This Broken Love Story

She loves him in pieces, in separate parts.  A sliver of this, a morsel of that.  He is tasty and delicious and she savors him bit by bit by bit.  There could always be enough to go around, maybe.  If she is careful.  If she only sups a little at a time, just enough to whet her taste.  If she keeps her hunger sharp enough to appreciate, but never to devour whole.  She keeps a spare collarbone in her back pocket.  She warms her hands on it, nibbles it delicately with sharp teeth.  When the desire becomes too strong, she puts it away again.  Anything else would be untoward.  Anything else would be far too terrifying.

He doesn’t nibble, or take dainty sips, or deny himself.  Anything.  He takes mouthfuls of bone, of meat, of soul.  When you’re starving, it’s difficult to hold back. When the gas tank or stomach or heart is empty, nipping away at a brandy snifter is ineffectual.  Better to gulp great big lungfuls before it’s gone.  Take the loss. Take the teasing.  Take it before it’s rescinded, or before he grows tired of the game, or before they both wake up and realize that this isn’t reality.

“It isn’t ideal,” she murmurs, mouthing the underside of his jaw. Just enough for a taste. Just enough to keep the bloodlust at bay.

“It isn’t ideal,” he agrees, and when he pulls away, she’s missing her right shoulder, most of her ribs.

This story is broken, and they both know it. But it is their story.  It is still a story of love.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

The Story of You

How would you live the rest of your life, she had wondered, if you knew you only had a finite number of days left? How would that change things? Would it make the sad, lackluster time sweeter? Would something shine?

Jesus Christ knew the number of days left before his death. So did killers on death row. Did it change things? Make the quality of your final days differ? She wanted to find out.

She gave herself ten days. Ten final days, and what would she make of the rest of her life?

Ten. She quit her job. Not only did she quit, but she quit with joy, with verve. She said, “I quit,” and did a little dance on her boss’ desk. She threw her head back and laughed as she was escorted out by security. She flipped the building off and stopped for a midday ice cream on the way home.

Nine. She slept in. She got out of bed to answer the door and eat the Chinese she ordered. She ordered everything on the menu that she had ever wanted to try. All of the shrimps and the sauces and everything delicious. She laid in bed with her food around her, watching lame reruns on the TV because she could. She ate trash, watched trash, and let the trash of the day pile up around her.

Eight. She spent the day throwing up trash, trash, trash. She wanted to simply forget day eight.

Seven. She showered and shaved and plucked. She powdered and perfumed. She put on that darling dress in the back of her closet that she’d purchased for a special occasion. There had never been a special occasion. Today wasn’t that special occasion, either, but she looked at herself in the mirror with clear eyes and a small smile.

Six. She called her mother. She called her best friend. She called the guy who had given her his number a few months ago. He was surprised to hear from her, but still remembered her.

“I’ve had your number in my wallet ever since the party, just in case I decided to call,” she admitted shyly.

He laughed and it was a beautiful sound. “I’m so glad you did,” he said. “What changed?”

She didn’t answer but asked him if he wanted to go to a play with her later that week. He agreed. She bought tickets and also wondered what she should wear to her funeral. Most likely the special occasion dress.

Five. She bought the grand piano she had always wanted. It was glossy and gorgeous, and they brought it right to her home. The piano tuner tuned it, and then played the most intricate music she had ever heard.

“I think I’m going to cry,” she told him, and when he played the old song her father used to sing to her, she did.

Four. She played the piano.

Three. She played the piano. She slept beneath it that night. There was plenty of room and her dreams were ethereal.

Two. She pulled on her favorite scarf and went to the park. The trees were bare and the wind bit at her, but it tasted fresh. She had always wanted to go to Iceland, or to Finland. She wanted to drink the purest water in the world and watch the aurora borealis. She felt a tight pang in her chest when she realized that would never happen. Was this sorrow? Yes, it was definitely sorrow, but then she saw a fluffy white dog and there was no room in her heart for any type of sadness. It was full of oversized paws and soft fur and a warm puppy tongue and everything inside of her heart fit perfectly.

