I know it sounds corny, but I believe life has a purpose. Really, I do. I believe that I—all of us—have a reason for being here, a reason for living. I don’t need to know what mine is. All I know is that one day it will come and it will go, and with it will go my need to live.
I test this every now and then, to see if I’ve outlived my use. The first time was with a pill bottle, but I’ve gotten more creative since. Five times I’ve tested this and five times I’ve survived.
Guess that means I’m still useful.
Hard to believe it as I make my way through the busy streets, just one of many ants in this hill. It’s times like this my philosophy carries me through. Every moment could be my moment—the one that completes me, opens the door, sets me free. All around me is potential. It gives life dimension for as long as it lasts.
As I ride the bus back from yet another eight hours spent by the burger fryer, I can’t help but wonder if today was my day. Maybe I did my part by holding the door for that girl, or by smiling at the gentleman on the corner, or by offering my seat to the grandmotherly woman on my morning bus. Every part counts, and maybe I’ve paid my dues.
I hear the moan of braking bus tires and get up at the all-too-familiar sight of my stop. I wave to the driver, but my mind is elsewhere, thinking of what the test should be. I try to change it up each time. After a while, it becomes an art of sorts, but that’s the kind of detail I pride myself on.
Lost in these thoughts, I barely even notice her until I’m almost past the alley. It’s the click that gets me. I stop in my tracks, expecting someone to come out asking for my wallet or my watch or something, but nothing happens. I glance down the alleyway and see her. It quickly becomes clear that it’s not my money she’s after.
I relax a bit, and see her look at me for the first time. She’s young enough—early twenties, no doubt—and not bad-looking. Mind you, she would probably look even better if she wasn’t holding a gun to her head.
“Guess you’re gonna tell me to back off,” she says after a long moment. I can see her grip tighten, and I almost laugh at the idea.
“Nah, go ahead.” I step back, cross my arms. “I’m kind of curious, actually.”
She snorts. “Morbid son of a bitch, aren’t ya?”
“Guess you could say that. Not every day you get a street-side show. Seems like a strange place for it.”
“Not for me. Thought I’d leave him with something to remember.” She gestures up to a window in the decrepit apartment building beside us. “Maybe I can get his attention while he’s still inside that bitch of his. Give her something to really scream about.”
I wait. I watch her. She watches me.
“You’re really not going to stop me?” she asks at last.
“No point,” I say with a shrug. “I’ve got a theory, of sorts. Call it fate if you like, but it all comes down to a fifty-fifty chance. Either it’ll work or it won’t. Either you’ve got a reason to live or you don’t. Not my call.”
“You really are sick, aren’t you?”
“Maybe, but it keeps me going. Here, how many bullets do you have in there?”
She pauses. “One.”
I stretch out a hand, slowly. “May I?”
I can see she wants to say no, but her curiosity is stronger. She gives me the gun. I unset it and spin the cylinder. Before she can say anything I cock it again, raise it to my head and pull the trigger.
I shrug. “See? Guess that means I keep going.”
The girl is visibly shaken as I hand the gun back to her. She’s lost some of her initial verve, but still cocks the gun and lifts it to her head. She bites her lip as she pulls the trigger.
I give a small smile. “Guess you keep going, too.”
The effort seems to have drained the last of her resolve. She almost drops the gun as she pushes it into my hands. “Thank you,” she says. She’s crying now.
I’m about to reply, but she’s already gone. Running from the alley, the building, the gun. Running to something more. As I watch her go, I wonder what her purpose is. Why she keeps on living. Why any of us keep on living.
The weight of the gun returns me to the present. I look down at it with some surprise. I think of the girl, of all that was and wasn’t.
He remembered lying in a hospital bed. An elderly physician was sadly shaking his head. Clutching his hand tightly, his wife wept. All went blank, so he knew he must be dead, but suddenly, awareness returned with the vision of an old house. He willed entry, passing effortlessly through a set of double doors and climbing up a rickety stairway. At the top were three closed doors of different colors. “These must be Heaven’s Doors,” he mused aloud. “How extraordinary! I thought there was but one.”
It was very hot on the Heavenly level. The tiled floor was spotless, the air reeked of disinfectant. He approached the bright red door on his left and tried the knob. As it swung open, he was half blinded by a brilliant light. Agonized shrieks and moans issued from an unknown source. Horrified, he slammed it shut, looking to his right. This door was painted sky blue. Someone had tried to break into it, the wood had been dented as if by the pounding of fists. The knob wouldn’t turn and came away in his hand. Finally, he addressed the remaining middle door, which was a dingy white. It opened slowly to reveal a blackness thick with portent. The music of a cello lured, a daunting challenge he couldn’t ignore. He found himself plunging forward into the core of that Unholy Dark, which was when the voices begin chanting. In a matter of seconds, his identity was shredded as he was sucked into the infinite wailing vortex known as The Hereafter.
Outside, dark clouds gathered above the old house. Quietly it began to rain.
The Old Man Tolls Lee Andrew Forman
The music of hardship sounded from broken windows—repeated clangs of iron, a monotonous rhythm, mesmerizing in tune. Despite harsh notes, it drew me in. Was this old lot to be restored to its once meaningful design? Was it to be loved and cared for?
