The Story of You

How would you live the rest of your life, she had wondered, if you knew you only had a finite number of days left? How would that change things? Would it make the sad, lackluster time sweeter? Would something shine?

Jesus Christ knew the number of days left before his death. So did killers on death row. Did it change things? Make the quality of your final days differ? She wanted to find out.

She gave herself ten days. Ten final days, and what would she make of the rest of her life?

Ten. She quit her job. Not only did she quit, but she quit with joy, with verve. She said, “I quit,” and did a little dance on her boss’ desk. She threw her head back and laughed as she was escorted out by security. She flipped the building off and stopped for a midday ice cream on the way home.

Nine. She slept in. She got out of bed to answer the door and eat the Chinese she ordered. She ordered everything on the menu that she had ever wanted to try. All of the shrimps and the sauces and everything delicious. She laid in bed with her food around her, watching lame reruns on the TV because she could. She ate trash, watched trash, and let the trash of the day pile up around her.

Eight. She spent the day throwing up trash, trash, trash. She wanted to simply forget day eight.

Seven. She showered and shaved and plucked. She powdered and perfumed. She put on that darling dress in the back of her closet that she’d purchased for a special occasion. There had never been a special occasion. Today wasn’t that special occasion, either, but she looked at herself in the mirror with clear eyes and a small smile.

Six. She called her mother. She called her best friend. She called the guy who had given her his number a few months ago. He was surprised to hear from her, but still remembered her.

“I’ve had your number in my wallet ever since the party, just in case I decided to call,” she admitted shyly.

He laughed and it was a beautiful sound. “I’m so glad you did,” he said. “What changed?”

She didn’t answer but asked him if he wanted to go to a play with her later that week. He agreed. She bought tickets and also wondered what she should wear to her funeral. Most likely the special occasion dress.

Five. She bought the grand piano she had always wanted. It was glossy and gorgeous, and they brought it right to her home. The piano tuner tuned it, and then played the most intricate music she had ever heard.

“I think I’m going to cry,” she told him, and when he played the old song her father used to sing to her, she did.

Four. She played the piano.

Three. She played the piano. She slept beneath it that night. There was plenty of room and her dreams were ethereal.

Two. She pulled on her favorite scarf and went to the park. The trees were bare and the wind bit at her, but it tasted fresh. She had always wanted to go to Iceland, or to Finland. She wanted to drink the purest water in the world and watch the aurora borealis. She felt a tight pang in her chest when she realized that would never happen. Was this sorrow? Yes, it was definitely sorrow, but then she saw a fluffy white dog and there was no room in her heart for any type of sadness. It was full of oversized paws and soft fur and a warm puppy tongue and everything inside of her heart fit perfectly.

One. She wore her special occasion dress and met her date at the theater. He was charming and his eyes squinted when he laughed. The actors were talented and she caught her breath during the play several times, but it caught most when this kind man gently took her hand and held it. He held it for the rest of the show and as they walked outside into the moonlight.

“I wish it didn’t have to end,” she said, and the beauty of the world was nearly too much. There were grand pianos and fluffy dogs and delicious food. There was art and plays and friends she didn’t even know existed yet. She wanted to see the Northern Lights. She hadn’t wanted anything in years.

“Who says it has to end?” he asked her, quizzically. “This could just be the beginning to everything.”

The beginning or the end. She would stay up tonight and decide. She blinked at him and her eyes reflected the moon.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Murder House

Everybody in town called it the Murder House, but Mia simply called it home. Here is the front porch where (he stood and hacked open the door with a hatchet) she used to play with her dolls. This is the parlor where (Mother was slain) she learned to sit up properly and greet guests nicely. Here’s the kitchen where (the knife was taken) Mother cooked breakfast and here is the master bedroom where (the rest of it happened) her parents kept a small chair, a lamp, and a basket of books. It was her favorite spot in the house, keeping her (hidden while her father’s blood splashed the walls) safe and happy.

Before, she had just been Mia, a quiet girl with big eyes and dark hair pulled back by a bow. After, she became The Only Survivor, the little girl who witnessed her family’s slaughter. People didn’t ask her to play ball or Freeze Tag anymore. They asked her what it was like to hear her father scream, or how did she feel knowing that the scary man could turn around and find her at any second?

“You were in the chair, right?” they’d ask. “Quiet as a mouse, but he still could have seen you, couldn’t he, if he had just turned and looked? If he had stopped chopping at your dad’s face for long enough? If he had taken a breather from stomping through your house, his feet echoing on the hardwood floors, as he called for your mother in that creepy voice? What if he had seen you?”

Mia didn’t answer. She didn’t have to answer anything, her aunt told her, not even to the police, unless she wanted to. Being a survivor gives you certain privileges, her aunt said, and keeping your own council is one of them. They lived together now, and probably always would, unless Mia wandered off on her own and simply disappeared one day. Or fell down a hole in the ground or staggered into barbed wire or ran into the pointed end of somebody’s ice pick several times. You know, however accidents occur.

Or maybe she’d live forever and become an angel like her mother. She hadn’t believed in angels before, but suddenly she needed to, desperately. She needed to think of her parents floating around in unearthly white with thick, beautiful wings, instead of how she saw them last. Parts of her father. The crumpled sack of her mother, still wearing her prettiest shoes. She always joked that she wanted to be buried in those shoes, but the police had kept custody of them. She was buried in a new, stiff pair instead.

Her aunt never let her come home, saying that the house had been irrevocably changed by what had happened. “It isn’t your home anymore, Mia,” she said, her fingers fluttering to fix Mia’s perfectly straight hairbow. “It’s become something else. It’s become…” Mia could tell she was going to say the “Murder House, but she took in Mia’s dark eyes and changed her wording.

