People in the Sun by Edward Hopper as Explained by the Ghost of One of His Models
Here I am posed in the crowd. Do you see? We’re supposed to be tourists gathered to relax and stare at distant mountains. It’s as if the artist were replaying a silent film of a family vacation. Normally, visitors here get this explanation: ‘The canvas may reflect Hopper’s discomfort in the West, where he found himself unable to paint with his usual enthusiasm when confronted by the harsh light and monumental wonder of the landscape.
I’m that fellow reading in the back row. My wife Lucia is the woman in the floppy hat. Of course, that’s not a real mountain range on the right. It was actually just a pile of lights and equipment, so it wasn’t difficult to look bored or unimpressed – just what Hopper was after, as a fact. I think he was making a statement about how tourists often miss the awe of the place they are visiting. Whatever, the scene marks our fifth anniversary, the last day of our connubial bliss. We started arguing on the way home and she shot me with the pretty little handgun I’d given her as an anniversary gift. It was for her protection, what a laugh! To think, we’d planned a visit to the Tetons to celebrate. A shame, all that monumental wonder we missed.
∼ Marge Simon
© Copyright Marge Simon. All Rights Reserved.
6 thoughts on “People in the Sun”
Never give a gun as a gift! I like the picture within the story frame! Very cool!
a little humor with the pathos. Very well done.
Cool twist on the painting, loved it.
Reblogged this on Lee Andrew Forman.
Thank you, everyone!
Marge, I always love your work and you. You make me laugh and horrify me at the same time. This is exactly what I needed to read right now. Thank you!
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