Tag Archive | Scarlett R. Algee

Damned Words 39

 

Inner Matters
Lee Andrew Forman

The sounds of the world bring peace: crunching gravel, leaves dancing with nature, songs sung by the creations of life. Reality has other sides, some which only a vagabond can see along their journey. The pleasant are never left unappreciated. The darkest sit atop your shoulders, ever apparent in your sight.

A band of three delinquents emerge from the brush to intercept my path, smoke-filled ugliness trailing from their mouths. Their eyes immediately find me: the derelict, the tattered wanderer, the lonely victim. But their eyes only see what their minds can imagine. I sigh in response to their vile introductions.

Before they can hassle me further my front-side expands and splits down the middle. My innards expel themselves and splatter the deviants in carnage. Fluids dissolve their flesh; they scream a futile cry of agony no one will ever hear. Only when my would-be predators are mere remnants of ooze do my organs crawl back and nestle themselves where they belong, happy and well-fed.


Tracks
Charles Gramlich

“Shhhh, I’m here.”

The man shuddered, not quite sure yet what had happened to him. I rested his head in my lap, then pushed sweat-matted hair back from his face to see his terrified eyes.

“Help…me,” he begged.

I shook my head. “Sorry. This could have been avoided, but…” I gestured for him to look at himself.

He turned his head to gaze down his body. I let him scream at what the passing train had done. He tried to struggle, to thrash his arms and legs. He had no arms or legs. Shredded remnants of his severed limbs looked like piles of cooked raspberries strewn along the tracks. And, as I’d read would happen, the train’s weight had cinched the torn veins shut. He wasn’t bleeding out; he’d live a while yet. No one would find him here, though, where I’d tied him to the tracks.

“Please,” he begged again.

I shrugged and rose. “I warned you about those spam calls from your site.” Taking out my cell, I punched a number. The phone in the man’s pocket buzzed obnoxiously. “Press 2 to be placed on my do not call list,” I told him.


Family Honor
Mark Steinwachs

When I pulled the trigger years ago, I knew my turn would come. There is only one of us in the family at any time. My death is their first hit.

Blindfolded and with hands tied behind my back I shuffle along rocky ground. Whoever is behind me helps guide me. He nudges the back of my knee with his foot and I awkwardly let myself fall to my knees. He lays me flat, my face touching cold metal, then pulls the blindfold back enough for me to look down the long track. Not the same track I used of course, but the scene floods my memory. There is only one person who knows the story of my first hit. I never thought he would be the one.

“Thank you,” a male voice says, one I’ve known since he was born. “Your place of honor awaits.”

Those words, the exact ones I spoke when it was my turn, linger in my brain as I hear the click of the safety releasing.


Now You Stand and Wait
Scarlett R. Algee

They’d picked up her clothes along the track, almost too shredded to bother, and the whole time Shep had been grumbling you’re a damn fool, it ain’t the same no more; so when Shep squats by the rail and picks up a tuft of fluffy black fur, Ben hates him a little.

He clutches the ruined clothes, swats away Shep’s offered rifle, stares down the slope to the ground beneath the trestle bridge. Squints. Wonders. “She’s still my girl.”

Shep toes the claw marks along a rusted edge of rail. “You think that now.”

“She’s still Ellie. You just wait here.”

Alone, Ben treks down to the darkness under the bridge, stands at the bottom to a warning growl. He glimpses eyeshine in the black yards away. “Ellie, it’s Daddy.”

He steps closer. Another growl, deeper, but Ben can see the shape of her now, huge and magnificent, tail held out stiff. He clears his throat. “It’s gettin’ late. Your mama’s got supper waitin’.”

Ellie’s snarl is softer this time. Ben decides to take the chance. Sure, maybe he’s a fool, but she is still his girl.

Step by step, he walks into the darkness, toward the waiting wolf.


The Flattened Penny
A.F. Stewart

I can still smell the copper stench.

And hear the way the train’s wheels screeched as it rolled over the penny on the track, squashing it razor thin. I watched Denny pick up the flat coin, after it cooled down, and wave it around laughing.

I didn’t laugh.

Denny never heard the whistle of the other train, the death train. The one I had seen before, that should have been my ride. One penny to the conductor as payment, but that foul creature didn’t care much about who held the coin. Easy enough to cheat him.

Poor Denny.

That’s the smell of copper I remember. His blood.

But better him than me.


Taking the Ride
Nina D’Arcangela

The rumble loosens my gut; thrums through my body. My eyes quake in their jelly as teeth shiver saliva from plump, rouged lips. Searing heat washes over me as the screech assaults my core. I feel the shatter of my sinus cavities as the revolution of iron pressed upon iron crushes my head. Body thrashing in the wash, I Pollock the scree, feed the weeds; slick the rail for the next eager rider.


Definitely Not a God
Lydia Prime

Beneath the rocks and rails there lies a secret that our tiny town holds. We keep quiet and everything stays peaceful, that’s how it’s always been. Mama says it’s God under those tracks, says he protects us even in his sleep. I don’t think Mama knows what God is.

Late at night I sneak down to the tracks and kick the rocks as I walk past the iron ties. I can hear it, sometimes it sounds like snoring, but other times… If Mama could hear the noises I know she’d change her mind.

Just a ways ahead, the rocks shift and I sprint to see who’s there. The air smells of earth and death, my eyes settle on a gnarled looking creature hunching over in the moonlight. All six of its eyes blink then lock on me. I’ve never seen anything more gruesome, it grins and licks its crooked lips.

I turn to run but my foot snags the rusted rail. As I scramble to my feet, four more creatures step into sight. I was right Mama, definitely not a God.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2019

Advertisements

A Spot of Blood

I’ve just reached for the bleach bottle, my fingers tight on the cap, when she closes her hand around my wrist.

“Hold up, baby girl. What’s this here?”

She shifts her grip to under my arms and pulls me upright. I’m myopic enough from my time bent over the half-butchered corpse in the bathtub that the blot on the floor wobbles in my vision for a second before it resolves, and I feel the press of her covered boots against the outsides of my own.

A single spot of blood between my feet, between hers. She takes the back of my neck and squeezes hard, forces my head down and holds me there. “Now, baby girl, we’ve talked about this.”

And we have, but never about the things I’ve done right: how small-caliber rounds rattle around in the skull and don’t come out; how to accommodate the way the carotids can hide when the head’s pulled back; how to unfold plastic sheeting so it doesn’t even crinkle. For Christ’s sake, I’m wearing three pairs of nitrile gloves right now.