“…more like a memorial,” she said, but Mia knew what her aunt was thinking. Yes, the Murder House. Something ghoulish and sensational and carnivorous.

But today, Mia had slipped away and let herself into her home. She still wore her house key on a chain around her neck. The carpets had been cleaned, the couch was removed, and the walls had been scrubbed and coated with fresh paint.

She walked past the bathroom where (the man had washed his red, red hands) she had carefully brushed her hair before bed. Past her room, decorated with (bloody handprints and DNA) carousel horses and stuffed animals. She hovered briefly in the doorway of her parent’s bedroom, and then padded gently to the reading chair in the corner. She sat on it gingerly and pulled her legs up beneath her.

She had been reading a book that night. The Secret Garden. Her parents had both assured her that she would love it. She had been deep in a world of English roses and creeping vines when everything had happened. Then suddenly the room was noise and heat and that strange, warm smell, red roses and red satins and red everything that streaked across the curtains and wall.

The man was a stranger, someone she didn’t know, but as she stared at the eerily mechanical movements of his chop-chop-chopping arm, he turned and looked at her directly. His face was expressionless, blank, but his eyes burned black and began to smoke.

He pointed at her, pointed to his own temple, and put his finger to his lips. Black oil leaked from his eyes and ran down his face and neck. He put his finger to his lips again, insistently, and Mia nodded. The man looked satisfied and turned back to what was left of her father.

She hadn’t spoken a word since that night. Not a single sound. When her classmates asked her what she would have done if the man had turned to see her, she couldn’t tell them a thing. He had seen her. She had seen him back. They had both looked.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Bleed

“Have you ever wanted something so badly that you would do absolutely anything to get it?”

Marlys’ words were breathless. Her eyes shone with a kind of dark hope that turned Wallen’s stomach.

“Maybe some things aren’t meant to be gotten,” Wallen said gently. Marlys reared back and slapped him, hard, her palm making a sound against his flesh that brought him back to childhood, but he didn’t flinch. He didn’t cower or scream or hide. He stood there, a man now, letting a grieving woman beat him with her hands and fists while he stood, resolute.

“I love you and would never hurt you, no matter what you do,” he said, and her rage kicked up a notch before she sank to the ground in tears. Wallen sat beside her until her tears dried.

Marlys didn’t let it go. She couldn’t. She stopped eating, picking at her food and moving it around so it looked like she had a mouthful or two, but Wallen knew better. She stayed up at night, glued to the computer, the screen illuminating her face in the dark. She looked up people and practices and phone numbers and things that took a shadowy turn.

Wallen drove Marlys to her therapist and waited outside in the car. He leaned his chair back in the cool air, watching the leaves as they shook in the breeze. He listened to audiobooks and podcasts and sometimes simply the silence. So much more comfortable than sitting in the beige waiting room with a bunch of vapid magazines. He didn’t want to know how to drive a man crazy in bed or write his congressperson. He just wanted to know how to make his wife better, make her whole, when half of her had been abruptly severed and left to bleed out.

She came back from therapy looking exhausted, or thoughtful, or invigorated, or stripped of all her humanity.

“How was it today?” he would ask each time. He was supportive. He was calm. He was all of the textbook things a perfect husband would be toward a grieving wife.

“My sister is still dead,” Marlys would answer, and Wallen would hold her hand if she wanted to be touched or simply drive, looking straight ahead, if she didn’t.

Marlys was a different woman every day.

“Don’t ever leave me,” she’d say. He promised to stay.

Or

“I’ll never feel normal again. You should just go.”

He still promised to stay.

There were the days when she said nothing at all, but curled up in bed with their cat sleeping on her chest. She didn’t look at Wallen when he took her hand or made the bed around her or drew a bath and gently led her to it. He would wash her hair and pour water over her like she was a small child. Afterward, he would wrap her in a towel and hold her on his lap.

“We will get through this,” he said. He wasn’t certain she really wanted to, but that was okay. Wallen had enough will to live for two of them. That’s the thing you do with someone you love: you take turns leading. It’s when you both break that you have to worry.

It was their birthday. Marlys and Mary. They bought a cake and Wallen drove them to the cemetery. They spread out a cheery blanket and set up a little picnic at the headstones. Marlys carefully served pieces of cake. One for Wallen. One for her. One for dead Mary, one for dead Max, one for dead Zariah, one for dead Jaleel. Mary and her three children shared one big, beautiful headstone, all with the same death date. Mary’s husband, who also shared the same date, was buried far away, all alone, nowhere near his family.

“They’re not his anymore, are they?” Marlys had told Wallen when they were making funeral arrangements. “He lost his right to them when he shot them in their sleep. Instead of a murder/suicide, he should have gone right to the suicide. He didn’t have the right.”

Time passed as it always did, but Marlys became more obsessed. She watched movies and documentaries about zombies, about living vampires, about the undead. Wallen found bird skulls and other strange objects around the house. He’d come home to see strangers with shaded eyes sitting in his living room.

“You’re scaring me,” he told her. Marlys’ hands were always cold whenever he held them, which was less and less often. “They’re gone, my love. You can’t bring them back.”

Oh, but she would try. She tried spells. Voodoo. She beseeched God and gods and goddesses and anything that would listen. She had people pray over the bodies and use crosses and blood and faith and dead cats and urine and everything else anybody told her to do. She desecrated Mary’s grave over and over and over and over.

And over.

And over.

“You asked me not to leave you, but you’re leaving me,” Wallen whispered one night. He wrapped his arms around the husk of his wife. The shine of her eyes told him she was awake.