One. She wore her special occasion dress and met her date at the theater. He was charming and his eyes squinted when he laughed. The actors were talented and she caught her breath during the play several times, but it caught most when this kind man gently took her hand and held it. He held it for the rest of the show and as they walked outside into the moonlight.

“I wish it didn’t have to end,” she said, and the beauty of the world was nearly too much. There were grand pianos and fluffy dogs and delicious food. There was art and plays and friends she didn’t even know existed yet. She wanted to see the Northern Lights. She hadn’t wanted anything in years.

“Who says it has to end?” he asked her, quizzically. “This could just be the beginning to everything.”

The beginning or the end. She would stay up tonight and decide. She blinked at him and her eyes reflected the moon.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Murder House

Everybody in town called it the Murder House, but Mia simply called it home. Here is the front porch where (he stood and hacked open the door with a hatchet) she used to play with her dolls. This is the parlor where (Mother was slain) she learned to sit up properly and greet guests nicely. Here’s the kitchen where (the knife was taken) Mother cooked breakfast and here is the master bedroom where (the rest of it happened) her parents kept a small chair, a lamp, and a basket of books. It was her favorite spot in the house, keeping her (hidden while her father’s blood splashed the walls) safe and happy.

Before, she had just been Mia, a quiet girl with big eyes and dark hair pulled back by a bow. After, she became The Only Survivor, the little girl who witnessed her family’s slaughter. People didn’t ask her to play ball or Freeze Tag anymore. They asked her what it was like to hear her father scream, or how did she feel knowing that the scary man could turn around and find her at any second?

“You were in the chair, right?” they’d ask. “Quiet as a mouse, but he still could have seen you, couldn’t he, if he had just turned and looked? If he had stopped chopping at your dad’s face for long enough? If he had taken a breather from stomping through your house, his feet echoing on the hardwood floors, as he called for your mother in that creepy voice? What if he had seen you?”

Mia didn’t answer. She didn’t have to answer anything, her aunt told her, not even to the police, unless she wanted to. Being a survivor gives you certain privileges, her aunt said, and keeping your own council is one of them. They lived together now, and probably always would, unless Mia wandered off on her own and simply disappeared one day. Or fell down a hole in the ground or staggered into barbed wire or ran into the pointed end of somebody’s ice pick several times. You know, however accidents occur.

Or maybe she’d live forever and become an angel like her mother. She hadn’t believed in angels before, but suddenly she needed to, desperately. She needed to think of her parents floating around in unearthly white with thick, beautiful wings, instead of how she saw them last. Parts of her father. The crumpled sack of her mother, still wearing her prettiest shoes. She always joked that she wanted to be buried in those shoes, but the police had kept custody of them. She was buried in a new, stiff pair instead.

Her aunt never let her come home, saying that the house had been irrevocably changed by what had happened. “It isn’t your home anymore, Mia,” she said, her fingers fluttering to fix Mia’s perfectly straight hairbow. “It’s become something else. It’s become…” Mia could tell she was going to say the “Murder House, but she took in Mia’s dark eyes and changed her wording.

“…more like a memorial,” she said, but Mia knew what her aunt was thinking. Yes, the Murder House. Something ghoulish and sensational and carnivorous.

But today, Mia had slipped away and let herself into her home. She still wore her house key on a chain around her neck. The carpets had been cleaned, the couch was removed, and the walls had been scrubbed and coated with fresh paint.

She walked past the bathroom where (the man had washed his red, red hands) she had carefully brushed her hair before bed. Past her room, decorated with (bloody handprints and DNA) carousel horses and stuffed animals. She hovered briefly in the doorway of her parent’s bedroom, and then padded gently to the reading chair in the corner. She sat on it gingerly and pulled her legs up beneath her.

