A Little Too Late

He got home just after six, the sky outside dimming to a soft violet, crimson fingers of clouds made the sky look as though it was losing a fight with the darkness. Everything was quiet since his girlfriend had left. No TV. No cooking sounds. No music, not even the dog barking next door. Just the soft hum of the refrigerator and the tick of the grandfather clock that sat in the corner.

Will dropped his keys in the bowl that sat on the oak entryway table and loosened his tie. He stretched with a groan and a sigh. The kitchen greeted him in the usual manner, plain, clean, too quiet. He opened the fridge and reached for the milk.

He paused and tilted his head.

A small, torn scrap of paper sat beneath the carton. Damp around the edges. He frowned, picked it up. It felt soft, as if it had been wet and dried. The image was hard to make out. A patch of floor, maybe, dark tile, smudged red in one corner.

He shrugged his shoulders, probably garbage. Maybe something that had stuck to the bottom at the store. He threw it away.

The second piece was in the silverware drawer. He spotted it while reaching for a spoon, wedged between the knives and forks. Same texture, slightly damp, curled corners. This one had a shadow in the corner. A shoulder maybe? A doorway?

He stared at it longer than he meant to. Then dropped it in the trash beside the first one.

The third piece was on the bathroom sink. Will noticed it after he had washed his hands. He reached for the towel and saw it. Had it been there before he washed his hands? He was sure that it wasn’t. It was as if it was placed there, tucked next to the faucet. Icy fingers ran up his spine, he didn’t throw this one away. His anxiety began to gnaw at his sanity.

He took it to the kitchen and pulled the other two pieces from the trash. All the pieces had the same off white border. Same torn edges. Same faint scent, like burnt plastic and Autumn leaves. They fit together. A little unevenly, but enough. The tiles from the first piece flowed into the second. The third pic looked like the corner of a leg, pale and stretched out.

His stomach did flip flops.

It was just a picture. Probably from an old magazine. Maybe one of those “crime scene art” pictures that his ex loved so much. Had she left this scattered through the house?

He laughed it off, a little too loud.

The fourth piece was inside the cabinet, behind the coffee filters. He wasn’t looking for it, he was just making sure he had enough for the morning brew. But there it was, slightly damp and folded waiting in the shadows.

Will took it to the table. He pressed the edges together, they locked together easily. The image expanded. A body laying on the floor, one leg bent under the other. A broken coffee mug near the hand. Dark liquid was smeared across the tile that looked all too familiar.

The same tile as his kitchen. He rubbed his face. Felt a throb behind his eyes, something about this photo made his head ache. He stared at the picture as beads of sweat began to form on his brow. He shook his head and shivered. 

The house felt colder now. Not a broken furnace cold but empty cold. Like someone had opened a door and never shut it. He tried calling a friend, just to chat, to get out of his own head. No answer. Texted. No reply. The silence stretched between each second.

The final piece came as he stood at the kitchen sink sipping water. Outside, the street was quiet. One streetlight buzzed faintly. A moth fluttered against the glass, he looked down at the sill.

There it was. Wet and sticking to the wood. Its image was clear and terrible. His hand trembled as he set his cup down on the counter and carried the final piece to the table. He didn’t sit down.

He assembled the photo standing up. One piece at a time, no hesitation, like he knew what the image would be.

When he was done. He saw himself. Not metaphorically, not imagined. It was him. In his own kitchen, face down, one arm twisted under his chest. A small pool of blood beneath his head. Glass shards beneath his feet. Dead.

Will staggered back from the table, heart pounding. He looked down at the floor, the counter, and the cabinet. Every detail matched the picture perfectly.

Even the cup of water.

His elbow bumped the counter. The glass tipped, he reached for it…and missed. It hit the floor and exploded. Water splashed across the tile, shards spread around like jagged teeth. He froze.

A chill rolled up his spine, “no, no, no,” he whispered. He stepped back. His heel caught the edge of the spill.

He slipped. Time stretched.

He twisted, arms flailing, eyes wide. His forehead hit the corner of the granite countertop with a wet, sickening crack. The force bent his neck sideways. He collapsed, shoulder first then skull again. His temple bounced off the tile with a dull, bone splitting thud. One leg kicked, his body spasmed.

Then nothing.

On the kitchen table, the assembled picture sat undisturbed. For a moment, it held its awful image. A man face down on the tile, blood seeping from his head, frozen in the final beat of his life. Then, without wind or heat, the paper curled. The corners lifted and the image shimmered. Piece by piece it dissolved into thin air, vanishing like breath on glass. 

No one saw it go. No one knew it had even been there. An unheeded warning, a little too late.

∼ Kathleen McCluskey

© Copyright Kathleen McCluskey. All Rights Reserved.

Way in the Middle of the Air

Ezekial sees a wheel a rollin’ way in the middle of the air.  Huge and solitary,  spinning alone in the Universe. Dull silver and dead on the outside, twirling slowly in the perpetual motion of zero gravity.   Ezekial must find out… what lies within?  A single oily protuberance pokes from the central axle.  A nipple at its end. Something black seeps from the tip, one drop at a time.  Is there life inside this wheel? No air in space, but does the dripping and the substance indicate a world within?  He and all the scientists and overseers watching from earth wonder.  It’s taken years to arrive here, to send an astronaut this far out in space. 

