Unto Us a Son Is Given

I wish to say I do not remember clearly, because I am an old man and more than thirty years have passed. But it is sin to lie and I cannot forget, so I will say: I remember, though the memory slay me.

When we saw the flare of light we were in the hills above Bethlehem, Micah and Ishmael and I; it was early autumn, the air just becoming crisp, and the ewes we tended were fat and tempting. Micah had killed a wolf with a stone from his sling; I stood watch while he and Ishmael skinned it.

And the sky caught fire.

I can call it nothing else. A great curtain of green light, bright as the sun, licked up from horizon to zenith in an instant; and in the same instant it coalesced to a single point, sickly and flickering, hovering over the mouth of a cave. We stared, bloody wolf forgotten. Ishmael was young then, and trembled. I trembled; I will not lie.

Then we heard the wings.

There were hundreds of them, perhaps thousands, lanky black things with great tattered bat-like wings that blotted out the stars and the strange green light. They hovered over us, and spoke; and their speech was not the speech of men, but a low evil buzz that twisted up words in my mind.

The one you were promised has come. Come. See. We take you.

One of the creatures snatched me up in thin cold hands; it had claws that pierced my robe and pricked my flesh. Then I was lifted; and if others seized Micah and Ishmael I did not see. I saw the ground rush under me, and closed my eyes against the nausea of movement, against the sight of my bearer’s shallow, featureless face.

Then I was set down.

I opened my eyes. I was at the mouth of the cave. The pale green light streamed down, hanging over the opening like a door, made my skin appear leprous in its wake. Then the creature shoved my shoulder with one clawed freezing hand and pushed me through.

Passing through that green glow was like passing through stagnant water: I gagged and retched at its stinking viscosity, and stumbled beyond feeling coated with contagion. Inside was dark except for a far dimmer light; my eyes took a long moment to adjust to the simple oil lamps. I smelled copper, sweat, decay.

And I saw the woman and her child.

She was a young thing, at a closer look, and panting still; the straw between her feet was clotted with copious blood, as though her labor had been precipitous and difficult. An older man, perhaps her husband or father, stood well back from her and raised wild eyes to me, his chin dripping saliva beneath his slack, working mouth. She had the glazed look of the exhausted unto death, and in the whiteness of her face I saw the clean stark lines of the skull beneath, yet through some strength she held the child to her.

Then the woman took the child and laid it in the manger: but the stone trough was lined with raw meat instead of clean straw, and flies buzzed over a butchered lamb in an empty stall. I saw then that the skin of her breast was flayed into fine strands, showing glistening red flesh underneath, and the liquid that dripped from her suckled nipple was not milk but blood.

She spoke in a croaky, breathless whisper: “Behold the son of God.”

Then the child moved: and for the first time I saw its slick black skin, tiny claw-tipped limbs, thin bat wings beginning to unfurl and fan. It gurgled, and its infant mouth showed needle teeth, ringed with tendrils like the barbels of a catfish. They spread out, twisting, tasting the air, perhaps sensing me, and I knew this was not my promised one.

Someone else came into the cave then, slipping effortlessly through the barrier of sick green light and wearing the shape of a man, if a man could be soot black and spider-thin. He was arrayed in tawny silks and bedecked in gold, his face covered below onyx eyes, and he trailed the fragrance of myrrh from the tips of long writhing fingers. He knelt: and as he knelt, his yellow silk veil slipped, and when I saw what lay beneath I ran from the cave screaming.

I screamed until I reached the top of the hill, and there I fell, breathing the sweet cool air, clutching fistfuls of long wholesome grass. Only when I came to myself did I see that the flock had scattered, and that of Ishmael and Micah and the dead wolf there was no sign, save a few tufts of gray fur and a patch of sticky crimson across the grass.

I left the hill country that night, and have not returned. In the thirty years since I have heard that the peculiar babe grew to manhood of a sort, gathered followers and wandered the countryside, preaching a new kingdom and performing strange miracles: giving the lame to walk on ropy tentacle legs, restoring sight to the blind to show them things no man should bear, raising men from the grave to show them crueler forms of death.

I was glad when I heard he had been crucified in Jerusalem. Such a blasphemy should only be put to death. But then I heard the tomb had been found empty three days later, its Roman guards devoured, and I could not be glad for that.

Those who followed him walk still, and they are much changed from men. One I met yesterday, on the road to Beersheba: he said his master had gone to his kingdom, under stone, under sea, to dream a new world and wait for stars to turn. The madman said his king will return to bring his glory.

May it be a glory I do not live to see.

~ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

 

Fear

Tilting my head back I undo the clasp of the invisible collar around my neck. I feel two sets of long, sharp nails remove themselves from the skin of my shoulders and upper back. Bringing my arm over my head I clasp the collar shut and hang it on my bedpost as I do every night.

I run my hands along my neck. There are no physical marks on me. Nothing my friends or family would ever see, but I know they’re there. Twenty nail marks etched into my skin that will not heal for another night, and bruises from the weight of the creatures tugging at my collar.

I turn around and face them. They stand side by side, ebony beings who stare down at me. They look emaciated, their rib cages protruding. They have long, sinewy arms and legs; I shudder knowing I will feel the creatures pierce me again when I wake up. Their faces are dominated by sets of razor sharp teeth that drip with inky saliva whenever they open their mouths. I’ve yet to feel their bite, though I often wonder what would happen if I did.

Fear opens his mouth and his pointed tongue snakes out. I shiver but meet his gaze. I know he is Fear by the only color on his body, amber orbs that are his eyes. I’ve stared him down many a night.

I look to Doubt, his gold eyes glow in the darkened room. He brings his hands up and sneers. He dug deep into me all day and is gloating about it.

Neither emit a sound, the silent monsters who haunt me. They have been with me for years. Gnawing at my being every day, growing inside me until they forced themselves out. Everyone has these creatures in them, but mine reign over me. Control me.

