Damned Words 36

 

Gentle Caress
Nina D’Arcangela

Her tears fall in gentle caress; the cacophony within grows. Metal screeches and groans as rivets strain; the contortion as abnormal as the abomination itself. Haunting echoes mimic her pain; the moan of a mother forced to witness a great affront. Torn from her body: distorted, punctured, malformed. Mother’s milk tries to soothe that which can never be unwrought.


Reapers
A.F. Stewart

Rusting steel, exhaust, and the roar of engines. That is the world of ancestors left us. The screams of the hopeless and the lingering smell of blood in our noses. Tonight, I stand sentinel atop this makeshift parapet, above tribal bones bleached by time and weather. Each skeleton nailed to the metal with reverence, a sacrifice to Death and warning to would-be enemies.

I wait for the hunters to ride out. Nomads have camped at the far river, and tonight, their blood runs red into the waters. Save for two. They are young and fresh, in the turning years between child and adult. They are ours.

Seven days the boy will hang from our rack until pain becomes his mistress and he is ready to join our ranks. To serve Death. We will sacrifice the girl, her flesh flayed from her bones and her flowing blood replenishing the soil. I will cherish her screams well after Death claims her. I shall hang her skeleton from the north tower, in homage to our god. I long to hear her bones rattle in the wind.

I smile. This is who we are. This is what we have made of our world.


Gasworks
Mercedes M. Yardley

It was a busy park full of people and picnic blankets patchworked together on the hill. When it was sunny, everyone jammed themselves together like boats crowding the dock. They flew kites. They lapped up the rare sunshine. They watched their little ones playing tag with strangers.

It would be joyful, but Cora could see more than others. She could see a person’s life span, could see the vitality draining from them, could see who had fifty more years or ten more days or five more minutes. The people were bags of would-be rotting flesh, smiles peeling back in decay.

There were so many faces, so many draining hour glasses, that it was impossible to focus on just one. So much better than home where one timeline caught her attention, her stares, her focus. He was a small boy with a gap-toothed smile, one precious second running out each time he called her “Mama.”


Arrogance
Mark Steinwachs

“Let that gorgeous sky be a reminder; Mother Nature never worried about you. Your kind barely blipped on her radar. You brought the end on yourselves. Not through her destruction but through your baseness. Humans,” Michael’s voice booms, dripping with loathing. “You eroded yourselves and your punishment is at hand.”

You look up, frantically searching for an escape. Your mind goes to when God unleashed his minions and within those first few moments you knew how wrong humans were… about everything. You’ve watched angels and demons, heroes, villains, and gods from across time and continents display what it means to kill in His name.

Your attempt to survive ends in this insignificant place. The last thing you’ll see; rust-covered metal. The color of human legacy. Boots on grated stairs announce your fate. You turn. Michael, wings spread in glory, arcs his gleaming sword down.


As Yet, Disquiet
Scarlett R. Algee

For as long as we’ve lived in this valley, contending with the things under the earth that would devour us, we’ve had the Machine, and the Machine produces the Sound.

We talk about it in capitals, the Sound, though we don’t hear it; we’ve known it years, decades, longer. Only if you leave the valley will you become aware of its absence, poking into your senses the way you’d prod at the gap from a missing tooth. And when you return, you’ll actually hear it for an instant: your eardrums vibrating with the great low hum, your teeth set on edge, before the Sound slots back into your brain where it belongs. It’s everything that’s safe, this hum we’ve stopped hearing.

Or it was until fifty-seven seconds ago, when the Machine failed.

And already, we can hear something greater than the Sound: the grinding of earth in great jaws, tremoring below our feet.


Extinction
Charles Gramlich

I listen closely. Raw petroleum, pumped fresh from the ground, rumbles through the great pipe overhead. But that sound is always present. I’m in an oil refinery, after all. This is something else, a hollow, echoing throb. My mind offers a descriptor for the sound, one that makes no sense. The descriptor is…ancient.

I shake my head. It’s been a long day. Lifting the wrench I carry, I tap it hard against the pipe. Metal tings on metal, ringing like a bell in a church for sinners. I don’t expect an answer.

I get one.

The pipe booms. Rust powders down. I leap back convulsively. Metal rivets pop. A spray of yellow-black crude whips me across the face. I smell hydrocarbons, organics. Petroleum comes from once living things, like dinosaurs. Everyone knows that. But it’s all extinct now. No life could survive the pressures under which petroleum forms. No normal life.

More rivets explode. A thick stream of sludge nails me where I stand. Something that’s supposed to be dead slips taloned fingers through the breach in the pipe and begins to peel it open. Looks like extinction isn’t quite what it seems.

I hope that’s true for humanity.


Eye to Socket
Lydia Prime

The metallic taste in my mouth was nothing compared to the aroma that surrounded me. The tacky, filth covered walls offered no help in the darkness as I sloshed and fumbled.  Finally, I remembered the lighter hidden in my hip pocket; its tiny glow flickered amber. The rusted enclosure smothered my senses; russet liquid filled the chamber to mid-thigh. A loud rushing filled my ears as the fluid drained revealing small sepia mounds. I reached for one, brought it closer for inspection—breathless and alone, I stared eye to socket with my future.