Inside, an ancient, gray-skinned man hammered away upon hot metal. He didn’t dare interrupt his focus to acknowledge my entry. I watched him work. His thin frame impressed with its tireless effort. Despite frail and stringy muscles wielding heavy tools, he never lost pace.
He appeared to be crafting shackles. Maybe the old fool intended to raise a farm. Upon my inquiry, he stopped his perfect tolling and looked up. His eyes first went to me, then directed to my back. His yellowed teeth showed themselves. “I have to keep it here.”
I turned around to a wall of flesh, a living tapestry of pulsating skin. It spread from floor to ceiling, reached to corners with grotesque humanoid limbs. It was already tethered to the floor by an arrangement of cuffs and chains. It looked upon me with its many eyes. Arms grew from its surface at will, reached for me as they lengthened. I stepped back and thanked God they could only grasp so far.
Hands pressed upon my back. My breath stopped. In that moment, I realized their intent. Before I could protest, my face was already pushed into the malleable conglomeration of animate skin. It enveloped me in a taut grasp and held firm. Slime covered every inch of me. I soon felt naked, clothes dissolved. My every nerve burned like fire. The world became pain. But the old man’s toll kept me company as by body was slowly digested.
School Days Charles Gramlich
Grade school in a small town. I remember it fondly. Two rooms for six grades—three in each room with a dining area and big bathrooms in the rear for boys and girls. I lived close enough to walk to classes every weekday morning before 8:00 o’clock. It was always nice to see the bright yellow paint of the building shining as I came through Thompson’s meadow right up to the twin doors.
Of course, I remember that one day. How could I forget. Stepping into school, hanging my coat on the hook in the hallway, turning into Sister Ethlereda’s classroom on the right. That’s where grades 4 through 6 were taught. I remember taking my seat, eager to start a lesson about Ancient Rome and its legions
I remember the sound of backfiring cars in the parking lot out front. But when I looked out the window, it wasn’t a car at all. The two young men coming up the walkway were not in any grade in our school. I didn’t know them. Then.
But I know them now. They’re very sad and we hang out every day together, those two and the thirteen other kids they shot that day before the police shot them. Yes, we hang out every day. And every night.
I don’t go home anymore.
None of us do.
Beneath the Boards Elaine Pascale
“It’s a gold mine!”
“It’s a money pit.”
It was both and neither. It was abandoned but not uninhabited. The couple did not live long enough to sink money into it nor to have a return on investment.
“It’s so quaint.”
Something lurked beneath the floorboards, eradicating any charm the building may have had. The dwelling stored more than knick-knacks. The woman’s tchotchkes were donated following her death.
“This could be my sanctuary.”
It is hard to find peace when the beast beneath the boards growls so loudly. And smells so strongly. And eats so ravenously.
“It’s big enough for all of us.”
Not big enough to completely fill the appetite of the beast who appreciated the smorgasbord it was served.
“It just needs some TLC.”
The renovations disturbed the beast’s slumber. No one wants to encounter the beast beneath the boards when it is overly tired.
“It’s so rustic.”
Far enough away from everyone that cries won’t be heard, and help will not arrive.
“It has good bones.”
The beast beneath the boards has gnawed on its share of good bones.
“I have heard about this place. Is it cursed?”
And the beast beneath the boards waits.
Unwanted House Guests A.F. Stewart
The doorknob rattled, a sure sign someone was coming.
“Is it time?” came a whisper.
“It’s been so long.”
“It has. Years since the last one.”
“Don’t talk about him. He wasn’t a good fit. Not what we needed at all.”
“No, not the right sort. Very… short-lived.”
“He was so promising at first, so carefree… but he didn’t last.”
“No. He had too many… issues. A shame really.”
“Maybe a family will come this time. They always—wait, is that a car?”
“Oh, I believe it is.”
The voices stilled, and they heard an engine shutting off outside. Two shadows shifted and the curtains of a front window parted slightly.
“Oh, look, a couple. They seem very happy, don’t they? In love.”
“Oh yes. Very happy. They’ll feed us for a long time, won’t they?”
“Indeed, I think they will. Whispers here, murmurs there, and we’ll slowly turn their happiness to misery. They’ll hate each other by the end and we’ll gorge on every dismal day. Years if we do it right.”
“Oh, excellent. How do you think we’ll end, though? When they’re all used up?”
“Maybe arrange a murder-suicide. Or hanging from the staircase. Do you remember that teacher? Her body hung in the hall for days before they found her.” “Yes, I remember. It was glorious.”
Two chuckles echoed in the hall, muffled by the sound of the front door opening.
Birthright Nina D’Arcangela
Cowering, I crouch in the shadows of the barn. I should not be here, I was asked to stay away yet could not. The unnatural sound of bone snapping, sinew tearing, and skin stretching is a thing so foreign that it rends my soul to shreds. Yet for all the breath left in me, I cannot turn away.
He suffers and my heart weeps. I reach to touch him; he begs me stay away with tortured gaze. Struck by a rising terror I’ve not felt before, my soul screams that he is no longer mine but belongs solely to the night. If only I had not broken my word.
Fully morphed, he turns one final time – feral eyes saying all his misshapen mouth is no longer capable of speaking. A blink; and he’s gone. Rushing forward I listen to his baleful cry carried upon the night’s savage wind as he leaves my world to enter his other.
