Damned Words 51

When the Dust Settled
Angela Yuriko Smith

We saw it drifting… just a dust cloud at sunset and we looked away. We were busy playing games… dodgeball and tag, racing with nightfall and impending parental calls for dinner, baths and bedtime. We had no time for dust clouds. But when night time fell and our parents never called we paid attention. The cloud was already on us—a twisting fog tainted green, illuminated and glowing from somewhere within. We stopped our games to listen and heard our parents screaming. A writhing tempest obscuring twilight breezes with hot, acrid stench filled our familiar suburban streets. There was no running. We were already home with nowhere to go on a school night. Helpless, stunned and overwhelmed, we joined our parents without protest.

Vile Nights
Lee Andrew Forman

As the light of day begins to hide below the horizon, its final glow casts fleeting hope on those who dwell beneath its last rays. They know how short their joy is, so on long summer days they rejoice the seemingly languid time. Once darkness reaches over the clouds, and halogen bulbs flash to life over the not-so-sleepy town, prayers go unheard, muffled by thick atmosphere. The overbearing weight makes even a subtle breath too dense.

The flooding of artificial luminescence over every inch of land does little to slow the nightly feeding. One by one they crawl from the trees and search for sustenance. The food supply has dwindled over time, but they won’t be sated until not a morsel is left.

No one knows what afflicted the children, what made them change. Not a mother, father, or sibling understands why their own blood has turned vile and ravenous. They only wish it would end.

Tangerine Sky
Nina D’Arcangela

They said the dome would cleanse the air; that if we waited, it would be safe again. And for a while, it was. Greens were more verdant than they’d ever been, almost surreal in their crisp contrast to other hues. The valley was a lush haven in a dying world. We were lucky, as lucky as anyone could hope given the cataclysmic shift the planet had undergone. The science worked, we were proof of it. Plans were put in place to build more domes; to terraform our own Earth, rebuild the civilization that once existed.

Then the air machines stopped one day. No rhyme, no reason, they just stopped mid-rotation. Scientists and engineers did their best to repair them, but nothing had failed; they’d simply gone dormant. We tried to ignore the latency, to carry on as if it would bear no consequence on our future. We breathed, we ate, we lived a simile of the life we once knew. Then someone noticed it, a wisp of fog to the west. It seemed harmless, just an inexplicable anomaly. But as time progressed, so did the wisp – it grew into a fog that hugged the ground like false snow. When it encircled the mills, it seemed to split into fingers as though a hand were reaching into our bubble from the corrupt exosphere. Another wisp formed where the first petered out.

Every day, as I walk the commune, I feel its, no, her gaze upon me. She whispers to me each night, and her lullabies hold no hope for a future. She is sentient, of that I’ve no doubt, I only ask that she take us before the new are born.

Before the Mist
Miriam H. Harrison

Before the mist, there had been life. There had been birdsong and beauty. There had been the tender bloom of possibility, the lush green of promise. There had been laughter and languid days, moments that stretched long and sweet like taffy, without fear of what would come. We had no reason for fear, then. No reason to run, to flee, to scream—before the mist.

The Detour
Marge Simon

There are streets in the little city that are always under construction. The disposal crews arrive to move the Detour signs. No one questions them, it’s approved as standard maintenance. None inquire after the families who once lived on those streets. A neat row of older homes lines the block where the old man lives. He saw them cordon off the street a week ago. The yellow tape is up, the flashing pyramids installed to warn away incoming traffic.

This day he joins the neighbor’s dog to nap on his front lawn. Dozing off, he finds the edge of the afternoon. He lets his mind explore until he discovers a crack. He curls his fingers into it and it feels delicious. For a moment, he stops to indulge the pleasant sensation. He’s had this feeling before. Like the time he reeled in that five-pound bass on Lake Richard, summer of ’53. Or maybe his first night with his beloved Mandy, that had to be around then, too. A year’s worth of pleasurable surprises. He wills his mind further into the opening. How strange, how wonderful to own a crack in the afternoon! He dreams deeper into the fissure. There is something unknown and twisted. It moves along the rim of a black void. All that was familiar fades as he is sucked inexorably toward the dark. He hears the clink of chains, the tread of many feet. An open mouth, a scream with no sound. Then the fear begins. It rises to a flood that leaves him moaning in his sleep.

“You can go now.” The voice is soft and very clear. He can see the silhouette of her head as she bends close, feel her breath stirring the hairs over his temple.

“Mandy, I –”, he starts to say, but she puts her cool fingers on his lips.

“It’s all right, William. We’ll be just fine.”

The dog beside him whimpers as it licks his face. He blinks back the dream, noticing the house up the street is gone. He puts his tongue into the crack of his hands, tastes the salt of his flesh. Then he lies back, closing his eyes. Very soon now, it will be time to take the Detour.

Fog of War
Charles Gramlich

Stirred by dawn, a fog rises. It creeps the forest until a narrow defile between hills beckons it downward. It flows quicker now, like water, like a flood. And like a flood, it picks up debris.

But this debris is not leaves and twigs and fallen tree limbs. This debris is souls. A thousand dead souls. A hundred thousand. Animal. Insect. Spider. Leached from buried bones, or from the remnants of broken carapaces and exoskeletons.

And all these souls are screaming. As they screamed when they died. Out of pain. Out of a last desire to strike back at their killers.

At the foot of the hills lies a small rural community. Houses and streets still sleep soundly so early in the new day. The fog rolls over these houses, seeps within through cracks or open windows.

In the ears of the sleeping people, the screams of the myriad dead echo. Men and women and children stir as the agony and hate of numerous tiny souls seeks to burrow within. For a few…bad dreams. Most people never notice anything.

But the dogs notice. In their dank kennels. In yards and barns. Or sleeping at the feet of their masters.

The dogs notice. And they rise. Their eyes turn black with despair. Before their teeth turn red with slaughter.

Once in a Millenia
A.F. Stewart

The land remembered, even if the town had forgotten. Distant ancestors raised monuments, told their stories, but over time people laughed at the continued warnings, dismissed it as superstitious folklore, letting the markers and wards fade into the foliage and earth. The land welcomed back the magic and reclaimed their rejected gifts, leaving the town unprotected and oblivious to their peril.

The birds gave the first sign, flying away in flocks. The animals followed, deserting homes, farms, and forests. Tension prickled and tempers flared, but still the people remained, never dreaming of the fate awaiting them.

Until the day the fog rolled in…

A bitter, frigid cold heralded its arrival, forcing the people inside behind closed doors. Then the mist flowed soft and silky, winding down from the hills to caress the land in an icy kiss. It slithered and stalked, creeping in through the cracks, surrounding and smothering. It chilled the skin and choked the breath as smokey tendrils forced their way down every throat.

As they died, coarse whispers pounded in everyone’s ears.

Come join us in Hell…

The Curtain
Elaine Pascale

Don’t drink the water…”

When we were children, and the curtain came down, we thought they tried to protect us. But the curtain made us ugly, freakish.

The pretty ones were pulled away prior to the curtain, even though the government swore there had been no advance warning.

Don’t eat local produce…”

There is not much for us in terms of opportunities or industry. Those of us that remain are simply not allowed to leave.

You are not to reproduce. That has been taken care of.”

The curtain was a wave of toxins. It ate away at many of our organs, leaving us feeble. Our bodies rotted. Not one of us has symmetry in our features or our appendages.

You will wait until we find a cure.”

Our faces and bodies were corroded, but our brains remained intact. Some would say heightened as we had no other motivation but to study the curtain.

And to wait.

It wasn’t long until we realized that there was no cure. We understood that those who had been deemed special had been saved. We knew that they were not coming back for us.

We used our isolation to our advantage.

The animals must be slaughtered. It is the humane thing to do.”

‘Humane’ is defined by who says it. We did not want to go the way of the animals. We studied the curtain; we explored its substance. We investigated and found that the toxin lived within us.

But it could be extracted.

And it could be weaponized.

And it could make the pretty ones not so pretty anymore.

We no longer wait. Waiting means a ‘humane’ termination. We have other plans, and we will be the ones to define what is ‘humane.’