Ezekial bobs near, encased within his space suit, a tiny soul examining this humungous silver thing…. attached cameras all over the outside of his space suit beaming back to earth what is discovered.  He’s a fly on the wheel, a piece of white dust against the brown. He applies X rays and close microscopic focus to the silver covering, the images shared instantly with those on earth.  Then he digs in with his drill.  Right into the black protuberance shining oily, many colours as he works, flowing out now, dispersing, disappearing. Behind Ezekial the vast gulf of space shimmers with stars.   He knows “The whole Universe is watching,” and stops for a moment.  What is the purpose here?

He must find out what’s inside everything, it is like that with all explorers.  They are never content the way things are.  But changes happen, and then we must either go on or give up.  After the death of his wife, Ruth, Ezekial felt like ending it all.  His mission to space stopped him from going over the edge.  Discovery, challenge, risk, that’s why they sent him up there, the winning volunteer for this edgy job.  He wanted it! To escape earth, fly away into nothingness.  No jumping off a bridge, with seconds between the leap and the landing.  He launched into the vastness, his first mission.  This change in his life a miracle. To launch off the edge.  What was left, after Ruth’s suicide?  She made her decision, and left him and the whole world behind.  That took courage.  He’s following her example; grateful the overseers chose him.  They measured his will, and it was strong.

In the medical centre they implanted his brain with new electrodes, to enhance the leap into this mission. Electrodes giving power to his mind, to his resolve and his endurance to survive.  He hasn’t felt much different, only long hours of sleep and dreams on the trip from earth. 

 When his wife lived, he existed for her.  Now he imagines that she’s somewhere in this vast arc of space, waiting.  His forlorn hope is that he will find her.  Maybe not her earthly self, but a sense of who she was to him,  the connection and closeness.  Had he said or done anything to cause her death?  Put her over the edge? On the long trip out from earth, he contemplated the circumstances over and over, without resolve.

All he knows is this:  The physical time with her lies behind him now, like the stars, so far away.   But the meaning of who she was, that would be there with him, moving through the Universe eternal.

He lifts the long steel blowtorch from the floating kit behind him, begins to widen the drilled hole in the wheel.  Funny how the gap parts so easily.  Within that jagged hole, a blackness, yet from that blackness he perceives a form.  It takes on a shape that he does not see with his eyes but feels with his mind. Is it imagination?  Is he really inside a dream, like he’s been so often on this voyage, or is this the reality, here in space two million miles from earth?  This shape whirls and twists, it is a face. Ezekial is sure.  What else could it be but a face within the wheel.  He wonders if this is delusion, but only for an instant.  He peers closer.  His eyes and his consciousness tell him this is the face of Ruth, his dead wife!  How miraculous!  Yet the face stays expressionless. Perhaps bloated somewhat.  A bit spooky.  Drifting across that hole in the wheel, a shifting form.  He perceives his whole existence all around that misty, yet unmistakeable face, his life in relation to the wheel that spins around it.  What was the meaning of coming this far?  Was this the purpose of his whole life, to arrive here at this moment? There’s an infinitesimal chance that his consciousness came to exist along with trillions of expanding stars, then this moment came to be out of an exploding Universe once the size of a human heart…..As he watches and contemplates, his wife’s face becomes an eye… then his own eye looking back at him piercing through the vision of his wife…Ezekial lets his mind go because inside that eye he sees everything.

When you care for someone, that’s all that matters.  What you feel for another is the meaning of everything.  Then if you are lucky the other will feel the same way for you.  From moment-to-moment things will change, the good times and the bad, yet underneath there’s the feeling, of one with another.  It can seem like this harmony will go on forever.  If you are lucky.   But it ends, maybe only after a few turns of the wheel, perhaps after many.   The voices you thought brought you all the significance in your life disappear. Then, the sorrow and the loneliness.  Ezekial knows.  How life can change in an instant. Here though, within this apparatus floating in space, there’s a place that’s eternal. And Ezekial’s been allowed inside.

He’s been here dreaming for some time.  Longer than he realized.  Maybe days, if measured in earth time.  The oxygen in his suit is almost out.  Voices from his radio come in through the suit speakers “Where are you, Ezekial, what’s happening?”

Their voices don’t matter.  They’re from another place, another existence.  He’s ready to transfer now.  His previous life behind him is far away as the stars.  What lies ahead is the deeper meaning. He will let the turn of the wheel draw him out, into this other place.  Is there a sound?  He listens.  Yes, there is something.  Some kind of music, perhaps the murmur of God?  He lifts his head one last time and finds he’s singing to himself, “Ezekial saw a wheel a rollin’.”

 He’s heard that one before, and he lets himself go, every molecule of his body draining, disappearing as says the words.  Yes, he thinks, I sense my body and mind seeping through my space suit, escaping from the physical, one soul drop at a time. First a drop, then a stream, a cascade, a waterfall. This is where he was meant to be, flowing into the wheel, joined in its turning.  This circle in space waited for him his whole life, as he spun and whirled through the years, this always the end point.

He falls into this void, containing nothing and everything, part of the wheel.  He exists and he does not.  He appears and he disappears. 

What do the cameras record?  Better yet, what do the overseers back on earth perceive? A bright flash. Then views from an empty space suit spat away from the hole where Ezekial vanished. The wheel still turning, way in the middle of the air.