“Please come back, Marlys. I can’t go through this world alone.”

“Everybody’s alone.”

He thought he heard her voice, but when he looked, the eye shine was put out and she looked asleep. Perhaps he had misheard. He certainly hoped so.

He was afraid he knew how this would end. Marlys would stop believing in ghosts and angels and devils. She wouldn’t be able to bring her sister and the children back. Life wasn’t Pet Semetery or The Monkey’s Paw. The dead stayed dead.

But they’d be reunited in another way, he was sure of it. Family was meant to be with family, and you couldn’t escape the ties that bind. Wallen went to sleep every night listening for the click of a new gun in the house. He knew it would come.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Damned Words 39

 

Inner Matters
Lee Andrew Forman

The sounds of the world bring peace: crunching gravel, leaves dancing with nature, songs sung by the creations of life. Reality has other sides, some which only a vagabond can see along their journey. The pleasant are never left unappreciated. The darkest sit atop your shoulders, ever apparent in your sight.

A band of three delinquents emerge from the brush to intercept my path, smoke-filled ugliness trailing from their mouths. Their eyes immediately find me: the derelict, the tattered wanderer, the lonely victim. But their eyes only see what their minds can imagine. I sigh in response to their vile introductions.

Before they can hassle me further my front-side expands and splits down the middle. My innards expel themselves and splatter the deviants in carnage. Fluids dissolve their flesh; they scream a futile cry of agony no one will ever hear. Only when my would-be predators are mere remnants of ooze do my organs crawl back and nestle themselves where they belong, happy and well-fed.


Tracks
Charles Gramlich

“Shhhh, I’m here.”

The man shuddered, not quite sure yet what had happened to him. I rested his head in my lap, then pushed sweat-matted hair back from his face to see his terrified eyes.

“Help…me,” he begged.

I shook my head. “Sorry. This could have been avoided, but…” I gestured for him to look at himself.

He turned his head to gaze down his body. I let him scream at what the passing train had done. He tried to struggle, to thrash his arms and legs. He had no arms or legs. Shredded remnants of his severed limbs looked like piles of cooked raspberries strewn along the tracks. And, as I’d read would happen, the train’s weight had cinched the torn veins shut. He wasn’t bleeding out; he’d live a while yet. No one would find him here, though, where I’d tied him to the tracks.

“Please,” he begged again.

I shrugged and rose. “I warned you about those spam calls from your site.” Taking out my cell, I punched a number. The phone in the man’s pocket buzzed obnoxiously. “Press 2 to be placed on my do not call list,” I told him.


Family Honor
Mark Steinwachs

When I pulled the trigger years ago, I knew my turn would come. There is only one of us in the family at any time. My death is their first hit.

Blindfolded and with hands tied behind my back I shuffle along rocky ground. Whoever is behind me helps guide me. He nudges the back of my knee with his foot and I awkwardly let myself fall to my knees. He lays me flat, my face touching cold metal, then pulls the blindfold back enough for me to look down the long track. Not the same track I used of course, but the scene floods my memory. There is only one person who knows the story of my first hit. I never thought he would be the one.

“Thank you,” a male voice says, one I’ve known since he was born. “Your place of honor awaits.”

Those words, the exact ones I spoke when it was my turn, linger in my brain as I hear the click of the safety releasing.


Now You Stand and Wait
Scarlett R. Algee

They’d picked up her clothes along the track, almost too shredded to bother, and the whole time Shep had been grumbling you’re a damn fool, it ain’t the same no more; so when Shep squats by the rail and picks up a tuft of fluffy black fur, Ben hates him a little.

He clutches the ruined clothes, swats away Shep’s offered rifle, stares down the slope to the ground beneath the trestle bridge. Squints. Wonders. “She’s still my girl.”

Shep toes the claw marks along a rusted edge of rail. “You think that now.”

“She’s still Ellie. You just wait here.”

Alone, Ben treks down to the darkness under the bridge, stands at the bottom to a warning growl. He glimpses eyeshine in the black yards away. “Ellie, it’s Daddy.”

He steps closer. Another growl, deeper, but Ben can see the shape of her now, huge and magnificent, tail held out stiff. He clears his throat. “It’s gettin’ late. Your mama’s got supper waitin’.”

Ellie’s snarl is softer this time. Ben decides to take the chance. Sure, maybe he’s a fool, but she is still his girl.

Step by step, he walks into the darkness, toward the waiting wolf.


The Flattened Penny
A.F. Stewart

I can still smell the copper stench.

And hear the way the train’s wheels screeched as it rolled over the penny on the track, squashing it razor thin. I watched Denny pick up the flat coin, after it cooled down, and wave it around laughing.

I didn’t laugh.

Denny never heard the whistle of the other train, the death train. The one I had seen before, that should have been my ride. One penny to the conductor as payment, but that foul creature didn’t care much about who held the coin. Easy enough to cheat him.

Poor Denny.

That’s the smell of copper I remember. His blood.

But better him than me.


Taking the Ride
Nina D’Arcangela

The rumble loosens my gut; thrums through my body. My eyes quake in their jelly as teeth shiver saliva from plump, rouged lips. Searing heat washes over me as the screech assaults my core. I feel the shatter of my sinus cavities as the revolution of iron pressed upon iron crushes my head. Body thrashing in the wash, I Pollock the scree, feed the weeds; slick the rail for the next eager rider.


Definitely Not a God
Lydia Prime

Beneath the rocks and rails there lies a secret that our tiny town holds. We keep quiet and everything stays peaceful, that’s how it’s always been. Mama says it’s God under those tracks, says he protects us even in his sleep. I don’t think Mama knows what God is.

