Limits

Others decide things for me, because whatever I decide turns out wrong. It’s all about knowing limits, and I can’t stop at the edges. I associate mainly with other sullied, stigmatized transgressors. I spent two years at the Forensic Psychiatric Hospital for the criminally insane, for trying to burn down the Austrian Club. I had a reason – they wouldn’t let me in. I told them I was Hitler’s grandson; they sent me to the street, and I turned incendiary. I splashed a can of gas up against their front door in broad daylight, then lit it on fire. That’s what got me committed “not criminally responsible by reason of a mental disorder.”

Now I’m out on a conditional discharge. My parents pay for my apartment rent. They’re my heroic supporters. I’ve stayed away from illegal drugs and taken my medications. Now I must test myself yet again. Sitting across my kitchen table is escaped Forensic Hospital patient Jared Morriseau. He’s shivering and squirrelling down from a cocaine high. “You’re my only friend out here,” he says.

His face is all over the T. V. after he didn’t return to the hospital from his “Back to Work Program” day job. The stupid staff trusted him. He took his wages and taxied downtown to get high. The hospital notified the police. The police told the press. Jared, who hammered his two room mates to death in their sleep to prevent the end of the world, drinks the coffee I pour and asks “can I stay here a few days til the heat goes down?” His voice shakes. “I’m so scared, Luke. The police are gonna shoot me.”

I’m surprised they’re not watching right now. My biggest fear is that they’re going to burst in with their guns drawn, Jared’s going to freak out and bang bang bang someone’s dead. Even if I’m not hurt, it’ll ruin my progress. I’ll be sent back to the Forensic Psychiatric Hospital or worse.

I have to act cool. Underneath I want to stampede away and abandon Jared to his fate, but he’s my Forensic friend, and there’s an inmate code among us, ”Do not rat.”

“You need to go back to the hospital,” I say.

He raises his fluttering fingers to his face. “I’m sick of being out here.” His eyeballs resemble pinpoints. His hand jerks and he spills his coffee. “Shit,” he says.

I mop up the coffee mess with my foot, using an old shirt I had lying on the floor. “Call a taxi,” I tell him. “Get the driver to drop you at Forensic. Then walk to the gate and ask to be let in.” I take the shirt and throw it in the sink. “I’m gonna go for a walk,” I say. “So that the police won’t get suspicious. They’ll be following me if they’re out there.”

“Thanks,” Jared says.

“No problem,” I tell him. “I don’t mind being a decoy.”

“Who’s gonna pay the taxi fare?” he asks. “I blew all my money.”

“The hospital will. Go to the security guards and tell them the driver needs a big tip.”

“You can’t lend me twenty?”

“I’m broke,” I tell him, and it’s true. I spent my last money on the pack of cigarettes I’m about to smoke on my walk away from Jared.

I hand him a spare cancer stick and he grabs it, fumbles the thing into his mouth.

“I’ll think about what you said,” Jared says. “Can I use your phone?”

“Sure.”

I leave it on the table. It’s another gift from my heroic parents. I’m humbled by my failures, yet Mom and Dad stick by me. All I can do now is give advice to an escaped psychotic killer. They’d want me to run out to the park and call the cops.

I walk down the apartment stairs and into the fresh air. No sign of the police. I smoke cigarette after cigarette and hike along the edge of the river. I stand and hear the sound of the flow over the rocks. A couple of rusted shopping carts stick out of the water. I keep walking, out to the highway and all the way to the airport. It’s two hours of slogging, but it’s a distraction to hear the planes soar overhead, and more relief yet to be in the terminal, to watch them take off and land. I cadge some money for bus fare and coffee off a backpacker waiting for a flight to L. A., then make my long way back.

I hike up the apartment stairs and open the door. My phone sits on the table and there’s no sign of Jared. I hear a knock and its my neighbour Gillian. “The police came by,” she says. “They were looking for you.”

“Thanks,” I tell her, and close the door on her inquisitive face.

I turn on the T. V., with the sound off, and wait for the news. At six, I see Jared’s sallow, black whiskered mug and the subtitles for the hearing impaired running along the bottom. “The hammer killer is back in custody,” say the words. “He arrived in a taxi.”