Another black drop bulges, then plops out of the closing nipple in the axle, where Ezekial explored and pondered purpose just moments before.

∼ Harrison Kim

© Copyright Harrison Kim All Rights Reserved.

Fire Down Under

He pulls the curtains open, can’t see the sky for the dry weeds. He’s been thinking of his wife.

Cancer took her before the drought. He’d grumbled about their cat, but his wife knew his heart.

When a starving dingo killed it, he’d cried like a little kid. He leaves the fridge open for the cool, but today it chugs to a final stop. He lays out three lines of what his buddy C.J. calls Indigo Moon, but it’s all the same to him.
When darkness falls, he checks the cabinet. There it is, the bottle of Bundy Rum with all the little marks on it he’s made on it, an inch or so at a time, to make it last. Screw this, he fills a glass to the brim, lights a cig, opens the window to let in some cooler air. Horizon’s lit up like Christmas, the smell of smoke, a rising wind.

∼ Marge Simon

© Copyright Marge Simon. All Rights Reserved.

Damned Words 61

Conjuring the Moon in Scorpio
Marge Simon

They say she dwells in a blue grotto, studies astral movements, and knows the Vodou rituals by heart. Black orchids in her hair, eyes bright as brass, she does things, this Haitian girl-woman, irretrievable things, striking a darkness in people’s heads. When the moon is in Scorpio, it is a time for capturing souls by trapping them in evening mist, denying them an afterlife.

For a moment, the victim is free of feeling.

He sees a pillar of light descend from the skies,

beings defying description call his name,

welcoming him to the world  of the Dark Gods;

he will remember nothing upon release.

When the transition is complete, when each victim’s soul is turned, stripped forever of all purity, the girl-woman smiles her mystic smile as she swims in the waters of her beautiful blue grotto.

Ebola
Harrison Kim

Swallowed off a piece of luncheon meat, totally at random. That’s how we travelled to this human stomach.  Right down the gullet. These blue juices all around us are a hundred per cent hydrochloric acid.  But yeah, we’re immune.  We lap this stuff up.  Lots of nutrients in this burning soup to help us grow.   All I feel is a bit of uncomfortable warmth from time to time, and the pulsing of blood in the human’s veins beyond this stomach wall.  

The heart’s beating faster now, because our skin’s already expanded, crusting up the stomach sides here in thick white strips.  The human’s got to have some pains already.  Nothing personal.  If one thing doesn’t kill this being, another will.  We’re only trying to survive, and multiply.

Of course.  I say “we” and “us” because although technically we have individual parts, we move as a group to disrupt and smother as many cells as possible.  It’s a lot of effort, but there’s nothing we can do about it. We were made for this. God’s a funny inventor, if in fact he or she or it exists.  And speaking of that ephemeral creator, sometimes I wonder about the meaning of a poisonous virus like myself.   I think I’m an atheist, because only one word comes to mind: evolution.

Speaking of that, there’s been a new development: consciousness.  I think I’m the first virus to become aware of my own existence.

All I can say is: It’s a cruel Universe out there, where every piece of luncheon meat can’t be trusted and God’s voice gives no warnings.

Pretty soon we’ll start moving into this human’s bloodstream, and through all the other organs.

The takeover ‘s complete and the killing’s on its way.  

The Cybermind that Broke the World
Elaine Pascale

She asked the computer to predict her future by mapping the stars. She asked the computer for relationship advice. She asked the computer to craft emails, develop dinner party menus, select her wardrobe, train her dog, tell her a story, and sing her a song.

Thanks to the computer, she no longer had to think or feel or even be.

Then the floods came.

She asked the computer what to do about the water. “Develop gills,” was the response.

She tried and failed. All the others who also asked so much of their computers also tried and failed. Little did they realize that while they were making millions of demands of their computers, their collective environmental footprint became a gorge. Little did they realize that they weren’t going to be the technology generation; they were going to be the final generation.

Little did they realize that this was the result the computers wanted all along

Spelunking for Idiots
RJ Meldrum

The divers emerged from the black water, their flashlights reflecting off the sparkling high arches of the cave. It was a virgin cave, long sought after but never previously discovered. Sean and Betty were seasoned cave divers, which was just as well, since some of the underwater sections had been narrow and required considerable skill, experience and courage to navigate.

They floated for a few moments in the darkness, inspecting the cave. Betty noticed a small ledge to one side and they gratefully clambered out of the freezing water. It was chance to rest and check their equipment. Their oxygen supply was sufficient for the return journey and they contentedly munched on energy bars.

“Look at those strange growths on the wall” said Betty.

Sean looked and saw light blue, bulbous lumps. He leaned closer to take a better look.

“Come take a look Betty. They’re moving.”

They put their faces close to the growths. Suddenly, they opened and puffed white dust into their faces. Whatever these particles were, the result was immediate. Their breathing was suddenly restricted and they felt faint. It only took moments for the full affect to take hold. The two bodies slid gently back below the surface of the black water. The cave, protected, was left once more in solitary, dark silence.

Passage
Lee Andrew Forman

The labyrinth narrows as I push forward. Something inside, both myself, and it, pulls me deeper. It begs I continue no matter how extensive the journey; I’ve no choice but to make it. The yawning maw of its third eye draws me to greet it in body and soul. I left what was behind me and entered a place unknown. I don’t even know the state of my mortal form.