Returning Miriam H. Harrison
She was slowly returning to the wild. She could feel civilization’s grasp weaken with every flake of paint that fell away, with every window that shattered and scattered, with every vine that climbed her façade to whisper in her ear about greenery and adventure. Slow and steady, the wild came for her—but not fast enough. She longed to rise from her own dust and debris, chase the sunset shadows into the night. She wondered whether her legs could still run after all these years of roosting. There had been a time to stay, but now her nest was empty—now she was empty. What better way to fill herself than with the shadows of wilderness, the fresh air of midnight, the glow of a new day far from here? She was made for magic and mystery. She would take her magic with her, leave behind the mystery of the missing house, the vacant lot, the trail of chicken tracks returning to the wild.
I’m Talking to You Guest Author: Harrison Kim
I’m talking to you, giant mutant Daddy Long-Legs eight-legged walking drone. Revolve your bulbous head to scope out the house of delusion. Observe its yellow planks burned by the psychiatric meltdown, seeping out from inside and staining the wood to yellow-brown hallucination level 5006 warped synapses per second. Humans can’t go in without a suit lined with risperidone. For you, my drone, no suit needed, you are fortunate to have all your vertebrae on the outside. The work will be machine precise. Your mission: clean this place of insanity and bring the delusions back to me. Inside, the patient’s bones lie white. Their hallucinations seeped into the cracks, while their bodies died and moldered. How interesting it was, all these past days, via my powerful binoculars, to observe the gradual dispersal of these delusions within the changing colour of the planks.
Daddy LL Drone, stand facing the door and spread all your limby tentacles into the openings. Poke them thru the windows. Can you feel who the patients were, as you tickle your way round the rooms? They couldn’t escape before the meltdown. All locked in. The staff ran, left their psychiatric charges shimmering, glowing in collective insanity. Delusions burst forth, burned into the walls, seeped through the wood in black and grey. This house stands now only because of delusion. You will explore this psychoactive creature with your tentacles, and when the tiny windows are securely gripped and entered, hold fast. Then, split the building in twain, with your longest tentacle lobotomize its manic essence, and suck all the delusions into your maw. After you skitter back to the studio, I’ll unload everything into my computer, and have enough material for another three books of stories.
Johnny Joo is an internationally accredited artist, most notably recognized for his photography of abandoned architecture. Growing up sandwiched between the urban cityscape of Cleveland and boundless fields of rural Northeast Ohio provided Johnny with a front row ticket to a specialized cycle of abandonment, destruction, and nature’s reclamation of countless structures. His projects have ranged from malls to asylums to simple country homes, all left behind at various points in time. Always a lover of all art mediums, the seeds of a career were planted in Johnny’s mind at the age of 16 when a high school art project landed him in an abandoned farmhouse. Since that time, his art has expanded, including the publication of eight books, music, spoken word poetry, art installations and other digital and photographic works.
The stones were restless that night. She could hear them clattering and chattering against rock faces and echoing up from the dormant mineshafts. The town had long ago been built into those rocks, blasting and chipping and burrowing its way into ancient granite and quartzite, slate and chert, greywacke and basalt.
Yet time moves differently there, in the deep. There, veins of silver were newly bled dry for the wealth of people long since passed. There, the shock of trauma had only just begun to fade. In its place rose an ancient fury, a rage she had long awaited.
When the town shook and crumbled, she did not think of its history, of its centennial celebrations, of its museums and plaques celebrating unwelcome conquest. She smiled, thinking like the stones, feeling the relief of swatting a mosquito who had only just landed.
They had promised unspeakable beauty. The procedure would unlock new colours, open wide a world of wonder. We would see as butterflies see, unwrap the hues and patterns and glories hidden in our plain sight.
But first, the darkness.
I was proud to be among the first. The first to shed my bandages. The first to step out into the light. The first to see.
The first to realize our mistake.
We were not meant to see what would break us: those things beyond our understanding, hidden in ultraviolet.
Seeing the unseeable, I realized butterflies would scream if they could.
The Drift Nina D’Arcangela
Petals sway softly upon the breeze; they twirl, they dance, they float, they soar. Glorious in pale pink, flushed deeper on the edges, how you outshone any other. You began to drift away, I reached for you, but there were so many. You sang as you lifted high upon the current, free from my arms at last. Then the air stilled, you spiraled downward and I, stiff with age, could do nothing.
You settled in a soft plume of vibrant green, a lush cushion to rest your head upon. I watched, I smiled, then a moistened pellet struck, followed by another. The torrent began, you were trampled by the onslaught and I wept for your pain.
A week all that is granted, yet too weak was I to give you even that. Whispers among the branches comfort for next Spring’s thaw, but bent and broken, these limbs heavy, I see the point no longer.
The Dream Beyond Lee Andrew Forman
Upon the tip of the other side, balancing between a heartbeat and silence, I see only beauty. For what has been, what is now, what will be. It exists between every line, in every place, no matter how obscure and ill-lit. Its brilliance rests even in the face of evil itself—in its purity, its honesty. That visage I know well. I’ve gazed beyond and witnessed its truth. The brute I hunted bested me. The intelligence in its eyes told all.
Rows of razor-bone upon my throat is what brought me here, to this realm between the fragile panes of reality. Its color, its shifting form, a wonder unimaginable. What lies at the end? Where does this journey lead?
Perhaps it is no more than a last shedding of chemicals, a dream to end all dreams, and when it ends, all is swallowed by the void. I’d like to believe it’s a transition, that I wait in a heavenly cocoon, soon to open. I’ll spread wings and soar among clouds.
As the images flicker, something lurks behind them, creeping in the brief glimpses of black. Between each moment of bliss, it shifts toward me, twists its contorted form. As the dark spaces take dominance, I wait for what comes.
Pink Elaine Pascale
The dogs had been trained to find me.
Their tongues are as pink as the blossoms above me.
I cannot smell the blossoms; I cannot smell me though I am rotten.
Pink was my favorite color.
The ID that they will find of me in my pocket shows me wearing my best pink dress and pink lipstick.
The leaves and dirt that cover me are not pink, but the worms that feast on me are. The leaves and dirt are messy but not as messy as what I left behind. I was considered a hoarder. When they trace my ID back, they will find this out. They will see my pink furniture and sheets and bed coverings, once they brush aside the pink papers and postcards and paper plates.
My insides weren’t pink when they spilled out on the ground. I wish they had been—clean and fresh. Like my apartment had been when I moved in, before I doused it in pink paraphernalia.
The dogs sit in a circle around me. It is only a matter of time before the people discover me.
And only a matter of time before they go to my apartment and move the pink candles, empty bottles, socks, scarves, books, candy wrappers, umbrellas, bags, soap, erasers, and stuffed animals to see the real pink beneath.
My insides weren’t pink when they spilled from me.
But the insides of others were.
The Forlorn Charles Gramlich
On an unmarked trail of dirt left by animals, under spring trees which provide a roof of lavender petals, I pause my meander. The perfume of blossoms overhead is so overwhelming I can barely think. I do not remember where I come from or how long I’ve been traveling. I do not remember why I began my walk, or even my name. But I know why I’ve stopped.
The mistresses of God are visiting here!
A whisper stirs the petals overhead. A sinuous shape swirls among them, invisible except for the movement of the tree limbs and their burden of blooms. A mauve rain begins, dropping around me, catching in my hair, brushing my face with the exquisite softness of satin.
Aroused, I shed my clothes like a snake molting. The petals keep falling, and now begin to cling to my sweat-wetted skin. Some things from the trees touch me. Their hands feel like bones softened by oceans of time. Their caresses turn me around, and around, and around. Faster and faster.
I begin to spin like a whirlwind, like a dust devil. Painted in all the perfect shades of purple, I spin until my feet drill deep into the soil. I spin until my toes sprout roots and my arms sprout twigs, until I grow up and up toward the sky. Until I join my new lovers in the sacred grove where beauty screens death.
And now we wait. Amidst the forlorn and the sacrificed. For the next visitor to travel this path.
Blue Sky Somewhere Marge Simon
Thea parts the curtains on the day ahead, then quickly ducks away. Sunlight unfurls from the window panes sparkling on an unused coffee cup and a basket of imaginary rolls. She knows it’s make-believe, a tableau laid out by habit. Useless to pretend she’s one of them beyond her home, but it is all she’s had for centuries.
On the floor, shadows of cherry trees in bloom remind her spring has arrived. How she longed for a glimpse of cobalt sky above the blooming branches,, a sight she treasured on the shores of Attica. Those sweet days, a memory from centuries ago when she was young, unaware her mortality was soon to change. But now the blood of cities bleeds into a wounded sky; the atmosphere so thick with toxic fumes, few mortals dare to walk the streets without a mask.
It seems unfair that she must bear the situation, knowing it was never her intention. But worse, the shrinking population bodes her ultimate demise. She wanders darkened rooms, touching surfaces, feeling the measure of textures, the contrast of cloth and stone, glass and polished wood. Things in her small world she knows so well. Inside things, held dearly but dearer still the feel of sun on skin. A patch of blue sky, there must be a glimpse of it somewhere.
Why wait any longer?
A twist of latch, an open door. She steps into the light.
Pink and White A.F. Stewart
The sickly sweet smell of cherry blossoms filled the orchard, frosted petals descending into the unexpected spring snow; a layer of soft pink atop the white. Prevalent as the scent was, it did not blot out the undertone whiff of copper nor the smell of decay. And pretty pastel colours couldn’t hide all the stains underneath the layers of warring nature.
Changing seasons swirled against the scars and the silence, and hollow time eager to swallow what once existed here. Not claimed yet, the fallen dead, flesh and bones still marking the place of carnage, their blood feeding the soil beneath the snow. Echoes of the war drifted between the trees, chased by the cruel laughter of the mad gods.
Defiance met with death, and rebellion with ruin, a bloody example to all souls that might rise to grasp at the beckoning wisp of freedom. Hope expired within this orchard, and only soft petals fell like tears on their graves, wrapping the remains in velvet spoils, mounds of pink and white.
Pretty in Pink Ian Sputnik
“Let’s play a game,” the two boys had suggested to her. Minutes later, Ed and Rob began to wrap the chains around Katrin, despite her protests. They left her bound to the witching tree as they scampered away across the white blossom that blanketed the orchard floor. Glancing back they could see her struggling to get free, her pink dress already stained by the rusty metal.
Rumour had it that those found guilty of practicing the dark arts would be tethered to the tree and left there to die. As they hid in a ditch at the other end of the field, they could hear her screams of panic turn into sobs of despair. Then all went silent.
Returning some time later, they found her gone. The chains hung from the tree, blood dripping from the links. They ran, screaming from the scene.
At school assembly after the weekend the headmaster announced that Katrin had gone missing and said that anyone who had information regarding her whereabouts should come forward. The two boys remained silent. They had made a pact never to tell anyone about what had happened.
It wasn’t until the following year that they returned to the orchard. They stood mouths open as they took in the scene before them. This year the blossom was bright pink in colour not its usual white.
They were startled by a voice from behind them. It was Ed’s annoying sister, who must have followed them from his house.
Rob’s mouth turned into a menacing smile as he looked at Emma standing there in her blue dress. “You ever seen blue blossom?” he asked Ed.
Ed smiled back and then said to Emma “let’s play a game.”
It was an enticing phrase. Ellen saw it in the Chronicle in a small, unassuming advertisement. There were no images, no flourishes, no embellishments. Just that phrase, and beneath it, more words:
For those who dedicate their lives to beauty. Serious inquiries only. Please write with preferred appointment time and place to The Beauty Within at the address below.
Ellen considered the advertisement for a while. Even after she had put the newspaper aside, those words still followed her throughout her day.
For those who dedicate their lives to beauty.
Surely that was her. She was known throughout London as the most desirable young lady. It was a point of highest pride with her father, who went to great lengths to have her seen in only the finest fabrics, the best jewels. There was no one who would deny her beauty.
Serious inquiries only.
That line seemed almost to beckon her, to challenge her. Did she take her beauty seriously? Oh, yes indeed. Then why had she not already written? What was holding her back? What was there to explain this cold, twisted fear in her stomach?
Silliness, she thought.
She sat at her writing desk and pulled out her quill and paper.
“Who are you?”
I am the one you invited—the one to make you beautiful.
Ellen considered him doubtfully. He had no hair to style, no lips to redden, not even skin to powder. He was bones and nothing more.
“What can you know of beauty?”
More than you can even see.
She did not understand.
Look at yourself. What do you see?
She turned to the mirror, paused. “Dark hair, fair skin, powder, jewels.”
Illusions—all of them. Not one is true beauty.
She frowned, not certain of his meaning. He had no facial features to decipher. She could not know if he meant to offend.
“Who are you?”
I am Beauty.
She almost laughed. “You are bones.”
“Then what am I?”
You are flesh. But you could be so much more.
Yes. You are flesh, yet you are bones. The beauty within.
Yes, your beautiful bones. You hide them beneath fat, skin, hair. You must be less to be more.
You must rid yourself of your wretched flesh. Be slender. Be thin. Let the sharp, beautiful angles of your bones be seen.
“But I do. I try. I eat like a lady; I lace my stays.”
But less. Tighter.
“I try, I try.”
I can help you.
Yes. Let me lace you. You will be smaller. You will be beautiful.
“But they are so tight already.”
But they can be tighter still, if you only know how.
Just keep him plugged in—that’s your job. It may not sound like much, but you better hope this thing keeps him alive. We’re not ready for what he might do—not yet. But as long as he’s in his body, we stand a chance. So keep him secure, keep him plugged in. The drugs should quiet him. You might hear him in your head, but ignore him. You understand? No matter what he says, don’t listen. Don’t press that button, don’t pull that cord. And try to stay safe. We really don’t want to hire for this position again.
Feasting Nina D’Arcangela
Feasting, that’s what it’s doing. Still as it may look, its savoring, consuming, devouring; making a meal of us all with that unrelenting gaze. Wait for the flinch if you will, but it won’t happen.
They say we, as a species, eat with our eyes first. I guess we’re not the only ones.
Expectations Charles Gramlich
Textures: ripples, curves, lines. Fossilized in verdigris. Mouth and eyes above a silver collar of anodized aluminum. Diseased pustules filled with the rust of oxidation. A copper tongue wishes to speak and cannot.
You are frozen without, terrified within.
A crown of hollows rests upon this brow. Bullet holes torn in the fabric of form. You await. We await. Some in awe, some in glory, all in fear.
Down here in the depths the creatures lived in the endless darkness. In this dark realm, evolution favored specie who ate little and moved less. She lay in the sediment, an ancient creature, huge and bulbous. She was the top predator in the food chain and if she could conceive of an emotion like fear, she would have felt none. Lesser creatures avoided her, except for the occasional unwary or unwise fish, who would quickly become prey.
A change in pressure told her there was something above her. She opened one glistening eye. She saw a shape. Whatever this was, it was bigger than her. That made it an enemy. She stayed still, waiting. In her primitive brain, she decided not to fight unless she was attacked. It came closer. It emitted something she did not recognize, but it was painful and it blinded her. She used her tentacles to push herself from the sediment, pain coursing through her body. She had to defend herself.
The men in the bathysphere had left the lights off until the very last second. Light was alien down here, at this depth, and would scare away the creatures. The switch was flicked on and light flooded the scene. The cameras recorded everything around them, but they still wanted to see for themselves; like children, they crowded the small observation window. They were briefly aware of a huge shape, surrounded by disturbed sediment, hurtling towards them before oblivion took them.
Aficionados Lee Andrew Forman
In the hours of day, when families would roam the gallery, it had to be covered; the minds of those unwilling could not be privy to its nature. It had to be presented during selected hours beneath the shroud of night. Only those most dedicated would be allowed to witness its glory, experience its wonder. They never debated its origin or creator, the unknown hand who brushed its oil features remained nameless in history. This canvas held power far beyond any known artist of the time, or before. It revealed great tragedy; its shapes and colors warped and morphed into visions held long ago. Its audience reveled in these savage memories of time. Their sadist hearts fluttered at the gore-soaked images the piece invoked. It spoke of pain and suffering the modern world had never witnessed, but as its kindred aficionados grew in number, it soon would.
Identity Theft Elaine Pascale
I hid the bracelet in that statue in the old library. No one went there anymore. There was no need for reading in a world covered with a curtain of darkness.
We were kept blindfolded most of the time. They believe their faces would frighten us to death. Our blood is tastier when we are alive: alive and scared.
The predators recycle our identities. It is a way of dehumanizing us, which is ironic as they aren’t human. They use adjectives for our names: delicious, scrumptious, succulent. My real name had been engraved on the bracelet. I tucked a paper in with it on which I had written the names of those I loved. I wrote them with a sharpened stick that I had burned at the tip. The predators no longer feared stakes as they don’t have hearts to pierce. They are empty, just like the meaningless names they call us.
“Tasty,” they called me over. They didn’t realize I could still see some things despite the blindfold. They underestimate how smart we are.
“Be a good snack and tell us about your creepiest encounter in the before times.”
“Creepiest?” I pretended to think. I was really estimating how long it would take for me to reach the window. “I guess that would be the guy who followed me home from the bar.”
“Mmm,” I could hear the saliva dripping from their mouths. They were anticipating my fear.
I was afraid, afraid I wouldn’t make it to the window.
“He was a stalker, a nightmare.”
I knew their eyes would be glazing over with blood lust. I bolted to the window and ripped down the curtain.
Their skin scorched, quickly producing flames.
Knowing my name was secure, I lifted the blindfold to watch it all burn.
Smile A.F. Stewart
The crystal in the middle of the carved stone shone with a smudged pink glow, reflecting our lights.
“Looks like a smile, doesn’t it?” Darren leered and nudged me. “That sweet, after sex kind of smirk, am I right?”
I shuddered. Darren was a pig, always making lewd remarks, trying to hit on me, badly. If someone grinned at me like that, I’d scream. The stone resembled a weird blob monster from an old TV show and gave me the creeps. Part of me wanted to walk away from it, the rest of the relics, and the temple.
Still, the thing was pre-Columbian, and we came to loot the place. I shoved it in a crate and we loaded it on the truck with the other artifacts before heading to the dinky airport at the edge of town. Soon I’d be on a plane smuggling our score out of this forsaken jungle.
I shot a glance at Darren. He hadn’t stopped smirking since we left the crumbling temple, but was uncharacteristically quiet. He gave me the heebie-jeebies, but I kept my mouth shut. Our plan depended on that.
I glanced at him again and saw the pink glow at the edges of his mouth. I relaxed. Part of me didn’t believe my bosses, but the curse was working. Soon Darren would be dead, and the antiquities would be in the hands of my real employers. People who knew how to use their power for more than a quick buck. The world would be ours soon, and creepy Darren…
Well, he’d die painfully, but with a smile on his face until the end.
Chernobyl Blues Marge Simon
The door swings open. A slender woman stands framed against the sun. The bartender knows her. He fixes her a shot of his best Scotch on the rocks. She walks over to the piano and plays a few chords. Her face is as velvety smooth as the white of her hair. She’s old enough to be your mother, but that doesn’t matter. When she starts playing, everyone shuts up to listen, even the guy in the booth coughing blood in his beer.
She plays the blues and more. Like more than words and deep and it goes straight inside all the places where you’ve tried to hide your fear, digs them out and tries to make you feel all right about it. It seems like she plays as long as she feels like and then she stops. There is another drink waiting for her but she just leaves it there on the piano. She glances at you on the way out and you grab her hand, pull her to sit down.
“Is that mutant thing still out there?” you ask.
She nods. “I told him I had to play the blues for you, but never again, after this one.”
“But you can’t just leave. We’re in this together, lady,” you plead. “Everything’s polluted now, even the beer. Stay inside, keep playing – you know it makes dying easier for us.”
She shakes her head sadly. A thin band of late sunlight falls on her empty seat. Just before she leaves, she tells you that thing outside the door is her son. “I’m so sorry, but I’ve got to let him in, now.”
Her shoes walked about at night. She could hear them pace through the house all night, yet by morning they always returned to their place by the door, waiting for her.
One morning she came down to find the shoes dirty. More than dirty—ruined. The once-white sneakers were caked with mud, scratched as if from underbrush. She went through the house and found the back door standing open.
That night she brought the shoes to her bedroom and set them down beside her bed. Closing the bedroom door, she settled in to sleep.