No, it’s always the other things: the cut that isn’t deep enough, the noise that isn’t muffled properly, this single drop of blood on a bathroom floor.

I reach blindly for the bleach. “I’ll take care of it.”

“Honey, I don’t think you realize how serious this is.” She presses on my neck. “We don’t leave traces. You know what I say about mistakes.”

“Mistakes get you caught,” I mumble.

“Damn right. And how many is this?”

She shakes me like a dog shakes a stuffed toy. I can feel my own carotids pulsing as I try to think. “Two…no…three.”

“And one I can forgive. Maybe two. You’ve been learning,” she says. “But not this one, missy, oh no.”

She lets go of my neck and grabs my hair, plastic cap and all, and yanks me to full height, spinning me around. The movement is dizzying. My vision swims.

When it clears, I’m looking out the open bathroom doorway down the hall, toward the kitchen. Two drops. Three. Dozens. Maybe hundreds.

I’ve left a blood trail.

She rips the surgical mask from my face. The elastic snaps. I whimper.

“You do the crime, chickadee, you’re damn sure gonna do the cleanup. And this time, you’re doing it the hard way.”

When she shoves me, I fold, topple straight down on my knees. She plants the toe of one boot in my side. “I warned you how it would be. Now get started.”

Knees burning, eyes watering into my safety goggles, I bend my face to the floor and start to lick.

~Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

Damned Words 38

Below Stairs
A.F. Stewart

Upstairs the music plays, a tragic operatic aria of lament and loss. It drowns out the hiss and creak of the steam and wheels, and the crunch of bones. Oblivious laughter—from the latest guests—mingles with the song, their merry voices drifting into a preceding silence of parties long forgotten.

For the dead no longer scream.

Beneath the gaiety, the servants’ footfalls tread along the stair, from back rooms and the kitchens, down to the deepest level. There, they feed the machines stockpiled flesh. Watching the meat grind, the blood and bone pulverize into dripping globs of raw spat out into vats, waiting for dinners to come. In another corner, maids tuck away silks and jewels to sell.

Nothing to be wasted. No remains to be found.

Above it all the people circulate, eating canopies and drinking wine. The host, he smiles and makes the rounds, greeting and exchanging pleasantries. He gives them all the best of times, a fitting end before they become his next feast.


Bones
Lee Andrew Forman

Firm structure to fine dust—machines turn in unending drudge. Bleach powder, chalky, light, stirs endless with their rusted labor. Ill fated are the powers which motivate the process; knowing soon they’d become its product. Weakness feeds the goods produced, monsters purchase its favor. With delicate pouf, makeup, attire; they parade around with gratuitous chortles. Their faces worn in layers of death, they grin ever wide with flavor. For a bit of coin, their color reborn, pale as frosted glass. Those suffered the gift of an end, worth only a minute of reception, would be stripped of flesh and ground to pleasure each patron.


Every Last Damnèd Soul
Scarlett R. Algee

It’s a tricky business, distilling souls. Always have to boil the bitterness off first; it gunks up the works if you don’t, and it’s a bitch to clean out, pardon my saying. Take this lot—they’ve been stewing for three days just to get the residual resentment out. Drowners, all of them. We leave the salt water in, though; customers say it adds a little something to the finished product.

Some of the souls scream while they’re rendered. Some of them sing. I’m told it’s quite enticing. I’ve mostly learned to ignore it, myself.

Madam. Madam. What are you doing out here on the floor? No, you may not touch the machines. The experience would be damnably unpleasant for both of us, pardon my saying.

Madam, please—what’s that? Your son? You think you hear your son? You have my condolences, but that’s quite unlikely. They aren’t really identifiable now, so for your safety I must insist—madam! Madam!

Oh…not again.

Patterson? Yes, idiot, of course we stop the process! We need an extraction here! She’s the third one this month!

But save the blood. Every drop. The customers say it gives a certain ambiance. Besides, she sings prettily already, doesn’t she?


Rust
Charles Gramlich

He fled. And the wicked followed. Their boots banged like gunshots as they chased him through the abandoned factory where he’d sought refuge. Down empty corridors, they went, through shattered doors. He knew this world and lost them in a room of silent turbines. The search moved on.

The hunters hooted through the vast spaces, first in glee, then frustration. The sounds faded, but the hunters were cunning. He stepped from his hiding place only to meet a brutal blow to the back. Tricked, he went down in terror, and rolled over to find himself encircled by humans. Snarling, they hefted steel bars torn from the factory’s rusted machines.

He threw up an arm; they hammered through that defense, smashing his limbs, crushing his abdomen, sending pieces of him clanging across the floor. Within moments his body lay in a heap of torn alloy. One eye sparked and sputtered. But with his other eye and the last of his consciousness he watched as they set him afire. His vision bloomed, then blackened. A human curse was the last thing he heard.

“Robot slag! Now let’s get the rest of ‘em.”


The Machine
Mark Steinwachs

I cough as my gnarled hands run over the tarnished machine. “It’s amazing how many people don’t believe it happened. Proof that humans are fools. Wirths, Mengele, Clauberg; they would have been nothing without me. Mere footnotes.” I lead him amongst the tanks, my fingers gently caressing them. I shuffle along as best I can, years of dust getting caught in the sun coming through the windows. The tiny particles remind of …“I killed millions. Let that sink in. Millions. And here I am. I live my life hidden in plain sight, just like her.” I kiss the tank gently. “Now it’s your turn. Go back and make your country great again, and then the world. Go, my lieb enkel, my dear grandson. Finish what I started.”

“I promise,” he whispers and kisses my forehead then walks away from me.

I lay down on the cold floor. The screams of decades ago flood back. Smiling, I close my eyes for the last time. I only wish I would get to hear that sweet anguish again.


Once
Mercedes M. Yardley

He was hungry. He was always hungry, always starving, always ravenous. His face was far too sharp and his cheekbones cut against his skin in the most visceral of ways. Once he had a name and even people who called him by it, and food was a bit easier to come by. Never quite enough, surely, but not too little.

He slept in the abandoned factory, catching rats and spiders when he could. It didn’t matter if they were malformed by radiation, because so was he. He stuffed them in his mouth, piece by piece, bit by bit. If he just held on, if he just stayed alive, all of this would make sense one day. He had to believe it.


Yes, Father
Lydia Prime

After closing the door, the towheaded child turned, “Father, I’ve returned the chalice. Is there anything else you need?”