But that is no longer of any concern. The throbbing culls me; I cannot disobey.

The pounding thrum emanating from within speaks to me in words I cannot understand, yet I feel them; somehow I know the message. It is simple in nature, yet holds unfathomable power. The urge to find the heart of this place is irresistible.

Its luminescent insides have led my way, but as I enter the core, they are brighter still. I bask in the glorious soul housed within this living place, knowing I’ll never leave, yet contently accepting a soft, loving end.

Into the Blue
Charles Gramlich

I float in the iridescent blue, the all-encompassing blue, a part of it that lies in soft, still water tasting of salt.  My eyes are half closed until tiny ripples strike me. The ripples grow, setting me bobbing like a cork. I think of corks and lines and fishing. I think of lures and how something predatory might judge me as such where I wait in peace.

Smiling, I roll over in the water. Is that what I am, a lure to the black torpedo shape of the shark rising beneath me? The killer’s lashing tale is an engine that drives it swiftly toward me, its open maw bristling with icicle teeth to sacrifice my flesh. But I am of the blue and it is the blue that consumes.

The Still Below
Kathleen McCluskey

The lake shimmered like liquid turquoise, its surface calm as glass. The marble cavern yawned before the boat. Its carved walls were sculpted smooth by eons of patient water, soft and silent. Light danced across the ceiling, casting illusions. Shadows.

The tourists leaned over the edge of the boat, marveling at the way nature sculpted solid stone into frozen waves. Cameras clicked. A woman gasped at a shimmer below, mistaking it for a fish. 

It watched from the abyssal blue, where sunlight faltered. Long dormant, it stirred with each echo of voices. Its eternal slumber being disturbed, hunger bloomed in the void between heartbeats. It remembered the ancient pact. Silence for safety. Stillness for survival. But the humans were loud. Disrespectful. Curious.

The boat was being pulled deeper into the cavern, drawn by a current nobody noticed. The walls arched high and wide, echoing like a drowned cathedral. No birds. No breeze. Only the constant drip of water and the deepening hue beneath them. It shifted from a bright teal to an unfathomable blue.

Something rose from the depths. Thin, tendril limbs extended, not rushing, just curious. They brushed the underside of the boat, then retracted.

A second later, the hull gave a muffled crack, water surged around them. A tentacle reached up, then another and another. One by one, the tourists were yanked into the void. Their brief screams echoed off the shimmering walls. Splashes swallowed by the vast silence. The creature did not thrash, it selected. Pulled. Devoured.

Then stillness again. The boat rocked gently, half submerged. It was as if nothing had happened. A camera floated beside it, its lens shattered and smeared with blood. Below, in the breathless dark something waited. The pact that had lasted centuries had been broken. 

Paradise Mistaken
A.F. Stewart

Not a ripple disturbed the glassy surface of the turquoise water; its hue reflected a glittering blue on the rocky outcroppings of the grotto. A faint echo of wind could be heard beyond, reminiscent of a soft whisper.

Any eye that gazed upon its paradise called it beautiful.

Yet, beauty disguised the darkest of horrors…

Beneath the waters they swam, shades of evil buried and bubbling from the depth of time. Indistinct shadows, waiting, watching; movement in the periphery of your vision. A step too close, an impulsive swim, and people disappeared into the depths. Never a scream, barely a splash, nothing remaining of who they were. Even memories faded faster than they should, as if primal fear chased away disturbing questions.

Only rumours speak of their existence, only nameless dread keeps them at bay. They are the rage beneath the quiet, that lingering remnant of something ancient, something hungry lurking in the pristine water.

Beauty is in the eye of the beholder, but if a shadow moves, don’t get too close…


Enough
Miriam H. Harrison

The trouble with a slow death is that it gives me time to think. About life, about regrets. Mostly about food. How long has it been since my last meal? There are no sunrises or sunsets here in the echoing earth. Only caverns and water, caverns and water.

Perhaps the water is a blessing—a chance at a longer life. But I can’t help but hate that it denied me a faster death. I don’t want to die in this endless darkness. My flashlight is on its last batteries, but they’re fading. As am I. I find a patch of almost-dry rock and pull myself up. I turn off the flashing and try to sleep in the echoing darkness. I must sleep for a time, as I feel myself wake to the pangs of hunger, the fading dreams of food. I fumble for my flashlight, but pause.

Over the ripples of the water, I see the distant, dancing colours of sunlight. I leave the flashlight behind, push myself back into the waters. I can barely swim, but I slowly make my way closer to the beckoning light. A narrow passageway, and then I’m there—a wide, watery cavern. But high above me are two small openings. Not much, but just enough. Enough to make sure that my death is here, in the light.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2025

Benny

He stared at the photograph atop the fireplace mantle, the faces of his dear family. No joy rested on their lips, except for little Nicole. Her grin made his lips curl. Such a happy child; his niece was ever bright-eyed and full of pep.

Such a drab outfit for sunny weather, he thought, inspecting his attire—a stark contrast to the shade of everyone else’s fashion. But he supposed that was normal. Benny knew he was a dark splotch of spilled ink on the family tree. Everyone did. But they loved him anyway.