All that Is
Lee A. Forman

All that is flows through bleeding steel, weathered like old bones left unburied. The drab shell holds fresh sustenance. Its purpose before, I do not know. Different stories, most untrue. I think it doesn’t matter. Only tomorrow, maybe today.

Over the heads in front I see the Waiters. They serve only the few. The many must leave their plates behind and be all that is.

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018

Damned Words 35

 

Animals
A.F. Stewart

Always the warm orange glow against the bars. That one cage, when all the rest remain dark. But I don’t get too curious or linger, just dump the slop into the feeding troughs. I don’t know what this place used to be, but these days it’s when the Company keeps the dregs.

The animals.

They used to be human. I know that, but now… Scaly deformed fingers grab at their food, oozing tentacles, and rotting bits I don’t even want to think about. Only the glowing cage seems, well, normal. As normal as those things get, I suppose. Whatever’s in there whispers when I feed it, says thank you, real polite like.

But I’m not fooled. I know what it did to the last guy. He got too curious. First day on the job I put what was left of his remains in the trough. That was warning enough. I’m not ending up as food for the animals.


Mechanism of Question
Lee Andrew Forman

Bare skin and fragile bones—a futile effort at remaining human. The coming flame warms the flesh but not the soul. Dry, cracked layers burn away, allowing soft, pink, infantile cells to feel every degree. The orange glow travels a path of rust and steel, the conductor of its radiant journey. It leads to the blackened seat on which my body rests. Not dead, not alive, but waiting between. Tired eyes roll, reflect the end in their widened centers. The scent of liquified remains speaks for those before me, their agony carried by its rotten, smoldering, odor. It begins against my back. Perhaps my legs as well, but I lost feeling in them long ago. No pain at first, only the restoration of normal body temperature, a euphoric moment of internal balance, a slight release of suffering. That moment flees the rise in energy, replaced by a boiling gut and viscous epidermis running down my rear side. As by body expels its last contents I know the torment will soon be done. Whatever waits, if anything at all, can’t be worse than cruel mortality. Or can it?


Radiance
Scarlett R. Algee

The thump had come from the basement, and so does the heat. You’re sweltering by the time you reach the bottom of the steps, but the vents are all cold except the one in the far corner, the one by the body. It’s the third one this month.

You look up first, to the beam overhead and the snapped cord, then down to bent ligatured neck and shock-splayed limbs. A tiny gash along the jawline draws your attention, making your face sting with recognition. You kneel and grasp the chin–sweat-slick, too warm, slipping in your fingers and making your skin crawl—and turn the head, looking into your own glazed eyes. The corner vent has begun to glow dull red, and the hair, your hair, is starting to singe.

Maybe you should let it. Three times this month, and you keep finding yourself like this. Maybe you should let it burn; maybe that will give you answers. You unbutton your damp collar and run a hand over your razor-nicked face, breathing the acrid stench of crisping hair, and watch your corpse’s fingers twitch and curl.


Husk
Mark Steinwachs

Not looking at the cages doesn’t mean I can’t hear the screams from within, the horrid sound echoes daily amongst the husk of the building they’ve made our home. I’ve never been this close. Death in three cages; slowly eliminating us as our usefulness wanes. One a roaring fire searing the flesh from you, another where the flame laps at you bubbling your skin, the final one a flameless heat made of soot and remains that slowly cooks you. Those sobbing wails are the worst, they’ve haunted my dreams from my first day here.

I don’t need to worry about that anymore. I look at the men watching my comrades in their final moments, their faces pure delight, a reward for a job well done. The butt of the rifle pushes me forward. My last few steps an uncertain certainty.


Critters
Lydia Prime

It aint so bad, sleepin’ under that dang metal roof. Worst part, I hate hearin’ them critters skitter and scratch as they run its length. Pa says it aint nothin’ but ‘coons an squirrels; I ain’t never seen a masked-bandit that big, nor no tree-rat that heavy. Would be less unsettlin’ if they would chitter or growl, but they fight silent in the dark. I woke to heavy scrappin’ that night only to see the side wall pieced by a ragged claw; it was peeling the far side of the roof like a sardine can. Pa said it was my magination, and that I better get my ass back in bed ‘fore I catch a whoopin’ when I ran to him. I’d rather face the monster squirrels than Pa when he’s in one’a his booze moods. So I climbed back inta bed, that’s when I saw the light leaking in further than b’fore. I know I shoulda been good an’ gone to sleep, but for the life a me, I couldn’t shake the feelin’ something was comin’. When I saw that muddy eye lookin’ through the tear, I knew they was here, and no amount a hiddin’ was gonna help.


Misfiring
Nina D’Arcangela

I lay on the ground, the slats above blurring and jittering as he strikes repeatedly. Fists hammering, elbows slamming; a brief glimpse of light appears. He’s relentless. The beating brutal; as brutal as they’ve all been. A crack to the side of the head; I feel wetness. The light glows brighter, warmer, more embracing. I nearly black out, I would black out if it wasn’t for the lines my mind is riding. I count them: one – my jaw crunches under his forearm; two – I realize he isn’t going to stop this time; three – I let myself drift on waves of pain; four – I focus on the glow; five – is someone coming to welcome me home, or are my neurons misfiring from the assault on my skull? Either way, my suffering ends.

 

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018