“No son. Thank you for your service today.”

As the boy turned to go, he hesitated, turned back, “Father, one of the other boys mentioned a puddle in the basement, I thought I should tell you.”

Glancing at the boy, the Father headed toward the door leading down the stairs. “Where is this puddle?” he asked, hands clasped.

“Just to the left, Father, down the hall.” The boy looked shamed, almost embarrassed as though he’d heard the rumors. Could this one be asking? It seemed unlikely, but he couldn’t help himself, he ran his tongue ever so slightly across his lips.

“The generator room?”

“Yes, Father. The generator room,” the flaccid faced boy stood still and expectant.

“After you, my child.” The youth led him into the room, the light dim as always. Confusion took hold of the robed man, there were others there…waiting. The row of young boys tensed with anticipation. “What’s going on here? Did you all find the puddle?” A nervous chuckle.

“No father, we’ve found redemption. The shame isn’t ours.” As each youth smiled, the glint of their sharpened teeth told of a different indiscretion.


Feed the Machine
Nina D’Arcangela

Bones crush; the mechanism churns, always turns. Spinning, crunching, consuming. The snap of a skull; shrapnel slices the air nicking tympanic membrane. Those that man the machine have no hearing, they are born without; the ear a remnant from long ago. Chattle of the cause, a war not ours, we breed only to feed the machine.


 

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2019

Unto Us a Son Is Given

I wish to say I do not remember clearly, because I am an old man and more than thirty years have passed. But it is sin to lie and I cannot forget, so I will say: I remember, though the memory slay me.

When we saw the flare of light we were in the hills above Bethlehem, Micah and Ishmael and I; it was early autumn, the air just becoming crisp, and the ewes we tended were fat and tempting. Micah had killed a wolf with a stone from his sling; I stood watch while he and Ishmael skinned it.

And the sky caught fire.

I can call it nothing else. A great curtain of green light, bright as the sun, licked up from horizon to zenith in an instant; and in the same instant it coalesced to a single point, sickly and flickering, hovering over the mouth of a cave. We stared, bloody wolf forgotten. Ishmael was young then, and trembled. I trembled; I will not lie.

Then we heard the wings.

There were hundreds of them, perhaps thousands, lanky black things with great tattered bat-like wings that blotted out the stars and the strange green light. They hovered over us, and spoke; and their speech was not the speech of men, but a low evil buzz that twisted up words in my mind.

The one you were promised has come. Come. See. We take you.

One of the creatures snatched me up in thin cold hands; it had claws that pierced my robe and pricked my flesh. Then I was lifted; and if others seized Micah and Ishmael I did not see. I saw the ground rush under me, and closed my eyes against the nausea of movement, against the sight of my bearer’s shallow, featureless face.

Then I was set down.

I opened my eyes. I was at the mouth of the cave. The pale green light streamed down, hanging over the opening like a door, made my skin appear leprous in its wake. Then the creature shoved my shoulder with one clawed freezing hand and pushed me through.

Passing through that green glow was like passing through stagnant water: I gagged and retched at its stinking viscosity, and stumbled beyond feeling coated with contagion. Inside was dark except for a far dimmer light; my eyes took a long moment to adjust to the simple oil lamps. I smelled copper, sweat, decay.

And I saw the woman and her child.

She was a young thing, at a closer look, and panting still; the straw between her feet was clotted with copious blood, as though her labor had been precipitous and difficult. An older man, perhaps her husband or father, stood well back from her and raised wild eyes to me, his chin dripping saliva beneath his slack, working mouth. She had the glazed look of the exhausted unto death, and in the whiteness of her face I saw the clean stark lines of the skull beneath, yet through some strength she held the child to her.

Then the woman took the child and laid it in the manger: but the stone trough was lined with raw meat instead of clean straw, and flies buzzed over a butchered lamb in an empty stall. I saw then that the skin of her breast was flayed into fine strands, showing glistening red flesh underneath, and the liquid that dripped from her suckled nipple was not milk but blood.

She spoke in a croaky, breathless whisper: “Behold the son of God.”

Then the child moved: and for the first time I saw its slick black skin, tiny claw-tipped limbs, thin bat wings beginning to unfurl and fan. It gurgled, and its infant mouth showed needle teeth, ringed with tendrils like the barbels of a catfish. They spread out, twisting, tasting the air, perhaps sensing me, and I knew this was not my promised one.

Someone else came into the cave then, slipping effortlessly through the barrier of sick green light and wearing the shape of a man, if a man could be soot black and spider-thin. He was arrayed in tawny silks and bedecked in gold, his face covered below onyx eyes, and he trailed the fragrance of myrrh from the tips of long writhing fingers. He knelt: and as he knelt, his yellow silk veil slipped, and when I saw what lay beneath I ran from the cave screaming.

I screamed until I reached the top of the hill, and there I fell, breathing the sweet cool air, clutching fistfuls of long wholesome grass. Only when I came to myself did I see that the flock had scattered, and that of Ishmael and Micah and the dead wolf there was no sign, save a few tufts of gray fur and a patch of sticky crimson across the grass.

I left the hill country that night, and have not returned. In the thirty years since I have heard that the peculiar babe grew to manhood of a sort, gathered followers and wandered the countryside, preaching a new kingdom and performing strange miracles: giving the lame to walk on ropy tentacle legs, restoring sight to the blind to show them things no man should bear, raising men from the grave to show them crueler forms of death.

I was glad when I heard he had been crucified in Jerusalem. Such a blasphemy should only be put to death. But then I heard the tomb had been found empty three days later, its Roman guards devoured, and I could not be glad for that.

Those who followed him walk still, and they are much changed from men. One I met yesterday, on the road to Beersheba: he said his master had gone to his kingdom, under stone, under sea, to dream a new world and wait for stars to turn. The madman said his king will return to bring his glory.

May it be a glory I do not live to see.

~ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

 

Damned Words 36

 

Gentle Caress
Nina D’Arcangela

Her tears fall in gentle caress; the cacophony within grows. Metal screeches and groans as rivets strain; the contortion as abnormal as the abomination itself. Haunting echoes mimic her pain; the moan of a mother forced to witness a great affront. Torn from her body: distorted, punctured, malformed. Mother’s milk tries to soothe that which can never be unwrought.