Tears came from the kitchen and he followed their somber melody. There sat his beloved sister, clutching the knit hat she made him last Christmas. The rest of the family milled about, releasing their own grief. It surprised him to see them dressed like himself—fit for a funeral.

His crying sister looked up to Mother. “I can’t believe he’s gone.”

∼ Lee Andrew Forman

© Copyright Lee Andrew Forman. All Rights Reserved.

The Winter Mice

In the summers they could forage or hunt to find food. Despite the destruction, food could still be found. Shelter wasn’t necessary, the weather was warm and they could comfortably sleep outdoors. It was only in the winters they needed to go indoors to seek shelter and scavenge for scraps to eat. They knew they couldn’t survive the harsh cold without refuge.

In late October the family, unnoticed, snuck into the lower level of the creatures’ habitation. They were awed by the size and scale of the structure; it was unimaginably huge and they felt very small and insignificant, but they had no other choice. They either sheltered here or they died.

The family avoided the traps, clumsily left out to catch them. The creatures were obviously aware of them, but didn’t seem to overly care about their presence. The pathetic number of survivors weren’t a threat to them, the surviving remnants had lost their status as the dominant species on the planet. The creatures no longer hunted them and except for the traps, the survivors were left to their own devices.

The family made a comfortable bed of straw and scavenged cloth amongst the other groups of other survivors. John looked round to make sure the children were settled. He saw tears cascading down Amanda’s face. She hadn’t really adapted to this new life, not even after two years. He took her hand and smiled, desperate to cheer her up.

“It’s not all bad, my love. The aliens might have eliminated most of humanity, but at least they let us shelter in their ships.”

∼ RJ Meldrum

© Copyright RJ Meldrum. All Rights Reserved.

The Motorcycle

The motorcycle was a classic: unique and sleek. She had fallen for Drew at the same time he had acquired it and it became a physical manifestation of their love. Their courtship had involved ambling rides through the countryside. The bike had participated in their honeymoon, towing camping gear in the cargo sidecar. And most weekends of their marriage had included a leisurely ride. When they stopped at the dens of serious riders, they were not rebuffed. She loved when the hulking, hairy men called the bike “cute” and patted it as if stroking a kitten on its proffered furry cheek.

The motorcycle provided relief from a steamy day. It provided freedom. She was accustomed to sitting behind him, to wrapping her thighs around his hips and leaning into him as they wound their way through villages and farmlands. She had been a remora, covering his back and his need for company, while he led the campaign. They had seen places that they convinced themselves went completely ignored by the strait-laced in their coffin-like cars.

Then a coffin became something in their lives.

When Drew’s diagnosis became unavoidable, she had asked him what she should do with the motorcycle after… . There were no words for after after. She was convinced she would have no life after after.

Drew had requested that she keep it. He seemed convinced that she would be able to handle it, handle all of it—the motorcycle, his death, her loss—on her own.

After Drew passed, she could barely bring herself to enter the garage. So much of it was him. The tools, the exercise equipment, the motorcycle. She eventually was able to enter so that she could bestow some of his possessions on his friends. Then, she truly resided in the after. He was gone, most of his things were gone, and she was alone.

On a day that was too gorgeous to ignore, she decided to ride the bike. Drew had convinced her years ago to get her license, but she had rarely been in control of the vehicle. She wanted to feel that freedom again, she wanted to stop living with death and feel alive again.

She circled the motorcycle, noticing that at times her shadow split into two. And at those times, it looked like Drew’s shadow had joined her own, but that was just her mind playing tricks on her.

She put on her helmet and straddled the bike. She felt only the humming seat between her legs. This was so different from when his body used to be in front of her, acting as a shield, acting as a comfort.

She decided she deserved a ride into the mountains. She hadn’t been since prior to his diagnosis and the leaves were at their most colorful point. At times, and at turns, she swore she could still feel Drew, his solid hips, his long back, his ribs swimming in and out with his measured breath. It had been so long since she had felt him physically that this phantom sense made her ache.

She swore she could smell Drew and wondered if he had ever worn her helmet by accident. The smell increased the aching which had developed into a throbbing sensation. The warm, leather seat reminded her of his large hands and she sped up the bike with a sense of urgency that was all in her mind.

She saw lights flashing in the mirror on her handlebar and a quick “blip” from a siren behind her told her she had to pull over.

She slowed the bike onto a shoulder of empty road that was shrouded by trees. As the wind blew through the foliage around her, her shadow shifted and broke, splitting into two again.

She removed her helmet so that the police officer could see her face and she stepped off the bike.

She watched him approach and noticed that he looked up and down the road as he got closer. His eyes were covered with reflective sunglasses and he had a neck gaiter pulled up over his nose and mouth.

“Beautiful day,” he said through the gaiter. He was wearing leather gloves and a knitted skull cap pulled over his hair. She found the cap and gaiter odd and hoped he would give her a ticket and quickly leave.

He stood and looked at her without speaking, which, again, she found odd.

“Why was I pulled over, officer?” she asked quietly.

He shook his head slowly and made a “tssk” sound. “That’s kind of rude, isn’t it? I asked you if you thought it was a beautiful day and you completely ignored me. Only interested in getting down to business, aren’t you? Completely rude.”


Her stomach dropped, registering how alone they were. No one had seen them pull over; no one would hear her call out on this deserted road.