I’ve done my part. Maybe paid back some of my debt to society. I handled the situation with mercy, without being a rat and calling the cops.

I miss my highs, the rush of feeling omnipotent, the way I did when I thought I could raze the houses of those who dissed me. I take my medication because it brings down my thinking. Normal is drab, grey, and gaining weight. I’m living within these limits because I don’t want to hurt anyone else.

“Don’t let today get to your head” I tell myself over and over.

There might be a meaning beyond my sick existence, perhaps this coolness in the face of crisis, that I can reach and touch and know, and be absorbed by. I will keep it close.

∼ Harrison Kim

© Copyright Harrison Kim All Rights Reserved.

No Madonna

At sunset she serves herself with a candle on an oaken tray, a glass of wine, a plate of fruit. As she eats, she flips through an album. It contains her trials, loves and tribulations in photographs. There is the damask tablecloth from Surrey, embroidered towels, silver spoons; that certain green silk dress, a size too small  she wore for King Henry ll’s ball … Melmac dishes from the sixties, the kind a gypsy could afford, they never broke when thrown … the dark-haired boy with smoky eyes, (she made him happy for a time, until her needs got in the way) … a shredded ticket to Belize with Sven, who never understood a word but never did that matter, at the time. One last sleigh ride in snowy Switzerland. Green yarn from a knitted hat. That sad faced man with the cowboy hat, and the older gentleman, the one she wed, both cattlemen and rich, back in the day. A columbine, pressed in wax paper. The lady smiles, having rekindled memories of her many passions. She blots her lips, wipes her fangs with a clean blue napkin.

∼ Marge Simon

© Copyright Marge Simon. All Rights Reserved.

Let It In

Awake in my bed, I embrace the oppression of the silence, that moment, not at midnight, but before dawn when the night struggles to remain. It presses against your skin, tangibly scratching at the surface of my being. A smell engulfs me, not the stench of old houses, moldy, stale, but the bitter, smoky scent of lightning in summer.
I wait for it, an unearthly presence constraining at the edges of nothing, an impervious void lingering behind the smell. It murmurs cryptic words, weaves unfathomable visions, its existence liberating fear and solace, like the icy touch of death for a terminal patient.
Sometimes I fight against it; more often I concede, accepting its supremacy over my mind. I squirm as it wiggles inside my brain, excising parts of my existence with surgical precision. Yet, I feel free afterward, and my burdens of conscience, of benevolence, vanish.
With the light of day I function as I was, but I am changed.
Hour by hour, day by day, I become…detached.

Yesterday, my perception altered.
It granted me the gift to discern its reality.
It is here.
My home is its conduit.
Slime oozes through the wall cracks, past the floorboards, thick black goop painting my house in shades of the void. A physical manifestation of my entity, cold to the touch, and pulsing with a rhythmic heartbeat. It is my connection, my lifeline. Alive, subsuming, struggling to enter our world.
In response to the cadence, my blood roars, energy surging deep inside my veins, my thoughts explode in a kaleidoscope of radiance and colour, while a lullaby of starfire sings in my ears. And still no outward sign. I still smile and serve breakfast to my oblivious family.
They used to be my world. A husband and two children.
No longer.
I feel nothing…not as they die, not as I feed their blood and meat to the slime.
Not as I watch the black ooze grow, invading, slithering inside this empty house.
Not as it embraces me, unravels my flesh and drinks my blood.
I welcome the pain, the promise.
We will be reborn as one.

~ A. F. Stewart

© Copyright 2025 A. F. Stewart. All Rights Reserved.

Natural Inhumation

The rolling landscape extended beyond sight in all directions. The emptiness engulfed me in insignificance. This dead world I found myself on was as lonely as I. The howl of the constant wind was my only companion, and this planet was accompanied by a dying star that would one day stop sharing its warmth.

Tumultuous rumbles shook the ground. My compass pinned it south, so I headed north, away from whatever force caused the terrifying shakes. My footprints were swiftly erased by the constant gusts of sandy air. I mentally weighed how I might find my way back to the ship if I went too far, but disregarded those thoughts when I remembered there would be no reason to go back. It was irreparably damaged. I was stranded with no hope of rescue.