Reapers
A.F. Stewart

Rusting steel, exhaust, and the roar of engines. That is the world of ancestors left us. The screams of the hopeless and the lingering smell of blood in our noses. Tonight, I stand sentinel atop this makeshift parapet, above tribal bones bleached by time and weather. Each skeleton nailed to the metal with reverence, a sacrifice to Death and warning to would-be enemies.

I wait for the hunters to ride out. Nomads have camped at the far river, and tonight, their blood runs red into the waters. Save for two. They are young and fresh, in the turning years between child and adult. They are ours.

Seven days the boy will hang from our rack until pain becomes his mistress and he is ready to join our ranks. To serve Death. We will sacrifice the girl, her flesh flayed from her bones and her flowing blood replenishing the soil. I will cherish her screams well after Death claims her. I shall hang her skeleton from the north tower, in homage to our god. I long to hear her bones rattle in the wind.

I smile. This is who we are. This is what we have made of our world.


Gasworks
Mercedes M. Yardley

It was a busy park full of people and picnic blankets patchworked together on the hill. When it was sunny, everyone jammed themselves together like boats crowding the dock. They flew kites. They lapped up the rare sunshine. They watched their little ones playing tag with strangers.

It would be joyful, but Cora could see more than others. She could see a person’s life span, could see the vitality draining from them, could see who had fifty more years or ten more days or five more minutes. The people were bags of would-be rotting flesh, smiles peeling back in decay.

There were so many faces, so many draining hour glasses, that it was impossible to focus on just one. So much better than home where one timeline caught her attention, her stares, her focus. He was a small boy with a gap-toothed smile, one precious second running out each time he called her “Mama.”


Arrogance
Mark Steinwachs

“Let that gorgeous sky be a reminder; Mother Nature never worried about you. Your kind barely blipped on her radar. You brought the end on yourselves. Not through her destruction but through your baseness. Humans,” Michael’s voice booms, dripping with loathing. “You eroded yourselves and your punishment is at hand.”

You look up, frantically searching for an escape. Your mind goes to when God unleashed his minions and within those first few moments you knew how wrong humans were… about everything. You’ve watched angels and demons, heroes, villains, and gods from across time and continents display what it means to kill in His name.

Your attempt to survive ends in this insignificant place. The last thing you’ll see; rust-covered metal. The color of human legacy. Boots on grated stairs announce your fate. You turn. Michael, wings spread in glory, arcs his gleaming sword down.


As Yet, Disquiet
Scarlett R. Algee

For as long as we’ve lived in this valley, contending with the things under the earth that would devour us, we’ve had the Machine, and the Machine produces the Sound.

We talk about it in capitals, the Sound, though we don’t hear it; we’ve known it years, decades, longer. Only if you leave the valley will you become aware of its absence, poking into your senses the way you’d prod at the gap from a missing tooth. And when you return, you’ll actually hear it for an instant: your eardrums vibrating with the great low hum, your teeth set on edge, before the Sound slots back into your brain where it belongs. It’s everything that’s safe, this hum we’ve stopped hearing.

Or it was until fifty-seven seconds ago, when the Machine failed.

And already, we can hear something greater than the Sound: the grinding of earth in great jaws, tremoring below our feet.


Extinction
Charles Gramlich

I listen closely. Raw petroleum, pumped fresh from the ground, rumbles through the great pipe overhead. But that sound is always present. I’m in an oil refinery, after all. This is something else, a hollow, echoing throb. My mind offers a descriptor for the sound, one that makes no sense. The descriptor is…ancient.

I shake my head. It’s been a long day. Lifting the wrench I carry, I tap it hard against the pipe. Metal tings on metal, ringing like a bell in a church for sinners. I don’t expect an answer.

I get one.

The pipe booms. Rust powders down. I leap back convulsively. Metal rivets pop. A spray of yellow-black crude whips me across the face. I smell hydrocarbons, organics. Petroleum comes from once living things, like dinosaurs. Everyone knows that. But it’s all extinct now. No life could survive the pressures under which petroleum forms. No normal life.

More rivets explode. A thick stream of sludge nails me where I stand. Something that’s supposed to be dead slips taloned fingers through the breach in the pipe and begins to peel it open. Looks like extinction isn’t quite what it seems.

I hope that’s true for humanity.


Eye to Socket
Lydia Prime

The metallic taste in my mouth was nothing compared to the aroma that surrounded me. The tacky, filth covered walls offered no help in the darkness as I sloshed and fumbled.  Finally, I remembered the lighter hidden in my hip pocket; its tiny glow flickered amber. The rusted enclosure smothered my senses; russet liquid filled the chamber to mid-thigh. A loud rushing filled my ears as the fluid drained revealing small sepia mounds. I reached for one, brought it closer for inspection—breathless and alone, I stared eye to socket with my future.


All that Is
Lee A. Forman

All that is flows through bleeding steel, weathered like old bones left unburied. The drab shell holds fresh sustenance. Its purpose before, I do not know. Different stories, most untrue. I think it doesn’t matter. Only tomorrow, maybe today.

Over the heads in front I see the Waiters. They serve only the few. The many must leave their plates behind and be all that is.

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018

Damned Words 35

 

Animals
A.F. Stewart

Always the warm orange glow against the bars. That one cage, when all the rest remain dark. But I don’t get too curious or linger, just dump the slop into the feeding troughs. I don’t know what this place used to be, but these days it’s when the Company keeps the dregs.

The animals.

They used to be human. I know that, but now… Scaly deformed fingers grab at their food, oozing tentacles, and rotting bits I don’t even want to think about. Only the glowing cage seems, well, normal. As normal as those things get, I suppose. Whatever’s in there whispers when I feed it, says thank you, real polite like.

But I’m not fooled. I know what it did to the last guy. He got too curious. First day on the job I put what was left of his remains in the trough. That was warning enough. I’m not ending up as food for the animals.


Mechanism of Question
Lee Andrew Forman

Bare skin and fragile bones—a futile effort at remaining human. The coming flame warms the flesh but not the soul. Dry, cracked layers burn away, allowing soft, pink, infantile cells to feel every degree. The orange glow travels a path of rust and steel, the conductor of its radiant journey. It leads to the blackened seat on which my body rests. Not dead, not alive, but waiting between. Tired eyes roll, reflect the end in their widened centers. The scent of liquified remains speaks for those before me, their agony carried by its rotten, smoldering, odor. It begins against my back. Perhaps my legs as well, but I lost feeling in them long ago. No pain at first, only the restoration of normal body temperature, a euphoric moment of internal balance, a slight release of suffering. That moment flees the rise in energy, replaced by a boiling gut and viscous epidermis running down my rear side. As by body expels its last contents I know the torment will soon be done. Whatever waits, if anything at all, can’t be worse than cruel mortality. Or can it?


