Five-fingered Footprints
Lee Andrew Forman

Blood draws my story on the agate floor. Fresh ink covers dried layers with the repetition of time. My five-fingered footprints scatter across my canvas, for within the cold box there is no room to stand. My freedom, nothing more than an arm’s length in any direction. Slight rumbles shiver the enclosure; new paint will be added soon. I’ve never seen the thing that keeps me here. Only felt its scathing, intimate touch on my naked flesh. The floor tells me it will soon be time. My body trembles as I await the inevitable approach of the stippler.

Witness
Nina D’Arcangela

As he adjusted the range, the minute clicks were barely distinguishable from the constant drone. I could see the look of shock and something akin to terror on his face as he stepped back and stared at me as if to question his own understanding. He picked up another tool; resumed his examination. A rush of air whirled through the cavity and sent them into a maddened frenzy. The pounding became relentless, nearly unbearable as the thrum increased to a deafening level. Overwhelmed by what he’d witnessed, he nearly fell to the floor missing the stool that stood just inches away.

He began to speak, paused to clear his throat and opened his mouth again; no words issued from his dry, swollen tongue. I understood. They’d been there for as long as I could remember. I rose from my seat, asked if what he saw were faces. He blanched even further and replied that no, they were not faces, they were hands–hands that pushed against the tympanic membrane. I nodded, gathered my belongings to leave. A gentle pressure on my arm caused a momentary pause. His face reflected the pain he knew would accompany the tear when the tissue gave way. He looked into my eyes as if he couldn’t comprehend my calm acceptance. My reply to his unasked question was a bare mumble.

“I’ve lived with voices in my head my entire life, Doc. I just didn’t realize that one day, they would demand to be let out.”

A Handy Tale
Marge Simon

“Dammit, Martha! We just got our new cement wall up and smoothed. Now look at the mess some neighbors’ kids have made of it! Hand-prints all over everywhere –up and down and sideways. Disreputable, malicious destruction!”

“Something is going to have to be done,” Martha said. “Every time we move, sooner or later, some malicious little devils show up to make our lives miserable. I’m tired of moving, Herbert. We checked out the area really well before buying this house. There’s just one little brat in the neighborhood this time.”

“Yes, I know. Name’s Billy Harlow” said Herbert. He pinned her with a frown. “You know the cure, Martha.

“I do,” said Martha reluctantly.  Off she went to her kitchen to dig out Mamancita’s commodious book of Haitian spells & recipes. The punishment must fit the deed.

Lunchtime the next day, Billy Harlow sat at their kitchen table. Before him was a plate of Mamancita’s special Bon Bon Amidon cookies, still warm from the oven, and a foaming glass of fresh milk. He made annoying sounds when he drank, and chewed with his mouth open.

“Disgusting wastrel!”

“Shhh, he’ll hear you, Herbert. it’s almost over,” Martha reminded him.

The next morning, Billy Harlow’s screams alarmed the neighborhood. His mother rushed to his bedroom to find him crouched on the floor sobbing, arms around his chest in an odd way. “Mama! In my bed!!” She reached over to shake out a loose sheet. There was no blood, but two fat little hands with dirty fingernails fell out of the covers.

Storm Surge
Charles Gramlich

In pitch black, I awoke—on the couch with a hurricane pummeling my house. The TV was off. It had been on when I fell asleep, but the electricity must have failed. Feeling around for my phone, I activated the flashlight app. The room brightened around me but everywhere else the shadows congealed and clung.

I loved my little shack in the woods but at night it could be scary. Needing more light, I went into the kitchen for candles. The rain had stopped. I couldn’t hear it on the roof. But the wind hadn’t faded. It pressed and rubbed at the house like an unwanted caress.

After firing up my biggest candle, I turned off my cell to preserve the battery and walked over to the glass doors opening onto my deck. No wind moved the trees in the backyard. The hurricane had passed. Then what made the sounds I heard?

Sliding the back door open, I stepped outside. I lived near the Gulf of Mexico, with my house elevated against storm surge. That’s the water pushed inland by hurricane winds. Wooden steps led up to the deck from the ground below. On that ground, in the mud, stood hundreds of dead children. All were rotted, with seaweed in their hair as if carried onto my lawn by the surge. Their hands scratched and scritched at the wooden stilts supporting my home.

Screaming, I leapt back inside, slamming and locking the door. But the children heard. They came single file up onto my deck to press their faces and little hands against the glass. They pressed harder, harder, harder. The glass spiderwebbed with cracks.

I blew out the candle. Better not to see. Better to let them find me in the dark.

Burned Out
Lydia Prime

Flesh sizzles upon touching the hematic shale. Dainty hands ignite dancing flames across the arms of the conditionally pre-deceased. Prophesied terms embossed in stone detail the arrival of a beast who won’t feel heat. General consensus is unanimous: they await its birth. No one ever thinks it might have always lived among them. Its existence couldn’t be copacetic—couldn’t manage to stay undetected… Could it?

Shared ignorance protects the man who discovered the slab and lead the charge to find the predicted creature. Blanket delusions curtail questions as he watches over every trial, every tearful family parting. He glows while their skin chars to nothing but ashy outlines. His head bobbing minutely to the screams as they warble to unintelligible echoes. He bites his cheeks—an act required to conceal delight—then calls to the town’s unwittingly damned participants to bring about the next.