She had been reading a book that night. The Secret Garden. Her parents had both assured her that she would love it. She had been deep in a world of English roses and creeping vines when everything had happened. Then suddenly the room was noise and heat and that strange, warm smell, red roses and red satins and red everything that streaked across the curtains and wall.

The man was a stranger, someone she didn’t know, but as she stared at the eerily mechanical movements of his chop-chop-chopping arm, he turned and looked at her directly. His face was expressionless, blank, but his eyes burned black and began to smoke.

He pointed at her, pointed to his own temple, and put his finger to his lips. Black oil leaked from his eyes and ran down his face and neck. He put his finger to his lips again, insistently, and Mia nodded. The man looked satisfied and turned back to what was left of her father.

She hadn’t spoken a word since that night. Not a single sound. When her classmates asked her what she would have done if the man had turned to see her, she couldn’t tell them a thing. He had seen her. She had seen him back. They had both looked.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Bleed

“Have you ever wanted something so badly that you would do absolutely anything to get it?”

Marlys’ words were breathless. Her eyes shone with a kind of dark hope that turned Wallen’s stomach.

“Maybe some things aren’t meant to be gotten,” Wallen said gently. Marlys reared back and slapped him, hard, her palm making a sound against his flesh that brought him back to childhood, but he didn’t flinch. He didn’t cower or scream or hide. He stood there, a man now, letting a grieving woman beat him with her hands and fists while he stood, resolute.

“I love you and would never hurt you, no matter what you do,” he said, and her rage kicked up a notch before she sank to the ground in tears. Wallen sat beside her until her tears dried.

Marlys didn’t let it go. She couldn’t. She stopped eating, picking at her food and moving it around so it looked like she had a mouthful or two, but Wallen knew better. She stayed up at night, glued to the computer, the screen illuminating her face in the dark. She looked up people and practices and phone numbers and things that took a shadowy turn.

Wallen drove Marlys to her therapist and waited outside in the car. He leaned his chair back in the cool air, watching the leaves as they shook in the breeze. He listened to audiobooks and podcasts and sometimes simply the silence. So much more comfortable than sitting in the beige waiting room with a bunch of vapid magazines. He didn’t want to know how to drive a man crazy in bed or write his congressperson. He just wanted to know how to make his wife better, make her whole, when half of her had been abruptly severed and left to bleed out.

She came back from therapy looking exhausted, or thoughtful, or invigorated, or stripped of all her humanity.

“How was it today?” he would ask each time. He was supportive. He was calm. He was all of the textbook things a perfect husband would be toward a grieving wife.

“My sister is still dead,” Marlys would answer, and Wallen would hold her hand if she wanted to be touched or simply drive, looking straight ahead, if she didn’t.

Marlys was a different woman every day.

“Don’t ever leave me,” she’d say. He promised to stay.

Or

“I’ll never feel normal again. You should just go.”

He still promised to stay.

There were the days when she said nothing at all, but curled up in bed with their cat sleeping on her chest. She didn’t look at Wallen when he took her hand or made the bed around her or drew a bath and gently led her to it. He would wash her hair and pour water over her like she was a small child. Afterward, he would wrap her in a towel and hold her on his lap.

“We will get through this,” he said. He wasn’t certain she really wanted to, but that was okay. Wallen had enough will to live for two of them. That’s the thing you do with someone you love: you take turns leading. It’s when you both break that you have to worry.

It was their birthday. Marlys and Mary. They bought a cake and Wallen drove them to the cemetery. They spread out a cheery blanket and set up a little picnic at the headstones. Marlys carefully served pieces of cake. One for Wallen. One for her. One for dead Mary, one for dead Max, one for dead Zariah, one for dead Jaleel. Mary and her three children shared one big, beautiful headstone, all with the same death date. Mary’s husband, who also shared the same date, was buried far away, all alone, nowhere near his family.