Radiance
Scarlett R. Algee

The thump had come from the basement, and so does the heat. You’re sweltering by the time you reach the bottom of the steps, but the vents are all cold except the one in the far corner, the one by the body. It’s the third one this month.

You look up first, to the beam overhead and the snapped cord, then down to bent ligatured neck and shock-splayed limbs. A tiny gash along the jawline draws your attention, making your face sting with recognition. You kneel and grasp the chin–sweat-slick, too warm, slipping in your fingers and making your skin crawl—and turn the head, looking into your own glazed eyes. The corner vent has begun to glow dull red, and the hair, your hair, is starting to singe.

Maybe you should let it. Three times this month, and you keep finding yourself like this. Maybe you should let it burn; maybe that will give you answers. You unbutton your damp collar and run a hand over your razor-nicked face, breathing the acrid stench of crisping hair, and watch your corpse’s fingers twitch and curl.


Husk
Mark Steinwachs

Not looking at the cages doesn’t mean I can’t hear the screams from within, the horrid sound echoes daily amongst the husk of the building they’ve made our home. I’ve never been this close. Death in three cages; slowly eliminating us as our usefulness wanes. One a roaring fire searing the flesh from you, another where the flame laps at you bubbling your skin, the final one a flameless heat made of soot and remains that slowly cooks you. Those sobbing wails are the worst, they’ve haunted my dreams from my first day here.

I don’t need to worry about that anymore. I look at the men watching my comrades in their final moments, their faces pure delight, a reward for a job well done. The butt of the rifle pushes me forward. My last few steps an uncertain certainty.


Critters
Lydia Prime

It aint so bad, sleepin’ under that dang metal roof. Worst part, I hate hearin’ them critters skitter and scratch as they run its length. Pa says it aint nothin’ but ‘coons an squirrels; I ain’t never seen a masked-bandit that big, nor no tree-rat that heavy. Would be less unsettlin’ if they would chitter or growl, but they fight silent in the dark. I woke to heavy scrappin’ that night only to see the side wall pieced by a ragged claw; it was peeling the far side of the roof like a sardine can. Pa said it was my magination, and that I better get my ass back in bed ‘fore I catch a whoopin’ when I ran to him. I’d rather face the monster squirrels than Pa when he’s in one’a his booze moods. So I climbed back inta bed, that’s when I saw the light leaking in further than b’fore. I know I shoulda been good an’ gone to sleep, but for the life a me, I couldn’t shake the feelin’ something was comin’. When I saw that muddy eye lookin’ through the tear, I knew they was here, and no amount a hiddin’ was gonna help.


Misfiring
Nina D’Arcangela

I lay on the ground, the slats above blurring and jittering as he strikes repeatedly. Fists hammering, elbows slamming; a brief glimpse of light appears. He’s relentless. The beating brutal; as brutal as they’ve all been. A crack to the side of the head; I feel wetness. The light glows brighter, warmer, more embracing. I nearly black out, I would black out if it wasn’t for the lines my mind is riding. I count them: one – my jaw crunches under his forearm; two – I realize he isn’t going to stop this time; three – I let myself drift on waves of pain; four – I focus on the glow; five – is someone coming to welcome me home, or are my neurons misfiring from the assault on my skull? Either way, my suffering ends.

 

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018

A Damned Halloween

Twilight Whispers
A.F. Stewart

The clouds hung the sky in muted grey, settling low to meld with the horizon. The gloom of dusk stole the last burnished rays of sunset and crept up to meet the clouds. The air spread a leaden cast, a hint of dampness clinging to a vigorous wind.

From the old burial ground, with its sunken earth and broken gravestones, came a scratching, rasping, slithering sound. A noise of crawlers and claws, of burrowing and hiss. Dirt bulged and ground erupted, in a spray of grime and worms.

And momentary silence.

To be broken by skittering whispers.

Death is coming…


Little Reaper
Scarlett R. Algee

On the street where Death lives, there are no trick-or-treaters.

Not that Death minds. It’s a quiet cul-de-sac these days, populated by single middle-aged professionals and elderly couples whose grandchildren only visit infrequently, where the only indiscretions are the ones left on the lawn by a neighbor’s dog. Around here, he can practically walk to work every day.

No kids, no teenagers, no police calls for meth labs or midnight shouting matches, and no little candy-grubbing costumed visitors on Halloween.

Oh, Halloween. Death sits back in his recliner, watching SportsCenter with the sound off, and smiles his long-toothed skeleton’s grin. Visitors or not, it’s the one day he doesn’t have to wear a mortal-seeming glamour, the one day he can go around in the cowled ‘Grim Reaper’ attire he’s molded from the thoughts and fears of his neighbors, and nobody asks questions. Mr. Reaper is a good neighbor who keeps his leaves raked and his grass trimmed; the other residents on the street will turn a blind eye to the ghoulish appearance, and to the cobwebs and jack o’ lanterns that appear on the front porch. He’s allowed to be eccentric for one day.

(Mr. Reaper. He’s tried telling them all that his first name is McCormick, but no one ever gets the joke.)

At nine PM, Death turns the TV off. He has an appointment with Mrs. Collins next door at eleven, and needs to sharpen his scythe. He admits he’ll miss the tea and cake, and her admiration for his perfectly-cut lawn, but the work has to go on.

At nine-fifteen, there’s a knock on the door.

It gives Death pause. Has someone taken the jack o’ lanterns as an invitation? Did he leave the porch light on? Is there even candy in the house?

(There is, of course. Living among mortals has given him a weakness for chocolate. He goes into the kitchen just in time to hear a second knock, fetches a Snickers bar from the fridge, and slips it into a pocket of his robe. Wonderful mortal invention, pockets.)

Then Death opens the front door and stares down at himself.

The costume’s not an exact likeness. The robe has the slick look of thin polyester, and the blade of the scythe is almost certainly shiny plastic. But the face is arresting: a perfect age-yellowed grinning skull, surrounded by wispy brittle blonde curls that spill out around the black cowl.

A little female Death. He’s slightly taken aback. “Hello,” he says, but she doesn’t answer. Instead she shoves her plastic pumpkin-shaped bucket under his nonexistent nose and shakes it. The contents rattle. Death looks down in the glow of the porch light. The little round pail is full of small, flattish white objects.