I knew this place was where my journey ended. Somewhere on this barren world my corpse would lay with no one to bury it. The distress call would eventually reach home, but by the time it did, it wouldn’t matter—the flesh will have rotted from my bones.

I almost wished for a crack in my visor, a tear in my suit, then at least the scythe would greet me with haste. But I had plenty of oxygen, I’d waste away before I suffocated.

I looked behind me every time the ground quaked. Despite my walking in the opposite direction, the vibration grew stronger. I could feel a violent power in the distance, something I didn’t want to be near. I supposed it didn’t matter, I’d meet my end here one way or another. But fear is the great motivator, it pushes one to survive even when there is no hope to be had. So I walked on.

Soon, daylight receded and the vast abyss of unreachable stars yawned above. I’d never felt so desolate and alone, never so meaningless and fleeting. Madness crept into my skull and began wrapping its fingers around my fading mind. Logic and training would soon fail me, I’d watch them fall with relief. They served me no more, not in this cursed place.

The next quake hit with ferocious tremors, its origin no longer beyond sight. The ground opened in front of me, sand poured in as the hole grew larger. Terror struck and slunk behind by back like the coward I was, fear wouldn’t even allow me to run.

As the sand began to move beneath my feet, I welcomed the swifter ending it would bring. This world would consume me. At least my miserable corpse would be buried after all.

∼ Lee Andrew Forman

© Copyright Lee Andrew Forman. All Rights Reserved.

A Lovely Day

We gazed out from the promenade towards the sea. The tide was in and the sun glittered off the small waves heading towards shore. Despite the weather, the town was nearly empty. We’d snagged an ice cream from a harassed vendor who was on the verge of closing up. We wandered down to the sea front clutching our cones.

“Your ice cream is melting,” I said.

Lucy licked her fingers. Behind us a car roared away, its tires squealing. Maybe it was the ice cream vendor, there weren’t many folk left.

“What a waste of time.”

We watched the sea. I checked my watch. It was nearly time. I took Lucy’s hand.

“It’s been a lovely day.”

“It has.”

Above, the sky was ripped open and a fiery streak blazed overhead. It was predicted the asteroid would land somewhere in the mid-Atlantic. And then, that would be that.

“Yes, what a lovely day.”

∼ RJ Meldrum

© Copyright RJ Meldrum. All Rights Reserved.

Reindeer Antlers

“Myrna, wait!”

The old woman heard a familiar voice behind her, yet she continued to weave her way through the crowded parking lot to her car.

“You forgot your lemon.” Cheryl sounded much closer than she had before. Myrna silently cursed her frail legs and the fact that she had to move slowly to avoid falls. Her doctors warned her that at her age falls could be deadly. She believed that at her age most everything was deadly.

Myrna knew she could no longer ignore Cheryl. “I have no need for that or for you,” she spat. Literally. Droplets of saliva shot from her dentures which sat awkwardly in her mouth. She had lost weight recently, despite having a healthy appetite and, at 85, weight loss did not herald the joy it had in her 30s.

Cheryl stepped in front of Myrna, crossing her arms and examining her in a way that Myrna hated. All younger women gave her the same expression now: a sour look mixed with sympathy. “Did I do something to offend you? I try to be helpful to everyone in the neighborhood.” Cheryl smiled around her perfect teeth and straightened her hair beside her wrinkle-free brow. “My grandparents taught me that ‘we rise by lifting others’ and I have always lived by that.”

Cheryl’s smugness infuriated Myrna. Cheryl’s smugness and all that she represented—women who felt they were better than Myrna because they had careers and educations and advantages that came from being young in a time period which allowed for such things. “You humiliated me!”

“Humiliated?” Cheryl looked confused. “When? How?”

Myrna felt her cheeks burn. She thought back to the day when she had been walking with a friend and they had passed Cheryl’s house. Cheryl had been in her yard, seemingly watering plants, even though her hose was not turned on. “You…you…you made reindeer antlers at me!”

The confusion remained on Cheryl’s face. “Reindeer antlers?”

“Yes.” Myrna placed one of her thumbs against her temple and raised her second and last fingers. “Like this.”

Cheryl tilted her head, looking at Myrna quizzically. “My hands were just like yours? At the temple like that?”

“Yes, exactly like that.”

“Show me again, where were they?”