It wasn’t long before her shoes began to shuffle about, then pace the room. She rose and opened the door. The shoes hurried out; she followed close behind. Down the hall, the stairs, to the front door. The shoes shuffled about eagerly as she turned the latch, opened the door. They hurried out, but she hesitated at the threshold, her feet bare.
The shoes returned, organized themselves at her feet, waited. She slipped her feet inside. Before she could close the door behind her, the shoes had already carried her into the night.
The door stood open through the night, the morning, into the afternoon. It was only then that a neighbour came by. He poked his head inside, concerned. He pulled his head back, frightened.
There by the door were her shoes. They were ragged from their long walk. Torn, scratched by stones and underbrush, they sat there. Stained through and through with blood, they waited.
The light lasts longer here. A trick of angles, squeezing every last drop of daylight from the sun. When I followed the path, found this place sitting in the light, I took it for a sign. I wanted to be here—in this place blessed by the sun.
And so I entered.
If you find my path, don’t follow. Stay out there in the light. The light outside lingers. But the darkness inside—that lasts longer than you’ll ever know.
The Weight of Stone Charles Gramlich
The gold stone sweats light in the dawn. But I am not lit. I lie within. All in black, all in shadow. I pray to the night, to the ancient and puissant god of the dead—to he who is swollen with rot and bile. And I smile as I pray to myself in the mirror of your dreaming eyes.
Can you not hear me prance close? A devil to man! A lord to devils! I love the teeth in your mouth, the bite in your words. But I will not come to you. To summon me, you must light the candle in the whiskey dark—while I sing from a throat blistered by scorpions. To summon me, you must offer pearls of honeyed blood from your unshriven lips.
No, I will not come to you. Not yet. But I will wait. For your nightmare to end.
And the next to begin.
The Citadel de Sangre Marge Simon
Bumming around Spain the summer after college, me and my buddy Garth stopped in the village of Tabernas. Both of us were keen to check out this one place in particular – the Citadel, at the edge of the desert. Lots of folklore about it.
When we got to Alamira, I asked an old woman about it. “La Ciudadela? Si. It’s an ancient fortress, a sanctuary built by an ancient civilization to keep out demons. But beware, a hijo mio, it’s no sanctuary now!” When I asked what she meant, she shook her head, muttering “Los que beben sangre!”
Garth checked his Spanish pocket dictionary “Way cool! She means “those who drink blood.” He looked up, grinning. “Like I’m scared, dude,” he whispered to me. The guy running the tourist office talked us into taking along his daughter as a guide. Carmillita was a weird little gal with stringy dark curls, but she spoke good English. Something about her made me uncomfortable, but Garth thought she was hot.
Our shirts were soaked with sweat when we finally arrived at the Citadel. It was a sturdy structure, made from yellow native stone. We relaxed in the cool interior. I found a wine stash and we downed a couple bottles. Garth and the gal were enjoying some primo Spanish grass and talking. Last I noticed, she was licking his neck. Threesomes weren’t my style. I nodded off after dusk.
“Wake up, buddy. Carmillita wants you with us.” it was Garth’s voice next to me in the dark. That gal was crouching beside him, eyes glowing red in the dark.
“Huh?” I asked sleepily.
“It ain’t for sex, dude.” A sudden flash of white fangs in the moonlight, his mouth on my neck. He stopped sucking to grin at me, blood streaming down his chin.
Guess I wasn’t going to need that fucking degree in Economics after all.
All Day Sucker Elaine Pascale
I have eyes but cannot see.
The darkness is everywhere.
I have ears but cannot hear.
The dead are polite in their silence.
My mouth is shut, clamping down on the screams that rest on my tongue like a demented all day sucker.
I should have known to turn down the contract, but the money was too good.
I should have known that I would never see the money. It was just that good.
Always be suspicious of a request to build a “secret room.” Especially if that room is beneath a centuries-old mausoleum.
The dead do not need a place for their secrets.
I know that teenagers come to smoke on the steps, but they are too far away to be aware of me. I can smell their pungent exhalations. I imagine they tell scary stories while getting high in the cemetery. They may even fabricate nightmares about being locked in with the bodies that rot. If they knew of me, I would become just another ghost story.
I am a ghost story.
Marla Lee Andrew Forman
Respite from day, an escape from all that ails, is what Harold desired most. So to this monument of silence he traveled each night, and beneath each moon and all its phases, he spent his better hours with the speechless and unmoving. Never a word had been spoken to his kin about these endeavors. A secret dream—of joy, of a stillness which calmed a distressed heart.
No lock barred entry, no watchmen to guard against invasion; he was free to rest his weary bones with Marla, the occupant within the marble box. He painted her in his mind as he saw fit, imaginings of a fine woman, far beyond what he deemed himself worthy of.
But when he approached the old doors this night, one stood ajar. He scurried to peek within the dark mausoleum. Three young men sat inside with booze, drinking in a stupor, regarding precious Marla with uncouth disrespect.
Harold made himself known as a silhouette in the doorway. The young heathens stood, violence rising within their stance. Harold shook. His poor frame would never overcome them.
Then the massive lid opened on its own. From within rose the dried remains of Marla. Bone fingers stabbed at bewildered eyes. Her other arm thrust like a spear into another’s abdomen. The young man gaped at the near-black fluid poured from his wound. The third boy tried to run, but Marla caught him by the neck. She pulled him into her embrace and crushed his ribcage, watching red spurt from his mouth.