Late at night I sneak down to the tracks and kick the rocks as I walk past the iron ties. I can hear it, sometimes it sounds like snoring, but other times… If Mama could hear the noises I know she’d change her mind.

Just a ways ahead, the rocks shift and I sprint to see who’s there. The air smells of earth and death, my eyes settle on a gnarled looking creature hunching over in the moonlight. All six of its eyes blink then lock on me. I’ve never seen anything more gruesome, it grins and licks its crooked lips.

I turn to run but my foot snags the rusted rail. As I scramble to my feet, four more creatures step into sight. I was right Mama, definitely not a God.


Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2019

Damned Words 38

Below Stairs
A.F. Stewart

Upstairs the music plays, a tragic operatic aria of lament and loss. It drowns out the hiss and creak of the steam and wheels, and the crunch of bones. Oblivious laughter—from the latest guests—mingles with the song, their merry voices drifting into a preceding silence of parties long forgotten.

For the dead no longer scream.

Beneath the gaiety, the servants’ footfalls tread along the stair, from back rooms and the kitchens, down to the deepest level. There, they feed the machines stockpiled flesh. Watching the meat grind, the blood and bone pulverize into dripping globs of raw spat out into vats, waiting for dinners to come. In another corner, maids tuck away silks and jewels to sell.

Nothing to be wasted. No remains to be found.

Above it all the people circulate, eating canopies and drinking wine. The host, he smiles and makes the rounds, greeting and exchanging pleasantries. He gives them all the best of times, a fitting end before they become his next feast.


Bones
Lee Andrew Forman

Firm structure to fine dust—machines turn in unending drudge. Bleach powder, chalky, light, stirs endless with their rusted labor. Ill fated are the powers which motivate the process; knowing soon they’d become its product. Weakness feeds the goods produced, monsters purchase its favor. With delicate pouf, makeup, attire; they parade around with gratuitous chortles. Their faces worn in layers of death, they grin ever wide with flavor. For a bit of coin, their color reborn, pale as frosted glass. Those suffered the gift of an end, worth only a minute of reception, would be stripped of flesh and ground to pleasure each patron.


Every Last Damnèd Soul
Scarlett R. Algee

It’s a tricky business, distilling souls. Always have to boil the bitterness off first; it gunks up the works if you don’t, and it’s a bitch to clean out, pardon my saying. Take this lot—they’ve been stewing for three days just to get the residual resentment out. Drowners, all of them. We leave the salt water in, though; customers say it adds a little something to the finished product.

Some of the souls scream while they’re rendered. Some of them sing. I’m told it’s quite enticing. I’ve mostly learned to ignore it, myself.

Madam. Madam. What are you doing out here on the floor? No, you may not touch the machines. The experience would be damnably unpleasant for both of us, pardon my saying.

Madam, please—what’s that? Your son? You think you hear your son? You have my condolences, but that’s quite unlikely. They aren’t really identifiable now, so for your safety I must insist—madam! Madam!

Oh…not again.

Patterson? Yes, idiot, of course we stop the process! We need an extraction here! She’s the third one this month!

But save the blood. Every drop. The customers say it gives a certain ambiance. Besides, she sings prettily already, doesn’t she?


Rust
Charles Gramlich

He fled. And the wicked followed. Their boots banged like gunshots as they chased him through the abandoned factory where he’d sought refuge. Down empty corridors, they went, through shattered doors. He knew this world and lost them in a room of silent turbines. The search moved on.

The hunters hooted through the vast spaces, first in glee, then frustration. The sounds faded, but the hunters were cunning. He stepped from his hiding place only to meet a brutal blow to the back. Tricked, he went down in terror, and rolled over to find himself encircled by humans. Snarling, they hefted steel bars torn from the factory’s rusted machines.

He threw up an arm; they hammered through that defense, smashing his limbs, crushing his abdomen, sending pieces of him clanging across the floor. Within moments his body lay in a heap of torn alloy. One eye sparked and sputtered. But with his other eye and the last of his consciousness he watched as they set him afire. His vision bloomed, then blackened. A human curse was the last thing he heard.

“Robot slag! Now let’s get the rest of ‘em.”


The Machine
Mark Steinwachs

I cough as my gnarled hands run over the tarnished machine. “It’s amazing how many people don’t believe it happened. Proof that humans are fools. Wirths, Mengele, Clauberg; they would have been nothing without me. Mere footnotes.” I lead him amongst the tanks, my fingers gently caressing them. I shuffle along as best I can, years of dust getting caught in the sun coming through the windows. The tiny particles remind of …“I killed millions. Let that sink in. Millions. And here I am. I live my life hidden in plain sight, just like her.” I kiss the tank gently. “Now it’s your turn. Go back and make your country great again, and then the world. Go, my lieb enkel, my dear grandson. Finish what I started.”

“I promise,” he whispers and kisses my forehead then walks away from me.

I lay down on the cold floor. The screams of decades ago flood back. Smiling, I close my eyes for the last time. I only wish I would get to hear that sweet anguish again.


Once
Mercedes M. Yardley

He was hungry. He was always hungry, always starving, always ravenous. His face was far too sharp and his cheekbones cut against his skin in the most visceral of ways. Once he had a name and even people who called him by it, and food was a bit easier to come by. Never quite enough, surely, but not too little.

He slept in the abandoned factory, catching rats and spiders when he could. It didn’t matter if they were malformed by radiation, because so was he. He stuffed them in his mouth, piece by piece, bit by bit. If he just held on, if he just stayed alive, all of this would make sense one day. He had to believe it.