“They’re not his anymore, are they?” Marlys had told Wallen when they were making funeral arrangements. “He lost his right to them when he shot them in their sleep. Instead of a murder/suicide, he should have gone right to the suicide. He didn’t have the right.”

Time passed as it always did, but Marlys became more obsessed. She watched movies and documentaries about zombies, about living vampires, about the undead. Wallen found bird skulls and other strange objects around the house. He’d come home to see strangers with shaded eyes sitting in his living room.

“You’re scaring me,” he told her. Marlys’ hands were always cold whenever he held them, which was less and less often. “They’re gone, my love. You can’t bring them back.”

Oh, but she would try. She tried spells. Voodoo. She beseeched God and gods and goddesses and anything that would listen. She had people pray over the bodies and use crosses and blood and faith and dead cats and urine and everything else anybody told her to do. She desecrated Mary’s grave over and over and over and over.

And over.

And over.

“You asked me not to leave you, but you’re leaving me,” Wallen whispered one night. He wrapped his arms around the husk of his wife. The shine of her eyes told him she was awake.

“Please come back, Marlys. I can’t go through this world alone.”

“Everybody’s alone.”

He thought he heard her voice, but when he looked, the eye shine was put out and she looked asleep. Perhaps he had misheard. He certainly hoped so.

He was afraid he knew how this would end. Marlys would stop believing in ghosts and angels and devils. She wouldn’t be able to bring her sister and the children back. Life wasn’t Pet Semetery or The Monkey’s Paw. The dead stayed dead.

But they’d be reunited in another way, he was sure of it. Family was meant to be with family, and you couldn’t escape the ties that bind. Wallen went to sleep every night listening for the click of a new gun in the house. He knew it would come.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Loving the Lonely Girls

He supposed that some would consider him a saint. An intelligent, good-looking man, collecting the lonely and tossed and scavenged girls he found on the side of the road. He wore them on a chain around his neck. A chain of conquests. A chain of romances. A chain of broken loves and broken dreams and horrifically broken people.

It isn’t difficult for a lonely girl to love a tender man. He says, “I understand” and her eyes grow starry. Dewy. They light up from the inside like embers. He says, “Why has nobody appreciated you?” and she swoons. He tells her, “Nobody will ever love you like I love you. I belong to you like no man has ever belonged to a woman,” and she will give him everything.

There is so very much a lonely girl can give.

The first girl became his wife. She lasted longer than she should have, perhaps, but not as long as he originally expected. She became tired and tattered, and her eyes lost their shine. The next was a friend who became something more, until she abruptly became something less. The third was a broken little thing, all hair and eyes and fairly begging to be cherished. The fourth was a woman older than time, and perhaps a villain in this life or the next.

The others weren’t even memorable. But their finger joints and molars and locks of hair were treasures. Shiny, golden treasures. He held them, wept into them. Wrapped them in pieces of fabric torn from their dresses and work uniforms and kitchen aprons. He stuffed the fabric into a box and kept it at the foot of his bed.

One of his lonely girls eventually turned these scraps of fabric into a warm quilt. She had bent over her sewing machine, running the scraps under the needle with a tenderness that bound, bound, bound. He wrapped this blanket of trophies around himself at night. He thanked his girl with his mouth and his tongue and his blade. She had been useful and thoughtful until the end, and then she just became used.

He ate them. He ate their souls. He devoured their desires and dreams. He held their wants and their screams and trust in his mouth, in his lungs, and when he breathed out, he breathed out their sorrow. But he wanted more. More and more and more. Hungry boys love lonely girls. Love them to pieces. Love them to bits, and bits, and even smaller bits.

 Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Milk and Moonshine

She was cursed with a fairness that strangled her. Expectations woven into her dark hair, an openness and roundness to her eyes that filled her with horror. They were too pale, too pure, too winsome to protect her. Terrors poured in while tears poured out. Hate and bile ran through her veins, but when her white skin tore prettily, nothing oozed out but healthy scarlet.