“Here!” Myrna put her hand at the side of her head.

“You’re sure?”

“Absolutely!”

“They weren’t…here?” Cheryl’s hand moved quickly. Myrna felt a lightning bolt of pain shoot across her forehead. Then she felt nothing at all.

***

We rise by lifting others…we rise by lifting others…we lift others to you, oh ancient one…

Myrna could hear voices chanting. Were they talking to her? She tried to rub her forehead but found that her arms were bound. The voices continued to talk about lifting and she felt the air move around her. Her stomach dropped as it had when she had ridden the old wooden roller coaster at the beach.

Myrna opened her eyes to discover that she was tied, crucifix style, to upright wooden pallets. She had no idea where she was. All she knew was that she was in a cavernous concrete room, like a warehouse.

We rise by lifting others…accept the sacrifice at our hands, oh ancient one…

Myrna turned her head to see an old man beside her. She recognized him; he was often at the pharmacy when she was picking up her medication. They had exchanged complaints seasoned with humor about the plethora of pills they needed to wake up each morning. They had compared aches and pains and laughed at how old age had snuck up on them. No complaints or pleasantries would come from this man’s mouth again, as his throat had been slit and blood poured from it as if from a garden hose.

Garden hose…Myrna remembered that she had been talking to Cheryl in the parking lot. As her vision cleared, she could perceive the chanting people. They wore robes that covered their faces and bodies, only their hands were exposed. They caught the old man’s blood in chalices and then poured the blood into a golden tub in front of Cheryl. It was clear they had been addressing Cheryl; she was the ancient one.

Myrna watched as Cheryl rubbed the old man’s blood into her skin. With each application, her skin appeared younger and more vibrant.

“Better than Botox,” Cheryl said, smiling with her wrinkle-free lips.

Myrna gasped, which garnered Cheryl’s attention. “My old friend…but still younger than me,” Cheryl laughed.

That makes no sense, Myrna thought, as she tested the ropes that bound her arms. Even if she were still a young woman, she would not have been able to fight her way free from the pallet.

Cheryl pointed a manicured finger at Myrna. “These wrinkles appeared in the short time I spent talking to her.” Cheryl rolled her eyes. “Normally one sacrifice would be enough, but because she rambled on and on, I have to make it two.”

“Yes, exalted one,” the robe wearers chanted.

Rambled on? “But you, you did something to me!” Myrna tried to remember what happened in the parking lot. Instead her mind went back to the day she had encountered Cheryl on her walk. She realized that she walked by Cheryl’s house often. She realized she had walked by Cheryl’s house for years, maybe twenty years, yet the woman looked no older than when they had met. “You…you made those reindeer antlers,” Myrna spat, not knowing what else to say. Fear had overtaken her. She did not want to meet the same conclusion as the man from the pharmacy.

“’We rise by lifting others’,” the devotees chanted. They lifted Myrna higher, tilting the pallet so that she was bent over a large bucket.

“Antlers?” Cheryl laughed. “Those aren’t antlers, they’re horns. As in devil horns.”

One acolyte produced a large knife and Myrna screamed.

Cheryl tsked. “That’s the problem with this younger generation, they never know when to be quiet.” She rubbed blood into her décolletage. “And when to keep their copious complaints to themselves.” Her smile grew wide. “As I said, ‘I try to be helpful to everyone in the neighborhood.’ I was just returning your lemon. If you had simply taken it then…we wouldn’t be here.”

∼ Elaine Pascale

© Copyright Elaine Pascale. All Rights Reserved.

Hollow

In the time of the hallowed moon, in the season where the chill lingers, the world grows still, and waits. Alone at campfire, I sit, wanting to burn. The firelight draws a sorcerer’s protective sphere around me; I dare not turn my head to see what lies outside. The darkness squirms.

Behind me, the forest exhales. Ashes in the fire swirl into embers, ghost upward into a vampire sky that sucks them gray again. The embers are a surrogate for my soul, fragmented, blackened, lit only by a semblance of heat that leaches quickly away.

I look to the stars. Perhaps they will comfort. Their light cannot be consumed by any earthly hunger. They care not for the concerns of carbon. But their icicle twinkling reminds me too much of cruel laughter. Shrinking, I coil in upon myself.

