach or heart is empty, nipping away at a brandy snifter is ineffectual.  Better to gulp great big lungfuls before it’s gone.  Take the loss. Take the teasing.  Take it before it’s rescinded, or before he grows tired of the game, or before they both wake up and realize that this isn’t reality.

“It isn’t ideal,” she murmurs, mouthing the underside of his jaw. Just enough for a taste. Just enough to keep the bloodlust at bay.

“It isn’t ideal,” he agrees, and when he pulls away, she’s missing her right shoulder, most of her ribs.

This story is broken, and they both know it. But it is their story.  It is still a story of love.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.