I am not alone. There are others whose demons are just as powerful. There are no support groups, no doctors who can heal us. We are broken. What I’ve learned about mine, I’ve learned on my own.

They look down at me, watching. They are weaker at night when I am alone with my door closed to the world. But they know I cannot leave these four walls without them. They grow stronger each day. They rule in the outside world, but in mine, my room, I can stand up to them. Keep them at bay while I sleep. Dreams are my only safe place.

I walk to the side of my bed, their eyes never leaving my body. They turn in unison, standing guard as I slip under the covers. I turn off the lamp and my last vision is of their bedside vigil.

***

My eyes open to a new day. Fear and Doubt stand exactly as I left them. I push myself out of bed and they flex their taut muscles, their claws extending. I know what must be done. My body trembles inside. Each day I lose more of myself, but I cannot stop it. I reach for my collar and put it around my neck. I turn away, offering myself to them as I clasp it shut.

Closing my eyes I wait to feel them. Ten nails pierce my skin, what little healing happened overnight is erased.

Fear.

He pushes in deeper, tendrils snaking inside my body. As more of him enters me his body shrinks. He is no longer standing over me but now attached to me. Feeding from me. I inhale sharply, choking, as my collar is pulled to one side from his weight.

Waiting. One breath. Two breaths.

Doubt.

He stabs at me. Ten wounds at once. He is swift. Brutal. Taking hold. I gasp and grab the corner of my dresser so I don’t fall over. His tongue flicks my ear as I straighten myself.

They settle in as I open my bedroom door, ready to face the world.

***

Shutting the door to my bedroom I lean against it. I can’t face another day of school, the humiliation, the bullying. I’m done. I can’t fight anymore. I realize there is only one thing left for me. I finally understand what to do. No longer doubting myself, I will give in. I smile, it will all be over soon.

Pushing myself away from the door, my heart races. The weight shifts along my neck as my collar pulls against me when Doubt’s feet hit the ground. His body comes free and I feel his presence behind me.

I turn to face him. He is losing substance, shimmering in my vision.

“I’m sorry,” I whisper through clenched teeth, tears streaming down my face. I slide my hand under my shirt, feeling along my shoulder blade. Once again I smile. Just as I thought, his wounds are gone.

He steps forward and gently lays his hands over mine. Our eyes stay locked. He has been a part of me for so long. His tongue slips out and he kisses my tears away. Then he is gone.

My heart thumps against my chest. Unclasping my collar, I pull it around in front of me. I wait. His finger traces my body as he steps in front of me.

Fear.

My body is shaking but I don’t move. I am no longer crying. My hands quiver, fumbling with the clasp that binds Fear to the collar. Patiently he stands in front of me. I release the clasp and drop the collar to the floor. Fear smiles. It is grotesque and beautiful.

His hands roam over my body, feeling flesh he never has before. He grows as we stand together. Every inch of me is now his. There is only one thing left.

He opens his mouth.

My heart races as I close my eyes. A hundred spikes of pain shoot through me. I scream out in agony and fall to the floor, instinctively curling into the fetal position, rocking.

The door bursts open behind me. I hear my mom yelling asking if I’m all right. I know she is only a few feet from me, but she sounds so far away.

***

I’ve lost count of days, maybe it’s been years. I hear everything that is being said, but my body never responds. I’m trapped. My only reaction is to sob when they give me medication to relax. No one knows why I cry. They don’t understand they are tears of joy for being free.

Inevitably I feel my body slowly twisting into position as the drugs wear off. My tears stop. Those few hours of peace are gone. Once again I return to the hell in which I reside.

Fear is waiting for me.

My body enters his.

I am home.

~ Mark Steinwachs

© Copyright Mark Steinwachs. All Rights Reserved.

Damned Words 36

 

Gentle Caress
Nina D’Arcangela

Her tears fall in gentle caress; the cacophony within grows. Metal screeches and groans as rivets strain; the contortion as abnormal as the abomination itself. Haunting echoes mimic her pain; the moan of a mother forced to witness a great affront. Torn from her body: distorted, punctured, malformed. Mother’s milk tries to soothe that which can never be unwrought.


Reapers
A.F. Stewart

Rusting steel, exhaust, and the roar of engines. That is the world of ancestors left us. The screams of the hopeless and the lingering smell of blood in our noses. Tonight, I stand sentinel atop this makeshift parapet, above tribal bones bleached by time and weather. Each skeleton nailed to the metal with reverence, a sacrifice to Death and warning to would-be enemies.

I wait for the hunters to ride out. Nomads have camped at the far river, and tonight, their blood runs red into the waters. Save for two. They are young and fresh, in the turning years between child and adult. They are ours.

Seven days the boy will hang from our rack until pain becomes his mistress and he is ready to join our ranks. To serve Death. We will sacrifice the girl, her flesh flayed from her bones and her flowing blood replenishing the soil. I will cherish her screams well after Death claims her. I shall hang her skeleton from the north tower, in homage to our god. I long to hear her bones rattle in the wind.

I smile. This is who we are. This is what we have made of our world.


Gasworks
Mercedes M. Yardley

It was a busy park full of people and picnic blankets patchworked together on the hill. When it was sunny, everyone jammed themselves together like boats crowding the dock. They flew kites. They lapped up the rare sunshine. They watched their little ones playing tag with strangers.

It would be joyful, but Cora could see more than others. She could see a person’s life span, could see the vitality draining from them, could see who had fifty more years or ten more days or five more minutes. The people were bags of would-be rotting flesh, smiles peeling back in decay.

There were so many faces, so many draining hour glasses, that it was impossible to focus on just one. So much better than home where one timeline caught her attention, her stares, her focus. He was a small boy with a gap-toothed smile, one precious second running out each time he called her “Mama.”