Nearer laughter swells. It howls in the trees. It cackles in the shadows. The night puts on a cloak of thorns. I close my eyes but my ears are open and stung. A visitor is coming, stalking on tenebrous limbs. I feel the weight of his presence, the surge of air that he pushes before him.

My heart hammers a heavy rhythm; my mouth tastes of venom and brass. Blood drums like the hooves of horses beneath my skin. Sweat crawls like freshly birthed roaches. Stench overwhelms—mold and fungi, toads and spittle-bugs, spider webs painted with tincture of silver.

And now he whispers at my shoulder. Gooseflesh arises as he cajoles me to spurn the light, to gaze upon him, to own his words. He promises a balm for sad fear—if I join him. Perhaps I will accept. Why cling to fire-glow when black-shine offers honeyed freedom from all concerns? Of course, the visitor is lying. Nothing sweet gilts the freedom that he offers.

I’m not sure that matters.

∼ Charles Gramlich

© Copyright Charles Gramlich. All Rights Reserved.

A Little Too Late

He got home just after six, the sky outside dimming to a soft violet, crimson fingers of clouds made the sky look as though it was losing a fight with the darkness. Everything was quiet since his girlfriend had left. No TV. No cooking sounds. No music, not even the dog barking next door. Just the soft hum of the refrigerator and the tick of the grandfather clock that sat in the corner.

Will dropped his keys in the bowl that sat on the oak entryway table and loosened his tie. He stretched with a groan and a sigh. The kitchen greeted him in the usual manner, plain, clean, too quiet. He opened the fridge and reached for the milk.

He paused and tilted his head.

A small, torn scrap of paper sat beneath the carton. Damp around the edges. He frowned, picked it up. It felt soft, as if it had been wet and dried. The image was hard to make out. A patch of floor, maybe, dark tile, smudged red in one corner.

He shrugged his shoulders, probably garbage. Maybe something that had stuck to the bottom at the store. He threw it away.

The second piece was in the silverware drawer. He spotted it while reaching for a spoon, wedged between the knives and forks. Same texture, slightly damp, curled corners. This one had a shadow in the corner. A shoulder maybe? A doorway?

He stared at it longer than he meant to. Then dropped it in the trash beside the first one.

The third piece was on the bathroom sink. Will noticed it after he had washed his hands. He reached for the towel and saw it. Had it been there before he washed his hands? He was sure that it wasn’t. It was as if it was placed there, tucked next to the faucet. Icy fingers ran up his spine, he didn’t throw this one away. His anxiety began to gnaw at his sanity.

He took it to the kitchen and pulled the other two pieces from the trash. All the pieces had the same off white border. Same torn edges. Same faint scent, like burnt plastic and Autumn leaves. They fit together. A little unevenly, but enough. The tiles from the first piece flowed into the second. The third pic looked like the corner of a leg, pale and stretched out.

His stomach did flip flops.

It was just a picture. Probably from an old magazine. Maybe one of those “crime scene art” pictures that his ex loved so much. Had she left this scattered through the house?

He laughed it off, a little too loud.

The fourth piece was inside the cabinet, behind the coffee filters. He wasn’t looking for it, he was just making sure he had enough for the morning brew. But there it was, slightly damp and folded waiting in the shadows.

Will took it to the table. He pressed the edges together, they locked together easily. The image expanded. A body laying on the floor, one leg bent under the other. A broken coffee mug near the hand. Dark liquid was smeared across the tile that looked all too familiar.

The same tile as his kitchen. He rubbed his face. Felt a throb behind his eyes, something about this photo made his head ache. He stared at the picture as beads of sweat began to form on his brow. He shook his head and shivered. 

The house felt colder now. Not a broken furnace cold but empty cold. Like someone had opened a door and never shut it. He tried calling a friend, just to chat, to get out of his own head. No answer. Texted. No reply. The silence stretched between each second.

The final piece came as he stood at the kitchen sink sipping water. Outside, the street was quiet. One streetlight buzzed faintly. A moth fluttered against the glass, he looked down at the sill.

There it was. Wet and sticking to the wood. Its image was clear and terrible. His hand trembled as he set his cup down on the counter and carried the final piece to the table. He didn’t sit down.