Handprints
RJ Meldrum

He’d hated her for years, had carefully planned the perfect murder so many times, but never had the courage to go through with it. In the end, he simply lost his temper. He slashed out at her with a kitchen knife; the first cuts landed on her hands and arms. She escaped and staggered down the hallway, leaving bloody handprints on the pristine white walls. She collapsed by the door where he finished her off.

He spent a whole day carefully cleaning and repainting the wall, removing the last traces of her. Once the walls were restored to their original white, he was content. She was gone and no-one would ever suspect she was dead.

But of course, he was wrong. Her family and friends suspected foul play; they knew the history between the two. The police were called. An officer interviewed him in the front hallway. He was smug, confident; he brushed off the questions.

Just over the detective shoulder, a bloody handprint appeared on the white wall. Then a second and a third. He suddenly stuttered, his cockiness gone. A fourth and fifth handprint appeared; they followed the stumbling route his wife had taken.

The cop noticed he wasn’t making eye contact and instead stared past him. The officer turned. A row of bloody handprints ended at the front door mat, where a pool of blood had formed.

The Wall
A.F. Stewart

The imprints remain on the wall; years of rain and sun could not remove them. The red chalk outlines burned into stone, reflecting the colours of bone and blood. The echo of a human civilization gone mad.

I watch them, the new citizens, as they pass the wall. Some ignore it; others touch it for luck. No one understands. No one knows the truth. They will soon. They will know the fate of those razed into the wall.

We are back. Ready to purge the filth from our city, to take back what they stole. We come to cleanse, to sweep clean with our machines. We will rain fire from the skies and burn away the contamination.

We will add more outlines to the wall.

Until every brick is burned with the death of those who oppose us.

Choiceless
Mark Steinwachs

Colored sunlight from stained glass windows bathes the room around me. I stand in the grand foyer, designed to hold the multitude of people that make their weekly pilgrimage to this house of worship. Its on display, lit perfectly from the lights above. Almost as if it was hiding from and trying to stand above the natural world all at once. Even if it wasn’t here, this place would still make my skin crawl. But it sits on its custom frame, stretched taught, a giant piece at six feet by four feet. I can feel the hands that made it pressing against the thin canvas, as if it were skin. A modern masterpiece of horror held up in honor.

Choiceless. Pastor Jonathan Neils.

I scoff. They have the ability to choose. They were given that. And yet they constantly try to take it away from one another.

“Beautiful isn’t it,” a man says as he steps alongside me. “While I’m honored you’re enjoying my work, this building is closed to visitors right now.”

Closed to visitors? I cringe. “I will always champion those who bring honor to my name. This,” I motion to the painting, “do you truly believe you trying to force your choices on others is what I want?”

“You want? I don’t know what you want, or who you are,” he replies. “It’s what God wants, protect his unborn flock.”

“I want people to praise my name not weaponize it. You’ve made your choices and they were wrong. Nahum 1:2, The Lord is vengeful against his foes; he rages against his enemies.”

I snap my fingers and the pastor’s eyes go wide as in his death he sees me for who I am and realizes where he is going.

Prints
Scarlett R. Algee

I can’t help but think you’re fascinated by that wall, the way you keep staring. No, no need to struggle; you won’t be spitting that gag out. Scream? There’s no one out here to hear you if you did.

I do admit it’s a little bit strange, all those hand-shaped negative spaces outlined in red and black and brown, but I think it looks good against the plaster. I tell the kinfolks it’s a mural, ‘cause I was always a little creative. Amazing what you can do with just some paint and a sponge stick.

Hands are unique, you know. Hands are intimate. Recognizable. So this is what I do with ‘em before they have to go. A little press against the wall, a little dab of color around, and then it’s bonemeal for the roses and flesh for the tomatoes. My roses are the envy of the county garden club, and my tomatoes have won blue ribbons at the fair for five straight years.

It’s the only part I take, too. The part that’s special, that identifies you. The rest I leave here and there; the local wildlife has to eat, after all. But think of it this way—at least I’ll remember you.

Twenty-nine pairs on this wall. I like how they’re starting to overlap. How the colors blend into each other. But my mural needs to grow, and thirty’s a good round number.

Now. Let me see those hands.

Held to Account
Ian Sputnik – Guest Author

The moaning and giggling from the next room made him laugh. It amused Carl that his landlady seemed to entertain ‘guests’ on a regular basis; especially as she appeared to be such a prim and proper lady of a certain age.

He waited for her to leave for her weekly game of bridge before breaking into her apartment. The lock on the old safe clicked and its hinges creaked as the door opened. He routed around inside and removed anything of value. He stuffed jewellery and cash into his pockets. Suddenly, he was pulled backwards with incredible force. He spun around, fists clenched, but no one was there. His legs were then grabbed in a vice-like grip and his arms stretched out so that he resembled a church painting of the crucifixion. Out of the darkness, ghostly hands appeared. They tore at his clothes pulling them from his body as they clawed at his skin, ripped through it and tore the flesh from his bones. Cold fingers forced themselves into his mouth and down the back of his throat muffling his screams. When the ghostly apparitions had finished their work, all that was left of Carl was a pile of gore.

The landlady returned. She gasped at the scene which lay before her; then the phantoms returned. They swarmed around her like bats in a cave before they gently caressed her face and worked down the rest of her body as they stripped her bare. She giggled and groaned in delight as they gently massaged blood into her skin. As they did so the slight traces of wrinkles on her face began to fade away. “My, you have been busy tonight,” she cooed as they lifted her over to the bed and continued their work.

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