“What is your name?” they asked. Townspeople. Sweet old women. Starry-eyed men, lads whose bones were made of milk and oatmeal.

Pestilence. Famine. Hatred. Murder, she answered, but the words changed inside of her mouth, left her soft, dewy lips like starlight.

“My name is Orva. It means ‘golden one’,” she said aloud, and blushed demurely.

She grew up with a boy name Jorge. His last name meant ‘meadow’, and he was just like a meadow himself, with soft and gentle hands. He caught animals in his traps, whispering sweetly in their ears as he twisted their necks or slit their throats. He skinned them, his beautiful hands slick and red, and this is how he helped feed their village.

“This is for you,” he told her once, as tender as new teens, and handed her a stole of rabbit fur. He wrapped it carefully around her shoulders.

“Thank you,” she said, and smiled charmingly, then tried to slash her wrists on the knife at his belt.  Her eyes merely flicked toward it, instead.

“I’m sorry that I have to use such a thing,” Jorge said. “I hope it doesn’t disgust you.”

She looked him in the eyes and took his hand. For the first and last time in her life, her lips said exactly what was in her heart.

“Jorge, some things need to be. And you’re so tender with them while you do it. I’ve never seen such kindness.”

She saw the light in his eyes, and knew what it meant. Over the years, she never saw it go out.

Orva tried to shriek for help, to scream in rage, but her voice was so dulcet. So small. It tinkled like bells. Charming. Merry. She ran to the elder in town. Told him what she thought of him, of the oppressive ideals and the spin-and-twirl roll that she played. She told him that his mother was a hag and he himself a goat, and she wished he was dead. That they’d die. That the entire village would burn and be pillaged and everybody, including herself, raped and murdered and scattered about in pieces.

The words escaped her cupid bow lips and turned to honey. She heard herself laughing with pure joy. Praising his robe. Musing about the darling shape of the clouds. He patted her cheek and told her to go gather wildflowers in her skirt. To plait them in her hair, like the good girl her Mama had always wished for.

“Wishes sometimes come true,” the elder said knowingly, and something passed across his eyes like clouds. Stardust and magic.

Orva obediently skipped off, and cried the entire way.

Her tears were pearls, and made the town rich. They were sewn into bridal veils and fine dresses that she refused to wear, except that her sweet mouth could make no such refusal.

So fine. So good, the townspeople said as they dressed her. Isn’t she the most magnificent thing? Thoughtful and cheerful and full of beauty.

The flowers made an exquisite crown for an exquisite beauty. She tried to pierce her eyes with the thorns so she wouldn’t see how people looked through her, but she merely fluttered her lashes instead. She took her tender wrist to her mouth, touched it with strong, straight teeth, imaging how it would feel to cut through to the vein, to release herself and let people see what she really looked like inside. Perhaps they could love her for her own kind of beautiful. Perhaps she could be enough.

Her teeth didn’t tear into her skin. She kissed her own wrist, over and over and over. She screamed, and the sound of her joyful singing echoed over the valley.

Starlight. Moonshine. She had girlish love in her eyes, color in her cheeks. Jorge was no longer a boy. He stole soft kisses from her, breathless, far too in love, dangerous. No, Jorge, she said. I don’t want this. You don’t even know who I am. Take that knife on your belt and use it. Place it to my throat. Let me go.

He reached for something at his waist, and her heart filled. Shone. He raised his hands, ran them over her shoulders. Upward. She closed her eyes, white teeth biting at her lips.

“I have something for you,” he said. Slim fingers on her pale neck. Something cold.

The blade.

She hoped the pain would be swift. She prayed it would be sure.

A necklace. Made of precious stones and metal and time and desire. He fastened it around her neck, nervously. Tears ran down her cheeks, wetting his fingers.

“I’ll take care of you,” he said. “Love you always. I’ll feed you on milk and pray to always see the moon shine in your eyes. Will you have me? Will you love me?”