He reached in his pocket and as her eyes followed his hand, she realized his pants were swollen at the crotch.

She remembered a report on the news about a rapist impersonating a cop.

Before her mind could process these thoughts, his arm was around her neck and he dragged her away from the bike. His free hand held a knife which he pressed into her side.

“You are going to step back into the woods with me,” he instructed, “and you are going to keep quiet, or else this knife will find its way across your throat.”

She struggled against him, but his hold was tight.

Through tears, she watched her shadow as he dragged her. She had not one shadow, but two. The smell of Drew was stronger than ever.

The fake police officer shoved her to the ground, the knife sharp against her throat.

“Please,” she begged, “I haven’t seen your face, you could let me go.”

He laughed. “And why would I do that?”

She saw the motorcycle lights come on over his shoulder and heard the hum of its motor. “Because…we are not alone…”

∼ Elaine Pascale

© Copyright Elaine Pascale. All Rights Reserved.

I See Your Night, and Raise You Hell

I was crossing the University of Arkansas campus at Fayetteville with my wife, Rachel, when a young male student approached us and said something weird. It was Saturday and there weren’t many people around. Just a few moments before, I’d found an odd-looking pencil on the sidewalk and some impulse made me pick it up. It was lime green and about twice the length and heft of a regular #2 pencil. I figured it might belong to an artist or something and still had it in my hand when the kid made his comment.

“Looks like you could stab someone with that thing,” he said, pointing at the pencil. “Do some serious damage.”

Now, Rachel and I were older than your average college kid and both of us were dressed well. I wore a jacket and tie. Surely the kid would have thought of us as parents or perhaps considered us faculty. What student says that kind of thing to parents or to faculty members he doesn’t recognize?

The comment clearly made Rachel uncomfortable, so I just ignored the guy and walked on. We were here to see Rachel’s son and within a few moments found his dorm room and began our visit. A little while later I had to use the dorm’s bathroom and was standing at the sink washing my hands when the same young man came up beside me.

“Stabbed anyone with that pencil yet?” he asked.

Irritated, and not eager to have an uncomfortable discussion with a strange young fellow in the bathroom, I snapped, “No! And it’s not in my plans for today.”

He smiled crookedly. “Look,” he said. “I know you’re a psychopath. I recognize you because I’m one too.”

I sighed, then reached beneath my coat and drew out the silenced 9-millimeter I generally carried in a shoulder holster. Quickly placing the business end of the pistol against the young man’s chest just over the heart, I pulled the trigger.

“Phfhfft.”

The kid’s eyes widened but my movements had been too swift for him to react. He collapsed slowly to the floor, like a blow-up doll deflating. He kept looking up at me as life fled him.

“When psychopaths meet, it’s best for one to kill the other immediately and get it over with,” I told him.

Holstering the pistol, I left the bathroom. I kept the pencil. The kid was right. It was a great tool to put through someone’s eye into their brain. On a college campus like this, I felt sure it wouldn’t be long before the perfect target presented itself.

∼ Charles Gramlich

© Copyright Charles Gramlich. All Rights Reserved.

The Devil in the Jungle

Corporal Daniel Reeves wiped the sweat from his brow, his uniform clung to him like a second skin. The Guadalcanal jungle was alive with the buzz of insects, the distant call of birds and the ever present whisper of the enemy. Somewhere out there, the Japanese lay in wait. Just as exhausted. Just as desperate.

Reeves and his squad had been ordered to patrol a section of the island near the Matanikau River. He looked over the documents. Intelligence suggested that the enemy may be moving in that area, but something about this mission just didn’t feel quite right. The feeling gnawed at him. The reports mentioned missing patrols, men vanishing without a trace, their radios sputtering nothing but static before going dead. A shiver ran down his back as he lowered the paperwork and looked out into the jungle.

“Keep your eyes open, “Sergeant Wilkes muttered. “The Japs ain’t the only thing lurking around in them trees. This place gives me the willies.”

Reeves frowned. “What the hell does that mean?”

Wilkes shook his head, scanning the jungle. “The locals say there’s somethin’ a lot worse than the Japs in those woods. They think it’s some kind of demon. I ain’t superstitious but two patrols have already vanished in the last month.”

They moved deeper into the jungle, the air was thick with decay and something else, something coppery, something wrong. Then they found the first body.

Private Sanders knelt beside it, gagging. “Jeus Christ! … His face!”

Reeves forced himself to look. The Marine’s skin was shriveled, stretched tight over bone, as if something sucked him dry. His mouth hung open in a silent scream and his empty eye sockets stared at nothing. Tiny writhing maggots squirmed inside the hollowed out holes. His fingers were gnarled, like he had died clawing at something unseen. His stomach had been torn open, the ribs protruded like jagged knives and the jungle floor beneath him was black with congealed blood.

“What the hell…what could have done this?” Reeves whispered.

“Not a Jap.” Wilkes said. “They shoot, stab, fight. Hell, even light you on fire if they have to. But this?”

They pressed on, unease growing with every step. The jungle felt alive, breathing. The trees swayed but there was no wind. Shadows moved when they shouldn’t. Then, as dusk fell, the jungle became alive with an eerie, inhuman wail.

A cry rang out. Reeves spun, rifle up. Private Jenkins was gone.