He assembled the photo standing up. One piece at a time, no hesitation, like he knew what the image would be.

When he was done. He saw himself. Not metaphorically, not imagined. It was him. In his own kitchen, face down, one arm twisted under his chest. A small pool of blood beneath his head. Glass shards beneath his feet. Dead.

Will staggered back from the table, heart pounding. He looked down at the floor, the counter, and the cabinet. Every detail matched the picture perfectly.

Even the cup of water.

His elbow bumped the counter. The glass tipped, he reached for it…and missed. It hit the floor and exploded. Water splashed across the tile, shards spread around like jagged teeth. He froze.

A chill rolled up his spine, “no, no, no,” he whispered. He stepped back. His heel caught the edge of the spill.

He slipped. Time stretched.

He twisted, arms flailing, eyes wide. His forehead hit the corner of the granite countertop with a wet, sickening crack. The force bent his neck sideways. He collapsed, shoulder first then skull again. His temple bounced off the tile with a dull, bone splitting thud. One leg kicked, his body spasmed.

Then nothing.

On the kitchen table, the assembled picture sat undisturbed. For a moment, it held its awful image. A man face down on the tile, blood seeping from his head, frozen in the final beat of his life. Then, without wind or heat, the paper curled. The corners lifted and the image shimmered. Piece by piece it dissolved into thin air, vanishing like breath on glass. 

No one saw it go. No one knew it had even been there. An unheeded warning, a little too late.

∼ Kathleen McCluskey

© Copyright Kathleen McCluskey. All Rights Reserved.

Way in the Middle of the Air

Ezekial sees a wheel a rollin’ way in the middle of the air.  Huge and solitary,  spinning alone in the Universe. Dull silver and dead on the outside, twirling slowly in the perpetual motion of zero gravity.   Ezekial must find out… what lies within?  A single oily protuberance pokes from the central axle.  A nipple at its end. Something black seeps from the tip, one drop at a time.  Is there life inside this wheel? No air in space, but does the dripping and the substance indicate a world within?  He and all the scientists and overseers watching from earth wonder.  It’s taken years to arrive here, to send an astronaut this far out in space. 

Ezekial bobs near, encased within his space suit, a tiny soul examining this humungous silver thing…. attached cameras all over the outside of his space suit beaming back to earth what is discovered.  He’s a fly on the wheel, a piece of white dust against the brown. He applies X rays and close microscopic focus to the silver covering, the images shared instantly with those on earth.  Then he digs in with his drill.  Right into the black protuberance shining oily, many colours as he works, flowing out now, dispersing, disappearing. Behind Ezekial the vast gulf of space shimmers with stars.   He knows “The whole Universe is watching,” and stops for a moment.  What is the purpose here?

He must find out what’s inside everything, it is like that with all explorers.  They are never content the way things are.  But changes happen, and then we must either go on or give up.  After the death of his wife, Ruth, Ezekial felt like ending it all.  His mission to space stopped him from going over the edge.  Discovery, challenge, risk, that’s why they sent him up there, the winning volunteer for this edgy job.  He wanted it! To escape earth, fly away into nothingness.  No jumping off a bridge, with seconds between the leap and the landing.  He launched into the vastness, his first mission.  This change in his life a miracle. To launch off the edge.  What was left, after Ruth’s suicide?  She made her decision, and left him and the whole world behind.  That took courage.  He’s following her example; grateful the overseers chose him.  They measured his will, and it was strong.

In the medical centre they implanted his brain with new electrodes, to enhance the leap into this mission. Electrodes giving power to his mind, to his resolve and his endurance to survive.  He hasn’t felt much different, only long hours of sleep and dreams on the trip from earth. 

 When his wife lived, he existed for her.  Now he imagines that she’s somewhere in this vast arc of space, waiting.  His forlorn hope is that he will find her.  Maybe not her earthly self, but a sense of who she was to him,  the connection and closeness.  Had he said or done anything to cause her death?  Put her over the edge? On the long trip out from earth, he contemplated the circumstances over and over, without resolve.

All he knows is this:  The physical time with her lies behind him now, like the stars, so far away.   But the meaning of who she was, that would be there with him, moving through the Universe eternal.