Arrogance
Mark Steinwachs

“Let that gorgeous sky be a reminder; Mother Nature never worried about you. Your kind barely blipped on her radar. You brought the end on yourselves. Not through her destruction but through your baseness. Humans,” Michael’s voice booms, dripping with loathing. “You eroded yourselves and your punishment is at hand.”

You look up, frantically searching for an escape. Your mind goes to when God unleashed his minions and within those first few moments you knew how wrong humans were… about everything. You’ve watched angels and demons, heroes, villains, and gods from across time and continents display what it means to kill in His name.

Your attempt to survive ends in this insignificant place. The last thing you’ll see; rust-covered metal. The color of human legacy. Boots on grated stairs announce your fate. You turn. Michael, wings spread in glory, arcs his gleaming sword down.


As Yet, Disquiet
Scarlett R. Algee

For as long as we’ve lived in this valley, contending with the things under the earth that would devour us, we’ve had the Machine, and the Machine produces the Sound.

We talk about it in capitals, the Sound, though we don’t hear it; we’ve known it years, decades, longer. Only if you leave the valley will you become aware of its absence, poking into your senses the way you’d prod at the gap from a missing tooth. And when you return, you’ll actually hear it for an instant: your eardrums vibrating with the great low hum, your teeth set on edge, before the Sound slots back into your brain where it belongs. It’s everything that’s safe, this hum we’ve stopped hearing.

Or it was until fifty-seven seconds ago, when the Machine failed.

And already, we can hear something greater than the Sound: the grinding of earth in great jaws, tremoring below our feet.


Extinction
Charles Gramlich

I listen closely. Raw petroleum, pumped fresh from the ground, rumbles through the great pipe overhead. But that sound is always present. I’m in an oil refinery, after all. This is something else, a hollow, echoing throb. My mind offers a descriptor for the sound, one that makes no sense. The descriptor is…ancient.

I shake my head. It’s been a long day. Lifting the wrench I carry, I tap it hard against the pipe. Metal tings on metal, ringing like a bell in a church for sinners. I don’t expect an answer.

I get one.

The pipe booms. Rust powders down. I leap back convulsively. Metal rivets pop. A spray of yellow-black crude whips me across the face. I smell hydrocarbons, organics. Petroleum comes from once living things, like dinosaurs. Everyone knows that. But it’s all extinct now. No life could survive the pressures under which petroleum forms. No normal life.

More rivets explode. A thick stream of sludge nails me where I stand. Something that’s supposed to be dead slips taloned fingers through the breach in the pipe and begins to peel it open. Looks like extinction isn’t quite what it seems.

I hope that’s true for humanity.


Eye to Socket
Lydia Prime

The metallic taste in my mouth was nothing compared to the aroma that surrounded me. The tacky, filth covered walls offered no help in the darkness as I sloshed and fumbled.  Finally, I remembered the lighter hidden in my hip pocket; its tiny glow flickered amber. The rusted enclosure smothered my senses; russet liquid filled the chamber to mid-thigh. A loud rushing filled my ears as the fluid drained revealing small sepia mounds. I reached for one, brought it closer for inspection—breathless and alone, I stared eye to socket with my future.


All that Is
Lee A. Forman

All that is flows through bleeding steel, weathered like old bones left unburied. The drab shell holds fresh sustenance. Its purpose before, I do not know. Different stories, most untrue. I think it doesn’t matter. Only tomorrow, maybe today.

Over the heads in front I see the Waiters. They serve only the few. The many must leave their plates behind and be all that is.

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018

When You’re Howling

I watched the crazy bastard staggering across the shit-colored wasteland like some post-apocalyptic bindlestiff. He gestured wildly at Heaven and Hell, screaming in some dead language. But a bandana-wrapped poke dangled from the cane over his shoulder. Maybe it held food; I was starving.

A big boulder hid me. The dude walked past. I rose up behind him, cleared my throat. He spun around, and if he’d had a gun he would have shucked it. I had one—a cheap piece of blue-steel crap from before the world went to rot. But I didn’t shoot. The man was ugly as sin. On one side. The left side of his face…squirmed. I didn’t want to look too closely. But the right side was beautiful—uncomfortably beautiful. I looked away.

“I’ll take those goodies,” I told him, gesturing at his poke.

Suddenly calm, he pulled the cane off his shoulder and tapped the bandana-wrapped bindle. “You really don’t want to see inside this,” he said. “Let me offer a cigarette instead.”

I dealt him the nastiest smile in my set. “I’ll have the cigarettes too. But first the bag.”

He shook his head. “You’ve got no reason to believe me. But I’m not here by chance. I came seeking you. To make an end. I see now, though, you deserve more time. That heart’s not quite dead yet. In this bag, there isn’t anything to eat or sell. There’s only destruction.”

I hefted my pistol. “This is real destruction. Brought the world low. Give me the fuckin’ bag.”

“Please,” he said. “For your sake.”

Something about the guy creeped me out. My skin started jumping from more than just the fleas that made my rags their ghetto. But dammit! I was hungry, so hungry. I pressed the gun barrel against his forehead and cocked the hammer. The Devil laughed. Or maybe it was me.

The man sighed, dropped his cane, backed away. I knelt, pulled the knot loose on his bindle. For a moment, I looked in, then began to blubber like a baby. I put the gun in my mouth and pulled the trigger.

Click.

Nothing.

Click. Click. Click. Click. Click.

Sympathetic fingers stroked my greasy hair. He didn’t say, “I told you so,” but it was in his gaze when I looked up. That beauty! And that ugliness. I saw now why the left side of his face writhed; maggots crawled there, with human faces.

“Maybe just a little more time?” I asked.

“Sorry. Not now.”

He took my shoulders in his hands, folded and folded me until he dropped me into his bindle and retied the knot. I heard him groan through the walls as he lifted the immense burden on his back and staggered onward.