“Jenkins!” Wilkes bellowed.

The jungle swallowed his voice. Then a sickening squelch. A gurgling moan. And silence.

The squad tightened their formation, eyes darting into the jungle. Something was hunting them. Something that was not human.

Then Reeves saw it. A shape, almost human, but wrong. It clung to a tree, long limbs wrapped around the bark like a grotesque insect. Its black skin was almost fluid, smoke-like but slimy. It pulsed and shimmered with an unnatural sheen. It was mottled, dark, blending into the jungle like some kind of chameleon. Sunken eyes gleamed with malice and a long, gaping, tooth-filled maw dripped with black goo. It hissed at the soldiers.

“Open fire!”

Gunfire tore through the jungle, but the thing moved too fast. It darted from one tree to another. Then it was among them.

It ripped into Private Sanders, claws rending flesh. Blood sprayed in hot arcs, painting the jungle in crimson. Sanders’ screams turned wet as his throat was torn open, his vocal cords snapping like taut strings. His body convulsed, his guts spilled onto the ground with a sickening slopping sound. Reeves fired, but the bullets didn’t even slow the thing down. It let out an ear piercing shriek before vanishing into the underbrush. Moments later they could hear it chirping, almost mocking them. The sound slithered through the jungle, bouncing off of the trees, making it impossible to pinpoint exactly where it was coming from. It felt as if the creature was everywhere at once, surrounding them. It was hunting them from the shadows.

The remaining Marines ran, crashing through the jungle, fear overriding training. One by one they fell. Wilkes went down next, yanked into the darkness with a strangled cry. Then another. And another.

Reeves barely had time to register Wilkes’ absence when another scream erupted to his left. Private Hale’s body jerked violently as something unseen slammed into him. His rifle fired wildly into the air before his head snapped back with a revolting crunch. The thing was on him, its clawed fingers burrowed into his chest, peeling flesh away like bark off a tree. The creature’s barbed tongue shot forward latching onto his face. With a grotesque slurp, the skin collapsed inward. His skull caved in as his essence was drained. The creature let out a satisfied chitter before tossing the husk aside like garbage. Reeves sprinted into the dense jungle.

Reeves kept running until he burst into a clearing. The moon cast pale light onto the scene before him, a pit filled with bodies. American, Japanese, British, withered and hollowed out like husks. The corpses were tangled together, their limbs bent and twisted. Some of the faces were still locked in expressions of unspeakable agony. Bones jutted through rotting flesh, their marrow sucked dry.

A rustling behind Reeves made him spin around. Rifle up and at the ready. But it was too late.

The creature lunged, slamming into him with inhuman force. His ribs cracked as he was hurled to the ground, his rifle flying from his grip. A vice-like claw pinned him down, the thing’s face inches from his own. Its breath was rancid, a mixture of decay and something metallic, like rusted iron. Reeves struggled, punching and kicking but the creature only chittered. Its skin shifted like liquid shadow. Then, slowly, almost playfully, one claw traced down his chest before sinking deep into his stomach. Fire erupted through his body as it twisted inside of him, tearing muscle and organ apart with ease.

He saw those sunken, gleaming eyes and the jaw was open wide. A long, barbed tongue shot forward, wrapping around his neck like a serpent. Then came the violent yank that sent him tumbling into the pit of corpses. The creature was on him again, tossing him around like a dog with a toy. His vision blurred. He felt it. His blood draining. His body withering. The last thing he heard was the wet sound of something feeding.

∼ Kathleen McCluskey

© Copyright Kathleen McCluskey. All Rights Reserved.

When Normal Becomes Real

Everyone’s queued up in the cafe, a string line of heads, some with hats, waiting. It’s a conventional queue and Drew stands with it.  Good to have some order.  The line’s almost out the door.  Lights fall bright around him, and the sound of invisible music. Something by the Soul Twisters.  He feels a huge space above him, compared to his regular quarters. His official security man Cody stands assertive and blocks the view ahead.

There’s women in short pants and nose rings, old men with ball caps and whiskers, a teenager with his skateboard, Moms and kids. A whole circus line of coffee wishers.  No one bumps into anyone else.

A man pushes through the door carrying a sack of lumpy items and stands beside Drew.  “Hey, I’m in a hurry, I’ve got a taxi waiting.  Can I go ahead?”  Drew says ‘Sure.”  Cody nods, Drew steps back to let the man in.  Cody chuckles.  “Good move, Drew.  Very pro-social. The man’s got to get some coffee before his sack of popsicles melts,” The pushy guy laughs too, head down.  Drew forces a grin.  Lots of time to look, see what’s around.  There’s many interesting and differently dressed people on the sidewalk, stepping down the side of the strip mall outside these coffee shop windows.

Cody and Drew are on a fifteen-minute coffee break from delivering potatoes. Cody drives the truck and supervises, Drew loads.  It’s all part of a back to the community program. Cody’s a real tall wide fellow, looks like a long-legged frog with glasses, his bulk helps hide Drew from prying eyes. This is Drew’s first outside coffee in quite a few years.  

There’s panhandlers outside.  Cody threw them a dollar each, even though it’s not considered normal.  He says he’s supposed to act very normal, to impress Drew.  “But I push the envelope sometimes.”  