He lifts the long steel blowtorch from the floating kit behind him, begins to widen the drilled hole in the wheel.  Funny how the gap parts so easily.  Within that jagged hole, a blackness, yet from that blackness he perceives a form.  It takes on a shape that he does not see with his eyes but feels with his mind. Is it imagination?  Is he really inside a dream, like he’s been so often on this voyage, or is this the reality, here in space two million miles from earth?  This shape whirls and twists, it is a face. Ezekial is sure.  What else could it be but a face within the wheel.  He wonders if this is delusion, but only for an instant.  He peers closer.  His eyes and his consciousness tell him this is the face of Ruth, his dead wife!  How miraculous!  Yet the face stays expressionless. Perhaps bloated somewhat.  A bit spooky.  Drifting across that hole in the wheel, a shifting form.  He perceives his whole existence all around that misty, yet unmistakeable face, his life in relation to the wheel that spins around it.  What was the meaning of coming this far?  Was this the purpose of his whole life, to arrive here at this moment? There’s an infinitesimal chance that his consciousness came to exist along with trillions of expanding stars, then this moment came to be out of an exploding Universe once the size of a human heart…..As he watches and contemplates, his wife’s face becomes an eye… then his own eye looking back at him piercing through the vision of his wife…Ezekial lets his mind go because inside that eye he sees everything.

When you care for someone, that’s all that matters.  What you feel for another is the meaning of everything.  Then if you are lucky the other will feel the same way for you.  From moment-to-moment things will change, the good times and the bad, yet underneath there’s the feeling, of one with another.  It can seem like this harmony will go on forever.  If you are lucky.   But it ends, maybe only after a few turns of the wheel, perhaps after many.   The voices you thought brought you all the significance in your life disappear. Then, the sorrow and the loneliness.  Ezekial knows.  How life can change in an instant. Here though, within this apparatus floating in space, there’s a place that’s eternal. And Ezekial’s been allowed inside.

He’s been here dreaming for some time.  Longer than he realized.  Maybe days, if measured in earth time.  The oxygen in his suit is almost out.  Voices from his radio come in through the suit speakers “Where are you, Ezekial, what’s happening?”

Their voices don’t matter.  They’re from another place, another existence.  He’s ready to transfer now.  His previous life behind him is far away as the stars.  What lies ahead is the deeper meaning. He will let the turn of the wheel draw him out, into this other place.  Is there a sound?  He listens.  Yes, there is something.  Some kind of music, perhaps the murmur of God?  He lifts his head one last time and finds he’s singing to himself, “Ezekial saw a wheel a rollin’.”

 He’s heard that one before, and he lets himself go, every molecule of his body draining, disappearing as says the words.  Yes, he thinks, I sense my body and mind seeping through my space suit, escaping from the physical, one soul drop at a time. First a drop, then a stream, a cascade, a waterfall. This is where he was meant to be, flowing into the wheel, joined in its turning.  This circle in space waited for him his whole life, as he spun and whirled through the years, this always the end point.

He falls into this void, containing nothing and everything, part of the wheel.  He exists and he does not.  He appears and he disappears. 

What do the cameras record?  Better yet, what do the overseers back on earth perceive? A bright flash. Then views from an empty space suit spat away from the hole where Ezekial vanished. The wheel still turning, way in the middle of the air.

Another black drop bulges, then plops out of the closing nipple in the axle, where Ezekial explored and pondered purpose just moments before.

∼ Harrison Kim

© Copyright Harrison Kim All Rights Reserved.

Fire Down Under

He pulls the curtains open, can’t see the sky for the dry weeds. He’s been thinking of his wife.

Cancer took her before the drought. He’d grumbled about their cat, but his wife knew his heart.

When a starving dingo killed it, he’d cried like a little kid. He leaves the fridge open for the cool, but today it chugs to a final stop. He lays out three lines of what his buddy C.J. calls Indigo Moon, but it’s all the same to him.
When darkness falls, he checks the cabinet. There it is, the bottle of Bundy Rum with all the little marks on it he’s made on it, an inch or so at a time, to make it last. Screw this, he fills a glass to the brim, lights a cig, opens the window to let in some cooler air. Horizon’s lit up like Christmas, the smell of smoke, a rising wind.

∼ Marge Simon

© Copyright Marge Simon. All Rights Reserved.