It wasn’t dark inside the bundle; I so wished it was dark. All the beauty of the world lay defiled before me. All the Love trashed by Hate. Hate looked at me and smiled.

I wanted to run but there was nowhere to go.

∼ Charles Gramlich

© Copyright Charles Gramlich. All Rights Reserved.

 

Milk and Moonshine

She was cursed with a fairness that strangled her. Expectations woven into her dark hair, an openness and roundness to her eyes that filled her with horror. They were too pale, too pure, too winsome to protect her. Terrors poured in while tears poured out. Hate and bile ran through her veins, but when her white skin tore prettily, nothing oozed out but healthy scarlet.

“What is your name?” they asked. Townspeople. Sweet old women. Starry-eyed men, lads whose bones were made of milk and oatmeal.

Pestilence. Famine. Hatred. Murder, she answered, but the words changed inside of her mouth, left her soft, dewy lips like starlight.

“My name is Orva. It means ‘golden one’,” she said aloud, and blushed demurely.

She grew up with a boy name Jorge. His last name meant ‘meadow’, and he was just like a meadow himself, with soft and gentle hands. He caught animals in his traps, whispering sweetly in their ears as he twisted their necks or slit their throats. He skinned them, his beautiful hands slick and red, and this is how he helped feed their village.

“This is for you,” he told her once, as tender as new teens, and handed her a stole of rabbit fur. He wrapped it carefully around her shoulders.

“Thank you,” she said, and smiled charmingly, then tried to slash her wrists on the knife at his belt.  Her eyes merely flicked toward it, instead.

“I’m sorry that I have to use such a thing,” Jorge said. “I hope it doesn’t disgust you.”

She looked him in the eyes and took his hand. For the first and last time in her life, her lips said exactly what was in her heart.

“Jorge, some things need to be. And you’re so tender with them while you do it. I’ve never seen such kindness.”

She saw the light in his eyes, and knew what it meant. Over the years, she never saw it go out.

Orva tried to shriek for help, to scream in rage, but her voice was so dulcet. So small. It tinkled like bells. Charming. Merry. She ran to the elder in town. Told him what she thought of him, of the oppressive ideals and the spin-and-twirl roll that she played. She told him that his mother was a hag and he himself a goat, and she wished he was dead. That they’d die. That the entire village would burn and be pillaged and everybody, including herself, raped and murdered and scattered about in pieces.

The words escaped her cupid bow lips and turned to honey. She heard herself laughing with pure joy. Praising his robe. Musing about the darling shape of the clouds. He patted her cheek and told her to go gather wildflowers in her skirt. To plait them in her hair, like the good girl her Mama had always wished for.

“Wishes sometimes come true,” the elder said knowingly, and something passed across his eyes like clouds. Stardust and magic.

Orva obediently skipped off, and cried the entire way.

Her tears were pearls, and made the town rich. They were sewn into bridal veils and fine dresses that she refused to wear, except that her sweet mouth could make no such refusal.

So fine. So good, the townspeople said as they dressed her. Isn’t she the most magnificent thing? Thoughtful and cheerful and full of beauty.

The flowers made an exquisite crown for an exquisite beauty. She tried to pierce her eyes with the thorns so she wouldn’t see how people looked through her, but she merely fluttered her lashes instead. She took her tender wrist to her mouth, touched it with strong, straight teeth, imaging how it would feel to cut through to the vein, to release herself and let people see what she really looked like inside. Perhaps they could love her for her own kind of beautiful. Perhaps she could be enough.

Her teeth didn’t tear into her skin. She kissed her own wrist, over and over and over. She screamed, and the sound of her joyful singing echoed over the valley.

Starlight. Moonshine. She had girlish love in her eyes, color in her cheeks. Jorge was no longer a boy. He stole soft kisses from her, breathless, far too in love, dangerous. No, Jorge, she said. I don’t want this. You don’t even know who I am. Take that knife on your belt and use it. Place it to my throat. Let me go.

He reached for something at his waist, and her heart filled. Shone. He raised his hands, ran them over her shoulders. Upward. She closed her eyes, white teeth biting at her lips.

“I have something for you,” he said. Slim fingers on her pale neck. Something cold.

The blade.

She hoped the pain would be swift. She prayed it would be sure.

A necklace. Made of precious stones and metal and time and desire. He fastened it around her neck, nervously. Tears ran down her cheeks, wetting his fingers.

“I’ll take care of you,” he said. “Love you always. I’ll feed you on milk and pray to always see the moon shine in your eyes. Will you have me? Will you love me?”

No, no, I don’t know how to love. I’ll poison you with my kisses. Kill our children in my womb with bitterness. It will be despair, and you deserve so much better.  

“I love you,” she whispered, and fingered the necklace she wore. Kissed his lips shyly. Buried her face in his shoulder. He held her so close that she couldn’t breathe.

She glowed. Smiled. Inside, she turned her face to the wall and died.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

Damned Words 35

 

Animals
A.F. Stewart

Always the warm orange glow against the bars. That one cage, when all the rest remain dark. But I don’t get too curious or linger, just dump the slop into the feeding troughs. I don’t know what this place used to be, but these days it’s when the Company keeps the dregs.

The animals.

They used to be human. I know that, but now… Scaly deformed fingers grab at their food, oozing tentacles, and rotting bits I don’t even want to think about. Only the glowing cage seems, well, normal. As normal as those things get, I suppose. Whatever’s in there whispers when I feed it, says thank you, real polite like.

But I’m not fooled. I know what it did to the last guy. He got too curious. First day on the job I put what was left of his remains in the trough. That was warning enough. I’m not ending up as food for the animals.