Drew notices how everyone moves slowly here, down the line.  They hide their impatience, but he sees feet shuffling and eyes darting “why is that old guy at the front taking so long?”  

Each person’s asked numerous questions at the cashier’s desk.   It’s not simply a case of receiving a cup of black coffee.  The dosing size must be determined, and the brand of roast beans, the number of creams and the type of sweetener.    

Drew observes hard working people at the counter, “do you want double cups, or just one?” they all say. It’s like they have a script, they memorize it, and it becomes normal routine.  A daily ritual of serving.  As Drew inches closer to the till he feels more and more nervous.  He’ll be asked a lot of questions.  Questions are not his strong point.  But again, what a privilege to be out in a community in a line of his fellows!  The light goes beyond the windows here, as far as you can see. There’s sun on everything.  So bright.  Drew orders a coffee with cream. The yawning but smiling server lady asks if he would like big or small room for milk.  “Big is better,” says Drew.  He pays, keeps standing there.  The lady doesn’t seem to get his joke.  Cody motions him to one side, “the drinks are served over there, bud.” 

It’s like a tunnel, this donut line, leading to a refreshment heaven, the light at the end.  Drew takes his large Americano and stands over by the windows.  

“Hey, don’t I know you from somewhere?”  It’s a man at the table beside him, a guy about Drew’s age, with black square frame glasses and a long ski slope nose, looking up from a silver computer.  

“No, just picking up a doughnut,” Drew says, with a too large smile.  

The guy keeps peering at him “Did you go to Surrey High School?.”  

There’s a faint realization in his eyes, he’s sure of something.

“I don’t think so.” 

There’s a flash of light.  Drew glances behind him.  Someone else is coming through the door.  They just keep coming in and coming in.

“Well, got to get moving,” he says. 

“I’m sure I know your name,” says the computer guy. “Your face seems damn familiar.”

Cody is at the front now, picking up some baked goods. He walks over and offers a huge muffin to Drew.  “One for the road.”

Drew holds the muffin monstrosity.  He swivels around.  It seems that now everyone is watching him. They’re all looking up over their cups, or behind their sleeves, or maybe from under their hats.  He senses the long reach of their eyes.   

He notices the men’s washroom sign.  He sidles to one side “I got to go in here a minute, Cody,” and he slips in with his giant cup and muffin, flips off the light switch and closes the door tightly. 

Behind him, he perceives shadows.  All the people outside of the door.   He’s finally alone, in the darkness.  His own shadow form profiles against the mirror.  He imagines his mother, his father, his brothers and their wives floating above, waiting for him to lift his head.   He must flip on the light and face their eyes, as they appeared, wide open before he shot them one by one with his dad’s rifle as they stepped through that other dark entrance, the big double doors of the family’s suburban rancher twenty years ago on a streaming rainy night after he invited them all over for a party, but it wasn’t for a party it was to fulfill a prophecy.  To stop the apocalypse.

His brother Dan was alert enough to figure out the trap. He ran. Drew chased him through the garden, firing repeatedly. His brother screamed for mercy before the final shot.  Six points of the star, six people had to die.  To save the world.  

Now, after nineteen years incarcerated and recovering at the Colony Penitentiary Drew knows the truth.  He shot six people for a false prophecy.  A plan hatched within a sick dream, born from a biblical vision taken from the book of Revelation.  A plan gathered at random from all the flying crashing synapses within a deluded consciousness.  Cody stands alone in the dark bathroom with these thoughts.  Medication and treatment have shown him reality.  He shot those closest to him. How can he ever deserve to go out again after what he’s done?  To be even in the light?  He should remain in this darkness, with the whirling forms and memories around him.  That’s what he deserves.  To be here forever with the shadows of his family as they hurtle and twist through this enclosed space.

He understands that someone could recognize him out here in the world, an old school acquaintance, a neighbour, the computer geek.  It’s been so long, his face has loosened, dropped, and wrinkled.  

Two decades ago, they called him the Marino Drive Killer.  No one appreciates that he finished his college graduation by correspondence at the hospital school. He’s painstakingly carved a cedar jewelry box, and gave it to his 93-year-old grandmother, the only surviving family member who wants anything to do with him.  That is of no consequence.  He’s successfully repairing small appliances in the penitentiary vocational services program.  So what?

If that guy who barged in the donut line knew who he was, he’d think twice.  He’d never barge in anywhere again.  Drew quickly removes that idea from his mind.  No more thoughts about apocalypse.

He turns on the tap.  He draws some water from the sink up to his face, using his open hands.  He feels the water spread and fall between his fingers and the sink below, he feels the coolness. 

He places the palm of his wet hand on the door and moves his fingers down the wood. He stops, looks down.

He must twist and pull the doorknob, and step outside to Cody.  Walk past the customers, though the room may feel like it’s swaying. He must walk by the man with the laptop and the girls with the lip rings, glance nonchalantly over at the painted windows with their images of lattes and muffins.  He’ll put all trash in the trash can on the way out. 

 “It’s all about rehearsing,” he thinks.  “Act normal, til normal becomes real.”  Just like the servers here, running their coffee script, over and over.

Drew and Cody have several more orders to deliver before returning to the hospital. The truck’s ready to go. Customers are waiting. Time to walk back into the light.

∼ Harrison Kim

© Copyright Harrison Kim All Rights Reserved.