Bones. He looks closer. Teeth. Teeth and bones, canines and carpals, premolars and phalanges, some bits with flesh still attached, some twinkling with pockets of silver amalgam. Then she taps the blade of her toy scythe against her wrist; she’s wearing a wristwatch, and the sound of blade touching crystal is the clink of steel on glass. The little scythe has begun to glow.

Abruptly, Death understands. “It’s time.”

She pulls the bucket away and nods vehemently, two hard up-and-down bobs of her head.

Death considers. He’s always known this day would come eventually; even avatars of mortality have their limits. Still, he’s become selfishly attached enough to the trappings of the living that he hedges, fumbling in his pocket. “Would you like a candy bar? I promise it’s not fun-sized.”

Skulls are inflexible, as a rule, but the girl cocks her head and squints, then nods again, the same two firm motions. Death reaches out to ease the Snickers into her bucket. He touches the teeth and bones inside, and two of his distal phalanges fall off into the pile. The dissolution’s already started.

Death pulls away before he loses any more. She sets the bucket down primly, and shifts her grip on the glowing scythe. It’s longer now, taller. So is she.

“Wait,” he says.

She watches, silent, expectant.

He gestures around them, at the other houses. “They’re kind sorts, for mortals. Give them kindness back. And keep the grass neat.”

Another headtilt as she considers. Then she nods again.

“Very well.” Death looks down at his small replacement. She’ll grow into it quickly; he had. “Go ahead.”

The scythe lifts, lazily, and swings, and in its wake there’s only a faint shimmer in empty air.

Death pushes her cowl back, shakes her curls loose, and picks up her bucket. She steps across the threshold into the house. Tomorrow she’ll have a word with the neighbors about their pitiful lack of Halloween decorations. They’ll have to do better next year. But first, there’s that appointment with Mrs. Collins. If she hurries, there’s time to bake a cake.

Miss Reaper’s a good neighbor. It’s the least she can do.


Final Moon
Mark Steinwachs

The clouds break and expose a perfect moon. I will myself to hear howls in the distance that don’t exist. It would be far too cliché to meet my maker under a full moon ripped apart by a creature of fantasy. No, my time ends at the hands of the noxious, silent death that has overrun Earth.

Leaning against a tree, my ankle throbs, purple and swollen. Why did I even run? I’m too average to be one of the survivors. Making it this far was more luck than skill, right place right time kind of thing.

The stench of death assaults me before I hear their shuffle through the leaves. My finger slides over the trigger of the pistol I learned to use not long ago.

I see one, then another, and more beyond them. They know I’m here through glazed over eyes. I point my gun at the first one and hear others close in around me. There are far too many, I put my gun down, why fight the thing I will become.

My death will be like my life, another one amongst the masses.


You Can Be Always
Lee Andrew Forman

Hollow pumpkins grinned along the street with flickering eyes. Knocking, knocking, all eve long—the little ghost filled her bag with sugar-treats. Monsters and things long-dead, faces that normally brought fright, didn’t raise her pulse at all. She knew Halloween was the time for horrors that darkness brings.

The street light went out, she found herself alone. At the end of the road, where front stoops had gone cold.

An ebon-skinned fairy came to her side. Smooth, shining, blacker than night, its wings fluttered as it lit on her palm. Fear nearly struck her, but instead, wonder she found. Never had she seen such a beautiful thing.

“Are you a fairy?” Sarah asked.

It nodded its head and blinked its eyes. Then it took flight, waved its hand in the air. It beckoned her to follow in step, led her deep in the woods, toward a house long abandoned.

Sarah pulled at her costume, tried to remove it—the forest so dark, the cloth made it darker. But the fairy tugged back, insisted she keep it.

It is Halloween after all, she thought, everyone should be in costume.

The hovering creature took her hand, urged her to follow. Pumpkins lit the porch of the old wooden cabin, their soft light warm and inviting. She hopped to the door and on its own it opened; beyond it waited things she never imagined—things strange, never seen, not even in dreams.

Masked creatures came to greet her, some stumbling forth.  Their scent was of old, long-forgotten. She inhaled the pleasant air, let its flavor remind her of what was.

“You can be always,” they said in unison.

She smiled at the thought of endless autumn nights—cool air and colored leaves.

She allowed them to take her into their place, with willing soul and a walk with grace.

“You shall become as you are,” the voices spoke.

The white linen costume tightened around her. She didn’t fight the transformation, rather welcomed it instead. She wanted to be there, better than dead.

As her feet disappeared and she floated as if normal, she peered through the holes of her ghostly exterior, and looked forward to time with her new family—forever.

Each piece of fiction is the copyright of its respective author
and may not be reproduced without prior consent. © Copyright 2018

Inhale, Exhale

Over the wind’s howl, you hear yourself breathing.

Your shoulders ache dimly from the strain of your arms pulled behind your back and bound to your stake, but you lost feeling in your hands an hour ago. Your legs are numb up to your knees. The pain in your face has become a mask you wear, dull and stiff; your head is fixed in place, held by your hair, the braid nailed into wood.

You cried when you were lashed here in the twilight, when everyone hurried away, when your mother stroked your hair but wouldn’t look you in the eyes. You stopped crying when you realized the sting down your cheeks was the wind-torn tracks of your tears, freezing to your skin.

There was no fanfare. There never is. Now all you do is blink, and breathe, and wait.

When the first breath of winter skirts across the land, someone has to be sacrificed. It’s the way. Flesh and blood must be traded for a few more weeks of strong sun and clear skies, for a safe end to the late harvest, for a peaceable season bereft of storms. When the gift isn’t given, the crops shatter on the vine, the cattle freeze beneath mounds of snow. It’s always been the way.

You cried at the thought that anyone else could have been chosen. You stopped when you realized there was no reason it shouldn’t be you.

Nothing moves when you try to flex your rope-bound limbs. You drag in a deep breath and something breaks within your nostrils, spilling down your face. You feel nothing, taste nothing; only the slowness of the ooze tells you it’s blood. You open your mouth to breathe out, and there’s merely a muted tingle when your wetted lips rip apart from one another.

Whatever plume your exhalation makes, it’s swallowed by darkness. The gale shifts, tearing at the tatters it’s made of your clothes, curling around and into you like a living thing with breath of its own. The knifing pain frigid air made in your chest at sunset is now only a distant twinge.

You blink. You breathe. It’s becoming difficult. You have the slow cold-glazed thought that you’ll be buried at sunrise, and you’re surprised to find you still have a few tears left.