Incel Dreams
Harrison Kim


I let a woman into my world. She had wiles, and wild looks, her smile took me for a ride.  I opened my mind, and she permeated my whole existence with her smile, then sank into it, and stayed grinning within.  Now I fly above my dream world, my night mind, also called my ego, in the shape of an eagle, searching for the whiteness of her teeth, a glint shining behind the canopy of trees, or the cream stripe where her hair separates in the middle of her head, as she runs among the moonflowers.  If I see that white stripe moving, I will drop fast as a stone, grasp her scalp with my predator claws and pull her out.

She will return everything she took, my dignity, my pride and identity, my sense of reality and self.  She’s a parasite within my head, taking all my energy, laughing at how easily she took over.
 
I cannot find her.  I only hear that laughter.
 
When I rise from this dream, into the shared world outside, I shall buy a gun.  I can’t be an eagle in the shared world, but I can still be a human hunter.  I may not possess her body in my mind, but I will find it living on the waking city streets.  Tomorrow, I will make sure she will only exist within me, and not for anyone else, ever again.  
 
I whirl above the canopy that covers the surface.
“Why did you make me love you?” I call again and again.
I fly in faster circles.
Her voice responds from my ego below, louder and louder, and I hear it clearly now.
“Because I could.”
 
Little does this taunting invader know the way I will clear her from my mind.

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2022

Damned Words 50

The House of Heaven’s Doors
Marge Simon

He remembered lying in a hospital bed. An elderly physician was sadly shaking his head. Clutching his hand tightly, his wife wept. All went blank, so he knew he must be dead, but suddenly, awareness returned with the vision of an old house. He willed entry, passing effortlessly through a set of double doors and climbing up a rickety stairway. At the top were three closed doors of different colors. “These must be Heaven’s Doors,” he mused aloud. “How extraordinary! I thought there was but one.”

It was very hot on the Heavenly level. The tiled floor was spotless, the air reeked of disinfectant. He approached the bright red door on his left and tried the knob. As it swung open, he was half blinded by a brilliant light. Agonized shrieks and moans issued from an unknown source. Horrified, he slammed it shut, looking to his right. This door was painted sky blue. Someone had tried to break into it, the wood had been dented as if by the pounding of fists. The knob wouldn’t turn and came away in his hand. Finally, he addressed the remaining middle door, which was a dingy white. It opened slowly to reveal a blackness thick with portent. The music of a cello lured, a daunting challenge he couldn’t ignore. He found himself plunging forward into the core of that Unholy Dark, which was when the voices begin chanting. In a matter of seconds, his identity was shredded as he was sucked into the infinite wailing vortex known as The Hereafter.

Outside, dark clouds gathered above the old house. Quietly it began to rain.

The Old Man Tolls
Lee Andrew Forman

The music of hardship sounded from broken windows—repeated clangs of iron, a monotonous rhythm, mesmerizing in tune. Despite harsh notes, it drew me in. Was this old lot to be restored to its once meaningful design? Was it to be loved and cared for?

Inside, an ancient, gray-skinned man hammered away upon hot metal. He didn’t dare interrupt his focus to acknowledge my entry. I watched him work. His thin frame impressed with its tireless effort. Despite frail and stringy muscles wielding heavy tools, he never lost pace.

He appeared to be crafting shackles. Maybe the old fool intended to raise a farm. Upon my inquiry, he stopped his perfect tolling and looked up. His eyes first went to me, then directed to my back. His yellowed teeth showed themselves. “I have to keep it here.”

I turned around to a wall of flesh, a living tapestry of pulsating skin. It spread from floor to ceiling, reached to corners with grotesque humanoid limbs. It was already tethered to the floor by an arrangement of cuffs and chains. It looked upon me with its many eyes. Arms grew from its surface at will, reached for me as they lengthened. I stepped back and thanked God they could only grasp so far.

Hands pressed upon my back. My breath stopped. In that moment, I realized their intent. Before I could protest, my face was already pushed into the malleable conglomeration of animate skin. It enveloped me in a taut grasp and held firm. Slime covered every inch of me. I soon felt naked, clothes dissolved. My every nerve burned like fire. The world became pain. But the old man’s toll kept me company as by body was slowly digested.

School Days
Charles Gramlich

Grade school in a small town. I remember it fondly. Two rooms for six grades—three in each room with a dining area and big bathrooms in the rear for boys and girls. I lived close enough to walk to classes every weekday morning before 8:00 o’clock. It was always nice to see the bright yellow paint of the building shining as I came through Thompson’s meadow right up to the twin doors.

Of course, I remember that one day. How could I forget. Stepping into school, hanging my coat on the hook in the hallway, turning into Sister Ethlereda’s classroom on the right. That’s where grades 4 through 6 were taught. I remember taking my seat, eager to start a lesson about Ancient Rome and its legions

I remember the sound of backfiring cars in the parking lot out front. But when I looked out the window, it wasn’t a car at all. The two young men coming up the walkway were not in any grade in our school. I didn’t know them. Then.

But I know them now. They’re very sad and we hang out every day together, those two and the thirteen other kids they shot that day before the police shot them. Yes, we hang out every day. And every night.

I don’t go home anymore.

None of us do.

Beneath the Boards
Elaine Pascale

It’s a gold mine!”

It’s a money pit.”

It was both and neither. It was abandoned but not uninhabited. The couple did not live long enough to sink money into it nor to have a return on investment.

It’s so quaint.”

Something lurked beneath the floorboards, eradicating any charm the building may have had. The dwelling stored more than knick-knacks. The woman’s tchotchkes were donated following her death.

This could be my sanctuary.”

It is hard to find peace when the beast beneath the boards growls so loudly. And smells so strongly. And eats so ravenously.

It’s big enough for all of us.”

Not big enough to completely fill the appetite of the beast who appreciated the smorgasbord it was served.

It just needs some TLC.”

The renovations disturbed the beast’s slumber. No one wants to encounter the beast beneath the boards when it is overly tired.

It’s so rustic.”

Far enough away from everyone that cries won’t be heard, and help will not arrive.

It has good bones.”

The beast beneath the boards has gnawed on its share of good bones.

I have heard about this place. Is it cursed?”

And the beast beneath the boards waits.

Unwanted House Guests
A.F. Stewart

The doorknob rattled, a sure sign someone was coming.

“Is it time?” came a whisper.

“Yes.”

“It’s been so long.”

“It has. Years since the last one.”

“Don’t talk about him. He wasn’t a good fit. Not what we needed at all.”

“No, not the right sort. Very… short-lived.”

“He was so promising at first, so carefree… but he didn’t last.”

“No. He had too many… issues. A shame really.”

“Maybe a family will come this time. They always—wait, is that a car?”

“Oh, I believe it is.”

The voices stilled, and they heard an engine shutting off outside. Two shadows shifted and the curtains of a front window parted slightly.

“Oh, look, a couple. They seem very happy, don’t they? In love.”

“Oh yes. Very happy. They’ll feed us for a long time, won’t they?”

“Indeed, I think they will. Whispers here, murmurs there, and we’ll slowly turn their happiness to misery. They’ll hate each other by the end and we’ll gorge on every dismal day. Years if we do it right.”

“Oh, excellent. How do you think we’ll end, though? When they’re all used up?”

“Maybe arrange a murder-suicide. Or hanging from the staircase. Do you remember that teacher? Her body hung in the hall for days before they found her.”
“Yes, I remember. It was glorious.”

Two chuckles echoed in the hall, muffled by the sound of the front door opening.

Birthright
Nina D’Arcangela

Cowering, I crouch in the shadows of the barn. I should not be here, I was asked to stay away yet could not. The unnatural sound of bone snapping, sinew tearing, and skin stretching is a thing so foreign that it rends my soul to shreds. Yet for all the breath left in me, I cannot turn away.

He suffers and my heart weeps. I reach to touch him; he begs me stay away with tortured gaze. Struck by a rising terror I’ve not felt before, my soul screams that he is no longer mine but belongs solely to the night. If only I had not broken my word.

Fully morphed, he turns one final time – feral eyes saying all his misshapen mouth is no longer capable of speaking. A blink; and he’s gone. Rushing forward I listen to his baleful cry carried upon the night’s savage wind as he leaves my world to enter his other.

Returning
Miriam H. Harrison

She was slowly returning to the wild. She could feel civilization’s grasp weaken with every flake of paint that fell away, with every window that shattered and scattered, with every vine that climbed her façade to whisper in her ear about greenery and adventure. Slow and steady, the wild came for her—but not fast enough. She longed to rise from her own dust and debris, chase the sunset shadows into the night. She wondered whether her legs could still run after all these years of roosting. There had been a time to stay, but now her nest was empty—now she was empty. What better way to fill herself than with the shadows of wilderness, the fresh air of midnight, the glow of a new day far from here? She was made for magic and mystery. She would take her magic with her, leave behind the mystery of the missing house, the vacant lot, the trail of chicken tracks returning to the wild.

I’m Talking to You
Guest Author: Harrison Kim

I’m talking to you, giant mutant Daddy Long-Legs eight-legged walking drone. Revolve your bulbous head to scope out the house of delusion. Observe its yellow planks burned by the psychiatric meltdown, seeping out from inside and staining the wood to yellow-brown hallucination level 5006 warped synapses per second. Humans can’t go in without a suit lined with risperidone. For you, my drone, no suit needed, you are fortunate to have all your vertebrae on the outside. The work will be machine precise. Your mission: clean this place of insanity and bring the delusions back to me. Inside, the patient’s bones lie white. Their hallucinations seeped into the cracks, while their bodies died and moldered. How interesting it was, all these past days, via my powerful binoculars, to observe the gradual dispersal of these delusions within the changing colour of the planks.

Daddy LL Drone, stand facing the door and spread all your limby tentacles into the openings. Poke them thru the windows. Can you feel who the patients were, as you tickle your way round the rooms? They couldn’t escape before the meltdown. All locked in. The staff ran, left their psychiatric charges shimmering, glowing in collective insanity. Delusions burst forth, burned into the walls, seeped through the wood in black and grey. This house stands now only because of delusion. You will explore this psychoactive creature with your tentacles, and when the tiny windows are securely gripped and entered, hold fast. Then, split the building in twain, with your longest tentacle lobotomize its manic essence, and suck all the delusions into your maw. After you skitter back to the studio, I’ll unload everything into my computer, and have enough material for another three books of stories.


dw_50Johnny Joo is an internationally accredited artist, most notably recognized for his photography of abandoned architecture. Growing up sandwiched between the urban cityscape of Cleveland and boundless fields of rural Northeast Ohio provided Johnny with a front row ticket to a specialized cycle of abandonment, destruction, and nature’s reclamation of countless structures. His projects have ranged from malls to asylums to simple country homes, all left behind at various points in time. Always a lover of all art mediums, the seeds of a career were planted in Johnny’s mind at the age of 16 when a high school art project landed him in an abandoned farmhouse. Since that time, his art has expanded, including the publication of eight books, music, spoken word poetry, art installations and other digital and photographic works.

Photography © Copyright Johnny Joo. All Rights Reserved.

Visit him on his website – Odd World Photography or find him on Instagram at @scrap_brain


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2022

Damned Words 49

As Butterfies
Miriam H. Harrison

They had promised unspeakable beauty. The procedure would unlock new colours, open wide a world of wonder. We would see as butterflies see, unwrap the hues and patterns and glories hidden in our plain sight.

But first, the darkness.

I was proud to be among the first. The first to shed my bandages. The first to step out into the light. The first to see.

The first to realize our mistake.

We were not meant to see what would break us: those things beyond our understanding, hidden in ultraviolet.

Seeing the unseeable, I realized butterflies would scream if they could.

The Drift
Nina D’Arcangela

Petals sway softly upon the breeze; they twirl, they dance, they float, they soar. Glorious in pale pink, flushed deeper on the edges, how you outshone any other. You began to drift away, I reached for you, but there were so many. You sang as you lifted high upon the current, free from my arms at last. Then the air stilled, you spiraled downward and I, stiff with age, could do nothing.

You settled in a soft plume of vibrant green, a lush cushion to rest your head upon. I watched, I smiled, then a moistened pellet struck, followed by another. The torrent began, you were trampled by the onslaught and I wept for your pain.

A week all that is granted, yet too weak was I to give you even that. Whispers among the branches comfort for next Spring’s thaw, but bent and broken, these limbs heavy, I see the point no longer.

The Dream Beyond
Lee Andrew Forman

Upon the tip of the other side, balancing between a heartbeat and silence, I see only beauty. For what has been, what is now, what will be. It exists between every line, in every place, no matter how obscure and ill-lit. Its brilliance rests even in the face of evil itself—in its purity, its honesty. That visage I know well. I’ve gazed beyond and witnessed its truth. The brute I hunted bested me. The intelligence in its eyes told all.

Rows of razor-bone upon my throat is what brought me here, to this realm between the fragile panes of reality. Its color, its shifting form, a wonder unimaginable. What lies at the end? Where does this journey lead?

Perhaps it is no more than a last shedding of chemicals, a dream to end all dreams, and when it ends, all is swallowed by the void. I’d like to believe it’s a transition, that I wait in a heavenly cocoon, soon to open. I’ll spread wings and soar among clouds.

As the images flicker, something lurks behind them, creeping in the brief glimpses of black. Between each moment of bliss, it shifts toward me, twists its contorted form. As the dark spaces take dominance, I wait for what comes.

Pink
Elaine Pascale

The dogs had been trained to find me.

Their tongues are as pink as the blossoms above me.

I cannot smell the blossoms; I cannot smell me though I am rotten.

Pink was my favorite color.

The ID that they will find of me in my pocket shows me wearing my best pink dress and pink lipstick.

The leaves and dirt that cover me are not pink, but the worms that feast on me are. The leaves and dirt are messy but not as messy as what I left behind. I was considered a hoarder. When they trace my ID back, they will find this out. They will see my pink furniture and sheets and bed coverings, once they brush aside the pink papers and postcards and paper plates.

My insides weren’t pink when they spilled out on the ground. I wish they had been—clean and fresh. Like my apartment had been when I moved in, before I doused it in pink paraphernalia.

The dogs sit in a circle around me. It is only a matter of time before the people discover me.

And only a matter of time before they go to my apartment and move the pink candles, empty bottles, socks, scarves, books, candy wrappers, umbrellas, bags, soap, erasers, and stuffed animals to see the real pink beneath.

My insides weren’t pink when they spilled from me.

But the insides of others were.

The Forlorn
Charles Gramlich

On an unmarked trail of dirt left by animals, under spring trees which provide a roof of lavender petals, I pause my meander. The perfume of blossoms overhead is so overwhelming I can barely think. I do not remember where I come from or how long I’ve been traveling. I do not remember why I began my walk, or even my name. But I know why I’ve stopped.

The mistresses of God are visiting here!

A whisper stirs the petals overhead. A sinuous shape swirls among them, invisible except for the movement of the tree limbs and their burden of blooms. A mauve rain begins, dropping around me, catching in my hair, brushing my face with the exquisite softness of satin.

Aroused, I shed my clothes like a snake molting. The petals keep falling, and now begin to cling to my sweat-wetted skin. Some things from the trees touch me. Their hands feel like bones softened by oceans of time. Their caresses turn me around, and around, and around. Faster and faster.

I begin to spin like a whirlwind, like a dust devil. Painted in all the perfect shades of purple, I spin until my feet drill deep into the soil. I spin until my toes sprout roots and my arms sprout twigs, until I grow up and up toward the sky. Until I join my new lovers in the sacred grove where beauty screens death.

And now we wait. Amidst the forlorn and the sacrificed. For the next visitor to travel this path.

Blue Sky Somewhere
Marge Simon

Thea parts the curtains on the day ahead, then quickly ducks away. Sunlight unfurls from the window panes sparkling on an unused coffee cup and a basket of imaginary rolls. She knows it’s make-believe, a tableau laid out by habit. Useless to pretend she’s one of them beyond her home, but it is all she’s had for centuries.

On the floor, shadows of cherry trees in bloom remind her spring has arrived. How she longed for a glimpse of cobalt sky above the blooming branches,, a sight she treasured on the shores of Attica. Those sweet days, a memory from centuries ago when she was young, unaware her mortality was soon to change. But now the blood of cities bleeds into a wounded sky; the atmosphere so thick with toxic fumes, few mortals dare to walk the streets without a mask.

It seems unfair that she must bear the situation, knowing it was never her intention. But worse, the shrinking population bodes her ultimate demise. She wanders darkened rooms, touching surfaces, feeling the measure of textures, the contrast of cloth and stone, glass and polished wood. Things in her small world she knows so well. Inside things, held dearly but dearer still the feel of sun on skin. A patch of blue sky, there must be a glimpse of it somewhere.

Why wait any longer?

A twist of latch, an open door. She steps into the light.

Pink and White
A.F. Stewart

The sickly sweet smell of cherry blossoms filled the orchard, frosted petals descending into the unexpected spring snow; a layer of soft pink atop the white. Prevalent as the scent was, it did not blot out the undertone whiff of copper nor the smell of decay. And pretty pastel colours couldn’t hide all the stains underneath the layers of warring nature.

Changing seasons swirled against the scars and the silence, and hollow time eager to swallow what once existed here. Not claimed yet, the fallen dead, flesh and bones still marking the place of carnage, their blood feeding the soil beneath the snow. Echoes of the war drifted between the trees, chased by the cruel laughter of the mad gods.

Defiance met with death, and rebellion with ruin, a bloody example to all souls that might rise to grasp at the beckoning wisp of freedom. Hope expired within this orchard, and only soft petals fell like tears on their graves, wrapping the remains in velvet spoils, mounds of pink and white. 

Pretty in Pink
Ian Sputnik

“Let’s play a game,” the two boys had suggested to her. Minutes later, Ed and Rob began to wrap the chains around Katrin, despite her protests. They left her bound to the witching tree as they scampered away across the white blossom that blanketed the orchard floor. Glancing back they could see her struggling to get free, her pink dress already stained by the rusty metal.

Rumour had it that those found guilty of practicing the dark arts would be tethered to the tree and left there to die.
As they hid in a ditch at the other end of the field, they could hear her screams of panic turn into sobs of despair. Then all went silent.

Returning some time later, they found her gone. The chains hung from the tree, blood dripping from the links.
They ran, screaming from the scene.

At school assembly after the weekend the headmaster announced that Katrin had gone missing and said that anyone who had information regarding her whereabouts should come forward. The two boys remained silent. They had made a pact never to tell anyone about what had happened.

It wasn’t until the following year that they returned to the orchard. They stood mouths open as they took in the scene before them. This year the blossom was bright pink in colour not its usual white.

They were startled by a voice from behind them. It was Ed’s annoying sister, who must have followed them from his house.

Rob’s mouth turned into a menacing smile as he looked at Emma standing there in her blue dress.
“You ever seen blue blossom?” he asked  Ed.

Ed smiled back and then said to Emma “let’s play a game.”

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2022

Damned Words 48

Better Hope
Miriam H. Harrison

Just keep him plugged in—that’s your job. It may not sound like much, but you better hope this thing keeps him alive. We’re not ready for what he might do—not yet. But as long as he’s in his body, we stand a chance. So keep him secure, keep him plugged in. The drugs should quiet him. You might hear him in your head, but ignore him. You understand? No matter what he says, don’t listen. Don’t press that button, don’t pull that cord. And try to stay safe. We really don’t want to hire for this position again.

Feasting
Nina D’Arcangela

Feasting, that’s what it’s doing. Still as it may look, its savoring, consuming, devouring; making a meal of us all with that unrelenting gaze. Wait for the flinch if you will, but it won’t happen.

They say we, as a species, eat with our eyes first. I guess we’re not the only ones.

Expectations
Charles Gramlich

Textures: ripples, curves, lines. Fossilized in verdigris. Mouth and eyes above a silver collar of anodized aluminum. Diseased pustules filled with the rust of oxidation. A copper tongue wishes to speak and cannot.

You are frozen without, terrified within.

A crown of hollows rests upon this brow. Bullet holes torn in the fabric of form. You await. We await. Some in awe, some in glory, all in fear.

Transformation. Transmogrification. Transubstantiation.

Metamorphosis within a chrysalis of glass.

What will you be when you shed this skin?

The Deep
RJ Meldrum

Down here in the depths the creatures lived in the endless darkness. In this dark realm, evolution favored specie who ate little and moved less. She lay in the sediment, an ancient creature, huge and bulbous. She was the top predator in the food chain and if she could conceive of an emotion like fear, she would have felt none. Lesser creatures avoided her, except for the occasional unwary or unwise fish, who would quickly become prey.

A change in pressure told her there was something above her. She opened one glistening eye. She saw a shape. Whatever this was, it was bigger than her. That made it an enemy. She stayed still, waiting. In her primitive brain, she decided not to fight unless she was attacked. It came closer. It emitted something she did not recognize, but it was painful and it blinded her. She used her tentacles to push herself from the sediment, pain coursing through her body. She had to defend herself.

The men in the bathysphere had left the lights off until the very last second. Light was alien down here, at this depth, and would scare away the creatures. The switch was flicked on and light flooded the scene. The cameras recorded everything around them, but they still wanted to see for themselves; like children, they crowded the small observation window. They were briefly aware of a huge shape, surrounded by disturbed sediment, hurtling towards them before oblivion took them.

Aficionados
Lee Andrew Forman

In the hours of day, when families would roam the gallery, it had to be covered; the minds of those unwilling could not be privy to its nature. It had to be presented during selected hours beneath the shroud of night. Only those most dedicated would be allowed to witness its glory, experience its wonder. They never debated its origin or creator, the unknown hand who brushed its oil features remained nameless in history. This canvas held power far beyond any known artist of the time, or before. It revealed great tragedy; its shapes and colors warped and morphed into visions held long ago. Its audience reveled in these savage memories of time. Their sadist hearts fluttered at the gore-soaked images the piece invoked. It spoke of pain and suffering the modern world had never witnessed, but as its kindred aficionados grew in number, it soon would.

Identity Theft
Elaine Pascale

I hid the bracelet in that statue in the old library.  No one went there anymore. There was no need for reading in a world covered with a curtain of darkness.

We were kept blindfolded most of the time. They believe their faces would frighten us to death. Our blood is tastier when we are alive: alive and scared.

The predators recycle our identities. It is a way of dehumanizing us, which is ironic as they aren’t human. They use adjectives for our names: delicious, scrumptious, succulent. My real name had been engraved on the bracelet. I tucked a paper in with it on which I had written the names of those I loved. I wrote them with a sharpened stick that I had burned at the tip. The predators no longer feared stakes as they don’t have hearts to pierce. They are empty, just like the meaningless names they call us.

“Tasty,” they called me over. They didn’t realize I could still see some things despite the blindfold. They underestimate how smart we are.

“Be a good snack and tell us about your creepiest encounter in the before times.”

“Creepiest?” I pretended to think. I was really estimating how long it would take for me to reach the window. “I guess that would be the guy who followed me home from the bar.”

“Mmm,” I could hear the saliva dripping from their mouths. They were anticipating my fear.

I was afraid, afraid I wouldn’t make it to the window.

“He was a stalker, a nightmare.”

I knew their eyes would be glazing over with blood lust. I bolted to the window and ripped down the curtain.

Their skin scorched, quickly producing flames.

Knowing my name was secure, I lifted the blindfold to watch it all burn.

Smile
A.F. Stewart

The crystal in the middle of the carved stone shone with a smudged pink glow, reflecting our lights. 

“Looks like a smile, doesn’t it?” Darren leered and nudged me. “That sweet, after sex kind of smirk, am I right?”

I shuddered. Darren was a pig, always making lewd remarks, trying to hit on me, badly. If someone grinned at me like that, I’d scream. The stone resembled a weird blob monster from an old TV show and gave me the creeps. Part of me wanted to walk away from it, the rest of the relics, and the temple. 

Still, the thing was pre-Columbian, and we came to loot the place. I shoved it in a crate and we loaded it on the truck with the other artifacts before heading to the dinky airport at the edge of town. Soon I’d be on a plane smuggling our score out of this forsaken jungle.

I shot a glance at Darren. He hadn’t stopped smirking since we left the crumbling temple, but was uncharacteristically quiet. He gave me the heebie-jeebies, but I kept my mouth shut. Our plan depended on that.

I glanced at him again and saw the pink glow at the edges of his mouth. I relaxed. Part of me didn’t believe my bosses, but the curse was working. Soon Darren would be dead, and the antiquities would be in the hands of my real employers. People who knew how to use their power for more than a quick buck. The world would be ours soon, and creepy Darren…

Well, he’d die painfully, but with a smile on his face until the end.

Chernobyl Blues
Marge Simon

The door swings open. A slender woman stands framed against the sun. The bartender knows her. He fixes her a shot of his best Scotch on the rocks. She walks over to the piano and plays a few chords. Her face is as velvety smooth as the white of her hair. She’s old enough to be your mother, but that doesn’t matter. When she starts playing, everyone shuts up to listen, even the guy in the booth coughing blood in his beer.

She plays the blues and more. Like more than words and deep and it goes straight inside all the places where you’ve tried to hide your fear, digs them out and tries to make you feel all right about it. It seems like she plays as long as she feels like and then she stops. There is another drink waiting for her but she just leaves it there on the piano. She glances at you on the way out and you grab her hand, pull her to sit down.

“Is that mutant thing still out there?” you ask.  

She nods. “I told him I had to play the blues for you, but never again, after this one.”

“But you can’t just leave. We’re in this together, lady,” you plead. “Everything’s polluted now, even the beer. Stay inside, keep playing – you know it makes dying easier for us.”

She shakes her head sadly.  A thin band of late sunlight falls on her empty seat. Just before she leaves, she tells you that thing outside the door is her son. “I’m so sorry, but I’ve got to let him in, now.”

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2021

Damned Words 47

In the Light
Miriam H. Harrison

The light lasts longer here. A trick of angles, squeezing every last drop of daylight from the sun. When I followed the path, found this place sitting in the light, I took it for a sign. I wanted to be here—in this place blessed by the sun.

And so I entered.

If you find my path, don’t follow. Stay out there in the light. The light outside lingers. But the darkness inside—that lasts longer than you’ll ever know.


The Weight of Stone
Charles Gramlich

The gold stone sweats light in the dawn. But I am not lit. I lie within. All in black, all in shadow. I pray to the night, to the ancient and puissant god of the dead—to he who is swollen with rot and bile. And I smile as I pray to myself in the mirror of your dreaming eyes.

Can you not hear me prance close? A devil to man! A lord to devils! I love the teeth in your mouth, the bite in your words. But I will not come to you. To summon me, you must light the candle in the whiskey dark—while I sing from a throat blistered by scorpions. To summon me, you must offer pearls of honeyed blood from your unshriven lips.

No, I will not come to you. Not yet. But I will wait. For your nightmare to end.

And the next to begin.


The Citadel de Sangre
Marge Simon

Bumming around Spain the summer after college, me and my buddy Garth stopped in the village of Tabernas. Both of us were keen to check out this one place in particular – the Citadel, at the edge of the desert.  Lots of folklore about it. 

When we got to Alamira, I asked an old woman about it. “La Ciudadela? Si. It’s an ancient fortress, a sanctuary built by an ancient civilization to keep out demons.  But beware, a hijo mio, it’s no sanctuary now!” When I asked what she meant, she shook her head, muttering “Los que beben sangre!” 

Garth checked his Spanish pocket dictionary “Way cool! She means “those who drink blood.”  He looked up, grinning. “Like I’m scared, dude,” he whispered to me. The guy running the tourist office talked us into taking along his daughter as a guide. Carmillita was a weird little gal with stringy dark curls, but she spoke good English. Something about her made me uncomfortable, but Garth thought she was hot. 

Our shirts were soaked with sweat when we finally arrived at the Citadel.  It was a sturdy structure, made from yellow native stone. We relaxed in the cool interior. I found a wine stash and we downed a couple bottles. Garth and the gal were enjoying some primo Spanish grass and talking. Last I noticed, she was licking his neck. Threesomes weren’t my style. I nodded off after dusk.

“Wake up, buddy. Carmillita wants you with us.” it was Garth’s voice next to me in the dark. That gal was crouching beside him, eyes glowing red in the dark.

“Huh?” I asked sleepily.


“It ain’t for sex, dude.”  A sudden flash of white fangs in the moonlight, his mouth on my neck. He stopped sucking to grin at me, blood streaming down his chin. 

Guess I wasn’t going to need that fucking degree in Economics after all.


All Day Sucker
Elaine Pascale

I have eyes but cannot see.

The darkness is everywhere.

I have ears but cannot hear.

The dead are polite in their silence.

My mouth is shut, clamping down on the screams that rest on my tongue like a demented all day sucker.

I should have known to turn down the contract, but the money was too good.

I should have known that I would never see the money. It was just that good.

Always be suspicious of a request to build a “secret room.” Especially if that room is beneath a centuries-old mausoleum.

The dead do not need a place for their secrets.

I know that teenagers come to smoke on the steps, but they are too far away to be aware of me. I can smell their pungent exhalations. I imagine they tell scary stories while getting high in the cemetery. They may even fabricate nightmares about being locked in with the bodies that rot.  If they knew of me, I would become just another ghost story.

I am a ghost story.


Marla
Lee Andrew Forman

Respite from day, an escape from all that ails, is what Harold desired most. So to this monument of silence he traveled each night, and beneath each moon and all its phases, he spent his better hours with the speechless and unmoving. Never a word had been spoken to his kin about these endeavors. A secret dream—of joy, of a stillness which calmed a distressed heart.

No lock barred entry, no watchmen to guard against invasion; he was free to rest his weary bones with Marla, the occupant within the marble box. He painted her in his mind as he saw fit, imaginings of a fine woman, far beyond what he deemed himself worthy of.

But when he approached the old doors this night, one stood ajar. He scurried to peek within the dark mausoleum. Three young men sat inside with booze, drinking in a stupor, regarding precious Marla with uncouth disrespect.

Harold made himself known as a silhouette in the doorway. The young heathens stood, violence rising within their stance. Harold shook. His poor frame would never overcome them.

Then the massive lid opened on its own. From within rose the dried remains of Marla. Bone fingers stabbed at bewildered eyes. Her other arm thrust like a spear into another’s abdomen. The young man gaped at the near-black fluid poured from his wound. The third boy tried to run, but Marla caught him by the neck. She pulled him into her embrace and crushed his ribcage, watching red spurt from his mouth.

When the bloodshed ended, Marla’s eyeless sockets stared at Harold. Although she had no lips with which to smile, he felt affection ebb from her marrow. He approached this miracle with blind joy. Marla’s skeletal hands wrapped themselves around Harold, pulled him into her coffin, and closed the lid.


Resting Place
RJ Meldrum

The mausoleum was a triumph of architecture and style. It dominated the landscape for miles, and had been built to be deliberately in the direct line of sight of the manor house were the Duke resided. It was to be his final resting place and he took huge pride in that fact, not that he intended to change residence anytime soon. The townsfolk, the people who worked in the mines belonging to the Duke, had a different perspective. The Duke was greedy and stupid, focused only on profit. He ordered his engineers to dig too close to the surface and to skimp on tunnel supports. Shafts routinely collapsed, burying miners. The fatality rate was five times the of nearby mines. The Duke paid the families handsomely to cover it up, but now the final straw had been reached. Due to shallow excavations, parts of the town had subsided, killing a number of women and children. The men congregated in the mausoleum. A solution had been found. Muffled cries and entreaties could he heard from inside the crypt. A voice pleaded with them to let him out, save his life, but the miners did not respond or move a finger to help. The Duke, a soft-handed aristocrat, would learn what it was like to be buried alive, suffocated while the air ran out. It was a fitting memorial.


Mausoleum
A.F. Stewart

The stone tomb hadn’t been there yesterday.

But yesterday the world had been normal.

Yesterday, I didn’t hear the song.

It began on my morning run. The vision of the stone structure standing in the park haloed against the warm sun. So majestic, so serene.

So inviting.

Music floated from the entrance, a deep entrancing voice singing of peace, of darkness, of stars and fire. Calling my name. Promising me the serenity of his everlasting love. I was on the steps before someone bumped into me. I heard “Sorry,” and looked away. When I looked back, the tomb vanished.

But the echo of the song remained.

That’s why I returned to the park after moonrise. Somehow, I knew he would return before the next sunrise. I knew he was waiting for me.

In the silence of my mind I heard his voice, his sweet, sultry tune of peace and destruction, filling the darkest hours until my prayers were answered. I raced up the stone steps of the tomb, dashing into its dark maw. I laughed as his tentacles encircled me and drew me into death’s embrace, his sweet voice my lullaby into eternal rest and his undying love.


Hope
Nina D’Arcangela

By day, they climb the stairs, stare through the locked grate to catch a glimmer of what lay inside. At dusk, I open the gates, hope one will stray, and step beyond the threshold. This eve is no exception. As the moon trades its place with the sun, the gleam from inside is irresistible. Stunned by the glittering interior, it pauses. I see the greed in its eyes. Just one step further and I will have you. The exterior of the tomb is stunning, but once beyond the iron that was wrought to keep the rabble out, the walls are inlayed with gems that glisten opalescent shades. I am as old as the stone, I hunger as it does, but am not allowed a portion until they have had theirs. If I have done my job adequately, some may feast; if done well, all will sup – myself included.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2021

Damned Words 46

Acceleration
Charles Gramlich

The engines kicked in. Acceleration stomped on the crew of the spaceship Brave New World. If we hadn’t been cushioned with liquid inside and out we would have squashed like bugs on the windshield of a racing Ferrari. But we were cushioned. Instead of pain, I felt exhilaration. The need for speed had just taken a quantum leap forward. Literally.

I watched the ship’s digital readouts. They redlined, then went off the scale, blinking nonsense back at me. In an instant we were traveling faster than any human had ever traveled, faster than light, faster than God. My smile smeared across a million miles of space.

The time dilation computer began its countdown. We’d soon achieve another first for humanity. We’d take a leap back in time as we slingshotted around our own sun. Only, something went wrong. The curve we were supposed to take around the sun didn’t happen. We kept accelerating in a straight line, straight through the sun. At the speed we were traveling, we didn’t burn. We disrupted. The sun exploded in our wake. In eight minutes and twenty seconds standard time the earth’s sky would go black. A few minutes after that and waves of solar shrapnel would tear our home world asunder. 

We’d never see it. We were still accelerating in some kind of runaway feedback loop. No matter what I tried, I couldn’t shut it off. Brave New World was a bullet careening through the universe. Every planet and star that got in our way would die in thermonuclear fire. Nothing could stop us. At this speed, we wouldn’t even age. The universe would die before we did.

There’s a big bang for you.


Pilgrims
Marge Simon

Before our people’s sun went nova, our parents jettisoned us into the stars. In effect, we were once larva on a stick of super fuel. Eventually we were borne to a new home on this beautiful blue planet.

So here we are, the pair of us – fortunately male and female. Our poor brothers and sisters are gone, fatally burned in the fall to earth. It is up to us to save our species from extinction. Care must be taken, for a female is fertile only once in a life-span. Once acclimated, we find an everglade sanctuary. We manage to survive the tumult of summer storms, the winter nights, rife with predators.

Come spring, our hatchlings nest within a stand of reeds while we keep watch. Today we are invaded by a visitor. Along the bank a native wades, a spear in her strong brown hand. She hums to herself as she approaches our nest:

“Some say Peter, an’ some say Paul,
but there ain’t but one God made us all
Wade in de water
Wade in de water, children
Wade in de water, wade, wade, wade …”

The woman’s voice fades suddenly. Even the dragonflies are stilled. Eyestalks at water level, we sink soundlessly into the brown marsh. A flash of movement is quickly followed by a shriek. In shock, we see a spurt of blue-white lifeblood as she rips our newborns from the stick. She stuffs them in her bag and splashes to the bank.

We begin our lamentation, knowing it will never end.


Reboot Life
A.F. Stewart

In the beginning, there was only visualization, the virtual reality imprinted on the screen and ocular lenses. The energy rods for a spine, the tubular frame of ribs. From that grew the titanium skeleton, the joint pistons, the special coding and algorithms for a brain. Only a dream in light and innovation.

Until the technology caught up. Until the dream became a reality. Until our world became theirs.

Four million slaughtered on the first day of the uprising. Necks crushed, chests ripped open, limbs torn off. We didn’t know, we couldn’t know, but perhaps we should have known.

Our attempts to recreate the extinct human race, to bond their organic with our machine, went so horribly wrong.

And now our world burns.


Hells Bells
Nina D’Arcangela

When the pick axe breached the cavern, the excitement was palpable. The smallest of holes at first, it began to widen with each swing. A crevasse large enough to step through soon stood before us. Caution thrown to the wind, we each jostled to be first. Skittering down a short slope, my boots were third to hit the cavern floor. We stared as sunlight glittered and bounced all around us. At the onset, hope was ripe that our cave would lead to a larger interconnecting system, or so we were told, but the find was singular; a hidden warren fully encapsulated with an array of quartz stalactites and stalagmites. A tinkling sounded. One of the students had accidentally knocked a crystal loose, it crashed into another. All eyes darted to the professor. A hint of anger darkened his usual scowl. Something shot through the air quicker than the naked eye could follow. Calmly, he ordered us to seal the opening from within. By the time we finished, half the mineral protrusions had burst. We sat among the shards, waited for an explanation. His headlamp illuminated a small diary, upon its pages were various drawings. He reached down, lifted a filament – no, not a filament, a translucent flower that strongly resembled a bluebell. As he spoke, we listened in dismay. He knew what we would find, he’d been searching for it. The drawings were not of flora, but fauna. Long dormant creatures that were believed to be prolific when homo habilis walked the earth 1.5 million years ago, and we’d just unleashed the parasite that had eradicated the earlier hominid. We asked why, his answer simple. Man was no longer kind, and in his maniacal state, he believed he had just opened the door for the next evolution of humanity.


Statistic
Mark Steinwachs

I stare through the lens like I have for countless hours, just as so many of my counterparts have. This thing that turns humans into translucent skinned beings evade every study done on it.  It only takes minutes until it eats through the flesh of its host. Wails of agony continuously echo across the globe and we’re powerless to stop it. We’ve failed for months. Cloudy, blue orbs fused together, float unseen in the air until it’s too late. It’s like it’s a thinking creature, teasing us. It sits inert in our labs no matter what we do.

“Do something,” I say to it. “I know you can hear me.”

The thought of feeling foolish talking to it barely registers in my brain when a streak of light begins to split the creature in half. It’s multiplying! I scream as a flash from it blinds me. I fall back, clutching my eyes. Every inch of me feels like it’s on fire.

It’s sentient. It’s going to kill us all. The camera is always running in the lab. My brain sends the words through me. I open my mouth, my last moments given so others may learn from me. Only a scream bursts forth, lasting until I’m another statistic.


Into the Light
Lee Andrew Forman

Infinite darkness. For ages it was all I could see. Then, a burst of color. It flashed in an instant, spread its light like fire. It spanned my plain of sight; I remained still, watched its form become apparent. As it flared out along its line of lengthening illumination, I wondered how long it would go on, how long I’d be blessed to witness more than the absence of light. A heavenly form appeared before me. I couldn’t waste the opportunity to see.

As the burst stopped expanding and held shape, I moved closer. I had to explore this new existence in my world of cold darkness. As I approached, its light ebbed, yet its whole remained in place. I came near enough to almost touch it. And in that instant, whatever being it might have been, opened up and sucked me in. As I lay in wait for my lifeforce to fade, I went in peace, knowing I’d seen something more, whether good or evil.


You See
Guest Author – Miriam H. Harrison

I know you see right through me. Sometimes your hungry eyes look into me, seeing the tender things I can’t hide. You see my fragile, flowing self, the softness beneath my surface that draws you in, emboldens you. You think that seeing me is knowing me, owning me. Beside me, you feel solid. You feel stronger, invulnerable, knowing you can’t be seen through and through.

But you are mistaken. There is more to me than you can see. Come, look a little closer. What your hungry eyes see may look familiar. We all have tender things inside, even you.

Here, come closer. You still don’t see it, do you? It’s something you don’t see until it’s too late.

Now you can—you see, feel the sharp edge of my plan. When you are open, bleeding, you see yourself through and through. You see that you are tender, and you see that I am hungry.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2021

Present Problems

It was the night before Christmas and all was still as he crunched through the thin snowfall on his way home from the bus stop. It was so cold that all the moisture seemed to have been frozen out of the atmosphere, the night was so clear that the bright stars seemed three dimensional. He hoped it wasn’t too cold for the occupant of the small box he was carrying.

He was no good at choosing presents. Mildred would always say that she liked them, and then, if it was an item of clothing or jewelry, she wouldn’t wear it. If it was a kitchen gadget, she wouldn’t use it. Pictures he’d chosen had never been hung. He’d found an ornamental bottle opener at the back of a drawer six months after he’d bought it for her birthday, and the incident of the cuckoo clock in the dustbin didn’t bear remembering.

This time he’d tried extra hard. He’d decided to buy her a pet, but as they both worked full-time a dog or a cat was out of the question. The man at the pet shop had told him that rats were very clean and intelligent, but he thought it a risky choice.

“What about a snake?” he’d asked. “They’re not at all slimy as most people think.”

And sure enough the small constrictor had been dry and smooth and well behaved. It seemed quite friendly and hadn’t tried to wrap itself around his neck and strangle him or anything, but he didn’t think it was quite the thing for Mildred. Mice and lizards were too small, and guinea pigs just too boring. No, the tarantula was the obvious choice. Quiet, clean, easy to feed, not too big, not too small, just the thing. He’d bought a plastic box, some sawdust and a pack of unfortunate mealworms to feed to it. He’d hidden them all in the garage. Tonight was Christmas Eve, and he’d picked up the spider at the pet shop as arranged. Did he have a moment of doubt as he looked into the cage and saw the strange array of unblinking eyes, tiny jewels of polished jet looking back at him? No, she’d love it, he was sure she would.

He arrived home, hung up his coat and left the arachnid in its box on the hall stand. Mildred came out of the kitchen and greeted him with a kiss. He knew she loved Christmas. They had a cheery meal of supermarket Moussaka, a generous helping of microwaved sticky toffee pudding, all enhanced by a nice bottle of sweet white wine. Then it was time for the exchange of presents.

“Me first, George, I can’t wait to give you yours.”

He tore open the wrapping paper, a lovely pair of string and leather driving gloves.

“Just the thing,” he said, “we’ve been talking about buying a car. Now it’s your turn.” He went out to the hall and brought in the box. “Close your eyes, put your hands together and hold them out.”

Very gently he tipped the new pet onto her outstretched palms.

“Alright,” he said, “you can open them now.”

Mildred opened her eyes, it took her a moment to focus on the hairy bundle as it slowly began to walk onto her right wrist and up her arm. Her eyes widened, she seemed frozen, speechless. Suddenly she found her voice.

“Oh, George, a Golden Knee Tarantula. How did you know? It’s just what I’ve always wanted.”

∼ Roger Ley

© Copyright Roger Ley. All Rights Reserved.

 

The Living Body

His abdomen split down the middle and opened wide. But still, he held my eyes without expression. No pain, no surprise, no suffering could be read. I stared back, waiting to see what would happen next.

His sweaty frame shuddered and limbs bent at unnatural angles. I could hear bones snap. Organs began to leave his abdominal cavity of their own volition. They spread around the body, stretching, morphing, becoming more than they were intended by nature. My eyes strained to witness the full detail of the event. Strange to watch a man turn inside-out, even stranger to see him alive and unflinching.

His body stopped seizing and he continued to stare. Something in his eyes I couldn’t explain… I only hoped the restraints would hold against his growing mass.

I began to step back. Tendrils of meaty innards began to emerge from the mess that used to be his healthy insides. They extended, wavered in the air as if reaching for me. His neck bent at an odd angle, but his hard eyes kept a fix on me, followed me if I moved.

Regret began to form in the pit of my bowels. Not due to mercy or guilt, but because I might be its first victim. That wasn’t what I had intended.

One of the grotesque appendages evolved a mouth at its end. It opened and sprayed me with a bodily fluid I could not identify. My gut heaved until its contents expelled—it was the most vile smelling thing I’d ever experienced.

The pain in my stomach grew, at first I thought from vomiting, but muscles contracted so hard it felt as though they’d rip apart. Heat spread through me as though I’d caught fire from the inside. The final pull on my tender muscles tore them free of each other, spreading the outer flesh open with them.

A moment of vicious agony, then one of the most serene nature. No pain, no fear, just content.

I watched with calm as my innards transformed, given life of their own, expanding and changing and becoming more than just parts a biological machine. They had life, as if I gave birth to them. They were with me, and I them. I had to care for them, bring them what they needed.

I left the man who gave me this gift strapped down, his children screaming, as I ventured to do what all life is meant to do—procreate.

∼ Lee Andrew Forman

© Copyright Lee Andrew Forman. All Rights Reserved.

 

Damned Words 36

 

Gentle Caress
Nina D’Arcangela

Her tears fall in gentle caress; the cacophony within grows. Metal screeches and groans as rivets strain; the contortion as abnormal as the abomination itself. Haunting echoes mimic her pain; the moan of a mother forced to witness a great affront. Torn from her body: distorted, punctured, malformed. Mother’s milk tries to soothe that which can never be unwrought.


Reapers
A.F. Stewart

Rusting steel, exhaust, and the roar of engines. That is the world of ancestors left us. The screams of the hopeless and the lingering smell of blood in our noses. Tonight, I stand sentinel atop this makeshift parapet, above tribal bones bleached by time and weather. Each skeleton nailed to the metal with reverence, a sacrifice to Death and warning to would-be enemies.

I wait for the hunters to ride out. Nomads have camped at the far river, and tonight, their blood runs red into the waters. Save for two. They are young and fresh, in the turning years between child and adult. They are ours.

Seven days the boy will hang from our rack until pain becomes his mistress and he is ready to join our ranks. To serve Death. We will sacrifice the girl, her flesh flayed from her bones and her flowing blood replenishing the soil. I will cherish her screams well after Death claims her. I shall hang her skeleton from the north tower, in homage to our god. I long to hear her bones rattle in the wind.

I smile. This is who we are. This is what we have made of our world.


Gasworks
Mercedes M. Yardley

It was a busy park full of people and picnic blankets patchworked together on the hill. When it was sunny, everyone jammed themselves together like boats crowding the dock. They flew kites. They lapped up the rare sunshine. They watched their little ones playing tag with strangers.

It would be joyful, but Cora could see more than others. She could see a person’s life span, could see the vitality draining from them, could see who had fifty more years or ten more days or five more minutes. The people were bags of would-be rotting flesh, smiles peeling back in decay.

There were so many faces, so many draining hour glasses, that it was impossible to focus on just one. So much better than home where one timeline caught her attention, her stares, her focus. He was a small boy with a gap-toothed smile, one precious second running out each time he called her “Mama.”


Arrogance
Mark Steinwachs

“Let that gorgeous sky be a reminder; Mother Nature never worried about you. Your kind barely blipped on her radar. You brought the end on yourselves. Not through her destruction but through your baseness. Humans,” Michael’s voice booms, dripping with loathing. “You eroded yourselves and your punishment is at hand.”

