Her tears fall in gentle caress; the cacophony within grows. Metal screeches and groans as rivets strain; the contortion as abnormal as the abomination itself. Haunting echoes mimic her pain; the moan of a mother forced to witness a great affront. Torn from her body: distorted, punctured, malformed. Mother’s milk tries to soothe that which can never be unwrought.
Rusting steel, exhaust, and the roar of engines. That is the world of ancestors left us. The screams of the hopeless and the lingering smell of blood in our noses. Tonight, I stand sentinel atop this makeshift parapet, above tribal bones bleached by time and weather. Each skeleton nailed to the metal with reverence, a sacrifice to Death and warning to would-be enemies.
I wait for the hunters to ride out. Nomads have camped at the far river, and tonight, their blood runs red into the waters. Save for two. They are young and fresh, in the turning years between child and adult. They are ours.
Seven days the boy will hang from our rack until pain becomes his mistress and he is ready to join our ranks. To serve Death. We will sacrifice the girl, her flesh flayed from her bones and her flowing blood replenishing the soil. I will cherish her screams well after Death claims her. I shall hang her skeleton from the north tower, in homage to our god. I long to hear her bones rattle in the wind.
I smile. This is who we are. This is what we have made of our world.
Mercedes M. Yardley
It was a busy park full of people and picnic blankets patchworked together on the hill. When it was sunny, everyone jammed themselves together like boats crowding the dock. They flew kites. They lapped up the rare sunshine. They watched their little ones playing tag with strangers.
It would be joyful, but Cora could see more than others. She could see a person’s life span, could see the vitality draining from them, could see who had fifty more years or ten more days or five more minutes. The people were bags of would-be rotting flesh, smiles peeling back in decay.
There were so many faces, so many draining hour glasses, that it was impossible to focus on just one. So much better than home where one timeline caught her attention, her stares, her focus. He was a small boy with a gap-toothed smile, one precious second running out each time he called her “Mama.”
“Let that gorgeous sky be a reminder; Mother Nature never worried about you. Your kind barely blipped on her radar. You brought the end on yourselves. Not through her destruction but through your baseness. Humans,” Michael’s voice booms, dripping with loathing. “You eroded yourselves and your punishment is at hand.”
You look up, frantically searching for an escape. Your mind goes to when God unleashed his minions and within those first few moments you knew how wrong humans were… about everything. You’ve watched angels and demons, heroes, villains, and gods from across time and continents display what it means to kill in His name.
Your attempt to survive ends in this insignificant place. The last thing you’ll see; rust-covered metal. The color of human legacy. Boots on grated stairs announce your fate. You turn. Michael, wings spread in glory, arcs his gleaming sword down.
As Yet, Disquiet
Scarlett R. Algee
For as long as we’ve lived in this valley, contending with the things under the earth that would devour us, we’ve had the Machine, and the Machine produces the Sound.
We talk about it in capitals, the Sound, though we don’t hear it; we’ve known it years, decades, longer. Only if you leave the valley will you become aware of its absence, poking into your senses the way you’d prod at the gap from a missing tooth. And when you return, you’ll actually hear it for an instant: your eardrums vibrating with the great low hum, your teeth set on edge, before the Sound slots back into your brain where it belongs. It’s everything that’s safe, this hum we’ve stopped hearing.
Or it was until fifty-seven seconds ago, when the Machine failed.
And already, we can hear something greater than the Sound: the grinding of earth in great jaws, tremoring below our feet.
I listen closely. Raw petroleum, pumped fresh from the ground, rumbles through the great pipe overhead. But that sound is always present. I’m in an oil refinery, after all. This is something else, a hollow, echoing throb. My mind offers a descriptor for the sound, one that makes no sense. The descriptor is…ancient.
I shake my head. It’s been a long day. Lifting the wrench I carry, I tap it hard against the pipe. Metal tings on metal, ringing like a bell in a church for sinners. I don’t expect an answer.
I get one.
The pipe booms. Rust powders down. I leap back convulsively. Metal rivets pop. A spray of yellow-black crude whips me across the face. I smell hydrocarbons, organics. Petroleum comes from once living things, like dinosaurs. Everyone knows that. But it’s all extinct now. No life could survive the pressures under which petroleum forms. No normal life.
More rivets explode. A thick stream of sludge nails me where I stand. Something that’s supposed to be dead slips taloned fingers through the breach in the pipe and begins to peel it open. Looks like extinction isn’t quite what it seems.
I hope that’s true for humanity.
Eye to Socket
The metallic taste in my mouth was nothing compared to the aroma that surrounded me. The tacky, filth covered walls offered no help in the darkness as I sloshed and fumbled. Finally, I remembered the lighter hidden in my hip pocket; its tiny glow flickered amber. The rusted enclosure smothered my senses; russet liquid filled the chamber to mid-thigh. A loud rushing filled my ears as the fluid drained revealing small sepia mounds. I reached for one, brought it closer for inspection—breathless and alone, I stared eye to socket with my future.
All that Is
Lee A. Forman
All that is flows through bleeding steel, weathered like old bones left unburied. The drab shell holds fresh sustenance. Its purpose before, I do not know. Different stories, most untrue. I think it doesn’t matter. Only tomorrow, maybe today.
Over the heads in front I see the Waiters. They serve only the few. The many must leave their plates behind and be all that is.
Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018
6 thoughts on “Damned Words 36”
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Great prose, guys! Love the different takes on another obscure image. 😉
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Reblogged this on Lee Andrew Forman and commented:
The latest collection of photo-inspired flash fiction by Pen of the Damned! Includes my piece, “All that Is”
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I must say, everyone’s piece was exceptional! Love your twisted imaginations!
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This was fun. Some really creative responses.
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Reblogged this on The Road to Nowhere… and commented:
I hope you enjoy another collection of flash fiction pieces inspired by a single image from the members of PenoftheDamned.com.