It had to be you. It always had to be you.

You breathe in.

You breathe out.

You wait.

~ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

Damned Words 34

 

Taunts and Beckons
Jon Olson

The doctors said I’ve been blind all my life. If that were true I wouldn’t be lying here in restraints. No matter how many times I’ve screamed, nobody listened.  I even clawed my eyes out to erase the image but all they did was tie me down in a padded cell. And I can still see the same sinister flower in full bloom. It’s always moving and not swaying gently in a light breeze. No, the petals curl up like fingers, taunting and beckoning me to come closer. But I cannot move nor look away. My screams and prayers go unanswered as if Death itself has forgotten me. What is it that you want? It just taunts and beckons…


Some Carnivores Have Roots…
Lydia Prime

Agile movements by a tongue so sharp and sleek, blackened teeth stretch wide to distort the mighty jaw. Concealed by delicate beauty, secrets lie inside their florescent warning. A field springs up with no gardener in sight and onlookers are drawn to the mysterious plants. Mobility is unnecessary for the ravenous blossoms the Reaper keeps.

Those misguided admirers lean too near the center for a closer peek, before a second thought is had, flesh and bone are devoured while blood and soul slurp down their immaculate throats. The first crimson droplets soak the yellow petals of the rooted beasts; the golden plot now scarlet after the grotesque feast.

Gurgling sounds echo from the rows of flowery plumage while his grimness emerges from the dark. Satisfied by quick collection, the lemon color returns.


Gifts
Mercedes M. Yardley

You think each one will be memorable. You assume you’ll remember every place, every time, every circumstance. But that isn’t the case at all. After a while, all of your victims begin to blur together.

They become montages of broken smiles, smudged lipstick, and shattered fingernails. You forget which one smelled of jasmine and which one smelled like old library books.

Oh, you especially loved the one that smelled like old library books.

So you go out of your way to remember. Capture their essence. Perhaps you begin by taking pictures. Before the murder, and then after. You build up to pictures during the act, which frightens them the most.

They used to ask “Why?” but now the question is “Are you recording this?” You know what they’re really asking. “This won’t stop, will it? Will you post it on the Internet? Will my father see this? Please don’t let my father see.”

After the deed is done, you dispose of the body and secret the recording away. But you take something, like a small gold ring or the red flower from her hair, and give it to your small daughter, who watched the whole thing. Now you’ll both remember.


Corpse Flowers
Scarlett R. Algee

Two months ago they drove me out of this village, pitchforks at my back, my cottage in flames and my gardens of herbs and flowers torn to tatters, their cries of witch! and devil! and unclean! ringing in my ears.

But now I stand in the village churchyard, my hands full of promise. So hungry, these little seeds I’ve managed to save, squirming in my palms, begging to be buried. Neatly kept graves, a pretty black seed for every one, a precious red flower that will bloom from each charnel patch come daybreak. Someone’s memorial, some widow’s gift, these fools will think it, until the flowers swell under the next new moon and birth each corpse anew in viridian and crimson, in thorns and teeth and mindless ravenous hunger: hunger for bone and flesh and sinew, for heart and blood and brain, for fulfilling my will. The wretches who forced me forth with scarcely the clothes on my back will beg, then scream, then die—and I’ll watch, and I’ll laugh. A beautiful sight, the yearning of the starving dead for the living ones they so outnumber.

Let me see who calls me unclean then.


From the Ashes, Fire
A.F. Stewart

Grey light from a waning sun shed itself across the burnt wasteland that used to be a forest, weaving pale silhouettes and glimmers of faint light. A feeble ray caught the colour of a single blooming flower sprouting from the ash; a flash of garish orange petals surrounding a black center. An anomaly of life springing past the spectre of death.

In the hushed air, over the charred remains and skeletons, hung the stench of smoke and silence, yet you can hear it: the small sizzle, the crackle of simmering embers. Pop, pop, pop from the stamen, born of hellfire and blackened bone, brewing spores, waiting on the fresh wind to blow down from the mountain. Waiting to spew its seed to the breeze, to drift away to new, fertile ground.

Away to different land where more flowers will take root, burrowing malice and annihilation into the ground. Where pristine fire will erupt from the soil and burn its tendrils through all life. Where death, hell, and garish orange petals will flourish in the ashes.


The Contract
Mark Steinwachs

I gambled and lost. My fate delivered in the vibrant photograph before me. Its near perfection only makes the flower’s two off-angle anthers stand out. I knew what I signed up for, quite literally, after our third date. He told me about his others, their flaws and weaknesses. My signature on the contract, my convicted belief. A kid from a second-rate drag show, saved by a wealthy man and shown the world. We all dreamed we’d live that movie. I did—and I looked better in a tight black skirt too.

I sat in the chair he had specially made. My chair, our chair. His hands effortlessly tied the knots as he had countless times before. The moment he mentioned he had something special today, my calm anticipation became jumbled nerves. That’s when he showed me the photograph. Unrivaled beauty, but…

He released the picture, which floated morosely to the floor. I closed my eyes, wanting his voice to fill me. “You were so close, which makes your imperfection all the more glaring.”

I felt the barrel against the back of my skull. The click of the safety my last memory.


Garden of Whispers
Lee Andrew Forman

My eyes close as pedals open, releasing the scent of tender care. One deep breath fills my lungs with delicate flavor; remembrance accompanies the indulgence in flashes of silver and red, visions of eyes screaming, then closing. My hands grab at the soft dirt, fingertips dig in. Ecstasy flows in tandem. I inspect each bloom, check for flaws. They are my life and I am theirs. They whisper more, and more I bring. Ravenous things, they are. But so beautiful; I can’t help but love them. I only bring the finest ingredients to my lovely garden—fresh and still bleeding.


Looming
Nina D’Arcangela

Looming, always staring. It watches no matter where I go, following with its stamen; feeling, tasting with the ever so slight quivering of its bracts. It’s inescapable. The stench nearly as bad, it puffs spore, tiny yet distinguishable. How I loathe its presence. I remember a blue sky, one that brought light to the day before iron tinged the air. Scientist with grand ideas; the ever ravenous desire to get there first.  The human genome was never meant to be spliced with the flora found in earths deepest chasms. But here we are, living under the dome of a relentless beauty that would see us snuffed from existence as easily as a child plucks a flower. But it’s the waiting, really, the looming as it picks us off one by one — that’s the part that’ll drive me insane one of these days.