Yes, Father
Lydia Prime

After closing the door, the towheaded child turned, “Father, I’ve returned the chalice. Is there anything else you need?”

“No son. Thank you for your service today.”

As the boy turned to go, he hesitated, turned back, “Father, one of the other boys mentioned a puddle in the basement, I thought I should tell you.”

Glancing at the boy, the Father headed toward the door leading down the stairs. “Where is this puddle?” he asked, hands clasped.

“Just to the left, Father, down the hall.” The boy looked shamed, almost embarrassed as though he’d heard the rumors. Could this one be asking? It seemed unlikely, but he couldn’t help himself, he ran his tongue ever so slightly across his lips.

“The generator room?”

“Yes, Father. The generator room,” the flaccid faced boy stood still and expectant.

“After you, my child.” The youth led him into the room, the light dim as always. Confusion took hold of the robed man, there were others there…waiting. The row of young boys tensed with anticipation. “What’s going on here? Did you all find the puddle?” A nervous chuckle.

“No father, we’ve found redemption. The shame isn’t ours.” As each youth smiled, the glint of their sharpened teeth told of a different indiscretion.


Feed the Machine
Nina D’Arcangela

Bones crush; the mechanism churns, always turns. Spinning, crunching, consuming. The snap of a skull; shrapnel slices the air nicking tympanic membrane. Those that man the machine have no hearing, they are born without; the ear a remnant from long ago. Chattle of the cause, a war not ours, we breed only to feed the machine.


 

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2019

Loving the Lonely Girls

He supposed that some would consider him a saint. An intelligent, good-looking man, collecting the lonely and tossed and scavenged girls he found on the side of the road. He wore them on a chain around his neck. A chain of conquests. A chain of romances. A chain of broken loves and broken dreams and horrifically broken people.

It isn’t difficult for a lonely girl to love a tender man. He says, “I understand” and her eyes grow starry. Dewy. They light up from the inside like embers. He says, “Why has nobody appreciated you?” and she swoons. He tells her, “Nobody will ever love you like I love you. I belong to you like no man has ever belonged to a woman,” and she will give him everything.

There is so very much a lonely girl can give.

The first girl became his wife. She lasted longer than she should have, perhaps, but not as long as he originally expected. She became tired and tattered, and her eyes lost their shine. The next was a friend who became something more, until she abruptly became something less. The third was a broken little thing, all hair and eyes and fairly begging to be cherished. The fourth was a woman older than time, and perhaps a villain in this life or the next.

The others weren’t even memorable. But their finger joints and molars and locks of hair were treasures. Shiny, golden treasures. He held them, wept into them. Wrapped them in pieces of fabric torn from their dresses and work uniforms and kitchen aprons. He stuffed the fabric into a box and kept it at the foot of his bed.

One of his lonely girls eventually turned these scraps of fabric into a warm quilt. She had bent over her sewing machine, running the scraps under the needle with a tenderness that bound, bound, bound. He wrapped this blanket of trophies around himself at night. He thanked his girl with his mouth and his tongue and his blade. She had been useful and thoughtful until the end, and then she just became used.

He ate them. He ate their souls. He devoured their desires and dreams. He held their wants and their screams and trust in his mouth, in his lungs, and when he breathed out, he breathed out their sorrow. But he wanted more. More and more and more. Hungry boys love lonely girls. Love them to pieces. Love them to bits, and bits, and even smaller bits.

 Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

 

Damned Words 36

 

Gentle Caress
Nina D’Arcangela

Her tears fall in gentle caress; the cacophony within grows. Metal screeches and groans as rivets strain; the contortion as abnormal as the abomination itself. Haunting echoes mimic her pain; the moan of a mother forced to witness a great affront. Torn from her body: distorted, punctured, malformed. Mother’s milk tries to soothe that which can never be unwrought.


Reapers
A.F. Stewart

Rusting steel, exhaust, and the roar of engines. That is the world of ancestors left us. The screams of the hopeless and the lingering smell of blood in our noses. Tonight, I stand sentinel atop this makeshift parapet, above tribal bones bleached by time and weather. Each skeleton nailed to the metal with reverence, a sacrifice to Death and warning to would-be enemies.

I wait for the hunters to ride out. Nomads have camped at the far river, and tonight, their blood runs red into the waters. Save for two. They are young and fresh, in the turning years between child and adult. They are ours.

Seven days the boy will hang from our rack until pain becomes his mistress and he is ready to join our ranks. To serve Death. We will sacrifice the girl, her flesh flayed from her bones and her flowing blood replenishing the soil. I will cherish her screams well after Death claims her. I shall hang her skeleton from the north tower, in homage to our god. I long to hear her bones rattle in the wind.

I smile. This is who we are. This is what we have made of our world.


Gasworks
Mercedes M. Yardley

It was a busy park full of people and picnic blankets patchworked together on the hill. When it was sunny, everyone jammed themselves together like boats crowding the dock. They flew kites. They lapped up the rare sunshine. They watched their little ones playing tag with strangers.

It would be joyful, but Cora could see more than others. She could see a person’s life span, could see the vitality draining from them, could see who had fifty more years or ten more days or five more minutes. The people were bags of would-be rotting flesh, smiles peeling back in decay.

There were so many faces, so many draining hour glasses, that it was impossible to focus on just one. So much better than home where one timeline caught her attention, her stares, her focus. He was a small boy with a gap-toothed smile, one precious second running out each time he called her “Mama.”


Arrogance
Mark Steinwachs

“Let that gorgeous sky be a reminder; Mother Nature never worried about you. Your kind barely blipped on her radar. You brought the end on yourselves. Not through her destruction but through your baseness. Humans,” Michael’s voice booms, dripping with loathing. “You eroded yourselves and your punishment is at hand.”

You look up, frantically searching for an escape. Your mind goes to when God unleashed his minions and within those first few moments you knew how wrong humans were… about everything. You’ve watched angels and demons, heroes, villains, and gods from across time and continents display what it means to kill in His name.

Your attempt to survive ends in this insignificant place. The last thing you’ll see; rust-covered metal. The color of human legacy. Boots on grated stairs announce your fate. You turn. Michael, wings spread in glory, arcs his gleaming sword down.


As Yet, Disquiet
Scarlett R. Algee

For as long as we’ve lived in this valley, contending with the things under the earth that would devour us, we’ve had the Machine, and the Machine produces the Sound.

We talk about it in capitals, the Sound, though we don’t hear it; we’ve known it years, decades, longer. Only if you leave the valley will you become aware of its absence, poking into your senses the way you’d prod at the gap from a missing tooth. And when you return, you’ll actually hear it for an instant: your eardrums vibrating with the great low hum, your teeth set on edge, before the Sound slots back into your brain where it belongs. It’s everything that’s safe, this hum we’ve stopped hearing.

Or it was until fifty-seven seconds ago, when the Machine failed.

And already, we can hear something greater than the Sound: the grinding of earth in great jaws, tremoring below our feet.


Extinction
Charles Gramlich

I listen closely. Raw petroleum, pumped fresh from the ground, rumbles through the great pipe overhead. But that sound is always present. I’m in an oil refinery, after all. This is something else, a hollow, echoing throb. My mind offers a descriptor for the sound, one that makes no sense. The descriptor is…ancient.

I shake my head. It’s been a long day. Lifting the wrench I carry, I tap it hard against the pipe. Metal tings on metal, ringing like a bell in a church for sinners. I don’t expect an answer.

I get one.

The pipe booms. Rust powders down. I leap back convulsively. Metal rivets pop. A spray of yellow-black crude whips me across the face. I smell hydrocarbons, organics. Petroleum comes from once living things, like dinosaurs. Everyone knows that. But it’s all extinct now. No life could survive the pressures under which petroleum forms. No normal life.

More rivets explode. A thick stream of sludge nails me where I stand. Something that’s supposed to be dead slips taloned fingers through the breach in the pipe and begins to peel it open. Looks like extinction isn’t quite what it seems.

I hope that’s true for humanity.


Eye to Socket
Lydia Prime

The metallic taste in my mouth was nothing compared to the aroma that surrounded me. The tacky, filth covered walls offered no help in the darkness as I sloshed and fumbled.  Finally, I remembered the lighter hidden in my hip pocket; its tiny glow flickered amber. The rusted enclosure smothered my senses; russet liquid filled the chamber to mid-thigh. A loud rushing filled my ears as the fluid drained revealing small sepia mounds. I reached for one, brought it closer for inspection—breathless and alone, I stared eye to socket with my future.


All that Is
Lee A. Forman

All that is flows through bleeding steel, weathered like old bones left unburied. The drab shell holds fresh sustenance. Its purpose before, I do not know. Different stories, most untrue. I think it doesn’t matter. Only tomorrow, maybe today.

Over the heads in front I see the Waiters. They serve only the few. The many must leave their plates behind and be all that is.

Each piece of fiction is the copyright of its respective author and may not be reproduced without prior consent. © Copyright 2018

Milk and Moonshine

She was cursed with a fairness that strangled her. Expectations woven into her dark hair, an openness and roundness to her eyes that filled her with horror. They were too pale, too pure, too winsome to protect her. Terrors poured in while tears poured out. Hate and bile ran through her veins, but when her white skin tore prettily, nothing oozed out but healthy scarlet.

“What is your name?” they asked. Townspeople. Sweet old women. Starry-eyed men, lads whose bones were made of milk and oatmeal.

Pestilence. Famine. Hatred. Murder, she answered, but the words changed inside of her mouth, left her soft, dewy lips like starlight.

“My name is Orva. It means ‘golden one’,” she said aloud, and blushed demurely.

She grew up with a boy name Jorge. His last name meant ‘meadow’, and he was just like a meadow himself, with soft and gentle hands. He caught animals in his traps, whispering sweetly in their ears as he twisted their necks or slit their throats. He skinned them, his beautiful hands slick and red, and this is how he helped feed their village.

“This is for you,” he told her once, as tender as new teens, and handed her a stole of rabbit fur. He wrapped it carefully around her shoulders.

“Thank you,” she said, and smiled charmingly, then tried to slash her wrists on the knife at his belt.  Her eyes merely flicked toward it, instead.

“I’m sorry that I have to use such a thing,” Jorge said. “I hope it doesn’t disgust you.”

She looked him in the eyes and took his hand. For the first and last time in her life, her lips said exactly what was in her heart.

“Jorge, some things need to be. And you’re so tender with them while you do it. I’ve never seen such kindness.”

She saw the light in his eyes, and knew what it meant. Over the years, she never saw it go out.

Orva tried to shriek for help, to scream in rage, but her voice was so dulcet. So small. It tinkled like bells. Charming. Merry. She ran to the elder in town. Told him what she thought of him, of the oppressive ideals and the spin-and-twirl roll that she played. She told him that his mother was a hag and he himself a goat, and she wished he was dead. That they’d die. That the entire village would burn and be pillaged and everybody, including herself, raped and murdered and scattered about in pieces.