No, no, I don’t know how to love. I’ll poison you with my kisses. Kill our children in my womb with bitterness. It will be despair, and you deserve so much better.  

“I love you,” she whispered, and fingered the necklace she wore. Kissed his lips shyly. Buried her face in his shoulder. He held her so close that she couldn’t breathe.

She glowed. Smiled. Inside, she turned her face to the wall and died.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

Every Day Kintsugi: The Glory of Her Broken Parts

Her grandfather told April her first lie.

“There is an ancient Japanese art called Kintsugi,” he said. “It is when you take something broken and repair it with gold. This turns it into a beautiful thing of even more value. Pottery has been fixed this way for many generations. People are fixed this way, too. Take the flaw and turn it into something better. Can you imagine that, April? Taking the worst part of yourself and working it into something admirable?”

This made April’s dark eyes shine. She wanted to be loved in all her imperfections. She wanted to stand in the glory of her broken parts. Her mother, ever so strict and exacting, railed against her because she wasn’t smart enough, wasn’t disciplined enough, didn’t have skin that glowed with the luminance of pearls and a voice that commanded the oceans. At first April shrank in fear, but then she remembered the promise of Kintsugi.

“I will let the damage become something better,” she said aloud, and she drew the horse hair of her bow far too loudly against the violin, and drew her eyeliner on with too heavy a hand. She took off her clothes in front of boys and girls and teachers. She traded her school uniform for something that looked nice on the back of a motorcycle or inside a police car.

Crash crash crash. Break break break. She told lies and stories and pressed false charges and faked miscarried babies. She stole wallets, hearts, social security numbers and government secrets. She knew that the more she broke, the more she would shine. She destroyed documents. She sabotaged marriages. She sold her soul and intel and the diamond necklace that had been her only birthright.

Her mother’s tears were made of gold.

There was a bomb, a terrible thing, that had burned the clothing from her grandfather’s back and seared it to his skin. Now there was a new bomb, the ultimate Kintsugi, that would shatter everything apart so it could be mended with so much gold that the mind dazzled.

“I can save all of us, repair mankind completely,” April said, her eyes fiery. Her hand smashed on the bomb’s button. But this is modern-day America, not 15th century Japan, and when you pulverize something as badly as April had done, there are no more parts to gently piece together. You end up with handfuls of rubble. You end up with dust. There’s nothing left to repair, and even if there was, this is the age of disposability. You take that chipped piece of pottery and you toss it in the other teeming piles of refuse, and never think of it again.

∼ Mercedes M. Yardley

 

© Copyright Mercedes M. Yardley. All Rights Reserved.

Waves and the Darkness

Jeremy promised he would never leave me.  He’d be the only person in my life never to do so. I didn’t know whether I believed him or not, not really, but I liked to think he meant it at the time.

Once he told me he was born with a darkness inside him and didn’t know how to make it go away.  He wanted to hurt things.  He wanted to squeeze necks and break legs. Slash at throats. He told me how he watched the pulse in my neck and kept time with its beating. After he mentioned this, I noticed his eyes would wander to my throat and his breathing would change. I knew he was waiting for something, for my heart to stop or my blood to coagulate inside my veins, if it didn’t spill out of them first. He wanted to press his thumb down on my artery to see what would happen.

It wasn’t ill-feeling. Not really. It wasn’t that he hated. He just wanted to make everybody sorry.

“Sorry for what?” I asked him once.  We were just kids, sitting on the rocks and staring into the ocean.  I had my crying doll with me, back before Jeremy pulled off her head to see what kind of sound she made. I was never able to put her back together, but that was all right. I still had Jeremy.

“I don’t know.  Just sorry.”

He wasn’t dark all the time, and that’s what made the difference. The shadow would come in waves, nearly crushing him under the weight of despair, and then it would ebb out.  He’d be charming and funny.  Happy. This was the Jeremy I knew, the one I enjoyed. It didn’t surprise anybody when we grew up and fell in love. Jeremy and Kat. It’s just how it was always meant to be. That, and nobody else on the island would have anything to do with either of us.