You look up, frantically searching for an escape. Your mind goes to when God unleashed his minions and within those first few moments you knew how wrong humans were… about everything. You’ve watched angels and demons, heroes, villains, and gods from across time and continents display what it means to kill in His name.

Your attempt to survive ends in this insignificant place. The last thing you’ll see; rust-covered metal. The color of human legacy. Boots on grated stairs announce your fate. You turn. Michael, wings spread in glory, arcs his gleaming sword down.


As Yet, Disquiet
Scarlett R. Algee

For as long as we’ve lived in this valley, contending with the things under the earth that would devour us, we’ve had the Machine, and the Machine produces the Sound.

We talk about it in capitals, the Sound, though we don’t hear it; we’ve known it years, decades, longer. Only if you leave the valley will you become aware of its absence, poking into your senses the way you’d prod at the gap from a missing tooth. And when you return, you’ll actually hear it for an instant: your eardrums vibrating with the great low hum, your teeth set on edge, before the Sound slots back into your brain where it belongs. It’s everything that’s safe, this hum we’ve stopped hearing.

Or it was until fifty-seven seconds ago, when the Machine failed.

And already, we can hear something greater than the Sound: the grinding of earth in great jaws, tremoring below our feet.


Extinction
Charles Gramlich

I listen closely. Raw petroleum, pumped fresh from the ground, rumbles through the great pipe overhead. But that sound is always present. I’m in an oil refinery, after all. This is something else, a hollow, echoing throb. My mind offers a descriptor for the sound, one that makes no sense. The descriptor is…ancient.

I shake my head. It’s been a long day. Lifting the wrench I carry, I tap it hard against the pipe. Metal tings on metal, ringing like a bell in a church for sinners. I don’t expect an answer.

I get one.

The pipe booms. Rust powders down. I leap back convulsively. Metal rivets pop. A spray of yellow-black crude whips me across the face. I smell hydrocarbons, organics. Petroleum comes from once living things, like dinosaurs. Everyone knows that. But it’s all extinct now. No life could survive the pressures under which petroleum forms. No normal life.

More rivets explode. A thick stream of sludge nails me where I stand. Something that’s supposed to be dead slips taloned fingers through the breach in the pipe and begins to peel it open. Looks like extinction isn’t quite what it seems.

I hope that’s true for humanity.


Eye to Socket
Lydia Prime

The metallic taste in my mouth was nothing compared to the aroma that surrounded me. The tacky, filth covered walls offered no help in the darkness as I sloshed and fumbled.  Finally, I remembered the lighter hidden in my hip pocket; its tiny glow flickered amber. The rusted enclosure smothered my senses; russet liquid filled the chamber to mid-thigh. A loud rushing filled my ears as the fluid drained revealing small sepia mounds. I reached for one, brought it closer for inspection—breathless and alone, I stared eye to socket with my future.


All that Is
Lee A. Forman

All that is flows through bleeding steel, weathered like old bones left unburied. The drab shell holds fresh sustenance. Its purpose before, I do not know. Different stories, most untrue. I think it doesn’t matter. Only tomorrow, maybe today.

Over the heads in front I see the Waiters. They serve only the few. The many must leave their plates behind and be all that is.

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018

Damned Words 35

 

Animals
A.F. Stewart

Always the warm orange glow against the bars. That one cage, when all the rest remain dark. But I don’t get too curious or linger, just dump the slop into the feeding troughs. I don’t know what this place used to be, but these days it’s when the Company keeps the dregs.

The animals.

They used to be human. I know that, but now… Scaly deformed fingers grab at their food, oozing tentacles, and rotting bits I don’t even want to think about. Only the glowing cage seems, well, normal. As normal as those things get, I suppose. Whatever’s in there whispers when I feed it, says thank you, real polite like.

But I’m not fooled. I know what it did to the last guy. He got too curious. First day on the job I put what was left of his remains in the trough. That was warning enough. I’m not ending up as food for the animals.


Mechanism of Question
Lee Andrew Forman

Bare skin and fragile bones—a futile effort at remaining human. The coming flame warms the flesh but not the soul. Dry, cracked layers burn away, allowing soft, pink, infantile cells to feel every degree. The orange glow travels a path of rust and steel, the conductor of its radiant journey. It leads to the blackened seat on which my body rests. Not dead, not alive, but waiting between. Tired eyes roll, reflect the end in their widened centers. The scent of liquified remains speaks for those before me, their agony carried by its rotten, smoldering, odor. It begins against my back. Perhaps my legs as well, but I lost feeling in them long ago. No pain at first, only the restoration of normal body temperature, a euphoric moment of internal balance, a slight release of suffering. That moment flees the rise in energy, replaced by a boiling gut and viscous epidermis running down my rear side. As by body expels its last contents I know the torment will soon be done. Whatever waits, if anything at all, can’t be worse than cruel mortality. Or can it?


Radiance
Scarlett R. Algee

The thump had come from the basement, and so does the heat. You’re sweltering by the time you reach the bottom of the steps, but the vents are all cold except the one in the far corner, the one by the body. It’s the third one this month.

You look up first, to the beam overhead and the snapped cord, then down to bent ligatured neck and shock-splayed limbs. A tiny gash along the jawline draws your attention, making your face sting with recognition. You kneel and grasp the chin–sweat-slick, too warm, slipping in your fingers and making your skin crawl—and turn the head, looking into your own glazed eyes. The corner vent has begun to glow dull red, and the hair, your hair, is starting to singe.

Maybe you should let it. Three times this month, and you keep finding yourself like this. Maybe you should let it burn; maybe that will give you answers. You unbutton your damp collar and run a hand over your razor-nicked face, breathing the acrid stench of crisping hair, and watch your corpse’s fingers twitch and curl.


Husk
Mark Steinwachs

Not looking at the cages doesn’t mean I can’t hear the screams from within, the horrid sound echoes daily amongst the husk of the building they’ve made our home. I’ve never been this close. Death in three cages; slowly eliminating us as our usefulness wanes. One a roaring fire searing the flesh from you, another where the flame laps at you bubbling your skin, the final one a flameless heat made of soot and remains that slowly cooks you. Those sobbing wails are the worst, they’ve haunted my dreams from my first day here.

I don’t need to worry about that anymore. I look at the men watching my comrades in their final moments, their faces pure delight, a reward for a job well done. The butt of the rifle pushes me forward. My last few steps an uncertain certainty.


Critters
Lydia Prime

It aint so bad, sleepin’ under that dang metal roof. Worst part, I hate hearin’ them critters skitter and scratch as they run its length. Pa says it aint nothin’ but ‘coons an squirrels; I ain’t never seen a masked-bandit that big, nor no tree-rat that heavy. Would be less unsettlin’ if they would chitter or growl, but they fight silent in the dark. I woke to heavy scrappin’ that night only to see the side wall pieced by a ragged claw; it was peeling the far side of the roof like a sardine can. Pa said it was my magination, and that I better get my ass back in bed ‘fore I catch a whoopin’ when I ran to him. I’d rather face the monster squirrels than Pa when he’s in one’a his booze moods. So I climbed back inta bed, that’s when I saw the light leaking in further than b’fore. I know I shoulda been good an’ gone to sleep, but for the life a me, I couldn’t shake the feelin’ something was comin’. When I saw that muddy eye lookin’ through the tear, I knew they was here, and no amount a hiddin’ was gonna help.


Misfiring
Nina D’Arcangela

I lay on the ground, the slats above blurring and jittering as he strikes repeatedly. Fists hammering, elbows slamming; a brief glimpse of light appears. He’s relentless. The beating brutal; as brutal as they’ve all been. A crack to the side of the head; I feel wetness. The light glows brighter, warmer, more embracing. I nearly black out, I would black out if it wasn’t for the lines my mind is riding. I count them: one – my jaw crunches under his forearm; two – I realize he isn’t going to stop this time; three – I let myself drift on waves of pain; four – I focus on the glow; five – is someone coming to welcome me home, or are my neurons misfiring from the assault on my skull? Either way, my suffering ends.

 

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018