The words escaped her cupid bow lips and turned to honey. She heard herself laughing with pure joy. Praising his robe. Musing about the darling shape of the clouds. He patted her cheek and told her to go gather wildflowers in her skirt. To plait them in her hair, like the good girl her Mama had always wished for.

“Wishes sometimes come true,” the elder said knowingly, and something passed across his eyes like clouds. Stardust and magic.

Orva obediently skipped off, and cried the entire way.

Her tears were pearls, and made the town rich. They were sewn into bridal veils and fine dresses that she refused to wear, except that her sweet mouth could make no such refusal.

So fine. So good, the townspeople said as they dressed her. Isn’t she the most magnificent thing? Thoughtful and cheerful and full of beauty.

The flowers made an exquisite crown for an exquisite beauty. She tried to pierce her eyes with the thorns so she wouldn’t see how people looked through her, but she merely fluttered her lashes instead. She took her tender wrist to her mouth, touched it with strong, straight teeth, imaging how it would feel to cut through to the vein, to release herself and let people see what she really looked like inside. Perhaps they could love her for her own kind of beautiful. Perhaps she could be enough.

Her teeth didn’t tear into her skin. She kissed her own wrist, over and over and over. She screamed, and the sound of her joyful singing echoed over the valley.

Starlight. Moonshine. She had girlish love in her eyes, color in her cheeks. Jorge was no longer a boy. He stole soft kisses from her, breathless, far too in love, dangerous. No, Jorge, she said. I don’t want this. You don’t even know who I am. Take that knife on your belt and use it. Place it to my throat. Let me go.

He reached for something at his waist, and her heart filled. Shone. He raised his hands, ran them over her shoulders. Upward. She closed her eyes, white teeth biting at her lips.

“I have something for you,” he said. Slim fingers on her pale neck. Something cold.

The blade.

She hoped the pain would be swift. She prayed it would be sure.

A necklace. Made of precious stones and metal and time and desire. He fastened it around her neck, nervously. Tears ran down her cheeks, wetting his fingers.

“I’ll take care of you,” he said. “Love you always. I’ll feed you on milk and pray to always see the moon shine in your eyes. Will you have me? Will you love me?”

No, no, I don’t know how to love. I’ll poison you with my kisses. Kill our children in my womb with bitterness. It will be despair, and you deserve so much better.  

“I love you,” she whispered, and fingered the necklace she wore. Kissed his lips shyly. Buried her face in his shoulder. He held her so close that she couldn’t breathe.

She glowed. Smiled. Inside, she turned her face to the wall and died.

∼ Mercedes M. Yardley

© Copyright Mercedes M. Yardley. All Rights Reserved.

Damned Words 34

 

Taunts and Beckons
Jon Olson

The doctors said I’ve been blind all my life. If that were true I wouldn’t be lying here in restraints. No matter how many times I’ve screamed, nobody listened.  I even clawed my eyes out to erase the image but all they did was tie me down in a padded cell. And I can still see the same sinister flower in full bloom. It’s always moving and not swaying gently in a light breeze. No, the petals curl up like fingers, taunting and beckoning me to come closer. But I cannot move nor look away. My screams and prayers go unanswered as if Death itself has forgotten me. What is it that you want? It just taunts and beckons…


Some Carnivores Have Roots…
Lydia Prime

Agile movements by a tongue so sharp and sleek, blackened teeth stretch wide to distort the mighty jaw. Concealed by delicate beauty, secrets lie inside their florescent warning. A field springs up with no gardener in sight and onlookers are drawn to the mysterious plants. Mobility is unnecessary for the ravenous blossoms the Reaper keeps.

Those misguided admirers lean too near the center for a closer peek, before a second thought is had, flesh and bone are devoured while blood and soul slurp down their immaculate throats. The first crimson droplets soak the yellow petals of the rooted beasts; the golden plot now scarlet after the grotesque feast.

Gurgling sounds echo from the rows of flowery plumage while his grimness emerges from the dark. Satisfied by quick collection, the lemon color returns.


Gifts
Mercedes M. Yardley

You think each one will be memorable. You assume you’ll remember every place, every time, every circumstance. But that isn’t the case at all. After a while, all of your victims begin to blur together.

They become montages of broken smiles, smudged lipstick, and shattered fingernails. You forget which one smelled of jasmine and which one smelled like old library books.

Oh, you especially loved the one that smelled like old library books.

So you go out of your way to remember. Capture their essence. Perhaps you begin by taking pictures. Before the murder, and then after. You build up to pictures during the act, which frightens them the most.

They used to ask “Why?” but now the question is “Are you recording this?” You know what they’re really asking. “This won’t stop, will it? Will you post it on the Internet? Will my father see this? Please don’t let my father see.”

After the deed is done, you dispose of the body and secret the recording away. But you take something, like a small gold ring or the red flower from her hair, and give it to your small daughter, who watched the whole thing. Now you’ll both remember.


Corpse Flowers
Scarlett R. Algee

Two months ago they drove me out of this village, pitchforks at my back, my cottage in flames and my gardens of herbs and flowers torn to tatters, their cries of witch! and devil! and unclean! ringing in my ears.

But now I stand in the village churchyard, my hands full of promise. So hungry, these little seeds I’ve managed to save, squirming in my palms, begging to be buried. Neatly kept graves, a pretty black seed for every one, a precious red flower that will bloom from each charnel patch come daybreak. Someone’s memorial, some widow’s gift, these fools will think it, until the flowers swell under the next new moon and birth each corpse anew in viridian and crimson, in thorns and teeth and mindless ravenous hunger: hunger for bone and flesh and sinew, for heart and blood and brain, for fulfilling my will. The wretches who forced me forth with scarcely the clothes on my back will beg, then scream, then die—and I’ll watch, and I’ll laugh. A beautiful sight, the yearning of the starving dead for the living ones they so outnumber.

Let me see who calls me unclean then.


From the Ashes, Fire
A.F. Stewart

Grey light from a waning sun shed itself across the burnt wasteland that used to be a forest, weaving pale silhouettes and glimmers of faint light. A feeble ray caught the colour of a single blooming flower sprouting from the ash; a flash of garish orange petals surrounding a black center. An anomaly of life springing past the spectre of death.

In the hushed air, over the charred remains and skeletons, hung the stench of smoke and silence, yet you can hear it: the small sizzle, the crackle of simmering embers. Pop, pop, pop from the stamen, born of hellfire and blackened bone, brewing spores, waiting on the fresh wind to blow down from the mountain. Waiting to spew its seed to the breeze, to drift away to new, fertile ground.

Away to different land where more flowers will take root, burrowing malice and annihilation into the ground. Where pristine fire will erupt from the soil and burn its tendrils through all life. Where death, hell, and garish orange petals will flourish in the ashes.


The Contract
Mark Steinwachs

I gambled and lost. My fate delivered in the vibrant photograph before me. Its near perfection only makes the flower’s two off-angle anthers stand out. I knew what I signed up for, quite literally, after our third date. He told me about his others, their flaws and weaknesses. My signature on the contract, my convicted belief. A kid from a second-rate drag show, saved by a wealthy man and shown the world. We all dreamed we’d live that movie. I did—and I looked better in a tight black skirt too.

I sat in the chair he had specially made. My chair, our chair. His hands effortlessly tied the knots as he had countless times before. The moment he mentioned he had something special today, my calm anticipation became jumbled nerves. That’s when he showed me the photograph. Unrivaled beauty, but…

He released the picture, which floated morosely to the floor. I closed my eyes, wanting his voice to fill me. “You were so close, which makes your imperfection all the more glaring.”

I felt the barrel against the back of my skull. The click of the safety my last memory.


Garden of Whispers
Lee Andrew Forman

My eyes close as pedals open, releasing the scent of tender care. One deep breath fills my lungs with delicate flavor; remembrance accompanies the indulgence in flashes of silver and red, visions of eyes screaming, then closing. My hands grab at the soft dirt, fingertips dig in. Ecstasy flows in tandem. I inspect each bloom, check for flaws. They are my life and I am theirs. They whisper more, and more I bring. Ravenous things, they are. But so beautiful; I can’t help but love them. I only bring the finest ingredients to my lovely garden—fresh and still bleeding.


Looming
Nina D’Arcangela

Looming, always staring. It watches no matter where I go, following with its stamen; feeling, tasting with the ever so slight quivering of its bracts. It’s inescapable. The stench nearly as bad, it puffs spore, tiny yet distinguishable. How I loathe its presence. I remember a blue sky, one that brought light to the day before iron tinged the air. Scientist with grand ideas; the ever ravenous desire to get there first.  The human genome was never meant to be spliced with the flora found in earths deepest chasms. But here we are, living under the dome of a relentless beauty that would see us snuffed from existence as easily as a child plucks a flower. But it’s the waiting, really, the looming as it picks us off one by one — that’s the part that’ll drive me insane one of these days.


Each piece of fiction is the copyright of its respective author
and may not be reproduced without prior consent. © Copyright 2018

Every Day Kintsugi: The Glory of Her Broken Parts

Her grandfather told April her first lie.

“There is an ancient Japanese art called Kintsugi,” he said. “It is when you take something broken and repair it with gold. This turns it into a beautiful thing of even more value. Pottery has been fixed this way for many generations. People are fixed this way, too. Take the flaw and turn it into something better. Can you imagine that, April? Taking the worst part of yourself and working it into something admirable?”

This made April’s dark eyes shine. She wanted to be loved in all her imperfections. She wanted to stand in the glory of her broken parts. Her mother, ever so strict and exacting, railed against her because she wasn’t smart enough, wasn’t disciplined enough, didn’t have skin that glowed with the luminance of pearls and a voice that commanded the oceans. At first April shrank in fear, but then she remembered the promise of Kintsugi.

“I will let the damage become something better,” she said aloud, and she drew the horse hair of her bow far too loudly against the violin, and drew her eyeliner on with too heavy a hand. She took off her clothes in front of boys and girls and teachers. She traded her school uniform for something that looked nice on the back of a motorcycle or inside a police car.

Crash crash crash. Break break break. She told lies and stories and pressed false charges and faked miscarried babies. She stole wallets, hearts, social security numbers and government secrets. She knew that the more she broke, the more she would shine. She destroyed documents. She sabotaged marriages. She sold her soul and intel and the diamond necklace that had been her only birthright.

Her mother’s tears were made of gold.

There was a bomb, a terrible thing, that had burned the clothing from her grandfather’s back and seared it to his skin. Now there was a new bomb, the ultimate Kintsugi, that would shatter everything apart so it could be mended with so much gold that the mind dazzled.

“I can save all of us, repair mankind completely,” April said, her eyes fiery. Her hand smashed on the bomb’s button. But this is modern-day America, not 15th century Japan, and when you pulverize something as badly as April had done, there are no more parts to gently piece together. You end up with handfuls of rubble. You end up with dust. There’s nothing left to repair, and even if there was, this is the age of disposability. You take that chipped piece of pottery and you toss it in the other teeming piles of refuse, and never think of it again.

∼ Mercedes M. Yardley

 

© Copyright Mercedes M. Yardley. All Rights Reserved.