When the bloodshed ended, Marla’s eyeless sockets stared at Harold. Although she had no lips with which to smile, he felt affection ebb from her marrow. He approached this miracle with blind joy. Marla’s skeletal hands wrapped themselves around Harold, pulled him into her coffin, and closed the lid.
Resting Place RJ Meldrum
The mausoleum was a triumph of architecture and style. It dominated the landscape for miles, and had been built to be deliberately in the direct line of sight of the manor house were the Duke resided. It was to be his final resting place and he took huge pride in that fact, not that he intended to change residence anytime soon. The townsfolk, the people who worked in the mines belonging to the Duke, had a different perspective. The Duke was greedy and stupid, focused only on profit. He ordered his engineers to dig too close to the surface and to skimp on tunnel supports. Shafts routinely collapsed, burying miners. The fatality rate was five times the of nearby mines. The Duke paid the families handsomely to cover it up, but now the final straw had been reached. Due to shallow excavations, parts of the town had subsided, killing a number of women and children. The men congregated in the mausoleum. A solution had been found. Muffled cries and entreaties could he heard from inside the crypt. A voice pleaded with them to let him out, save his life, but the miners did not respond or move a finger to help. The Duke, a soft-handed aristocrat, would learn what it was like to be buried alive, suffocated while the air ran out. It was a fitting memorial.
Mausoleum A.F. Stewart
The stone tomb hadn’t been there yesterday.
But yesterday the world had been normal.
Yesterday, I didn’t hear the song.
It began on my morning run. The vision of the stone structure standing in the park haloed against the warm sun. So majestic, so serene.
Music floated from the entrance, a deep entrancing voice singing of peace, of darkness, of stars and fire. Calling my name. Promising me the serenity of his everlasting love. I was on the steps before someone bumped into me. I heard “Sorry,” and looked away. When I looked back, the tomb vanished.
But the echo of the song remained.
That’s why I returned to the park after moonrise. Somehow, I knew he would return before the next sunrise. I knew he was waiting for me.
In the silence of my mind I heard his voice, his sweet, sultry tune of peace and destruction, filling the darkest hours until my prayers were answered. I raced up the stone steps of the tomb, dashing into its dark maw. I laughed as his tentacles encircled me and drew me into death’s embrace, his sweet voice my lullaby into eternal rest and his undying love.
Hope Nina D’Arcangela
By day, they climb the stairs, stare through the locked grate to catch a glimmer of what lay inside. At dusk, I open the gates, hope one will stray, and step beyond the threshold. This eve is no exception. As the moon trades its place with the sun, the gleam from inside is irresistible.Stunned by the glittering interior, it pauses. I see the greed in its eyes. Just one step further and I will have you. The exterior of the tomb is stunning, but once beyond the iron that was wrought to keep the rabble out, the walls are inlayed with gems that glisten opalescent shades. I am as old as the stone, I hunger as it does, but am not allowed a portion until they have had theirs. If I have done my job adequately, some may feast; if done well, all will sup – myself included.
It took seven men to exhume the body of the second Mrs. Chapman, while from a distance, he watched. From his high study window, Mr. Chapman saw as they arrived at the cemetery, raised a wall of fabric against the eyes of the town. From above, he could see their busy digging and knew that it would not be long before the coffin was raised from its slumber, his beloved with it.
His heart broke, but it was a beautiful breaking. He thought of how she had looked, laid out at the funeral. She had wished to be buried in her wedding dress, with her golden hair fastened back as it had been on that precious day. They had even arranged for a bouquet: carnations, in a range of blushing colours. She held them to her silent bosom when he saw her last, her face calmly waiting. He had wanted nothing more than to give his I do, lean forward, kiss her. But he knew he must be patient.
That had been only two days ago, but already it had been too long. The house was much too empty, his bed much too cold. He had turned to the police—a perfect facsimile of the grieving widower turned paranoid. He had said that he could not rest, could not believe that the body beneath the earth belonged to his young wife. Thankfully, he was also a wealthy widower. In time, he had been able to arrange that the body be exhumed, and then identified by him alone. It would not be long now before he would drive to the cemetery, bring his smallest buggy into the curtained space, and look upon his beloved.
Alone, he would arrange for her return.
He counted on the morbid stench to dampen the curiosity of the others. He was certain that once he left, there would be no need for them to reopen the coffin or for them to think the deathly weight was in fact the carefully prepared sandbags, ready to be returned to their earthly mother. And he would be free to return to his home, no longer alone.
Oh, he was eager to hold her, to bring her body back over their threshold. Already he missed the touch of her hand, the caress of her body. There would need to be changes, of course. Just enough to escape the gossip of the townspeople. Perhaps a wider face, a rounded nose, a sprinkling of freckles. Brown hair: he was sure she would like that. He could already imagine her prancing before a mirror, enjoying the newness of her body, the newness of her life. But her eyes, those would stay—as they always had, as they always would. Those were the eyes that had first drawn him in, captured his attention, his heart. Those were the eyes that inspired his work.
In time, there would be yet another opulent wedding. To the world, she would be a newcomer: the third Mrs. Chapman. But to her—to him—she was his only.