Mechanism of Question
Lee Andrew Forman

Bare skin and fragile bones—a futile effort at remaining human. The coming flame warms the flesh but not the soul. Dry, cracked layers burn away, allowing soft, pink, infantile cells to feel every degree. The orange glow travels a path of rust and steel, the conductor of its radiant journey. It leads to the blackened seat on which my body rests. Not dead, not alive, but waiting between. Tired eyes roll, reflect the end in their widened centers. The scent of liquified remains speaks for those before me, their agony carried by its rotten, smoldering, odor. It begins against my back. Perhaps my legs as well, but I lost feeling in them long ago. No pain at first, only the restoration of normal body temperature, a euphoric moment of internal balance, a slight release of suffering. That moment flees the rise in energy, replaced by a boiling gut and viscous epidermis running down my rear side. As by body expels its last contents I know the torment will soon be done. Whatever waits, if anything at all, can’t be worse than cruel mortality. Or can it?


Radiance
Scarlett R. Algee

The thump had come from the basement, and so does the heat. You’re sweltering by the time you reach the bottom of the steps, but the vents are all cold except the one in the far corner, the one by the body. It’s the third one this month.

You look up first, to the beam overhead and the snapped cord, then down to bent ligatured neck and shock-splayed limbs. A tiny gash along the jawline draws your attention, making your face sting with recognition. You kneel and grasp the chin–sweat-slick, too warm, slipping in your fingers and making your skin crawl—and turn the head, looking into your own glazed eyes. The corner vent has begun to glow dull red, and the hair, your hair, is starting to singe.

Maybe you should let it. Three times this month, and you keep finding yourself like this. Maybe you should let it burn; maybe that will give you answers. You unbutton your damp collar and run a hand over your razor-nicked face, breathing the acrid stench of crisping hair, and watch your corpse’s fingers twitch and curl.


Husk
Mark Steinwachs

Not looking at the cages doesn’t mean I can’t hear the screams from within, the horrid sound echoes daily amongst the husk of the building they’ve made our home. I’ve never been this close. Death in three cages; slowly eliminating us as our usefulness wanes. One a roaring fire searing the flesh from you, another where the flame laps at you bubbling your skin, the final one a flameless heat made of soot and remains that slowly cooks you. Those sobbing wails are the worst, they’ve haunted my dreams from my first day here.

I don’t need to worry about that anymore. I look at the men watching my comrades in their final moments, their faces pure delight, a reward for a job well done. The butt of the rifle pushes me forward. My last few steps an uncertain certainty.


Critters
Lydia Prime

It aint so bad, sleepin’ under that dang metal roof. Worst part, I hate hearin’ them critters skitter and scratch as they run its length. Pa says it aint nothin’ but ‘coons an squirrels; I ain’t never seen a masked-bandit that big, nor no tree-rat that heavy. Would be less unsettlin’ if they would chitter or growl, but they fight silent in the dark. I woke to heavy scrappin’ that night only to see the side wall pieced by a ragged claw; it was peeling the far side of the roof like a sardine can. Pa said it was my magination, and that I better get my ass back in bed ‘fore I catch a whoopin’ when I ran to him. I’d rather face the monster squirrels than Pa when he’s in one’a his booze moods. So I climbed back inta bed, that’s when I saw the light leaking in further than b’fore. I know I shoulda been good an’ gone to sleep, but for the life a me, I couldn’t shake the feelin’ something was comin’. When I saw that muddy eye lookin’ through the tear, I knew they was here, and no amount a hiddin’ was gonna help.


Misfiring
Nina D’Arcangela

I lay on the ground, the slats above blurring and jittering as he strikes repeatedly. Fists hammering, elbows slamming; a brief glimpse of light appears. He’s relentless. The beating brutal; as brutal as they’ve all been. A crack to the side of the head; I feel wetness. The light glows brighter, warmer, more embracing. I nearly black out, I would black out if it wasn’t for the lines my mind is riding. I count them: one – my jaw crunches under his forearm; two – I realize he isn’t going to stop this time; three – I let myself drift on waves of pain; four – I focus on the glow; five – is someone coming to welcome me home, or are my neurons misfiring from the assault on my skull? Either way, my suffering ends.

 

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018

A Damned Halloween

Twilight Whispers
A.F. Stewart

The clouds hung the sky in muted grey, settling low to meld with the horizon. The gloom of dusk stole the last burnished rays of sunset and crept up to meet the clouds. The air spread a leaden cast, a hint of dampness clinging to a vigorous wind.

From the old burial ground, with its sunken earth and broken gravestones, came a scratching, rasping, slithering sound. A noise of crawlers and claws, of burrowing and hiss. Dirt bulged and ground erupted, in a spray of grime and worms.

And momentary silence.

To be broken by skittering whispers.

Death is coming…


Little Reaper
Scarlett R. Algee

On the street where Death lives, there are no trick-or-treaters.

Not that Death minds. It’s a quiet cul-de-sac these days, populated by single middle-aged professionals and elderly couples whose grandchildren only visit infrequently, where the only indiscretions are the ones left on the lawn by a neighbor’s dog. Around here, he can practically walk to work every day.

No kids, no teenagers, no police calls for meth labs or midnight shouting matches, and no little candy-grubbing costumed visitors on Halloween.

Oh, Halloween. Death sits back in his recliner, watching SportsCenter with the sound off, and smiles his long-toothed skeleton’s grin. Visitors or not, it’s the one day he doesn’t have to wear a mortal-seeming glamour, the one day he can go around in the cowled ‘Grim Reaper’ attire he’s molded from the thoughts and fears of his neighbors, and nobody asks questions. Mr. Reaper is a good neighbor who keeps his leaves raked and his grass trimmed; the other residents on the street will turn a blind eye to the ghoulish appearance, and to the cobwebs and jack o’ lanterns that appear on the front porch. He’s allowed to be eccentric for one day.

(Mr. Reaper. He’s tried telling them all that his first name is McCormick, but no one ever gets the joke.)