We’d sneak up to the old lighthouse some nights, play tricks on the tourists and plan our future.  We picked out a day to get married, not too far off but far enough, and made lists of the songs that we wanted to dance to after our wedding.

“Hey, Kat. You know I’ll never leave you, right?”

I didn’t say anything.

“We’ll be together always. I promise.”

I smiled, and I swear, it almost felt natural. “I believe you, Jeremy. Really.”

He knew better than that, I could see it in his eyes. But he also knew I was trying, and that’s what mattered.

“I’ll prove it to you. Just wait and see.”

His smile was a beautiful thing. It filled me with hope. Sometimes with terror, deep down, but mostly something that I think was happiness.

“Jer? I love you. I do.”

“I know you do. I love you, too.”

And then Jeremy went dark.  It was worse than usual, worse than I’d ever seen.  He wouldn’t talk to me.  Wouldn’t let me touch him.

A little boy went missing from town and I was too terrified to ask him about it.  Jeremy simply stared at the sea.  It lasted for weeks this time.

“Please tell me what’s wrong,” I begged him the last time that I saw him.  “Why won’t you let me help you?”

“Nobody can help me,” he said.  He wouldn’t even look at me.  I pulled my coat closer, the wind grabbing at my hair and trying to push me from the rocks.

“But we’re getting married in eight days,” I said.  “Can’t you at least try to act happy? Pretend it matters to you?”

He didn’t answer. I turned and ran, tripping over rocks and shells. He’d already left me, just like I was afraid he would.

This is what true loneliness is.

The Coast Guard found Jeremy’s body wedged underneath rocks not far from shore.  He was bloated and discolored but I kissed him anyway. We buried him on what was supposed to be our wedding day. I sat in the church, surrounded by people and flowers, and thought this wasn’t how it was supposed to be.

That night, I went dark as well.  The feelings overwhelm me: despair, anger, hatred; and I know they aren’t mine.  I’ll see a couple walking together, looking like they belong with each other, and I want to kill them, rend them apart because they’re happy, and I will never be.

Jeremy won’t let me.  He follows me everywhere now. He’s always prowling for somebody new to hurt.  He smoothes my hair back when I sleep, and threatens everyone around me.  My sister came to visit after his death, and he pushed her from the rocks.  He appeared once in front of my father and caused him to have a heart attack.  I dared to date a man, just once, and my date was killed in a car crash on the way home.  Anybody I talk to becomes his victim.

We’ll be together always. I promise.” Jeremy had said, and I realize now that he truly meant it.  He’s cutting me off from everybody that I know, from everybody that can help me.  He wants me to jump from the same rocks that he did and join him, and I’m afraid that it won’t be much longer before I do. There’s nothing to stay for.

He promised he would never leave me. I should have believed him. For the first time, I truly wish to be left alone.

~ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

The Container of Sorrows

There was a girl. She sat at a white desk in a white room with her hands folded neatly in her lap.

Peter stood before her with his pockets turned out.

“I don’t have anything to give you,” he said. He spoke very quietly. Shame does that.

She didn’t move, but he thought she shook her head.

“I don’t need anything like that,” she told him. “I do not desire your buttons or baubles, although I am sure that they are quite lovely.”

He thought she smiled, but she did not actually do that, either.

“I don’t understand,” he confessed. He shifted from foot to foot. She really did smile then, but only in her eyes. He bit his lip and continued. “I thought…that you wanted something from me. In exchange for your help.”

“Oh, but I do.” Her skin was white, and her hair even whiter, but only just. When she smiled—if she smiled—her lips were disconcertingly red. The rest of the time they were only the palest of pink. He had the impression that something parasitic sucked the breath from those lips while she slept, but what could he do about it?

“Please tell me what you desire.”

“I want to be happy.”

“Then I will help you.”

She pulled a ceramic jar out of nowhere. It was the color of sky and looked cool to the touch. He flexed his fingers.

“This is the Container of Sorrows, Peter. Do you understand?”

“Yes.” He didn’t.

Her lips barely twitched but it was as if the snow melted and he tasted spring.

“This is how you will be happy. Tell me one of your sorrows. I will keep it here for you, and the burden from that particular sorrow will be no more.”

He felt stupid and stared at his shoes. They had holes in the toes.

“Do you…not wish happiness?”

Her voice was strangely brittle, as if she were trying not to cry. He was hurting her somehow, he decided, but that didn’t make any sense. He took a deep breath.

“I miss my mother,” he said, and the words fell from his mouth like vapor. The girl opened the jar, and the mist zipped inside. She closed the lid with a satisfying click.

“There,” she said, and her smile was real this time, genuine. “Don’t you feel better?”

He thought about his mother. Her warm brown hair, the apron that she used when she baked cupcakes. He thought about her more aggressively. The police telling his father that they had discovered a broken body. The funeral in a town without rain.

“I don’t feel sad,” he said in wonder, and the girl looked pleased. She kissed him, and he woke up.

Peter’s lips burned where she had touched him, and he kept his fingers pressed there for most of the day. When the boys razzed him about his poorly trimmed hair, he didn’t mind so much. When they taunted him about his mother being a whore who got what was coming to her, he was surprised to find that he didn’t care at all. He ate dinner silently and changed into his worn pajamas without being asked. He brushed his teeth and climbed into bed with an eagerness that would have been pitifully endearing if anyone had seen it.

Sleep came instantly, and there she was. She was wearing white flowers in her hair.

“Did you have those flowers yesterday?” he asked her.

Her cheeks flushed delicately. “No.”

Peter didn’t know what to say. “I had a better day at school than usual. Thank you.”

The girl again produced the smooth blue container out of thin air. “Tell me another sorrow, Peter. Tomorrow will be even better.”

“I’m tired of being called poor.”

The mist of words spiraled into the Container of Sorrows. He nodded his head once, and she nodded back in a very serious manner.

And thus it went. His sorrows disappeared. “I hate seeing dead birds. I wish that I had a friend. My father doesn’t notice me.”

The jar devoured his sorrows with an agreeable hunger. The pale girl’s lips turned up all of the time and her eyes began to sparkle. Peter grew more confident at school. He stood up straight. He looked people in the eye. He made friends.

He was almost happy.

On the last night that he went to her, something in the air had shifted. The atmosphere was holding its breath, and it was undeniable.

“Hey,” Peter said, leaning casually on the white desk. “There’s only one sorrow that I have left.”

“Only one?” asked the girl with something that sounded exquisitely close to hope. Her eyes shone. Her white hair and pink lips were glossed with fragile expectation. She produced the Container of Sorrows and carefully removed its lid. Peter’s sorrows ghosted around inside, smelling of lavender and brokenness.

“Natalia Bench never looks at me at school.”

The vaporous sorrow swirled from his lips and settled into the jar. The girl’s white fingers didn’t move, so Peter put the lid back on for her.

He smiled. “Now I’ll be brave enough to talk to her tomorrow. Thank you very much, Girl of Sorrows. I am happy.”

The girl held the jar very close, and she looked up at Peter. Her lips were pale, strawberries buried under layers of ice. He was reminded of that feeling that he had once, long ago, where he thought that something supped from her lips at night. How frightened she must be. How alone.

How silly.

“Goodbye,” he said, and kissed her cheek. Had her touch once burned? She was ice under his skin. She was a corpse. Peter turned and walked away without looking back.

There was a girl. She sat at a white desk in a white room where she wept, clutching a container full of somebody else’s sorrows.

~ Mercedes M. Yardley

© Copyright 2017 Mercedes M. Yardley. All Rights Reserved.