Each piece of fiction is the copyright of its respective author
and may not be reproduced without prior consent. © Copyright 2018

Damned Words 33

Damned_Words_33

Scream
Lydia Prime

If walls could scream the world would hear me. The atrocities I’d witnessed within my brick and sheetrock structure were of my own design. Though it may seem odd, those who chose to occupy my space never stayed very long. The locked doors, gas leaks, faulty carpeting on steps, even household devices in precarious locations seem to assist in their, shall we say, departure. However, they seem to keep on coming.

The newest arrivals have been interesting. They were ecstatic to find such a “gem” on the market for “an absolute steal!” I watched as they tried to remodel, tried to alter me, but faltered at every adjustment. Most recently they began touching up my basement. Disgusted at their lack of appreciation for my appearance; it seemed that a water main had broken and wouldn’t you know it, the damn door wouldn’t open again. The murky level rose to their hips before they realized they weren’t getting out. Those defeated looks upon their faces were more marvelous than I’d anticipated.

They may have been nice, you know? But if I’m being honest, I just wanted to see what they’d look like floating face down.


The Risen
A.F. Stewart

Amidst the damp loam, she awakened. Her eyes opened onto black nothingness, but her ears heard the faint rumble of thunder mixed with the sizzle of lightning. She reached upward, and her phantom existence slowly rose from underneath the cold ground. Streaks of muted sunlight fluttered against a building of brick and iron. The air danced thick with the smell of ozone and the hint of coming rain. In-between the beats of thunder she heard voices from inside the building, wafting past an open window. She smiled.

The others will be here soon.

She moved forward, step by airy step, until she passed straight through the front doors of the building, a majestic Music Hall. Into the foyer she slithered, wisps of ethereal essence floating like a translucent gown, to the shock of the party-goers gathered for the building’s grand opening.

She stopped, closed her eyes, and whispered, “Rise my Brethren, rise.”

The ground rumbled, loud enough to rival the thunder, and an unholy howl shook the walls. Screams followed as the long dead were summoned to seek out the living. Then, and only then, did those within the Hall understand the warnings.

Never build on a witches’ graveyard.


Chords
Nina D’Arcangela

A storm, the children forced to play in the musty attic. Mother hears a screech, she runs to the sound; a little one hides behind a door while the other seeks. She leaves them to their childish game. Rounding the wooden staircase, her heel snaps; she falls utterly soundless.

In the great chamber, the Maestro revels in his music. The chords carry him to a refuge their new abode could never offer. The door creaks open, a small one pokes in, followed by the hysterical boy. Father turns a furious eye; they know not to disturb. The girl tells her tale. All color drains from the man’s face, he rushes to the servant’s stairwell. There she lies, neck twisted an odd angle. His moans echo the faded mahogany walls; the sky crackles in tune.

Buried before her time, children without a mother; man without a wife. He appraises the grandeur that surrounds him; she was worth more. He looks skyward; a bolt strikes the lightning rod, a fat drop strikes his eye. He thinks back to another strike, this one a deal. Standing at that crossroads, he never believed he’d be worth so much, yet have so little.


Easy
Mark Steinwachs

“Not everything has to be deep and mystical, who cares what other people stood here?” I say to our bass player and lyricist, Thane, as we step onto the balcony overlooking the front of the Music Hall. The fans gathered below scream before we pass the threshold of the door. “There isn’t meaningful history at venues or in hidden messages in every song. Life is hard and people want their music transparent for a reason. It’s easy. They want easy. Even I want easy. I’m tired of all of this.” My hand motions out to the crowd, which elicits and even louder roar, and stops at Thane.

We step to the spiked railing, waving at the mass below. “What are you trying to say? Are you …done?”

“Yeah, I want to be alone again, where no one cares who I am. I’m done with this life but really I’m done with you.” As Thane turns to look at me I put my hand on his head and slam it down, sharp steel barbs pierce flesh and bone. For the first time in years I smile for real, imagining the solitude of the cell that awaits.


Soprano
Scarlett R. Algee

The building’s aging, crooked signage reads Music Hall; it’s the only place on campus that doesn’t have some donor’s name attached. I’m early for my choral audition, so I just hang at the entrance to kill time, watching storm clouds gather overhead. Weird; the sky was clear five minutes ago. Lightning flickers from the clouds to the music hall’s multiple spires, casting a faint blue glow across the roof. The same thing happened for my roommate Ophelia’s audition last week. She hasn’t said much since. Sings like an angel now, but never talks; like the audition gave her a new voice, but took her old one away.

A huge bolt cracks into existence, forking from spire to spire. The glow from the roof spreads out over the building, engulfing me, and the scream that comes from my throat is a single note pure as a songbird’s warble. Then the door opens and another student stumbles out, pushing past me. Something shifts and writhes in her open mouth, and her voice is the sound of a ringing glass.

The door is open, waiting, lined in blue light. I don’t question. It’s my turn. I want to sing like an angel.


Living with Ghosts
Mercedes M. Yardley

There was a Before and an After. Before Michael’s death, and After the phone call that changed everything. Somehow the most mundane things became something far beyond her comprehension. Breakfast? Too daunting and too many moving parts. Getting her kids off to school? They could say goodbye to her as she hid under her blankets in bed. Fighting to keep her neglected children after she couldn’t pull it together after a year? They were better off elsewhere. It hurt, but deep in her heart she knew it was true.

So now she lived in a large home with ghosts. Dead Michael stood in the corner making coffee. Missing Lucy and Roman sat at the kitchen table, doing nonexistent homework and joking about elementary school. She watched them, her lips cracked from dehydration as she forgot to take a mouthful of food or sips of water, and she smiled-smiled-smiled at the ghosts of her family.


Invention of an Afterlife
Lee Andrew Forman

The machine whirred, gears alive with anticipation. Sparks lit, took flight with vigor, burned away as quickly as they were born. Outside, arcs of electric light spawned from the place between places—where inventors dreamed and dreamers lived; somewhere they could be eternal. The trio of minds clapped in celebration, eyes wide with fulfillment, mouths hung in astonishment of their success.

But the arms of brightness came to take them. They slithered around their bodies, constricted searing heat into flesh. Cries of agony and betrayal disappeared into the closing gap. Hell had come from their envisioned Heaven, and dragged them into its void of white.


Each piece of fiction is the copyright of its respective author
and may not be reproduced without prior consent. © Copyright 2018

 

%d bloggers like this: