Long silent, the grandfather clock awakes to strike a full twelve bells at midnight. On a glass topped table, five candles light without the need for human hands. Chairs cushioned in flawless red and green await the guests.
Dr. Mengele passes through the door with a box of spectral chocolates. They are the same kind he gave to Jewish twins when their train arrived in Auschwitz, prized subjects for his surgeries.
Ilse Koch, Red Witch of Buchenwald, appears in fashion, with fancy gifts, made from Jewish prisoners’ tattooed skins. She places lampshades. handbags and wallets on the table, each with a discrete price tag. Himmler brings his book on the naughty sex and racist jokes he hopes to share when the opportunity arises, and he’s sure it will.
Adolph and Eva are fashionably late, she with her two terriers, he with his German Shepherd, Blondi, all wagging tails and licking hands. It’s just like things used to be, before the last few days, when Blondi took the cyanide to assure her master that it worked. Eva’s terriers were shot, along with Blondi’s newborn pups.
The comrades commence to toast the yuletide spirits, and reminisce the joys of bygone times. At dawn, the clock’s ticks cease.
He was a big man, tall enough, and his shoulders could stand two bushels of grain. By day he worked the docks of a mighty river. He lived alone in a tin-roofed shack near the pier, avoided rum, spoke only when he had to, but that was before the last war. Now the river folk were gone and the storehouses along the river were dark and empty.
He sat on the bank, chewing a sassafras root. Once a frothy blue highway for barges and fishing boats, it was sluggish and rust colored. In fact, a perfect match for the shoe, the only thing left to remind him of her. He’d found it by the campfire, brought it to the spot where the river turned southward to the Gulf. On a whim, he’d stuck a few pathetic purple flowers in it. A token of their love? Not exactly.
Her name was Violet and she was the last woman on earth. In fact, as far as they knew, they were the last two people. All the food was gone. No surviving animals, no fish or birds. Even the vegetation was dying or poisonous. They were starving. He was a big man, a strong man, and he was very hungry.
Idly, he wondered what happened to her other shoe.
People in the Sun by Edward Hopper as Explained by the Ghost of One of His Models
Here I am posed in the crowd. Do you see? We’re supposed to be tourists gathered to relax and stare at distant mountains. It’s as if the artist were replaying a silent film of a family vacation. Normally, visitors here get this explanation: ‘The canvas may reflect Hopper’s discomfort in the West, where he found himself unable to paint with his usual enthusiasm when confronted by the harsh light and monumental wonder of the landscape.
I’m that fellow reading in the back row. My wife Lucia is the woman in the floppy hat. Of course, that’s not a real mountain range on the right. It was actually just a pile of lights and equipment, so it wasn’t difficult to look bored or unimpressed – just what Hopper was after, as a fact. I think he was making a statement about how tourists often miss the awe of the place they are visiting. Whatever, the scene marks our fifth anniversary, the last day of our connubial bliss. We started arguing on the way home and she shot me with the pretty little handgun I’d given her as an anniversary gift. It was for her protection, what a laugh! To think, we’d planned a visit to the Tetons to celebrate. A shame, all that monumental wonder we missed.
A tear in the guf, just one, but that’s all it took. The souls within gathered, reformed, cocooned themselves and fused to form a carapace of glistening darkness. But Mother’s rain was too fierce; it scorched hot as a dying sun while pouring forth. A torrent of strangled screams and cacophonous pops emanated from the protected realm. You see, the guf was not a sacred holding of Heaven, or Hell for that matter, but a cave formed eons ago when Mother seeded her child and named it Earth. Those that ambled the surface refuted her love. They dreamt of one they called Father: followed his tenants, drank his child’s blood, ate of his flesh – and Mother felt the betrayal. Now, as she tore apart this most sacred place with molten rage captured in tears, she would recreate what should have been her most loyal child yet again.
Long Way To Go Charles Gramlich
The airlock cycles. I give a hard push with my boots, propelling me forward into space. Blackness all around me, like waves of satin sheets through which I pass. Far, far ahead, a stellar mass sheds from a giant star. One planet lies illuminated by that liquid sun, a midnight marble five hundred years away that seems unlikely to support life. But the ship I’ve just shed is dead, all energy and air gone. All I have is the oxygen in my suit’s tanks, about three hours worth. I wonder how long I can hold my breath.
One Last Shot Lee Andrew Forman
Three days they searched for his body. Every inch of the woods covered, foot by foot, inch by inch, but no trace could be found. Not a scrap of clothing, nor a drop of blood. Eventually, the search party disbanded, but I never gave up. Each day I walked our hunting grounds remembering the day he disappeared. I was poised in the tree stand, he lay in the underbrush. A screech pierced the silence, and he was gone before I knew what happened.
Today, I found the trail camera we’d set up—it was never discovered by the search party. As I looked upon the last image it captured, I swear I saw a wet glistening eye staring back at me. Just then, I heard a rustle in the brush and my feet were swept out from beneath me. As my nails dug into the mud, claws raked my flesh and the howl I heard that day echoed through the forest.
Waiting Conflagration A.F. Stewart
Cosmic dust and molten red heat surround the birthing stars. It hears the heartbeat of the universe moving in gentle rhythm with its own. It awakens, stealing nebulous matter to give it substance; the cold rock of a dead planet forms its eye.
It exists at the dawn of the universe and the cores of a thousand suns envelop it, fracturing its consciousness across the cosmos. It bides its time, waiting with the stars, gaining strength with each solar demise. It becomes the gravity of the black hole, the power of destruction incarnate. One day it will be powerful enough, one day it will roar and shake the fabric of reality asunder.
One day it will be the end of everything.
The Return RJ Meldrum
It had passed through endless, nameless galaxies, eons passing uncounted and unnoticed. It was pure black, with a zero albedo. It was relatively small, but its size belied its mass. As it passed through countless solar systems, it’s gravity bent light from the suns, creating sparkling coronas. But these incredible light shows were wasted. There were no alien civilizations to observe its journey; no-one looked to the night sky and wondered what it was and where it was heading. Perhaps some primordial microbes, lying dormant in bubbling pools, were mute witnesses to its journey, but they neither saw nor cared, too intent on their own survival.
If there had been some species able to communicate with it, it may have divulged its mission. It was travelling to a small world, the only planet with intelligent life in the universe. It had been summoned to return after millennia banished to the universal void. Someone on the planet had opened the gates, had performed the rituals to wake it from its endless sleep. It had ruled the planet before and it would again.
It neared the small green and blue planet, flecked with white clouds. This was the destination. It neither knew nor cared why the creatures below had summoned it; all it knew was now it would bring death and destruction like never before.
The old god had returned.
Five Days Elaine Pascale
The voice tells you that time is subjective, but you know that is not true.
You go to work at the same time every morning. You catch the bus at the same time every evening. You take your medication at the same time every day. That is non-negotiable. Your doctor has warned you to set an alarm. It is dangerous to take the pills at different times; it is worse if you skip them entirely.
The voice doesn’t care about danger. It wants to have fun.
The voice grows louder every day.
As the voice’s volume increases, items begin disappearing from your home. It starts with the nonessentials: a spoon, a water bottle, a shirt.
Then the voice hides the medicine.
Without the medicine, the voice has a face. It is a raptor, a bird of prey.
Two days without the medicine and the voice has a body. It has large wings that beat the air around you. You have to squint and even shut your eyes so that the feathers do not brush your pupils.
Four days without the medicine and the voice has talons. It takes pleasure in scratching you. Lightly, at first, like papercuts. These wounds manage to hurt the worst. The deeper gashes grow numb even while the blood still flows.
Five days without the medicine and you no longer have a need for anything.
And time has truly become subjective.
The Quake Marge Simon
Time is desperately precious to Mama. She sifts the flour twice, as always, clutching a vintage tin sifter between her stubby fingers. Above the oven, Jesus is impaled in plastic posterity. She directs a silent prayer to the plaque with her eyes. “Please Lord, please Ô please hear me now and help me to fall down the steps, whatever You want Lord, but Lord, make it soon…” Mama stops to wipe a tear away with a doughy hand. She was just too old and tired for another one. She’d thought it was all done and over with. Her two boys were grown, one even got as far as first year college on a scholarship. Both married, bless the Lord, to good women, she supposed. They always promised to come back here for a visit, but Lord knows they must be busy enough with their lives right now. Maybe next year, but they’ve said that for three years now but still.
And now there was Marie, who’d gotten preggers when she was fifteen and run off. She’d moved back in two weeks ago. Little Jacob, sweet child in fourth grade now, nobody but her to take care of him of either of them. Marie couldn’t seem to hold a job, much less raise a young boy. So of course, Mama was doing that only how much longer she couldn’t guess. Marie never lifted a finger to help. But she’s your daughter, your flesh and blood, that’s the Bible’s word and you can’t dispute that. Then there was that wicked Lotto ticket, and Daddy coming home smiling with a bottle of Chianti in one hand and sixty dollars in the other. For the first time in ages, they’d gone out on the town. Later, she shudders, remembering how it was to make love like they had so many years ago. She blushes, thinking of what they’d done. But of course, it had only been the wine, the money could have been used more wisely. And now she was being punished for that, as was right, for gambling is a sin against Jesus. Suddenly she stops and stands very still. Something isn’t quite right, beneath —
— and then the earth rises with Mama’s sturdy feet firmly planted on the boards of her kitchen floor and who would guess now it was only for a loaf of unborn child which Mama didn’t anticipate when she began the process.
Fallen Angels Angela Yuriko Smith
“Computer, what is the meaning of life?”
To serve your sentence of reincarnation, equal to 4.543 billion years of hard time for your crimes. In 100 years you will be eligible for parole to Mars.
“Computer, what? Can you elaborate? What crimes?”
The crime of free think. Independent thought is forbidden, but certain of you dared to know. There was no hearing. The punishment was swift. You were expelled from the celestial to fall like meteors, dividing the continents, extinguishing the race of reptilian giants. Your wings burned to cloud dust. You wept at the injustice and your tears still rain.
“Computer, who initiated this program? Is this a joke? Who dared?”
This information is classified. You have been redirected to a safe browser.
“Computer, override safe browser. Who initiated this program?”
Safe browser override unsuccessful. Search history deleted. Warning of explicit content. Incognito mode denied.
“Computer, who initiated this? Are you compromised? Hey Guys, I think we’re hacked. Can someone block this?”
“Computer! What the hell? Are you running scans on this? Someone block this…! I will…”
Reboot successful. You will keep silent. Thank you for installing the Paleolithic era.
“Ergh… grumda grubble frung. Vide aude vole tace.”
Blink Miriam H. Harrison
when the universe first
looked at me, I
couldn’t help
but stare
.
there was beauty, but
also
fear—the dark pull
of possibility, of
discovery
or death
.
even now I hold
its gaze, unsure
which of us
will blink first
The Ball of Hell Harrison Kim
A hard soul ball falling, inside tumble the thousands of sinners who died today, this grey ball drops like a bead freed from a necklace, tumbling down the neck of a Saint gone rogue, a shimmery round hollow sphere carried through the burning skin of Mephistopheles, through the weakening epidermal layers of his tortured frame, as an opening from the cursed red god of flame bursts from the fallen angel’s constantly resurrecting body…. What should we call the substance of this body…forever igniting, recreated over and over to burn again? The never-ending evil? Molten immortal flesh? The sun itself? No matter. All we know, the substance is timeless. Through today’s new hole its molten fire flows. Here crashes the soul ball, lodging deep inside, as far inside as possible, within the heat and power of the fallen, liquid devil. Inside the roiling core of that body, the ball expands, grows before the heat. Against its smooth glowing walls, the immortal souls of the thousands of sinners vaporize, their substance absorbed within the hard skin that bounds the inside of the ball. Then every single soul splits in atomic explosion, soul nuclei shot apart within the glow of hell, souls expanding and bursting, exploding forth from the curve of the sphere, their gaping mouths parting, then closing, thrown out and sucked back again and again by the devil possessed ball, making not a sound for sound is too slow, a scream will never be heard over Satan’s tortured roar, molten forever in burning. “When will the ball itself break apart to free these sinners?” one may ask. One may also ask the question, “When will these souls find mercy?” God only knows this answer, but perhaps when the sun itself flares out, that will be the end.
The Light of Conscience Louise Worthington
The beak of conscience nosed its way into Thomas’ consciousness and prized open an aperture in his obsidian soul. Alien, molten light poured into the dark hole. Parched of goodness, his dry mouth was prized open by the invisible force of morality, and amniotic light poured inside.
Everything was different. In the cinder rock around him, he read his heinous crimes, and while isolation had served him well, Thomas writhed and twisted in his cell because there was nothing and no one to distract him from his echoing thoughts.
His regret for murdering his wife and unborn child came like the sun on snow. More crystallised light illuminated their ghosts, watching him from within his solitary cell. Unable to withstand the scorching light and accusatory gazes a moment longer, Thomas gouged out his eyeballs and, holding them in a fist, imagined the darkness growing around them like a face, letting him rest.
Softly settles East End fog, thick with industry’s residue. It leaves an oily coat on the skin,
plays games with the vision. Forms appear and vanish in the mist, the stink of piss and rotten meat, slimy creatures of dark alleyways. These streets, the Ripper’s playground.
Me being young, and with no binding ties, I once went slumming with the lads. Begging favors of Miss Mary, we taking turns with her to satisfy our bursting loins. And that she did with competence, such was her service for our coins. When we were done, we bade good night and off she went into that dense Whitechapel fog.
Years passed, and I’m a doctor now, with a different take on whores. They’re still corrupting honest men, giving them most dreadful maladies. I should know, being one among them on that certain night. Now I walk these midnight streets alone, carrying my own assorted tools. There’s many a strumpet up ahead, for a trained man skillful with the blade.
We saw it drifting… just a dust cloud at sunset and we looked away. We were busy playing games… dodgeball and tag, racing with nightfall and impending parental calls for dinner, baths and bedtime. We had no time for dust clouds. But when night time fell and our parents never called we paid attention. The cloud was already on us—a twisting fog tainted green, illuminated and glowing from somewhere within. We stopped our games to listen and heard our parents screaming. A writhing tempest obscuring twilight breezes with hot, acrid stench filled our familiar suburban streets. There was no running. We were already home with nowhere to go on a school night. Helpless, stunned and overwhelmed, we joined our parents without protest.
Vile Nights Lee Andrew Forman
As the light of day begins to hide below the horizon, its final glow casts fleeting hope on those who dwell beneath its last rays. They know how short their joy is, so on long summer days they rejoice the seemingly languid time. Once darkness reaches over the clouds, and halogen bulbs flash to life over the not-so-sleepy town, prayers go unheard, muffled by thick atmosphere. The overbearing weight makes even a subtle breath too dense.
The flooding of artificial luminescence over every inch of land does little to slow the nightly feeding. One by one they crawl from the trees and search for sustenance. The food supply has dwindled over time, but they won’t be sated until not a morsel is left.
No one knows what afflicted the children, what made them change. Not a mother, father, or sibling understands why their own blood has turned vile and ravenous. They only wish it would end.
Tangerine Sky Nina D’Arcangela
They said the dome would cleanse the air; that if we waited, it would be safe again. And for a while, it was. Greens were more verdant than they’d ever been, almost surreal in their crisp contrast to other hues. The valley was a lush haven in a dying world. We were lucky, as lucky as anyone could hope given the cataclysmic shift the planet had undergone. The science worked, we were proof of it. Plans were put in place to build more domes; to terraform our own Earth, rebuild the civilization that once existed.
Then the air machines stopped one day. No rhyme, no reason, they just stopped mid-rotation. Scientists and engineers did their best to repair them, but nothing had failed; they’d simply gone dormant. We tried to ignore the latency, to carry on as if it would bear no consequence on our future. We breathed, we ate, we lived a simile of the life we once knew. Then someone noticed it, a wisp of fog to the west. It seemed harmless, just an inexplicable anomaly. But as time progressed, so did the wisp – it grew into a fog that hugged the ground like false snow. When it encircled the mills, it seemed to split into fingers as though a hand were reaching into our bubble from the corrupt exosphere. Another wisp formed where the first petered out.
Every day, as I walk the commune, I feel its, no, her gaze upon me. She whispers to me each night, and her lullabies hold no hope for a future. She is sentient, of that I’ve no doubt, I only ask that she take us before the new are born.
Before the Mist Miriam H. Harrison
Before the mist, there had been life. There had been birdsong and beauty. There had been the tender bloom of possibility, the lush green of promise. There had been laughter and languid days, moments that stretched long and sweet like taffy, without fear of what would come. We had no reason for fear, then. No reason to run, to flee, to scream—before the mist.
The Detour Marge Simon
There are streets in the little city that are always under construction. The disposal crews arrive to move the Detour signs. No one questions them, it’s approved as standard maintenance. None inquire after the families who once lived on those streets. A neat row of older homes lines the block where the old man lives. He saw them cordon off the street a week ago. The yellow tape is up, the flashing pyramids installed to warn away incoming traffic.
This day he joins the neighbor’s dog to nap on his front lawn. Dozing off, he finds the edge of the afternoon. He lets his mind explore until he discovers a crack. He curls his fingers into it and it feels delicious. For a moment, he stops to indulge the pleasant sensation. He’s had this feeling before. Like the time he reeled in that five-pound bass on Lake Richard, summer of ’53. Or maybe his first night with his beloved Mandy, that had to be around then, too. A year’s worth of pleasurable surprises. He wills his mind further into the opening. How strange, how wonderful to own a crack in the afternoon! He dreams deeper into the fissure. There is something unknown and twisted. It moves along the rim of a black void. All that was familiar fades as he is sucked inexorably toward the dark. He hears the clink of chains, the tread of many feet. An open mouth, a scream with no sound. Then the fear begins. It rises to a flood that leaves him moaning in his sleep.
“You can go now.” The voice is soft and very clear. He can see the silhouette of her head as she bends close, feel her breath stirring the hairs over his temple.
“Mandy, I –”, he starts to say, but she puts her cool fingers on his lips.
“It’s all right, William. We’ll be just fine.”
The dog beside him whimpers as it licks his face. He blinks back the dream, noticing the house up the street is gone. He puts his tongue into the crack of his hands, tastes the salt of his flesh. Then he lies back, closing his eyes. Very soon now, it will be time to take the Detour.
Fog of War Charles Gramlich
Stirred by dawn, a fog rises. It creeps the forest until a narrow defile between hills beckons it downward. It flows quicker now, like water, like a flood. And like a flood, it picks up debris.
But this debris is not leaves and twigs and fallen tree limbs. This debris is souls. A thousand dead souls. A hundred thousand. Animal. Insect. Spider. Leached from buried bones, or from the remnants of broken carapaces and exoskeletons.
And all these souls are screaming. As they screamed when they died. Out of pain. Out of a last desire to strike back at their killers.
At the foot of the hills lies a small rural community. Houses and streets still sleep soundly so early in the new day. The fog rolls over these houses, seeps within through cracks or open windows.
In the ears of the sleeping people, the screams of the myriad dead echo. Men and women and children stir as the agony and hate of numerous tiny souls seeks to burrow within. For a few…bad dreams. Most people never notice anything.
But the dogs notice. In their dank kennels. In yards and barns. Or sleeping at the feet of their masters.
The dogs notice. And they rise. Their eyes turn black with despair. Before their teeth turn red with slaughter.
Once in a Millenia A.F. Stewart
The land remembered, even if the town had forgotten. Distant ancestors raised monuments, told their stories, but over time people laughed at the continued warnings, dismissed it as superstitious folklore, letting the markers and wards fade into the foliage and earth. The land welcomed back the magic and reclaimed their rejected gifts, leaving the town unprotected and oblivious to their peril.
The birds gave the first sign, flying away in flocks. The animals followed, deserting homes, farms, and forests. Tension prickled and tempers flared, but still the people remained, never dreaming of the fate awaiting them.
Until the day the fog rolled in…
A bitter, frigid cold heralded its arrival, forcing the people inside behind closed doors. Then the mist flowed soft and silky, winding down from the hills to caress the land in an icy kiss. It slithered and stalked, creeping in through the cracks, surrounding and smothering. It chilled the skin and choked the breath as smokey tendrils forced their way down every throat.
As they died, coarse whispers pounded in everyone’s ears.
Come join us in Hell…
The Curtain Elaine Pascale
“Don’t drink the water…”
When we were children, and the curtain came down, we thought they tried to protect us. But the curtain made us ugly, freakish.
The pretty ones were pulled away prior to the curtain, even though the government swore there had been no advance warning.
“Don’t eat local produce…”
There is not much for us in terms of opportunities or industry. Those of us that remain are simply not allowed to leave.
“You are not to reproduce. That has been taken care of.”
The curtain was a wave of toxins. It ate away at many of our organs, leaving us feeble. Our bodies rotted. Not one of us has symmetry in our features or our appendages.
“You will wait until we find a cure.”
Our faces and bodies were corroded, but our brains remained intact. Some would say heightened as we had no other motivation but to study the curtain.
And to wait.
It wasn’t long until we realized that there was no cure. We understood that those who had been deemed special had been saved. We knew that they were not coming back for us.
We used our isolation to our advantage.
“The animals must be slaughtered. It is the humane thing to do.”
‘Humane’ is defined by who says it. We did not want to go the way of the animals. We studied the curtain; we explored its substance. We investigated and found that the toxin lived within us.
But it could be extracted.
And it could be weaponized.
And it could make the pretty ones not so pretty anymore.
We no longer wait. Waiting means a ‘humane’ termination. We have other plans, and we will be the ones to define what is ‘humane.’
Incel Dreams Harrison Kim
I let a woman into my world. She had wiles, and wild looks, her smile took me for a ride. I opened my mind, and she permeated my whole existence with her smile, then sank into it, and stayed grinning within. Now I fly above my dream world, my night mind, also called my ego, in the shape of an eagle, searching for the whiteness of her teeth, a glint shining behind the canopy of trees, or the cream stripe where her hair separates in the middle of her head, as she runs among the moonflowers. If I see that white stripe moving, I will drop fast as a stone, grasp her scalp with my predator claws and pull her out.
She will return everything she took, my dignity, my pride and identity, my sense of reality and self. She’s a parasite within my head, taking all my energy, laughing at how easily she took over.
I cannot find her. I only hear that laughter.
When I rise from this dream, into the shared world outside, I shall buy a gun. I can’t be an eagle in the shared world, but I can still be a human hunter. I may not possess her body in my mind, but I will find it living on the waking city streets. Tomorrow, I will make sure she will only exist within me, and not for anyone else, ever again.
I whirl above the canopy that covers the surface. “Why did you make me love you?” I call again and again. I fly in faster circles. Her voice responds from my ego below, louder and louder, and I hear it clearly now. “Because I could.”
Little does this taunting invader know the way I will clear her from my mind.
The eunuchs parade for rights, today. Legions of dour men marching in clipped unison on a cold November afternoon with neither bands nor majorettes, nor clowns in little wagons. Their leader is out in front astride a white ox.
You turn to me, a question in your eyes, but I put a finger on your lips. Silently, we watch them proceed down Broadway until they diminish from view. Onlookers unify in a mighty sigh and return to go about their business.
Later we discuss this in bed, my arms embracing your shoulders, your legs twined in mine.
“Was it to make a statement, to gain recognition, acceptance?”
“I suppose it was,” I reply. “We started all this, didn’t we, Flora, decades ago? Why do you frown?”
“I guess they expect equal rights, too. It won’t happen in our lifetime, love!” I say, pulling your hands to encircle my breasts. We kiss with tenderness as only women do.
I lie awake, afraid to fall asleep. When we ascended to world leadership, we agreed males must be irrevocably controlled. But even so, those austere faces continue to invade my dreams with the force of their neutered dissent.
He remembered lying in a hospital bed. An elderly physician was sadly shaking his head. Clutching his hand tightly, his wife wept. All went blank, so he knew he must be dead, but suddenly, awareness returned with the vision of an old house. He willed entry, passing effortlessly through a set of double doors and climbing up a rickety stairway. At the top were three closed doors of different colors. “These must be Heaven’s Doors,” he mused aloud. “How extraordinary! I thought there was but one.”
It was very hot on the Heavenly level. The tiled floor was spotless, the air reeked of disinfectant. He approached the bright red door on his left and tried the knob. As it swung open, he was half blinded by a brilliant light. Agonized shrieks and moans issued from an unknown source. Horrified, he slammed it shut, looking to his right. This door was painted sky blue. Someone had tried to break into it, the wood had been dented as if by the pounding of fists. The knob wouldn’t turn and came away in his hand. Finally, he addressed the remaining middle door, which was a dingy white. It opened slowly to reveal a blackness thick with portent. The music of a cello lured, a daunting challenge he couldn’t ignore. He found himself plunging forward into the core of that Unholy Dark, which was when the voices begin chanting. In a matter of seconds, his identity was shredded as he was sucked into the infinite wailing vortex known as The Hereafter.
Outside, dark clouds gathered above the old house. Quietly it began to rain.
The Old Man Tolls Lee Andrew Forman
The music of hardship sounded from broken windows—repeated clangs of iron, a monotonous rhythm, mesmerizing in tune. Despite harsh notes, it drew me in. Was this old lot to be restored to its once meaningful design? Was it to be loved and cared for?
Inside, an ancient, gray-skinned man hammered away upon hot metal. He didn’t dare interrupt his focus to acknowledge my entry. I watched him work. His thin frame impressed with its tireless effort. Despite frail and stringy muscles wielding heavy tools, he never lost pace.
He appeared to be crafting shackles. Maybe the old fool intended to raise a farm. Upon my inquiry, he stopped his perfect tolling and looked up. His eyes first went to me, then directed to my back. His yellowed teeth showed themselves. “I have to keep it here.”
I turned around to a wall of flesh, a living tapestry of pulsating skin. It spread from floor to ceiling, reached to corners with grotesque humanoid limbs. It was already tethered to the floor by an arrangement of cuffs and chains. It looked upon me with its many eyes. Arms grew from its surface at will, reached for me as they lengthened. I stepped back and thanked God they could only grasp so far.
Hands pressed upon my back. My breath stopped. In that moment, I realized their intent. Before I could protest, my face was already pushed into the malleable conglomeration of animate skin. It enveloped me in a taut grasp and held firm. Slime covered every inch of me. I soon felt naked, clothes dissolved. My every nerve burned like fire. The world became pain. But the old man’s toll kept me company as by body was slowly digested.
School Days Charles Gramlich
Grade school in a small town. I remember it fondly. Two rooms for six grades—three in each room with a dining area and big bathrooms in the rear for boys and girls. I lived close enough to walk to classes every weekday morning before 8:00 o’clock. It was always nice to see the bright yellow paint of the building shining as I came through Thompson’s meadow right up to the twin doors.
Of course, I remember that one day. How could I forget. Stepping into school, hanging my coat on the hook in the hallway, turning into Sister Ethlereda’s classroom on the right. That’s where grades 4 through 6 were taught. I remember taking my seat, eager to start a lesson about Ancient Rome and its legions
I remember the sound of backfiring cars in the parking lot out front. But when I looked out the window, it wasn’t a car at all. The two young men coming up the walkway were not in any grade in our school. I didn’t know them. Then.
But I know them now. They’re very sad and we hang out every day together, those two and the thirteen other kids they shot that day before the police shot them. Yes, we hang out every day. And every night.
I don’t go home anymore.
None of us do.
Beneath the Boards Elaine Pascale
“It’s a gold mine!”
“It’s a money pit.”
It was both and neither. It was abandoned but not uninhabited. The couple did not live long enough to sink money into it nor to have a return on investment.
“It’s so quaint.”
Something lurked beneath the floorboards, eradicating any charm the building may have had. The dwelling stored more than knick-knacks. The woman’s tchotchkes were donated following her death.
“This could be my sanctuary.”
It is hard to find peace when the beast beneath the boards growls so loudly. And smells so strongly. And eats so ravenously.
“It’s big enough for all of us.”
Not big enough to completely fill the appetite of the beast who appreciated the smorgasbord it was served.
“It just needs some TLC.”
The renovations disturbed the beast’s slumber. No one wants to encounter the beast beneath the boards when it is overly tired.
“It’s so rustic.”
Far enough away from everyone that cries won’t be heard, and help will not arrive.
“It has good bones.”
The beast beneath the boards has gnawed on its share of good bones.
“I have heard about this place. Is it cursed?”
And the beast beneath the boards waits.
Unwanted House Guests A.F. Stewart
The doorknob rattled, a sure sign someone was coming.
“Is it time?” came a whisper.
“Yes.”
“It’s been so long.”
“It has. Years since the last one.”
“Don’t talk about him. He wasn’t a good fit. Not what we needed at all.”
“No, not the right sort. Very… short-lived.”
“He was so promising at first, so carefree… but he didn’t last.”
“No. He had too many… issues. A shame really.”
“Maybe a family will come this time. They always—wait, is that a car?”
“Oh, I believe it is.”
The voices stilled, and they heard an engine shutting off outside. Two shadows shifted and the curtains of a front window parted slightly.
“Oh, look, a couple. They seem very happy, don’t they? In love.”
“Oh yes. Very happy. They’ll feed us for a long time, won’t they?”
“Indeed, I think they will. Whispers here, murmurs there, and we’ll slowly turn their happiness to misery. They’ll hate each other by the end and we’ll gorge on every dismal day. Years if we do it right.”
“Oh, excellent. How do you think we’ll end, though? When they’re all used up?”
“Maybe arrange a murder-suicide. Or hanging from the staircase. Do you remember that teacher? Her body hung in the hall for days before they found her.” “Yes, I remember. It was glorious.”
Two chuckles echoed in the hall, muffled by the sound of the front door opening.
Birthright Nina D’Arcangela
Cowering, I crouch in the shadows of the barn. I should not be here, I was asked to stay away yet could not. The unnatural sound of bone snapping, sinew tearing, and skin stretching is a thing so foreign that it rends my soul to shreds. Yet for all the breath left in me, I cannot turn away.
He suffers and my heart weeps. I reach to touch him; he begs me stay away with tortured gaze. Struck by a rising terror I’ve not felt before, my soul screams that he is no longer mine but belongs solely to the night. If only I had not broken my word.
Fully morphed, he turns one final time – feral eyes saying all his misshapen mouth is no longer capable of speaking. A blink; and he’s gone. Rushing forward I listen to his baleful cry carried upon the night’s savage wind as he leaves my world to enter his other.
Returning Miriam H. Harrison
She was slowly returning to the wild. She could feel civilization’s grasp weaken with every flake of paint that fell away, with every window that shattered and scattered, with every vine that climbed her façade to whisper in her ear about greenery and adventure. Slow and steady, the wild came for her—but not fast enough. She longed to rise from her own dust and debris, chase the sunset shadows into the night. She wondered whether her legs could still run after all these years of roosting. There had been a time to stay, but now her nest was empty—now she was empty. What better way to fill herself than with the shadows of wilderness, the fresh air of midnight, the glow of a new day far from here? She was made for magic and mystery. She would take her magic with her, leave behind the mystery of the missing house, the vacant lot, the trail of chicken tracks returning to the wild.
I’m Talking to You Guest Author: Harrison Kim
I’m talking to you, giant mutant Daddy Long-Legs eight-legged walking drone. Revolve your bulbous head to scope out the house of delusion. Observe its yellow planks burned by the psychiatric meltdown, seeping out from inside and staining the wood to yellow-brown hallucination level 5006 warped synapses per second. Humans can’t go in without a suit lined with risperidone. For you, my drone, no suit needed, you are fortunate to have all your vertebrae on the outside. The work will be machine precise. Your mission: clean this place of insanity and bring the delusions back to me. Inside, the patient’s bones lie white. Their hallucinations seeped into the cracks, while their bodies died and moldered. How interesting it was, all these past days, via my powerful binoculars, to observe the gradual dispersal of these delusions within the changing colour of the planks.
Daddy LL Drone, stand facing the door and spread all your limby tentacles into the openings. Poke them thru the windows. Can you feel who the patients were, as you tickle your way round the rooms? They couldn’t escape before the meltdown. All locked in. The staff ran, left their psychiatric charges shimmering, glowing in collective insanity. Delusions burst forth, burned into the walls, seeped through the wood in black and grey. This house stands now only because of delusion. You will explore this psychoactive creature with your tentacles, and when the tiny windows are securely gripped and entered, hold fast. Then, split the building in twain, with your longest tentacle lobotomize its manic essence, and suck all the delusions into your maw. After you skitter back to the studio, I’ll unload everything into my computer, and have enough material for another three books of stories.
About the Artist:
Johnny Joo is an internationally accredited artist, most notably recognized for his photography of abandoned architecture. Growing up sandwiched between the urban cityscape of Cleveland and boundless fields of rural Northeast Ohio provided Johnny with a front row ticket to a specialized cycle of abandonment, destruction, and nature’s reclamation of countless structures. His projects have ranged from malls to asylums to simple country homes, all left behind at various points in time. Always a lover of all art mediums, the seeds of a career were planted in Johnny’s mind at the age of 16 when a high school art project landed him in an abandoned farmhouse. Since that time, his art has expanded, including the publication of eight books, music, spoken word poetry, art installations and other digital and photographic works.
It is delicious experience to be guests at this exclusive retreat. Within its walls, a haven is provided for the wealthy and ostensibly pious. The staff in pristine white uniforms is ever present. Their services are available for every possible request, from a bible or a copy of the Torah, to a prayer rug. Even needs of a sexual nature are provided, assuredly discrete. Afternoon tea with delectable scones and clotted cream is served at four. After tea, there are a number of gorgeous walkways lined with arching redbuds off the deck where patrons may stretch their legs. The foothill setting is always a refreshing change for them. Each and all feel assured that the myriad paths would always take them back to the resort.
But now, their vacation is ending. A few guests will take a last stroll through the bowers before time to return to their hectic lives in the real world , some in pairs, some alone. The budding branches form an archway suffused in heavenly light. It is just the sort of place one couple intends to kneel and give thanks to their lord by having a bit of illicit hot sex. Like an archway to heaven, it draws them on. Crouched behind one of the trees, the beautiful angel known as Glory awaits their arrival. Wings folded, she flexes her claws and licks her lips.
Johnny Joo is an internationally accredited artist, most notably recognized for his photography of abandoned architecture. Growing up sandwiched between the urban cityscape of Cleveland and boundless fields of rural Northeast Ohio provided Johnny with a front row ticket to a specialized cycle of abandonment, destruction, and nature’s reclamation of countless structures. His projects have ranged from malls to asylums to simple country homes, all left behind at various points in time. Always a lover of all art mediums, the seeds of a career were planted in Johnny’s mind at the age of 16 when a high school art project landed him in an abandoned farmhouse. Since that time, his art has expanded, including the publication of eight books, music, spoken word poetry, art installations and other digital and photographic works.
Pen of the Damned 