At nine PM, Death turns the TV off. He has an appointment with Mrs. Collins next door at eleven, and needs to sharpen his scythe. He admits he’ll miss the tea and cake, and her admiration for his perfectly-cut lawn, but the work has to go on.

At nine-fifteen, there’s a knock on the door.

It gives Death pause. Has someone taken the jack o’ lanterns as an invitation? Did he leave the porch light on? Is there even candy in the house?

(There is, of course. Living among mortals has given him a weakness for chocolate. He goes into the kitchen just in time to hear a second knock, fetches a Snickers bar from the fridge, and slips it into a pocket of his robe. Wonderful mortal invention, pockets.)

Then Death opens the front door and stares down at himself.

The costume’s not an exact likeness. The robe has the slick look of thin polyester, and the blade of the scythe is almost certainly shiny plastic. But the face is arresting: a perfect age-yellowed grinning skull, surrounded by wispy brittle blonde curls that spill out around the black cowl.

A little female Death. He’s slightly taken aback. “Hello,” he says, but she doesn’t answer. Instead she shoves her plastic pumpkin-shaped bucket under his nonexistent nose and shakes it. The contents rattle. Death looks down in the glow of the porch light. The little round pail is full of small, flattish white objects.

Bones. He looks closer. Teeth. Teeth and bones, canines and carpals, premolars and phalanges, some bits with flesh still attached, some twinkling with pockets of silver amalgam. Then she taps the blade of her toy scythe against her wrist; she’s wearing a wristwatch, and the sound of blade touching crystal is the clink of steel on glass. The little scythe has begun to glow.

Abruptly, Death understands. “It’s time.”

She pulls the bucket away and nods vehemently, two hard up-and-down bobs of her head.

Death considers. He’s always known this day would come eventually; even avatars of mortality have their limits. Still, he’s become selfishly attached enough to the trappings of the living that he hedges, fumbling in his pocket. “Would you like a candy bar? I promise it’s not fun-sized.”

Skulls are inflexible, as a rule, but the girl cocks her head and squints, then nods again, the same two firm motions. Death reaches out to ease the Snickers into her bucket. He touches the teeth and bones inside, and two of his distal phalanges fall off into the pile. The dissolution’s already started.

Death pulls away before he loses any more. She sets the bucket down primly, and shifts her grip on the glowing scythe. It’s longer now, taller. So is she.

“Wait,” he says.

She watches, silent, expectant.

He gestures around them, at the other houses. “They’re kind sorts, for mortals. Give them kindness back. And keep the grass neat.”

Another headtilt as she considers. Then she nods again.

“Very well.” Death looks down at his small replacement. She’ll grow into it quickly; he had. “Go ahead.”

The scythe lifts, lazily, and swings, and in its wake there’s only a faint shimmer in empty air.

Death pushes her cowl back, shakes her curls loose, and picks up her bucket. She steps across the threshold into the house. Tomorrow she’ll have a word with the neighbors about their pitiful lack of Halloween decorations. They’ll have to do better next year. But first, there’s that appointment with Mrs. Collins. If she hurries, there’s time to bake a cake.

Miss Reaper’s a good neighbor. It’s the least she can do.


Final Moon
Mark Steinwachs

The clouds break and expose a perfect moon. I will myself to hear howls in the distance that don’t exist. It would be far too cliché to meet my maker under a full moon ripped apart by a creature of fantasy. No, my time ends at the hands of the noxious, silent death that has overrun Earth.

Leaning against a tree, my ankle throbs, purple and swollen. Why did I even run? I’m too average to be one of the survivors. Making it this far was more luck than skill, right place right time kind of thing.

The stench of death assaults me before I hear their shuffle through the leaves. My finger slides over the trigger of the pistol I learned to use not long ago.

I see one, then another, and more beyond them. They know I’m here through glazed over eyes. I point my gun at the first one and hear others close in around me. There are far too many, I put my gun down, why fight the thing I will become.

My death will be like my life, another one amongst the masses.


You Can Be Always
Lee Andrew Forman

Hollow pumpkins grinned along the street with flickering eyes. Knocking, knocking, all eve long—the little ghost filled her bag with sugar-treats. Monsters and things long-dead, faces that normally brought fright, didn’t raise her pulse at all. She knew Halloween was the time for horrors that darkness brings.

The street light went out, she found herself alone. At the end of the road, where front stoops had gone cold.

An ebon-skinned fairy came to her side. Smooth, shining, blacker than night, its wings fluttered as it lit on her palm. Fear nearly struck her, but instead, wonder she found. Never had she seen such a beautiful thing.

“Are you a fairy?” Sarah asked.

It nodded its head and blinked its eyes. Then it took flight, waved its hand in the air. It beckoned her to follow in step, led her deep in the woods, toward a house long abandoned.

Sarah pulled at her costume, tried to remove it—the forest so dark, the cloth made it darker. But the fairy tugged back, insisted she keep it.

It is Halloween after all, she thought, everyone should be in costume.

The hovering creature took her hand, urged her to follow. Pumpkins lit the porch of the old wooden cabin, their soft light warm and inviting. She hopped to the door and on its own it opened; beyond it waited things she never imagined—things strange, never seen, not even in dreams.

Masked creatures came to greet her, some stumbling forth.  Their scent was of old, long-forgotten. She inhaled the pleasant air, let its flavor remind her of what was.

“You can be always,” they said in unison.

She smiled at the thought of endless autumn nights—cool air and colored leaves.

She allowed them to take her into their place, with willing soul and a walk with grace.

“You shall become as you are,” the voices spoke.

The white linen costume tightened around her. She didn’t fight the transformation, rather welcomed it instead. She wanted to be there, better than dead.

As her feet disappeared and she floated as if normal, she peered through the holes of her ghostly exterior, and looked forward to time with her new family—forever.

Each piece of fiction is the copyright of its respective author
and may not be reproduced without prior consent. © Copyright 2018

Inhale, Exhale

Over the wind’s howl, you hear yourself breathing.

Your shoulders ache dimly from the strain of your arms pulled behind your back and bound to your stake, but you lost feeling in your hands an hour ago. Your legs are numb up to your knees. The pain in your face has become a mask you wear, dull and stiff; your head is fixed in place, held by your hair, the braid nailed into wood.

You cried when you were lashed here in the twilight, when everyone hurried away, when your mother stroked your hair but wouldn’t look you in the eyes. You stopped crying when you realized the sting down your cheeks was the wind-torn tracks of your tears, freezing to your skin.

There was no fanfare. There never is. Now all you do is blink, and breathe, and wait.

When the first breath of winter skirts across the land, someone has to be sacrificed. It’s the way. Flesh and blood must be traded for a few more weeks of strong sun and clear skies, for a safe end to the late harvest, for a peaceable season bereft of storms. When the gift isn’t given, the crops shatter on the vine, the cattle freeze beneath mounds of snow. It’s always been the way.

You cried at the thought that anyone else could have been chosen. You stopped when you realized there was no reason it shouldn’t be you.

Nothing moves when you try to flex your rope-bound limbs. You drag in a deep breath and something breaks within your nostrils, spilling down your face. You feel nothing, taste nothing; only the slowness of the ooze tells you it’s blood. You open your mouth to breathe out, and there’s merely a muted tingle when your wetted lips rip apart from one another.

Whatever plume your exhalation makes, it’s swallowed by darkness. The gale shifts, tearing at the tatters it’s made of your clothes, curling around and into you like a living thing with breath of its own. The knifing pain frigid air made in your chest at sunset is now only a distant twinge.

You blink. You breathe. It’s becoming difficult. You have the slow cold-glazed thought that you’ll be buried at sunrise, and you’re surprised to find you still have a few tears left.

It had to be you. It always had to be you.

You breathe in.

You breathe out.

You wait.

~ Scarlett R. Algee

© Copyright Scarlett R. Algee. All Rights Reserved.

Suffering

The chittering awakens me and I open my eyes. My body is prone on the comfortable bed, one of few luxuries I am afforded. I wince when the first set of tiny hands touch me, sharp claws testing the flesh of my legs. Laying here, waiting for it to begin.

Each of us live this, session after session. It’s not the physical anguish that will break us, it’s the emotional torment. Feeling the tingling in our bodies as the connection builds. The unseen part of us that stretches through the chasm to them as our gift begins to merge with theirs—knowing we will soon be back for another round. There is nothing we can do to stop it. It is our life. Our life to complete theirs.

We are the Muse.

A sharp burst of pain shoots through me, my body arching as synapses explode inside. I slam back on the bed, the room disappears and a glowing white screen surrounds me. A cursor blinks, then it begins. Letters becoming words becoming sentences. Tiny nails dig into my flesh. More words flow as blood trickles down my legs. My face twitches with each pin prick from the small claws. The letters in black, forming on the screen in front of me. Every muscle fights the slow grinding ache as viscous red seeps from me. I give myself to him, so he may become great.

The creatures move up my legs, nipping my torso and arms. I don’t need to see the sightless ones, the Deliverers, as dark as the night itself with pointed teeth that click and tick as they speak to each other in a language only they and Oizys know. She controls them and they feed her from our sessions. We are pawns, Muse and Deliverers, in the games the gods play.

A flash of golden light blinds me, pulling me from my thoughts. I wince but never close my eyes. If I look away, or even blink, the connection will break. I can’t read the words but I know they are perfect. Only perfection can be this intense and with it brings … I bite my bottom lip as a talon slashes my calf, reopening my barely healed wound from last night. A moan escapes me, tears stream down my face. I want it to be over. With each word he types my eyes are assaulted. That, mixed with the physical attacks, overwhelms me. I begin to blink but I can’t let myself, I won’t. He is on fire and I am his victim.

The words flow from him. I don’t know how long it lasts, my time and his never mix. I am becoming weaker as blood continues to seep from the cuts all over me. My body is begging me to end the session, to close my eyes and rest before there is no coming back. I groan through clenched teeth, spasms wrack my body. I feel a Deliverer on my chest. Suddenly all the others stop but the words continue. My body involuntarily tenses, unknowing, the pause in their attack confusing me. Agonizing seconds tick by until another sentence crosses my vision.

Vivid colors erupt in front of my eyes, unlike anything I have ever seen before. A sharp claw pierces my flesh and bores into me. Its talon extends deep inside me and punctures my heart, filling itself straight from me. I scream in anguish and close my eyes. The colors vanish and my world is an abyss.

My breath is shallow and ragged. The claw in my heart retracts and the Deliverers start to slip away. My body struggles to repair itself, starting with the most serious injuries. After those, the hundreds of little nicks mark my flesh, scars of another round of torment. The room is quiet and I am at peace. I made it through once more. I begin to drift off to sleep, my last thoughts always the same.

I am a Muse. I must suffer for my artist.

∼ Mark Steinwachs

© Copyright Mark Steinwachs. All Rights Reserved.

Damned Words 34

 

Taunts and Beckons
Jon Olson

The doctors said I’ve been blind all my life. If that were true I wouldn’t be lying here in restraints. No matter how many times I’ve screamed, nobody listened.  I even clawed my eyes out to erase the image but all they did was tie me down in a padded cell. And I can still see the same sinister flower in full bloom. It’s always moving and not swaying gently in a light breeze. No, the petals curl up like fingers, taunting and beckoning me to come closer. But I cannot move nor look away. My screams and prayers go unanswered as if Death itself has forgotten me. What is it that you want? It just taunts and beckons…


Some Carnivores Have Roots…
Lydia Prime

Agile movements by a tongue so sharp and sleek, blackened teeth stretch wide to distort the mighty jaw. Concealed by delicate beauty, secrets lie inside their florescent warning. A field springs up with no gardener in sight and onlookers are drawn to the mysterious plants. Mobility is unnecessary for the ravenous blossoms the Reaper keeps.

Those misguided admirers lean too near the center for a closer peek, before a second thought is had, flesh and bone are devoured while blood and soul slurp down their immaculate throats. The first crimson droplets soak the yellow petals of the rooted beasts; the golden plot now scarlet after the grotesque feast.

Gurgling sounds echo from the rows of flowery plumage while his grimness emerges from the dark. Satisfied by quick collection, the lemon color returns.


Gifts
Mercedes M. Yardley

You think each one will be memorable. You assume you’ll remember every place, every time, every circumstance. But that isn’t the case at all. After a while, all of your victims begin to blur together.

They become montages of broken smiles, smudged lipstick, and shattered fingernails. You forget which one smelled of jasmine and which one smelled like old library books.

Oh, you especially loved the one that smelled like old library books.

So you go out of your way to remember. Capture their essence. Perhaps you begin by taking pictures. Before the murder, and then after. You build up to pictures during the act, which frightens them the most.

They used to ask “Why?” but now the question is “Are you recording this?” You know what they’re really asking. “This won’t stop, will it? Will you post it on the Internet? Will my father see this? Please don’t let my father see.”

After the deed is done, you dispose of the body and secret the recording away. But you take something, like a small gold ring or the red flower from her hair, and give it to your small daughter, who watched the whole thing. Now you’ll both remember.


Corpse Flowers
Scarlett R. Algee

Two months ago they drove me out of this village, pitchforks at my back, my cottage in flames and my gardens of herbs and flowers torn to tatters, their cries of witch! and devil! and unclean! ringing in my ears.

But now I stand in the village churchyard, my hands full of promise. So hungry, these little seeds I’ve managed to save, squirming in my palms, begging to be buried. Neatly kept graves, a pretty black seed for every one, a precious red flower that will bloom from each charnel patch come daybreak. Someone’s memorial, some widow’s gift, these fools will think it, until the flowers swell under the next new moon and birth each corpse anew in viridian and crimson, in thorns and teeth and mindless ravenous hunger: hunger for bone and flesh and sinew, for heart and blood and brain, for fulfilling my will. The wretches who forced me forth with scarcely the clothes on my back will beg, then scream, then die—and I’ll watch, and I’ll laugh. A beautiful sight, the yearning of the starving dead for the living ones they so outnumber.

Let me see who calls me unclean then.


From the Ashes, Fire
A.F. Stewart

Grey light from a waning sun shed itself across the burnt wasteland that used to be a forest, weaving pale silhouettes and glimmers of faint light. A feeble ray caught the colour of a single blooming flower sprouting from the ash; a flash of garish orange petals surrounding a black center. An anomaly of life springing past the spectre of death.

In the hushed air, over the charred remains and skeletons, hung the stench of smoke and silence, yet you can hear it: the small sizzle, the crackle of simmering embers. Pop, pop, pop from the stamen, born of hellfire and blackened bone, brewing spores, waiting on the fresh wind to blow down from the mountain. Waiting to spew its seed to the breeze, to drift away to new, fertile ground.

Away to different land where more flowers will take root, burrowing malice and annihilation into the ground. Where pristine fire will erupt from the soil and burn its tendrils through all life. Where death, hell, and garish orange petals will flourish in the ashes.


The Contract
Mark Steinwachs

I gambled and lost. My fate delivered in the vibrant photograph before me. Its near perfection only makes the flower’s two off-angle anthers stand out. I knew what I signed up for, quite literally, after our third date. He told me about his others, their flaws and weaknesses. My signature on the contract, my convicted belief. A kid from a second-rate drag show, saved by a wealthy man and shown the world. We all dreamed we’d live that movie. I did—and I looked better in a tight black skirt too.

I sat in the chair he had specially made. My chair, our chair. His hands effortlessly tied the knots as he had countless times before. The moment he mentioned he had something special today, my calm anticipation became jumbled nerves. That’s when he showed me the photograph. Unrivaled beauty, but…

He released the picture, which floated morosely to the floor. I closed my eyes, wanting his voice to fill me. “You were so close, which makes your imperfection all the more glaring.”

I felt the barrel against the back of my skull. The click of the safety my last memory.


Garden of Whispers
Lee Andrew Forman

My eyes close as pedals open, releasing the scent of tender care. One deep breath fills my lungs with delicate flavor; remembrance accompanies the indulgence in flashes of silver and red, visions of eyes screaming, then closing. My hands grab at the soft dirt, fingertips dig in. Ecstasy flows in tandem. I inspect each bloom, check for flaws. They are my life and I am theirs. They whisper more, and more I bring. Ravenous things, they are. But so beautiful; I can’t help but love them. I only bring the finest ingredients to my lovely garden—fresh and still bleeding.


Looming
Nina D’Arcangela

Looming, always staring. It watches no matter where I go, following with its stamen; feeling, tasting with the ever so slight quivering of its bracts. It’s inescapable. The stench nearly as bad, it puffs spore, tiny yet distinguishable. How I loathe its presence. I remember a blue sky, one that brought light to the day before iron tinged the air. Scientist with grand ideas; the ever ravenous desire to get there first.  The human genome was never meant to be spliced with the flora found in earths deepest chasms. But here we are, living under the dome of a relentless beauty that would see us snuffed from existence as easily as a child plucks a flower. But it’s the waiting, really, the looming as it picks us off one by one — that’s the part that’ll drive me insane one of these days.


Each piece of fiction is the copyright of its respective author
and may not be reproduced without prior consent. © Copyright 2018